The discourse of dialect vocabulary as an expression of the identity of the people

Author(s):  
A. Kiselev ◽  
S. Shilina

The paper deals with the problem of showing the identity of the Russian people through the discourse of dialect vocabulary reflected in the classical 19 of Russian literature of the 19th century — in the collection “Notes of the Hunter” by Ivan Turgenev. The authors of the article analyzed the functions of lexical dialectisms in the writer 's essays, drew attention to the feature of using lexical dialectisms and ethnographies themselves, concluded on the importance of maintaining dialectisms as a reflection of the identity of the people.

2021 ◽  
pp. 171-185
Author(s):  
Valeria G. Andreeva ◽  
◽  

The textbook Russian Literature of the 19th Century in two volumes written by the famous scholar, Doctor of Philology Yuriy V. Lebedev is regarded as one of the most important publications in the author’s entire patriotic series of educational books. The review notes the scope of the textbook, the peculiarities of its structure, the position of the author and his concept of the development of Russian classical literature. The concept is particularly emphasized: Russian classical literature is more than just literature, for Russian people it is both philosophy and a moral guideline, and the best description of a certain period of the life of the country and the people. The review reflects the main advantages of the textbook, emphasizes its scientific basis, many valuable discoveries and generalizations that make the book relevant not only for students, but for a wide range of literary critics. Despite the primary educational goal of the reviewed work, both volumes - in terms of the depth of the covered material, the number of new thoughts and significant conclusions - are a scientific publication with a simplified system of references and minimized argumentation. Lebedev, together with the reader, takes the path of academic search, raising all questions openly. The textbook accumulates the findings Lebedev made throughout his career in articles and monographs dedicated to many classics of Russian literature, as well as minor writers of the 19th century. Lebedev recreates the conceptual connection of all events and phenomena of the literary process of the period under consideration. The review notes that the History of Russian Literature of the 19th Century attracts the reader by the researcher’s initiative in presenting parallels that reveal the connection between Russian and European literatures, the original path of our classics, as well as general ideas and life schemes that never disappeared from the writers’ field of vision but were creatively mastered in each new generation. Much attention in the textbook is paid to poetics: changes and dynamics of genres, blending of certain features of currents and trends, the image of a person and their psychology and inner world. Lebedev traces how the writers’ manner, voice, and themes are transformed along the creative path: from early to late works, how they increasingly feel the deep religious crisis growing in the country.


2019 ◽  
Vol 66 ◽  
pp. 221-244
Author(s):  
Alexander S. Tsipko

In the article the author analyzes the main notional lines in the work of A.I. Solzhenitsyn through the prism of Russian philosophy legacy. According to the author the analysis of the nature, motives and lie in the works of the writer are related to the respective works of F.M. Dostoevsky, K.N. Leontiev and other Russian thinkers. «All Communist content is turned into nonsense by the Russian life», and «all its nonsense is severe due to the intolerable truth of the suffering…», – this statement of F.A. Stepun is well pertinent to the creative work of A.I. Solzhenitsyn that shows vivid examples of barbaric cruelty of the authorities towards the people. Still, according to the author of the article, the reasons for such cruelty were reflected even earlier, in the works of Russian philosophers of the 19th century.


Polar Record ◽  
2011 ◽  
Vol 48 (3) ◽  
pp. 291-303 ◽  
Author(s):  
Maria Lähteenmäki

ABSTRACTThe academic study of local and regional history in Sweden took on a quite new form and significance in the 18th century. Humiliating defeats in wars had brought the kingdom's period of greatness to an end and forced the crown to re-evaluate the country's position and image and reconsider the internal questions of economic efficiency and settlement. One aspect in this was more effective economic and political control over the peripheral parts of the realm, which meant that also the distant region of Kemi Lapland, bordering on Russia, became an object of systematic government interest. The practical local documentation of this area took the form of dissertations prepared by students native to the area under the supervision of well known professors, reports sent back by local ministers and newspaper articles. The people responsible for communicating this information may be said to have functioned as ‘mimic men’ in the terminology of H.K. Bhabha. This supervised gathering and publication of local information created the foundation for the nationalist ideology and interest in ordinary people and local cultures that emerged at the end of the century and flourished during the 19th century.


