scholarly journals Multi-Camera Workflow Applied to a Cultural Heritage Building: Alhambra’s Torre de la Cautiva from the Inside

Heritage ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 21-41
Author(s):  
Anto J. Benítez ◽  
Xose Prieto Souto ◽  
Manuel Armenteros ◽  
Esteban M. Stepanian ◽  
Rubén Cantos ◽  
...  

It is increasingly necessary to generate accessible and navigable digital representations of historical or heritage buildings. This article explains the workflow that was applied to create such a digital component for one of the least accessible areas of the Alhambra palace in Granada, the so-called Torre de la Cautiva (Tower of the Captive). The main goal of this process was to create affordable, photorealistic 3D models that contribute to the dissemination of cultural heritage, the decision making for its conservation and restoration, and public engagement and entertainment. With enough preparation, the time spent gathering data following a Structure from Motion (SfM) approach can be significantly reduced by using a multi-camera (low cost DSLR) photogrammetric strategy. Without the possibility of artificial lighting, it was essential to use RAW images and calibrate the color in the scene for material and texture characterization. Through processing, the amount of data was reduced by optimizing the model’s topology. Thus, a photorealistic result was obtained that could be managed and visualized in immersive Visual Reality (VR) environments, simulating different historical periods and environmental and lighting conditions. The potential of this method allows, with slight modifications, the creation of HBIMs and the adaptation to VR systems development, whose current visualization quality is below the resolution of actionable models in rendering engines.

2019 ◽  
Vol 63 (1) ◽  
pp. 77-86 ◽  
Author(s):  
Bogusław Podhalański ◽  
Anna Połtowicz

Abstract The article discusses a project that features the relocation of the historic Atelier building, built by Krakow-based architect Wandalin Beringer (1839–1923) who was active in the early twentieth century, and the regeneration of a plot belonging to the Congregation of the Resurrection since 1885, which is located at 12 Łobzowska Street in Krakow. The method includes cutting the entire structure off at the foundation and then after reinforcing it with a steel structure transporting it in its entirety to the new location. The project included two possible variants of moving the building in a straight line, either by 21 or 59 metres and evaluates two projects of further regeneration, the adaptive reuse of the building as an exhibition and religious space as well as a proposal for the remodelling of the nearby plot that belongs to the Congregation into a space for meditation and as a recreational park. The aim of these measures is to prevent the demolition of this building, now over a century old, as a result of which a forgotten element of the cultural heritage of the city will be saved. This project was based on the results of analyses of the cultural and historical conditions of Krakow. The block of buildings in which the Atelier in question is located is a very attractive location, near to the very centre of Krakow, adjacent to residential, service and educational buildings. It is directly adjacent to the Monastery Complex of the Congregation of the Resurrection, listed as a heritage building under conservation protection (municipal registry of heritage buildings). In the second half of the twentieth century, the building was used as a workroom by artists such as Xawery Dunikowski and later by the sculptress Teodora Stasiak. The case of the Atelier may provide an inspiration for discussion as well as raising awareness among citizens and city authorities to avoid future situations in which cultural heritage may become forgotten or demolished.


2021 ◽  
Vol 11 (12) ◽  
pp. 5321
Author(s):  
Marcin Barszcz ◽  
Jerzy Montusiewicz ◽  
Magdalena Paśnikowska-Łukaszuk ◽  
Anna Sałamacha

In the era of the global pandemic caused by the COVID-19 virus, 3D digitisation of selected museum artefacts is becoming more and more frequent practice, but the vast majority is performed by specialised teams. The paper presents the results of comparative studies of 3D digital models of the same museum artefacts from the Silk Road area generated by two completely different technologies: Structure from Motion (SfM)—a method belonging to the so-called low-cost technologies—and by Structured-light 3D Scanning (3D SLS). Moreover, procedural differences in data acquisition and their processing to generate three-dimensional models are presented. Models built using a point cloud were created from data collected in the Afrasiyab museum in Samarkand (Uzbekistan) during “The 1st Scientific Expedition of the Lublin University of Technology to Central Asia” in 2017. Photos for creating 3D models in SfM technology were taken during a virtual expedition carried out under the “3D Digital Silk Road” program in 2021. The obtained results show that the quality of the 3D models generated with SfM differs from the models from the technology (3D SLS), but they may be placed in the galleries of the vitrual museum. The obtained models from SfM do not have information about their size, which means that they are not fully suitable for archiving purposes of cultural heritage, unlike the models from SLS.


