scholarly journals MEMORIZING PROPAGANDA OF EQUALITY IN NGULANDARA AND KIRTI NDJOENJOENG DRADJAT, NOVELS OF BALAI POESTAKA (Mengingat Kembali Propaganda Kesetaraan dalam Novel-Novel Balai Poestaka, Ngulandara dan Kirti Ndjoenjoeng Dradjat)

Kandai ◽  
2020 ◽  
Vol 16 (1) ◽  
pp. 96
Author(s):  
Yohanes Adhi Satiyoko
Keyword(s):  
Lower Class ◽  
Point Of View ◽  
Literary Works ◽  
Colonial Era ◽  
Sociological Approach ◽  
Independence Era ◽  
Colonial Government ◽  
The Voice ◽  
Dutch Colonial ◽  
The Way

Equality of men is a great issue to maintain every country all the time. Indonesia is one of them which should struggle to maintain it so far. Fictional work is one of the aesthetical means to support it. The way of struggle can be memorized through the time of independence era in fictional works of Balai Poestaka publisher. Javanese language novels, Ngulandara and Kirti NdjoendjoengDradjat are two literary works published by BalaiPoestaka that were written in the dominance times of Balai Poestaka activities as commission for people’s reading in Dutch colonial era in Indonesia (Dutch Indies). Kepriyayian (nobility) was the theme of Ngulandara (1936) and Kirti NdjoendjoengDradjat(1924) novels. As seen from propaganda point of view, ideologically the portrayal of priyayi (nobleman) was analogy symbol of Dutch colonial government that ruled social system. Ngulandara and Kirti Njunjung Drajat showed a “struggle” through literary works as portrayed in wong cilik (Javanese: lower class people) who struggled against the existence of the authorities. The struggle emerged in the way of wong cilik behaved intellectually, morally, even mannerly better than the nobles (priyayi). This research used the theory of literature and propaganda using a sociological approach. Those oppositional relationships between deconstruction nobles and the raise of wong cilik in the field of intellectual, moral, and manner show the propaganda of equality of men through the voice of Jasawidagdo and Margana Djajaatmadja.Kesetaraan manusia merupakan isu besar yang harus selalu dijaga di setiap negara. Indonesia adalah salah satu negara yang harus tetap berjuang menjaga isu tersebut. Karya fiksi berfungsi sebagai salah satu peranti estetis untuk mendukung isu tersebut. Cara memperjuangkan isu tersebut ialah dengan mengingat kembali masa kemerdekaan melalui penerbit Balai Poestaka. Novel-novel berbahasa Jawa, Ngulandara dan Kirti Ndjoendjoeng Dradjat ialah dua karya sastra yang diterbitkan oleh Balai Poestaka yang ditulis pada waktu dominasi Balai Poestaka sebagai komisi bacaan rakyat di era kolonial Belanda di Indonesia (Hindia Belanda). Kepriyayian merupakan tema novel Ngulandara (1936) dan Kirti Njoendjoeng Dradjat (1924). Dilihat dari sudut pandang propaganda, penggambaran priyayi merupakan analogi simbol pemerintah kolonial Belanda yang berkuasa mengatur sistem sosial kemasyarakatan. Ngulandara dan Kirti Ndjoendjoeng Dradjat menunjukkan sebuah “perjuangan” melalui karya sastra seperti digambarkan melalui wong cilik yang berjuang melawan kemapanan penguasa. Perjuangan tersebut muncul dengan cara wong cilik tersebut bertindak secara intelektual, bermoral, bahkan bersikap lebih terhormat daripada para priyayi. Penelitian ini menggunakan teori sastra dan propaganda dengan pendekatan sosiologi. Relasi oposisional antara dekonstruksi priyayi dan bangkitnya wong cilik dalam ranah intelektual, moral, dan sikap menunjukkan propaganda kesetaraan manusia melalui suara Jasawidagdo dan Margana Djajaatmadja.  

scholarly journals Power Over Sexuality in Joss Wibisono’s Rijsttafel Versus Entrecôte

Jurnal KATA ◽  
2019 ◽  
Vol 3 (1) ◽  
pp. 50
Author(s):  
Evelin Giovani
Keyword(s):  
Qualitative Research ◽  
Short Story ◽  
Point Of View ◽  
Structural Approach ◽  
Negative Relation ◽  
The People ◽  
Long Time ◽  
Colonial Government ◽  
Anxiety And Fear ◽  
Dutch Colonial