2017 ◽  
Vol 13 (1) ◽  
pp. 9-24
Author(s):  
Akmal Hawi

The 19th century to the 20th century is a moment in which Muslims enter a new gate, the gate of renewal. This phase is often referred to as the century of modernism, a century where people are confronted with the fact that the West is far ahead of them. This situation made various responses emerging, various Islamic groups responded in different ways based on their Islamic nature. Some respond with accommodative stance and recognize that the people are indeed doomed and must follow the West in order to rise from the downturn. Others respond by rejecting anything coming from the West because they think it is outside of Islam. These circles believe Islam is the best and the people must return to the foundations of revelation, this circle is often called the revivalists. One of the figures who is an important figure in Islamic reform, Jamaluddin Al-Afghani, a reformer who has its own uniqueness, uniqueness, and mystery. Departing from the division of Islamic features above, Afghani occupies a unique position in responding to Western domination of Islam. On the one hand, Afghani is very moderate by accommodating ideas coming from the West, this is done to improve the decline of the ummah. On the other hand, however, Afghani appeared so loudly when it came to the question of nationality or on matters relating to Islam. As a result, Afghani traces his legs on two different sides, he is a modernist but also a fundamentalist. 


2008 ◽  
Vol 4 (1-2 (5)) ◽  
pp. 112-119
Author(s):  
Gayane Petrosyan

The poetry of the world-renowned poetess Emily Dickenson received general acclaim in the fifties of the previous century, 70 years after her death. This country-dwelling lady who had locked herself from the surrounding world, created one of the most precious examples of the 19th century American poetry and became one of the most celebrated poets of all time without leaving her own garden.Her soul was her universe and the mission of Dickenson’s sole was to open the universe to let the people see it. Interestingly, most of her poems lack a title, are short and symbolic. The poetess managed to disclose the dark side of the human brain which symbolizes death and eternity.


Author(s):  
Elena V. Stepanian-Rumyantseva

The article explores the peculiarities of literary portraits and studies the interconnections and contrasts between painted and written portraits. The recognizability of a portrait in pictorial art is attained not only through physical resemblance but also through “artistic deformations” that the author introduces to the appearance of the portrayed. In a literary portrait, identification is achieved both by verbal and plastic detailing and by addressing the reader’s inner experience and imagination. Traditionally, the literary portrait in the Russian literature of the 19th century is based mostly on plastic characteristics, comparisons, and color accents, and because of this, it is often defined as “pictorial”. However, portraits by Pushkin and Dostoevsky stand out as exceptionally original, as if created from a different material. Pushkin avoids detailing, instead, he presents a “suggestive” portrait, i.e., a dynamic outline of the personality. The reader’s imagination is influenced not by details, but rather by the dynamic nature of Pushkin’s characters. Dostoevsky does not inherit Pushkin’s methods, though he also turns to a dynamic principle in describing the heroes of his novels. When they first appear, he presents them as if from different angles of vision, and their features may often be in discord, which makes the reader sense a contradictory impact of their personalities, as well as of their portraits. This kind of portrait is a dynamic message, where the reader follows the hero along unexpected and contrasting paths that the author previously mapped for him. From the beginning to the very end of their works, these two classics of Russian literature present the human personality as a being in a state of life-long development, always changing and always free in its existential choice.


2020 ◽  
Vol 2020 (12-3) ◽  
pp. 143-152
Author(s):  
Tikhon Sergeyev ◽  
Vitaly Orlov ◽  
Valery Andreev

The article shows the contribution of two representatives of multinational Russia of the 19th century to the study of the ethnic culture of the Mongols: the first corresponding member of the Russian Academy of Sciences from the Chuvash, the founder of Sinology, an outstanding scientist-monk N. Ya. Bichurin (Fr. Iakinfa) (1777-1853) and the first Buryat scientist, the Buryat “Lomonosov”, Dorzhi Banzarov (1822-1855). Coming from the lower classes of the people, they became prominent representatives of the Russian democratic intelligentsia of the 19th century.


