scholarly journals The comparison of classical weaving and laser technology in denim fabric’s design

2021 ◽  
Vol 72 (04) ◽  
pp. 418-425
Author(s):  
BEFRU R. BÜYÜKBAYRAKTAR ◽  
GÜLCAN ERCIVAN BATUR
Keyword(s):  
Structural Parameters ◽  
The Other ◽  
Laser Technology ◽  
Laser Technologies ◽  
Weaving Technology ◽  
Surface Patterns ◽  
The Aesthetic ◽  
Twill Weave ◽  
Derivatives Of ◽  
Design Steps

Denim fabrics became a preferred product by many people, because of especially being a symbol of comfort. In thisstudy, the aesthetic and physical design of denim fabrics were carried out. It was aimed to compare the surface designsand structural parameters of denim fabrics obtained by weaving and laser technologies. Besides the design steps ofweaving and laser technologies were explained and compared. Twelve denim fabrics having different surface designswere obtained with the intersection of indigo dyed warp and non-dyed weft yarns based on the theme of “contrast” byusing derivatives of twill weave. Besides, these surface patterns were applied to classical denim fabrics by lasertechnology. The surface properties of denim fabrics produced by weaving technology were different for each surfacedesigns because of different floatings. However, weaving is a time-consuming method and the design steps are morecomplicated. On the other hand, surface patterns of fabrics obtained by laser technology were found similar to wovenones and it had advantages as having greater design capacity, being a simpler, faster and eco-friendly method

scholarly journals Theory of the Icon of Christos Yannaras

2021 ◽  
Vol 4 ◽  
pp. 64-69
Author(s):  
Tina Mosiakina
Keyword(s):  
The Other ◽  
Surrounding World ◽  
Other Hand ◽  
The Aesthetic ◽  
Theological Thought ◽  
Derivatives Of ◽  
The Erotic

The article regards the phenomenon of the icon in the interpretation of Greek theologian and philosopher Christos Yannaras. His work Personality and Eros is taken as a basis, where the author describes this phenomenon, based on a thorough body of works of Orthodox thought.The icon is primarily considered not only as a model of reality, reflection or image of events and objects, or allegory-allegory; attention is focused on the icon as a category of cognition. The study traces the conditions of functioning of the iconological language, as well as its connection with apophatic and cataphatic theological thought. The specifics of the poetics of the iconological language are also revealed, aiming at both concealment and elucidation of the truth.An attempt is also made to transfer the theory of the icon to the anthropological plane, in accordance with the erotic gesture of self-denial. The focus is on the aesthetic component of the iconic perception not only of icons but also of other phenomena of art or the surrounding world. Thus, owing to the derivatives of the theory of the icon, the analysis of art in the anthropological plane is carried out.Possible types of reduction of the iconological language according to the function of the icon as a means of cognition are also revealed. In this regard, the significance of the so-called ‘theology of assimilation’ and its possible connection with the moralistic reduction in the interpretation of Ch. Yannaras are analyzed. On the other hand, aesthetic reduction is also described, which, in turn, has the ability to provoke iconoclastic resistance.Thus, the aim of the work is to study the phenomenon of the icon as a category of knowledge in the works of Ch. Yannaras, as well as to consider the icon and the iconological language in their connection with issues of the aesthetic and anthropological nature.

Energy Approximation

2017 ◽  
Author(s):  
Philip Isett
Keyword(s):  
Main Lemma ◽  
The Other ◽  
Coarse Scale ◽  
Continuous Solutions ◽  
Material Derivative ◽  
Energy Variation ◽  
Energy Approximation ◽  
The Difference ◽  
Derivatives Of

This chapter presents the equations and calculations for energy approximation. It establishes the estimates (261) and (262) of the Main Lemma (10.1) for continuous solutions; these estimates state that we are able to accurately prescribe the energy that the correction adds to the solution, as well as bound the difference between the time derivatives of these two quantities. The chapter also introduces the proposition for prescribing energy, followed by the relevant computations. Each integral contributing to the other term can be estimated. Another proposition for estimating control over the rate of energy variation is given. Finally, the coarse scale material derivative is considered.