<em>This research is aimed to describe the power of sexuality in Joss Wibisono's Rijsttafel Versus Entrecôte short story using Foucault's concept of power juridic-discursive which investigates the negative relation rulers toward homosexual and assertively power some rules by creating a cycle of prohibition, censorship, and uniformity of the apparatus. This research was conducted by using qualitative research techniques that analyzed the short story Rijsttafel Versus Entrecôte by Joss Wibisono through a post-structural approach. Data is obtained through hermeneutic reading. Based on the conducted research, it can be concluded that in this short story the power over sexuality was regulated by the Dutch colonial government through the implantation of inferior idea on the values and culture of Bumiputra; the sexuality policymaking that applies to the people of Bumiputra; the creation of discomfort, anxiety, and fear of discuss about homosexuality; and the uniformity of Dutch colonial values over its colonies. The relation between text and actualization in society is the force of power over sexuality that has been going on for a long time and also influenced by the Dutch colonial government’s point of view over homosexual.</em>

scholarly journals DISKRIMINASI RAS DALAM NOVEL SUNDA SRIPANGGUNG KARYA TJARAKA: ANALISIS DEKONSTRUKSI DERRIDA

2018 ◽  
Vol 10 (3) ◽  
pp. 507
Author(s):  
Nur Solihah ◽  
Reiza D. Dienaputra
Keyword(s):  
Social Structure ◽  
Indigenous People ◽  
Daily Life ◽  
Lower Class ◽  
The Novel ◽  
Tea Plantation ◽  
Labor Contract ◽  
Class Society ◽  
Colonial Government ◽  
Dutch Colonial

Novel “Sripanggung” karya Tjaraka memuat rekaan gambaran kehidupan masyarakat etnis Sunda di perkebunan teh yang hidup sebagai buruh kontrak dan hidup di bawah kekuasaan pemerintah kolonial Belanda. Tulisan ini bertujuan untuk mengungkap bagaimana gambaran perlakuan diskriminasi pemerintah kolonial Belanda terhadap pribumi, khususnya etnis Sunda yang saat itu dipandang sebagai masyarakat kelas bawah. Metode yang digunakan dalam penelitian ini adalah metode pembacaan dekonstruksi,  di mana teks sastra berupa ujaran yang ada di dalam novel “Sripanggung” karya Tjaraka dianalisis untuk mengungkapkan tindakan diskriminasi yang dilakukan pemerintah kolonial Belanda terhadap etnis Sunda. Hasil penelitian menunjukkan bahwa ujaran-ujaran teks sastra dalam novel “Sripanggung” karya Tjaraka memuat representasi tindakan diskriminasi berdasarkan ras yang dilakukan pihak kolonial Belanda terhadap kaum pribumi etnis Sunda sehingga memengaruhi perkembangan struktur sosial masyarakat Sunda kala itu.  Tjaraka’s “Sripanggung” novel portrays of Sundanese familie’s daily life as labor contract of tea plantation that owned the Dutch colonial government. This article purpose is to reveal the discriminatory treatment of the Dutch colonial goverment against indigenous people, especially Sundanese who were seen as a lower class society. By using deconstruction reading method. “Sripanggung” by Tjaraka’s is in a form of literary works and inside of it contain of speech that analyzed to reveal the discriminatory action of Dutch Colonial government against Sundanese people. The result showed, the speeches in the novel accomodate representation of discrimination act based racial by the Dutch Colonial government against indigenous Sundanese people that affected the development of social structure of sundanese at that time.

scholarly journals Patrie, contrerévolution, romantisme. Xavier de Maistre et la Savoie perdue

Cahiers ERTA ◽  
2020 ◽  
pp. 67-87
Author(s):  
Przemysław Kossakowski
Keyword(s):  
Political Change ◽  
Point Of View ◽  
Literary Works ◽  
The Enlightenment ◽  
The Way

Fatherland, counterrevolution, romanticism. Xavier de Maistre and his lost Savoy The literary works of Xavier de Maistre, savoyard writer and painter of the turn of 18th and 19th centuries, are strictly connected to the era in which the author has lived, particularly in the way of considering concepts of fatherland and nature, landscape. A trauma, related to the invasion of French revolutionary forces in Savoy pushed de Maistre into the counterrevolutionary camp and stimulated narrative reflections upon the themes of homeland, nature, and political change. His works, such as Voyage autour de ma chambre and Expédition nocturne autour de ma chambre, written between 1794 and 1825, show a particular evolution of the author’s point of view, starting from a classical, objectifying approach, inherited form the Enlightenment, to transform finally towards a subjective, individual scope, specific to the romanticism. To discover the motors and instru ments of this evolution of the author’s mind is the object of this paper.

scholarly journals Melacak Jejak Kepengarangan Sastrawan Bali Modern Pra-Kemerdekaan

HUMANIS ◽  
2020 ◽  
Vol 24 (4) ◽  
pp. 457
Author(s):  
I Gede Gita Purnama ◽  
I Putu Eka Guna Yasa
Keyword(s):  
Short Stories ◽  
Cultural Influences ◽  
Narrative Texts ◽  
Literary Works ◽  
The World ◽  
Independence Era ◽  
Modern Era ◽  
Modern Form ◽  
Dutch Colonial