Neophilology ◽  
2020 ◽  
pp. 521-529
Author(s):  
Kirill V. Smirnov

We analyze the implementation specific of the Kore archetype, introduced by C.G. Jung and K. Kerenyi, in relation to the image of Katerina, the main heroine of the play “The storm” by A.N. Ostrovsky. The main focus is on the archetype of Katherine’s image. In the process of research, comparative typological, historical, biographical and interpretive methods are used. Due to the analysis of the works of V.V. Toporova, E.M. Meletinsky, N.A. Berdyaev, T. Eliot and others, Katerina’s involvement in the Kore archetype is revealed. We investigate the specific situation of Katerina’s life in the Kabanov family: dependence on circumstances forces the heroine to commit adultery in order to find female happiness. We prove that Katerina’s image created by A.N. Ostrovsky and actualizing the most pressing problems of the modern playwright of society, is typical for Russian literature of the Golden age in social and psychological terms. A detailed study of the main character’s image allows us to come to the conclusion that the illusory feeling and the subsequent doom to suffer reproduce the stable image of a Russian woman, ready for love, but receiving nothing in return. The results of this study may be interesting to everyone who is interested in the work of A.N. Ostrovsky and archetypes in Russian literature of the 19th century.


2020 ◽  
Vol 37 (1-2) ◽  
pp. 1-40
Author(s):  
Andrew March

The 19th-century witnessed the first efforts to draw up constitutions in traditional Muslim monarchies. Far from emerging out of popular pressure, never mind revolution, these documents were largely motivated by the desire of rulers and their chief advisors to rationalize state legal and bureaucratic authority, in order to both strengthen central state control internally and also deal with increasing European pressure, particularly in fiscal and economic matters. Nonetheless these texts reflect a language of authority and legitimacy that is to a large extent a reflection of traditional Islamic constitutional theory, before the rise of popular, mass politics and the associated ideological transformation of Islamic political thought. This article focuses instead on the Tunisian constitutional moment of 1857-1861. I focus on two important sources for the study of the emergence of modern Islamic political-constitutional thought and the problem of sovereignty. The first set are the first attempts to create written constitutions for existing regimes and dynasties. The second set are the writings of important reformist intellectuals, both from within the lineage of traditional Islamic scholarship and from the class of new elites educated along “European” models, that sought to provide the intellectual and doctrinal justification for formal, written constitutions. The primary goal of this article is to explore an important moment in Islamic modernity for the purposes of drawing a contrast with 20th-century, post-caliphal Islamist thought. The primary themes visible in 19th-century Islamic constitutional thought, on my reading, are a primarily “descending” conception of sovereign constituent power with a strong emphasis on the pre-political existence of a divine law that is both binding and guiding, but not necessarily the exclusive source of lawmaking. So-called “descending” tropes of political authority are in evidence in two primary forms: first, specific offices (most notably the Caliphate) are seen as ordained by God and obligatory on the Muslim community, which does not create them; second, power is frequently spoken of as being bestowed on rulers directly, without any mediation or authorization by the people. Where the ruler is said to derive his authority from human appointment, authorization or acclamation, this is usually done by the “People Who Loose and Bind” (scholars or other social notables) on their own authority (whether grounded epistemically or in social recognition) without election by the people they are meant to represent. Finally, while the authority of God’s law is uniformly asserted, the texts in question—from constitutions to scholarly treatises—do not tend to be preoccupied with the concept of “sovereignty” and its precise location. As 19th-century constitutionalist movements were largely elite driven affairs that pursued limited, legally-constrained governance as a path to political and economic modernization, they did not yet face opposition from mass movements using the language of Islam as a mobilizing ideology. Rather, their opposition came from entrenched elites (including traditional Islamic religious authorities) who had not yet formulated a coherent counter-revolutionary language.


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