Toxicity of Para-Chloro Substituted Benzene Derivatives in the Microtox™ Test

1985 ◽  
Vol 20 (2) ◽  
pp. 36-43 ◽  
Author(s):  
Klaus L.E. Kaiser ◽  
Juan M. Ribo ◽  
Brian M. Zaruk
Keyword(s):  
General Formula ◽  
Functional Group ◽  
Structural Parameters ◽  
Systematic Investigation ◽  
Photobacterium Phosphoreum ◽  
Benzene Derivatives ◽  
Quantitative Structure ◽  
Chlorinated Benzenes ◽  
Chloro Derivatives ◽  
Derivatives Of

Abstract This paper gives the results of part of a systematic investigation into contaminant toxicity to Photobacterium phosphoreum in the Microtox™ test. Reported are the toxicity values for 39 para-chloro substituted benzene derivatives of the general formula l-Cl-C6h4-4-X=CH2CH(NH2)COOH, F, SO2NH2, OCH2COOH, CH2COOH, CONHNH2, NHCOCH3, CONH2, CH=CHCOOH, SeOOH, CH2NH2, CH2CH2NH2, NO2, H, CF3, CHO, CH2OH, OH, CH3, CCl3, COCH3, COOH, NH2, SO2C6H5, Cl, CH2COCH3, COCl, CN, OCH3, NCO, NHCH3, I, COC6H5, CH2Cl, SH, CH2SH, NCS, CH2CN and SO2C6H4Cl. Except for the last compound, whose solubility is below the required concentration, the toxicities increase in the presented order with a total range of more than three orders of magnitude. The data are discussed in terms of quantitative structure-toxicity correlations with compound-specific structural parameters. In combination with a previously developed submodel on chlorinated benzenes, phenols, nitrobenzenes and anilines, the observed relationships allow the prediction of the toxicity of some 780 possible chloro derivatives of the general formula C6H5-nClnX, where n=<5 and X is a functional group as listed above.

scholarly journals Research on Planning and Design of Urban Architectural Color in Changchun

2020 ◽  
Vol 165 ◽  
pp. 04029
Author(s):  
Zhang Cui
Keyword(s):  
Creative Thinking ◽  
Building Materials ◽  
Design Guidelines ◽  
The Other ◽  
New Era ◽  
Color Design ◽  
Planning And Design ◽  
Surrounding Environment ◽  
The Aesthetic

Architecture is the soul of city color. The planning focus of city color is city architecture, especially the planning control of the main wall color of street buildings. The design of architectural color should not only consider the surrounding environment of the building, the content of the building and the building materials, but also proceed from the aesthetic needs and conform to the principle of color engineering. On this basis, the plan proposes color design guidelines and relies on scientific and standardized “urban building color design guidelines” to achieve the purpose of maintaining the original appearance of history and creating a new era style. Besides the traditional buildings, the other “architectural color guidelines” should leave more room for manoeuvre and not restrict the creative thinking of architects.

Adorno’s Philistine: the Dialectic of Art and its Other

2019 ◽  
pp. 1-31
Author(s):  
Paul Ingram
Keyword(s):  
The Other ◽  
Critical Potential ◽  
The Social ◽  
The Aesthetic ◽  
Critical Turn ◽  
The Ideal

Abstract Theodor Adorno’s philistine functions as the other of art, or as the ideal embodiment of everything that the bourgeois aesthetic subject is not. He insists on the truth-content of the derogation, while recognising its unjust social foundation, and seeking to reflect that tension in a self-critical turn. His model of advanced art is negatively delimited by the philistinism of art with a cause and the philistinism of art for enjoyment, which represent the poles of the aesthetic and the social. The philistine is also the counterpart to the connoisseur, with the interplay between them pointing to his preferred approach to aesthetics, in which an affinity for art and alienness to it are combined without compromise. However, Adorno fails to realise fully the critical potential of the philistine as the immanent negation of art and aesthetics.