Modern Balinese literature is one of the fields of classification in the world of Balinese literature. Balinese literary works that were born in the modern era or after the inclusion of foreign cultural influences in Balinese literary works are called modern Balinese literature. At the beginning of its emergence in the pre-independence era, modern Balinese literature was conceived by teacher teachers who served in formal schools established by the Dutch colonial. The early works of these teachers became a milestone in the birth of modern Balinese literature. Narrative texts written by I Made Pasek and Mas Niti Sastro became the initial embryos of Balinese short stories. In the form of some narrative texts they have presented a very modern form, no longer similar to the form of narrative doengeng or folklore. Then in content, the value content offered by the author is a very modern value content, not merely the values ??of tradition.

scholarly journals THE CONCEPT 0F PATIENCE, RESPECT AND HARMONY IN JAVANESE CULTURE

2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Arianti Khairina ◽  
Nanny Sri Lestari
Keyword(s):  
Short Stories ◽  
Mass Media ◽  
Fairy Tales ◽  
Literary Works ◽  
Western Literature ◽  
The Mass Media ◽  
Story Writer ◽  
Colonial Government ◽  
Dutch Colonial

The Javanese people began to recognise the variety of western literature after printing media was introduced by the Dutch colonial government. Since then, a lot of Javanese literary works written by Javanese authors have been published through mass media. It was a different condition for literature to develop compared to the preceding traditional handwriting period. In Javanese literature today, works of prose are varied into several forms, such as fairy tales, novels and even stories that are widely known in mass media, among them are Panjebar Semangat, and Jaka Lodhang. In the mass media the form becomes short stories (carita cekak, jagating lelembut, wacan boy, carios pedhalangan). Each of these forms has its own fans. The purpose of this research is to trace the concept or principle of patience, harmony and respect in Javanese culture applied by an author in a story. This research explores the story of Lamtara-Lamtara Pinggir Desa. The story is written by Sri Setya Rahayu, a story writer who often writes stories in Javanese. Sri Setya Rahayu is an active writer as her short stories, such as Panjebar Semangat, Jayabaya, Kumangdhang, Djaka Lodang, and others, are often published in magazines or tabloids.

scholarly journals PEMBAURAN ETNIS CINA DAN KAUM BUMIPUTRA DI KOTA GARUT (TINJAUAN HISTORIS)

2018 ◽  
Vol 10 (2) ◽  
pp. 171
Author(s):  
Kunto Sofianto ◽  
Widyo Nugrahanto ◽  
Agusmanon Yuniadi ◽  
Miftahul Falah
Keyword(s):  
Ethnic Communities ◽  
Colonial Era ◽  
Historical Method ◽  
Ethnic Chinese ◽  
Before And After ◽  
Two Factors ◽  
The Republic ◽  
Colonial Government ◽  
Chinese Group ◽  
Dutch Colonial

Artikel ini membincangkan pembauran antara kaum bumiputra, terutama masyarakat Sunda dan etnis Cina di Kota Garut, Jawa Barat sejak zaman kolonial Belanda hingga post kemerdekaan Republik Indonesia (RI) 1945. Metode yang digunakan dalam penelitian ini adalah metode sejarah yang terdiri empat tahap, yakni heuristik, kritik, interpretasi, dan historiografi. Untuk membantu eksplanasi tentang pembauran itu, penulis menggunakan pendekatan sosiologi, antropologi, psikologi, dan ilmu politik. Hasil penelitian menunjukkan bahwa ada dua faktor yang menyulitkan terjadinya pembauran antara kaum bumiputra dan kelompok etnis Cina. Faktor pertama, yaitu akar sejarah yakni status kelompok etnis Cina lebih tinggi daripada golongan bumiputra. Faktor kedua, perasaan Chinese Culturalism yang masih tertanam kuat di kalangan  kelompok etnis Cina. Akibatnya, perasaan itu mengarahkan mereka kepada sikap untuk senantiasa berorientasi kepada budaya leluhurnya yang memang sudah tua. Kedua faktor tersebut menyebabkan eksistensi masyarakat etnis Cina di Kota Garut, baik sebelum dan sesudah kemerdekaan Indonesia. This article discusses integration between indigenous, especially Sundanese people and group of Chinese ethnic in Garut City, West Java since the Dutch colonial era until the post independence of the Republic of Indonesia (RI) 1945. Method used in this research is  historical method consisting of four steps, namely heuristics, criticism, interpretation, and historiography. To assist the explanation of the assimilation, the author uses social sciences, especially sociology, anthropology, psychology, and political science. The conclusion of this research  appears to be two factors causing the difficulty of asimilation between Sundanese people and ethnic Chinese group. The first factor, the historical roots in which the Dutch Colonial Government classified Chinese ethnic group into higher position of legal and social than Sundanese people. The second factor, a strong sense of Chinese Culturalism that is still embedded in Chinese ethnic groups, namely a sense that always glorifies the culture of its ancestors. As a result, that a sense leads them to the attitude of always being oriented to the ancient culture of their ancestors. Both factors led to the existence of Chinese ethnic communities in Garut City, increasing prominently, both before and after Indonesian independence. 