Humaniora ◽  
2016 ◽  
Vol 7 (1) ◽  
pp. 87
Author(s):  
Sri Rachmayanti ◽  
Christianto R. ◽  
Anak Agung Ayu Wulandari

Kartika Wijaya Hotel and Niagara Hotel-Malang are two heritage buildings, which are well managed to preserve their historical building that, has been established since 1891. We can find good harmony and variety in interior elements and design styles, such as Colonial style, Art Noveau and Art Deco style. The purpose of documentating this heritage building that has different design styles is for those who needed. The data will be classified according to the period of the development of the buildings and characteristics of existing styles. The research objective on Kartika Wijaya hotel building and art styles is to preserve historic buildings in Indonesia, through documentation of interior elements and architectures, and to conducted a study of the interior and architectures elements, interior design ornaments, that founded in historical Kartika Wijaya Hotel and Niagara Hotel in Malang, whose the existence needs to be preserved. 


Yuridika ◽  
2018 ◽  
Vol 33 (2) ◽  
pp. 232
Author(s):  
Hilda Yunita Sabrie

The cultural heritage of a region is the identity and richness of history for the region. Given the importance of the existence of cultural heritage in an area, the local government should pay special attention to the continuity of its existence. Through inventory, listing the cultural heritages, maintenance until its restoration must be done properly and continuously. This is not only the responsibility of the local government, but it is the responsibility of all parties including the local community. But in practice, local government or society are less concerned about the existence of cultural heritage in the area. This research focuses on cultural heritage buildings in Surabaya because this city is one of the cities in Indonesia which has many buildings of cultural heritage with various conditions. Local governments need to act quickly and effectively to solve the problem, so the solution can be done by including third parties such as insurance companies engaged in the insurance of losses, which can help to cover some form of damage that occurred in the building of the reserve culture in Surabaya. From the problems mentioned above, the research method used is statute approach and conceptual approach.


2019 ◽  
pp. 443-468
Author(s):  
Michele Russo ◽  
Anna Maria Manferdini

This contribution presents the results of investigations on the reliability of techniques based on the Structure from Motion approach used for 3D digitizations of build heritage. In particular, we tested the performances of different SfM technologies within an architectural survey context and we developed a procedure with the purpose of easing the work of surveyors called to restore digital representations of artifacts at different scales of complexity. The restored 3D models were compared among each other and with a gold standard acquisition. These analysis led to qualitative and quantitative evaluations and to considerations on times and skills required by all tested technologies. In this work strengths and weaknesses are highlighted and the integration of different technologies is presented, as it represents the best solution in many and recurrent multi-scalar contexts.


2021 ◽  
Vol 16 ◽  
pp. 97-103
Author(s):  
Gehan Nagy ◽  
Esraa Abdelhady

In the past few years, the field of thermal comfort has been using the term smart sensing widely. However, barriers may occur due to the inaccuracy of the data collected by smart sensing. The aim of the paper is to evaluate the thermal comfort of occupied heritage buildings by utilizing post occupancy evaluation (POE) as a tool in addition to smart sensing. The accuracy of the overall evaluation process using POE will be increased. The applicable case study presented in the paper is an office space within a building consider as a heritage building in Downtown Cairo. This paper argues the errors obtained due the inaccuracy of data collected from low-cost smart sensors to provide a list of assumed barriers in order to overcome them. The comparison between a POE study results and the actual thermal measurements results obtained from smart sensors installed to evaluate the office’s thermal comfort through evaluating the data collected for temperature and humidity in the period of 6 months during the summer. On the other hand, a questionnaire was taken by the occupants in the office to apply the POE study. Therefore, the results of both the data collected from sensors and the questionnaire from the POE study to determine the barriers caused by lack of accuracy.


2020 ◽  
Vol 3 (1) ◽  
pp. 97-112
Author(s):  
Bagas Rizky Rahaditya ◽  
Wiliarto Wirasmoyo