Marguerite Yourcenar, traductrice

Babel ◽  
1994 ◽  
Vol 40 (1) ◽  
pp. 21-37
Author(s):  
Ivo R.V. Hoefkens
Keyword(s):  
The Other ◽  
Political Sphere ◽  
Negro Spirituals ◽  
Marguerite Yourcenar ◽  
Other Hand ◽  
The Aesthetic ◽  
Literary Output ◽  
Ethical Communication ◽  
The Waves ◽  
Second Period

Marguerite Yourcenar, known as an author, is also the translator of about a dozen works. My purpose here is to trace the evolution of her oeuvre in the field of translation in relation to her literary output. I have divided the former into three distinct periods, the first of which covers the closing years of the 1930s, when Marguerite Yourcenar translated Virginia Woolf's The Waves and Henry James's What Maisie Knew. Her interest in these authors is to a large extent stylistic. On the other hand, the translation of Constantin Cavafy's poetry, which was begun during the same period, reflects the intimist themes to be found in Marguerite Yourcenar's early narratives {Alexis and the others), although she was then already seeking out other thematic sources. The translation was only published in 1958. It consequently falls within a second period: that of the "présentations critiques" (critical commentaries). These major efforts in translation {Présentation critique de Constantin Cavafy, La Couronne et la Lyre, Fleuve profonde, Sombre rivière) are marked by a manifest preoccupation with the aesthetic. But themes of a more universal character and engagement in the socio-political sphere also enter into the choice of the texts for translation (negro spirituals, Présentation critique d'Hortense Flexner). These translations were contemporaneous with the creation of Marguerite Yourcenar's most important novels, namely Mémoires d'Hadrien and L'OEuvre au Noir. The last of the three periods, the 1980s, finds her tackling far less ambitious projects, the function of which tends increasingly towards ethical communication. The only one of them that bears any resemblance to the "présentations critiques" is the essay on Yukio Mishima and the translation of Cinq Nô Modernes, assuming that these are to be considered as an ensemble. Here, as elsewhere, it also emerges that Marguerite Yourcenar is largely indifferent to the existence of other translations.

scholarly journals II. Compounds isomeric with the sulphocyanic ethers.—I. On the mustard oil of the ethyl series

1868 ◽  
Vol 16 ◽  
pp. 254-258
Keyword(s):  
Royal Society ◽  
The Other ◽  
Mustard Oil ◽  
Other Hand ◽  
Derivatives Of

The results of my researches on the chloroform-derivatives of the primary monamines, which, as I have shown, are isomeric with the nitriles, could not fail to direct my attention to allied groups of bodies, with the view of discovering similar isomerisms. In a note communicated to the Royal Society some months ago, I expressed the expectations which even then appeared to be justified in the following manner:—“In conclusion, I may be permitted to announce as everv probable the existence of a series of bodies isomeric with the sulphocyanides. Already M. Cloëz has shown that the action of chloride of cyanogen on ethylate of potassium gives rise to the formation of an ethylic cyanate possessing properties absolutely different from those belonging to the cyanate discovered by M. Wurtz. On comparing, on the other hand the properties of the methylic and ethylic sulphocyamdes with those of the sulphocyanides of allyl and phenyl, it can scarcely be doubted that we have here the representatives of two groups entirely different, and that the terms of the methyl- and ethyl-series which correspond to oil of mustard, and to the sulphocyanide of phenyl, still remain to be discovered. Experiments with which I am now engaged will show whether these bodies cannot be obtained by the action of the iodides of methyl and ethyl on sulphocyanide of silver."

