scholarly journals Building of networks to revive the lifestyles and pass on local cultural knowledge heritage of Thai hill tribes for promotion of cultural tourism in Kamphaeng Phet

2021 ◽  
Vol 42 (4) ◽  
Arts ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 161
Author(s):  
Sally Butler

Australian Indigenous people promote their culture and country in the context of tourism in a variety of ways but the specific impact of Indigenous fine art in tourism is seldom examined. Indigenous people in Australia run tourism businesses, act as cultural guides, and publish literature that help disseminate Indigenous perspectives of place, homeland, and cultural knowledge. Governments and public and private arts organisations support these perspectives through exposure of Indigenous fine art events and activities. This exposure simultaneously advances Australia’s international cultural diplomacy, trade, and tourism interests. The quantitative impact of Indigenous fine arts (or any art) on tourism is difficult to assess beyond exhibition attendance and arts sales figures. Tourism surveys on the impact of fine arts are rare and often necessarily limited in scope. It is nevertheless useful to consider how the quite pervasive visual presence of Australian Indigenous art provides a framework of ideas for visitors about relationships between Australian Indigenous people and place. This research adopts a theoretical model of ‘performing cultural landscapes’ to examine how Australian Indigenous art might condition tourists towards Indigenous perspectives of people and place. This is quite different to traditional art historical hermeneutics that considers the meaning of artwork. I argue instead that in the context of cultural tourism, Australian Indigenous art does not convey specific meaning so much as it presents a relational model of cultural landscape that helps condition tourists towards a public realm of understanding Indigenous peoples’ relationship to place. This relational mode of seeing involves a complex psychological and semiotic framework of inalienable signification, visual storytelling, and reconciliation politics that situates tourists as ‘invited guests’. Particular contexts of seeing under discussion include the visibility of reconciliation politics, the remote art centre network, and Australia’s urban galleries.


2021 ◽  
Vol 14 (3) ◽  
pp. 1-23
Author(s):  
Hui Fang ◽  
Chongcheng Chen ◽  
Xiaozu Wu ◽  
Xiaoyan Ye

We present a framework for the event semantic retrieval of cultural tourism. Nowadays, information and communication technologies are ubiquitous and pervasive and have greatly promoted the development of cultural tourism. Cultural tourism should utilize these technologies to improve a sense of participation and experience for cultural tourists by sorting out domain-specific cultural knowledge from tourism attractions systematically, building bridges between tourism resources and cultural connotation naturally and presenting the cultural changes behind tourism resources vividly. To the end, we present a complete framework that is suitable to event retrieval of cultural tourism, helping cultural tourists learn culture in all directions and in depth quickly and easily before their cultural tours, and local government create tourism cards through the dissemination of culture connotation as well. Our main inspiration is that story-telling would be an effective form of acceptance by cultural tourists to spread the culture behind tourism resources. Concretely, our framework includes data acquisition and preprocessing, data organization and processing, and data visualization components. The data acquisition and preprocessing component is responsible for collecting historical event texts and fusing text knowledge. The data organization and processing component enables an intuitive view on properties and relations of the event elements in terms of defined event ontology for cultural tourism and supports event semantic retrieval. The data visualization component provides a knowledge navigation through dynamic display and an interactive interface with modification function. We have conducted event semantic retrieval of Minnan culture and verified the feasibility and effectiveness of the framework.


2018 ◽  
Vol 2 (1) ◽  
pp. 59-67
Author(s):  
Sri Wahyuning Septarina

Increased income of Indonesia in the form of foreign exchange one of them is because of tourism. The second tourism destination in Indonesia after Bali that attracts the attention of foreign tourists and local tourists is Yogyakarta. The attraction of this city is the legacy of nature and cultural tourism that continues to be maintained values ​​and traditions, because it is the largest capital of the development of tourism in the city. Along with the city of Yogyakarta is being clean up to realize itself as a tourist destination in Indonesia, it is worth noting some very basic things one of which is a system of tourism signs that exist today. Not apart from the nickname of the city of Jogjakarta as a cultural center, it is inevitable that cultural knowledge increasingly faded and forgotten. Therefore it must be preserved from simple-looking things but provide informative travel information. the tourism sign system which is part of the traffic sign system sub-section needs to be improved. The tourism sign system is one form of information that is short and clear which involves many disciplines. With the approach of various disciplines are expected to apply and its use can be maximally and do not forget the elements of local culture. The results of the test show good response from some related parties as suggestions and enter for infrastructure improvement in Yogyakarta.


2014 ◽  
Vol 7 (2) ◽  
pp. 136-151 ◽  
Author(s):  
Sung-Ae Lee

To displace a character in time is to depict a character who becomes acutely conscious of his or her status as other, as she or he strives to comprehend and interact with a culture whose mentality is both familiar and different in obvious and subtle ways. Two main types of time travel pose a philosophical distinction between visiting the past with knowledge of the future and trying to inhabit the future with past cultural knowledge, but in either case the unpredictable impact a time traveller may have on another society is always a prominent theme. At the core of Japanese time travel narratives is a contrast between self-interested and eudaimonic life styles as these are reflected by the time traveller's activities. Eudaimonia is a ‘flourishing life’, a life focused on what is valuable for human beings and the grounding of that value in altruistic concern for others. In a study of multimodal narratives belonging to two sets – adaptations of Tsutsui Yasutaka's young adult novella The Girl Who Leapt Through Time and Yamazaki Mari's manga series Thermae Romae – this article examines how time travel narratives in anime and live action film affirm that eudaimonic living is always a core value to be nurtured.


2013 ◽  
Vol 8 (1) ◽  
pp. 92-109
Author(s):  
Hannah Bacon

Is fat a sin? Popular ‘knowledge’ about obesity which frames fat as an avoidable behavioural condition would certainly suggest it can be blamed on the fat person. Discourses of health reproduced within public policy and media reporting assist in the pathologization of fat bodies, insisting that fat is the result of unhealthy lifestyle choices. It is, however, not simply medical interpretations of fat that facilitate this moral discourse. Religion also provides an important source of moral judgment. This paper draws on my qualitative research inside a UK secular, commercial slimming group to consider how the Christian moral language of sin functions within this setting to construct a politics of choice that holds the dieter personally responsible for her fat. Interpreting weight loss and weight gain as a measure of moral character, this theological language assists in the operation of ‘normative conformity’, conforming women’s bodies to cultural knowledge about fat.


2015 ◽  
Vol 3 (2) ◽  
pp. 201-218
Author(s):  
Francis Chuma Osefoh

Some of the renowned world tourism countries have special peculiarities in character in terms of their nature reserves and built environments; that made them stand out for their attractions and visits. These qualities range from conservation and preservation of nature reserves, built environments- epoch architectural supports over the years; historical heritage; political; religious; socio-economic; cultural; and  high technology that enhance culture. The virtues of multi- ethnic groups and multi- cultural nature gave Nigeria a rich cultural heritage, and she is blessed with natural wonders, unique wildlife, and a very favorable climate. More often than not less attention and importance are placed over the nature reserves and built environments to the detriment of tourism in lieu of other sectors. Summarily the country lacks the culture of conservation and preservation of her abundant resources to promote cultural tourism. Case study strategy was applied in the research tours with reports of personal experiences, documentaries and analyses of sites visited in Europe and Nigeria were highlighted with references to their attributes in terms of structures and features that made up the sites as relate to culture and attraction.The task in keeping rural, city landscapes and nature reserves alive stands out as the secret of communication link from the past to present and the future; which tourism developed nations reap as benefits for tourist attraction.


Sign in / Sign up

Export Citation Format

Share Document