Abstract: Bandung Hall Station is one of the main gates to get to Bandung in the railway sector. On the other hand, Bandung Hall Station is one of the cultural heritage buildings and it belongs to the category A cultural heritage building. This station serves departures and train stops from various types of trips. For stations with large capacity, this station has many problems especially in access and circulation. For this reason, it is necessary to improve the quality of services carried out to accommodate the satisfaction of train service users. The approach used is Bernard Tschumi's deconstruction architecture. The method used is the rational approach method and is solved by synthesis with the architectural deconstruction approach of Bernard Tschumi's method. The method used as a site approach is a consolidation method. For the method of approach to building design used typology methods. Bernard Tschumi's Deconstruction concept supports the design goal of being fit to space to activities in order to linking facilities with the surrounding station buildings so that it becomes a unity. The aim is to help in improving services from PT. KAI and also to improve the safety and comfort factors for service users.  Keywords: Deconstruction, Fit to space to activities, Rational approach, Hall Station. Abstrak: Stasiun Hall Bandung merupakan salah satu gerbang untuk menuju ke kota Bandung di sektor perkeretaapian. Di sisi lain, Stasiun Hall Bandung merupakan bangunan cagar budaya. Untuk mendesain di sebuah bangunan cagar budaya perlu diperhatikan regulasi yang berlaku terkait bangunan cagar budaya. Tujuannya untuk melestarikan peninggalan sejarah bagi kota Bandung. Stasiun Hall Bandung tergolong kategori bangunan cagar budaya golongan A. Stasiun ini melayani pemberangkatan dan pemberhentian kereta dari berbagai jenis perjalanan. Untuk stasiun dengan kapasitas besar, stasiun ini memiliki banyak permasalahan terutama pada akses dan sirkulasi. Untuk itu perlu adanya peningkatan mutu pelayanan yang dilakukan untuk mewadahi kepuasan pengguna jasa kereta api. Pendekatan yang digunakan adalah arsitektur dekonstruksi Bernard Tschumi. Metode yang digunakan adalah metode rational approach dan diselesaikan dengan sintesis dengan pendekatan arsitektur dekonstruksi metode Bernard Tschumi. Metode yang digunakan sebagai pendekatan pada site adalah metode konsolidasi yang akan membuat pengunjung nyaman dan mudah untuk melakukan kegiatan disini. Untuk metode pendekatan perancangan bangunannya menggunakan metode typologi. Konsep Dekonstruksi Bernard Tschumi menunjang untuk tujuan desain menjadi fit to space to activities yang mengaitkan fasilitas dengan bangunan stasiun sekitarnya sehingga menjadi kesatuan. Tujuannya untuk membantu peningkatan pelayanan dari PT.KAI dan juga untuk meningkatkan faktor keamanan dan kenyamanan bagi pengguna jasa.Kata Kunci: Dekonstruksi, Fit to space to activities, Rational approach, Stasiun Hall


2021 ◽  
Vol 30 (3) ◽  
Author(s):  
James Rilatupa

The Sion Church is one of the cultural heritage buildings that still need to be maintained, given its condition that has begun to deteriorate. It is fitting that a cultural heritage building needs to be preserved, especially as a heritage asset in the capital that is more than three centuries old in dire need of conservation action. Meanwhile, routine monitoring and evaluation activities are one of the tools in preserving cultural heritage buildings. The purpose of this activity is to find out and collect data on the maintenance of a cultural heritage building so that any damage found in the cultural heritage building can be followed up. It is intended that cultural heritage buildings can be maintained and their existence is preserved because there are things that are valuable to human civilization including religion, science, culture, etc. The conditions of ability and upkeep of the Sion Church Building were assessed on the basis of weighting assessments namely in design and upkeep work suitable which was adjusted for Indonesia (humid tropical climate). Based on the results of the examination, obtained that the ability quality of the Sion Church building was 43.70 that was included in the moderate damaged maintenance condition category


Author(s):  
S. Logothetis ◽  
E. Karachaliou ◽  
E. Stylianidis

The paper illustrates the use of open source Computer-aided design (CAD) environments in order to develop Building Information Modelling (BIM) tools able to manage 3D models in the field of cultural heritage. Nowadays, the development of Free and Open Source Software (FOSS) has been rapidly growing and their use tends to be consolidated. Although BIM technology is widely known and used, there is a lack of integrated open source platforms able to support all stages of Historic Building Information Modelling (HBIM) processes. The present research aims to use a FOSS CAD environment in order to develop BIM plug-ins which will be able to import and edit digital representations of cultural heritage models derived by photogrammetric methods.


Author(s):  
M. Canciani ◽  
E. Conigliaro ◽  
M. Del Grasso ◽  
P. Papalini ◽  
M. Saccone

The development of close-range photogrammetry has produced a lot of new possibility to study cultural heritage. 3D data acquired with conventional and low cost cameras can be used to document, investigate the full appearance, materials and conservation status, to help the restoration process and identify intervention priorities. At the same time, with 3D survey a lot of three-dimensional data are collected and analyzed by researchers, but there are a very few possibility of 3D output. The augmented reality is one of this possible output with a very low cost technology but a very interesting result. Using simple mobile technology (for iPad and Android Tablets) and shareware software (in the case presented “Augment”) it is possible to share and visualize a large number of 3D models with your own device. The case study presented is a part of an architecture graduate thesis, made in Rome at Department of Architecture of Roma Tre University. We have developed a photogrammetric survey to study the Aurelian Wall at Castra Praetoria in Rome. The surveys of 8000 square meters of surface have allowed to identify stratigraphy and construction phases of a complex portion of Aurelian Wall, specially about the Northern door of Castra. During this study, the data coming out of 3D survey (photogrammetric and topographic), are stored and used to create a reverse 3D model, or virtual reconstruction, of the Northern door of Castra. This virtual reconstruction shows the door in the Tiberian period, nowadays it's totally hidden by a curtain wall but, little and significative architectural details allow to know its original feature. The 3D model of the ancient walls has been mapped with the exact type of bricks and mortar, oriented and scaled according to the existing one to use augmented reality. Finally, two kind of application have been developed, one on site, were you can see superimposed the virtual reconstruction on the existing walls using the image recognition. On the other hand, to show the results also during the graduation day, the same application has been created in off-site condition using a poster.


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