Contraste, Dissonanzen, Missklänge: Zum Verhältnis von Idylle und Tourismus in literarischen Schweiz-Reisen des 19. Jahrhunderts (Ida Hahn-Hahn, Hans Christian Andersen)

2021 ◽  
Vol 50 (1) ◽  
pp. 34-56
Author(s):  
Christian Schmitt
Keyword(s):  
19Th Century ◽  
The Other ◽  
Hans Christian Andersen ◽  
The Aesthetic ◽  
The One ◽  
The 19Th Century ◽  
The Relationship

Abstract The discrepancy between common temporary expectations of Switzerland as idyll on the one hand, and the reality of its industrially organized tourism on the other, imposes irritations upon the touristic gaze. This article, then, traces the origins of this discrepancy and examines the relationship between Swiss idyll and tourism in the 19th century. The analyses of Ida Hahn-Hahn’s Eine Idylle and Hans Christian Andersen’s Iisjomfruen showcase different ways of relating idyll and tourism to one another as well as the aesthetic merit produced by this constellation.

Non-syndromic double upper lip with triple frena: cosmetic cheiloplasty

2021 ◽  
Vol 14 (9) ◽  
pp. e243156
Author(s):  
Monika Gupta ◽  
Harshita Vig ◽  
Yajas Kumar ◽  
Aliza Rizvi
Keyword(s):  
Psychological Distress ◽  
Present Article ◽  
Surgical Management ◽  
Surgical Intervention ◽  
The Other ◽  
Upper Lip ◽  
Lower Lip ◽  
Facial Anomaly ◽  
The Aesthetic ◽  
Functional Problems

Double lip or macrocheilitis is a rare facial anomaly, mostly congenital in origin. It commonly involves the upper lip than the lower lip. It may occur in isolation or as part of the Ascher’s syndrome. It results due to deposition of excessive areolar tissue and non-inflammatory hyperplasia of labial mucosa gland of pars villosa. It may be acquired as a result of injury to the lips or lip-biting habit. The double lip becomes conspicuous when the lips are retracted during smiling resulting in the characteristic ‘cupid’s bow’ appearance. This disfigurement can pose aesthetic and functional problems and may result in psychological distress. A surgical intervention is must for restoration of functions and to address the aesthetic concerns. The present article reports a case of non-syndromic double upper lip with triple labial frena and its surgical management with laser on one side and with scalpel on the other side.

Vegan attendance: reading Gibbons’s animals

2020 ◽  
Vol 29 (3) ◽  
pp. 379-394
Author(s):  
Emelia Quinn
Keyword(s):  
The Other ◽  
Other Hand ◽  
Aesthetic Pleasure ◽  
Simone Weil ◽  
The Aesthetic ◽  
The One ◽  
Embodied Presence

When we encounter the work of Grinling Gibbons, we find ourselves in the presence of multiple non-human animals. However, it is unclear how one should address these presences. On the one hand, for ecofeminist scholars such as Josephine Donovan, the aestheticization of animal death is to be vehemently resisted and the embodied presence of animals recovered by looking beyond the surface: a mode of looking that Donovan terms ‘attentive love’. On the other hand, a re-reading of the philosophical ideas of Simone Weil, upon which Donovan premises her argument, suggests that attention to others requires a mode of radical detachment. These two positions speak in important ways to the dilemmas faced by a vegan spectator. Drawing on Jason Edwards’s previous work on ‘the vegan viewer’, this article seeks to reconcile a vegan resistance to Gibbons’s depictions of animal death, in their spontaneous falling under human dominion, with the aesthetic pleasure generated by Gibbons’s craftmanship. I therefore propose ‘vegan camp’ as a means of reconciling oneself to insufficiency and complicity in systems of violence without renouncing pleasure. Vegan camp is detailed as an aesthetics that acknowledges the violence of humanity and one’s inescapable place within it, dissolving the subjective idea of the beautiful vegan soul to pay attention to the pervasive presence of an anthropocentrism that, in the case of Gibbons, decoratively adorns the sites at which animals might be eaten, worn, or offered up for sacrifice.

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