scholarly journals Psychoanalysis and the Challenge of Islam

2010 ◽  
Vol 27 (3) ◽  
pp. 98-100
Author(s):  
Arshavez Mozafari

As a particular outgrowth of modernity, Islamism has garnered the attentionof a great many theorists. In Psychoanalysis and the Challenge ofIslam, Fethi Benslama, a psychoanalyst and professor, elaborates upon theprecise undergirding apparatus that sustains the logic of Islamism as arecently conceived phenomenon. The book attempts to clearly define thelogical progression of Islamism since its point of conception. This point islocated in the colonial era, when “traditional” Islam was put under theintense strain of a developed European modernity. The violent break, alongwith all the baggage that was incapable of being properly allocated andrefined by “what Freud called the ‘cultural work’ (Kulturarbeit)” (p. ix),produced an explosive cocktail that has and continues to haunt the projectof modernity. Through the use of a unique theoretical style called deconstructionistpsychoanalysis, Banslama’s project seeks to account for thispervasive phenomenon.“Islam has never been a major concern for me or my generation. It wasbecause Islam began to take an interest in us that I decided to take an interestin it” (p. 1). This is the way Benslama begins the first section of his book.It marks not only his secular disposition but also the aggressivity associatedwith the burgeoning Islamist political movements. Islamism is strictly conceptualizedas a phenomenon that differs from fundamentalism. It has thecapacity to operate through the decomposition of traditionalism – one occurrence associated with this downfall is the “catastrophic collapse of [traditional]language” (p. 4) ...

Genealogy ◽  
2021 ◽  
Vol 5 (3) ◽  
pp. 62
Author(s):  
Lou Netana-Glover

In colonised territories all over the world, place-based identity has been interrupted by invading displacement cultures. Indigenous identities have become more complex in response to and because of racist and genocidal government policies that have displaced Indigenous peoples. This paper is a personal account of the identity journey of the author, that demonstrates how macrocosmic colonial themes of racism, protectionism, truth suppression, settler control of Indigenous relationships, and Indigenous resistance and survivance responses can play out through an individual’s journey. The brown skinned author started life being told that she was (a white) Australian; she was told of her father’s Aboriginality in her 20s, only to learn at age 50 of her mother’s affair and that her biological father is Māori. The author’s journey demonstrates the way in which Indigenous identities in the colonial era are context driven, and subject to affect by infinite relational variables such as who has the power to control narrative, and other colonial interventions that occur when a displacement culture invades place-based cultures.


Kandai ◽  
2020 ◽  
Vol 16 (1) ◽  
pp. 96
Author(s):  
Yohanes Adhi Satiyoko

Equality of men is a great issue to maintain every country all the time. Indonesia is one of them which should struggle to maintain it so far. Fictional work is one of the aesthetical means to support it. The way of struggle can be memorized through the time of independence era in fictional works of Balai Poestaka publisher. Javanese language novels, Ngulandara and Kirti NdjoendjoengDradjat are two literary works published by BalaiPoestaka that were written in the dominance times of Balai Poestaka activities as commission for people’s reading in Dutch colonial era in Indonesia (Dutch Indies). Kepriyayian (nobility) was the theme of Ngulandara (1936) and Kirti NdjoendjoengDradjat(1924) novels. As seen from propaganda point of view, ideologically the portrayal of priyayi (nobleman) was analogy symbol of Dutch colonial government that ruled social system. Ngulandara and Kirti Njunjung Drajat showed a “struggle” through literary works as portrayed in wong cilik (Javanese: lower class people) who struggled against the existence of the authorities. The struggle emerged in the way of wong cilik behaved intellectually, morally, even mannerly better than the nobles (priyayi). This research used the theory of literature and propaganda using a sociological approach. Those oppositional relationships between deconstruction nobles and the raise of wong cilik in the field of intellectual, moral, and manner show the propaganda of equality of men through the voice of Jasawidagdo and Margana Djajaatmadja.Kesetaraan manusia merupakan isu besar yang harus selalu dijaga di setiap negara. Indonesia adalah salah satu negara yang harus tetap berjuang menjaga isu tersebut. Karya fiksi berfungsi sebagai salah satu peranti estetis untuk mendukung isu tersebut. Cara memperjuangkan isu tersebut ialah dengan mengingat kembali masa kemerdekaan melalui penerbit Balai Poestaka. Novel-novel berbahasa Jawa, Ngulandara dan Kirti Ndjoendjoeng Dradjat ialah dua karya sastra yang diterbitkan oleh Balai Poestaka yang ditulis pada waktu dominasi Balai Poestaka sebagai komisi bacaan rakyat di era kolonial Belanda di Indonesia (Hindia Belanda). Kepriyayian merupakan tema novel Ngulandara (1936) dan Kirti Njoendjoeng Dradjat (1924). Dilihat dari sudut pandang propaganda, penggambaran priyayi merupakan analogi simbol pemerintah kolonial Belanda yang berkuasa mengatur sistem sosial kemasyarakatan. Ngulandara dan Kirti Ndjoendjoeng Dradjat menunjukkan sebuah “perjuangan” melalui karya sastra seperti digambarkan melalui wong cilik yang berjuang melawan kemapanan penguasa. Perjuangan tersebut muncul dengan cara wong cilik tersebut bertindak secara intelektual, bermoral, bahkan bersikap lebih terhormat daripada para priyayi. Penelitian ini menggunakan teori sastra dan propaganda dengan pendekatan sosiologi. Relasi oposisional antara dekonstruksi priyayi dan bangkitnya wong cilik dalam ranah intelektual, moral, dan sikap menunjukkan propaganda kesetaraan manusia melalui suara Jasawidagdo dan Margana Djajaatmadja.  


Oklahoma! ◽  
2020 ◽  
pp. 171-212
Author(s):  
Tim Carter

The “landmark” status of Oklahoma! prompts examining it through a series of case studies in terms of how musicals work in dramatic terms (not least given their inherent lack of verisimilitude); the problems of reconciling convention with innovation; the way the show plays with pastoral tropes; its connection with notions of Manifest Destiny; the treatment of characters according to gender and ethnicity; the role of Oklahoma! as wartime propaganda; and the question of how close the Broadway musical might come to being a form of “American opera.” These issues reveal the cultural work that the show did in 1943, and still does today.


2020 ◽  
pp. 119-136
Author(s):  
Rohan McWilliam

This chapter decodes some of the pleasures of the West End and analyses its different forms of cultural work. To do this, it explores its appeal to the senses: sight, touch, smell, taste, orality. Pleasure districts trade on forms of hyper-stimulation. This helps locate the West End in terms of visual culture. The chapter argues that the West End was the product of artificial light, embodied in the deployment of gas-light and sheet glass. The chapter then explores the West End in terms of the production of images of glamour and sexuality: further examples of the sensory appeal of the district. This is then contrasted with the way prostitutes became a notorious feature of the West End evident both on the streets and in the night houses (nightclubs) around the Haymarket.


2020 ◽  
pp. 232-250
Author(s):  
James M. Jasper ◽  
Michael P. Young ◽  
Elke Zuern

This chapter addresses a number of ways that traditional public characters have evolved to correspond with the way that moderns picture blame and causality. It looks at the decline of heroes and villains in this supposed post-heroic era. It turns to the ways that the essentialism of character work is challenged, through various attitudes that range from medicalization and skepticism through cynicism and irony. It discusses the ridicule of flat characters, the dispersal of blame in a risk society, and the invention of new terms for circumstantial victims like trauma, patients, and abnormal. It argues that these new characterizations do not escape the essential triad of villain, victim, and hero. Public characters may have changed in some ways, but they are not obsolete. And, despite modern skepticism about the traditional language of characters, heroes thrive in today’s new nationalism with leaders like Vladimir Putin, Viktor Orban, and Donald Trump.


Religions ◽  
2018 ◽  
Vol 10 (1) ◽  
pp. 18
Author(s):  
James Spickard

This article makes two points. First, it argues that sociology, like all knowledge, is shaped, though not determined, by its historical-cultural origins. Early sociology arose in 19th-century Europe and its core concepts were shaped by that era—both in what they reveal about society and what they hide. We now realize this, so we sociologists of religion need to examine our inherited concepts to understand those concepts’ limitations. We also need to include an analysis of the way the current historical-cultural situation shapes sociology today. This is the theoretical reflexivity called for in the title. Second, the article argues that expanding sociology’s conceptual canon to include insights from other historical-cultural locations is more than just an ethical matter. It is also epistemological. Sociology does not make progress unless it includes insights from as many standpoints as possible. This does not mean that all insights are equal. It does mean that all have the potential to improve sociological understanding. Whether or not they actually do so is a matter for the scientific process to decide.


Author(s):  
Daniel K. Williams

This article surveys the intersection of religion and politics in America from the colonial era to the present, with a particular focus on the controversies surrounding religiously inspired political causes during the nineteenth and twentieth centuries. The article argues that religion (and, in particular, Protestantism and Catholic Christianity) has always played a central role in American politics, and that religious ideologies have inspired both liberal and conservative political movements. In the colonial era and the early American republic, controversies over religion focused primarily on disputes about church establishment and religious liberty, but in the nineteenth and twentieth centuries, controversies over religion and politics increasingly centered on debates over religiously inspired moral regulation. Whether the issue was the abolition of slavery in the nineteenth century or regulation of abortion in recent decades, America’s culture wars were usually political contests between competing sets of religiously inspired arguments.


2019 ◽  
pp. 207-221
Author(s):  
Marie Liénard-Yeterian

My article deals with the construction of a different South on screen in the posthuman context. It focuses on the way previous idealized embodiments of the South on film are being displaced to give way to an alternative South on screen informed by our contemporary aesthetics characterized by violence and human reification. The filmic South increasingly coheres with the historical South through the rewriting of formulaic tropes such as the plantation, the Southern belle and gentleman, and the staging of significant historical moments such as the Nat Turner rebellion and the Civil War. Recent releases perform national cultural work at a time when the demons of Southern history have come back to haunt the national imagination, as recent events such as the shooting at Immanuel church (June 2015) and Charlottesville (October 2017) have tragically shown.


2015 ◽  
Vol 5 (2) ◽  
Author(s):  
Andi Herawati

Beauty for most part eventually seen as the science of form, more than that is of the essential part of human living and the way we look at it by the time become more discern as it invites the philosophical vibration. It becomes a consiousness through the questions about the creation of the cosmos and meditation upon the Almighty. Whether aware or not, human need beauty through out their living, at the same time is a spiritual journey. Beauty in Traditional Islam is also able to ascending human, create the the awareness of plurality, and at the last it aso to born out the sense of the Sacred manifested thorugh the form of art, culture, calligraphy, and the whole cosmos. At last, beauty has its role in spiritual journey through self emptiness, from the false self to the true self.


Social Change ◽  
2003 ◽  
Vol 33 (2-3) ◽  
pp. 192-203

The National Forest Policy (NFP) of 1988 marked a watershed in the way forests were perceived by the State Forest Departments. Recognising the serious limitations of the exclusivist approach towards forest conservation that had been followed since independence, the NFP paved the way for bringing in more participatory means of conserving forests and biodiversity in which involvement of local people was a key ingredient. The need for meeting forest product requirements of rural people was, for the first time, given primacy over maximisation of timber revenues, which had been the primary focus of governmental forest management since the colonial era. New areas of i in the NFP included conservation of ecosystem functions such as watershed protection and biodiversity protection, restoration of degraded forests, provision of alternatives to forest produce to rural people, extension of forestry to non-forest land, protection of the rights and concessions of forest-dwelling people and institution of Environmental Impact Assessments as a prerequisite for development projects in the country. The importance given in the NFP, to development of a scientific and technological basis for interventions in the forestry sector, is also significant. The NFP forms the basis for several conservation programmes and initiatives that are being undertaken in the country today, such as Joint Forest Management (see Saigal, 2003 in this issue)-Editor.


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