Hearing Words Written

2016 ◽  
Vol 21 (3) ◽  
pp. 233-241
Author(s):  
Yannis Kyriakides
Keyword(s):  
Focal Point ◽  
Point Of View ◽  
Narrative Voice ◽  
The Past ◽  
Inner Voice ◽  
Multimedia Art ◽  
The Voice ◽  
As If ◽  
The Way

Over the past few years, I have developed a form of composition – which I callmusic–text–film –in which I explore the dynamics between sound, words and visuals. In this article I will attempt to explain how meaning is constructed in the interplay between these layers of media. Taking as an example three of my works,Subliminal: The Lucretian Picnic,Dreams of the BlindandThe Arrest, I analyse and discuss aspects of narrative, point of view, metaphor and cross-modal perception, as a way of understanding how multimedia art, specifically in the audiovisual domain, is experienced. One of the issues that arose out of these pieces was the question of location of the ‘voice’. It is as if a state of limbo is created between the narrative voice of the text and the implied voice of the music, due to the absence of a conventional focal point to pin it on – an actor or a singer. I would like to suggest that because of this vacancy and the way the projected word takes the place of the sung or spoken voice, the inner voice of the audience becomes activated. This then becomes a vital immersive dimension in the performance, as the inner voice of the audience finds its place within the space of the composition.

scholarly journals Kegiatan Alih Media Koleksi Antiquariat Di Pusat Perpustakaan Dan Penyebaran Teknologi Pertanian

2020 ◽  
Vol 3 (1) ◽  
pp. 115
Author(s):  
Siti Kartika Safanawati ◽  
Samson CMS
Keyword(s):  
Qualitative Approach ◽  
Agricultural Technology ◽  
Research Subjects ◽  
Colonial Era ◽  
Technology Center ◽  
Library Material ◽  
Technology Dissemination ◽  
Dutch Colonial ◽  
The Way

The Center for Library and Distribution of Agricultural Technology is one of the special libraries that manages rare library materials, namely antiquariat library materials. Antiquariat library material is a rare library from the Dutch colonial era which contains information about agriculture. Antiquariat library materials require special handling to preserve existing information, this conservation process is called the Preservation process. Preservation is a way to preserve library materials which is not only physical preservation but also includes preservation of information contained therein. Preservation is an effort so that the information contained therein can still be accessed and prevented from extinction. This study uses a qualitative approach, with more emphasis on the way of description in expressing the phenomena experienced by research subjects. As for the subjects of the study are the Library and Agricultural Technology Dissemination of Bogor City. The object under study is the preservation process carried out by the Central Library and Distribution of Agricultural Technology in preserving antiquariat library materials. The results of this study indicate that the preservation process carried out by the Central Library and Distribution of Agricultural Technology has been going well. The process of observation carried out by the Central Library and Distribution of Agricultural Technology is to carry out the process of media transfer by digitizing using two methods, namely scanning and capturing. The results of the digitization are presented in the form of e-books and CD-Roon that can be accessed by users only at the Agricultural Library and Technology Center. 

scholarly journals Midwives and Dukun Beranak, the Choices for Handling Childbirth

2021 ◽  
Vol 16 (2) ◽  
pp. 165
Author(s):  
Nur Janti
Keyword(s):  
Reproductive Health ◽  
Lower Class ◽  
Mortality Rates ◽  
Cooperative Work ◽  
Colonial Era ◽  
Indonesian Government ◽  
Women’S Reproductive Health ◽  
Women's Reproductive Health ◽  
Colonial Government

Since the colonial era, there have been attempts to provide clinical childbirth services by establishing midwifery schools. Although these schools were closed, reorganized then re-opened several times, in an effort to graduate native midwives in the colony. The majority of the European doctors believed the existence of native midwives could reduce mortality rates for difficult deliveries. The colonial government also tried to replace dukun beranak (local midwives) with graduate midwives, as many doctors considered dukun beranak practices unsafe and unhygienic. Of note, even though midwifery school graduates provided childbirth services, most of the population preferred to use dukun beranak. This situation continued until independence. Dukun beranak remained the preferred provider of assistance among the working and lower class. The continued popularity of the dukun beranak can be seen as a colonial failure to replace them. After the proclamation of Indonesian independence, midwives who supported the Indonesian Republic, still provided childbearing assistance although with limited infrastructure and inadequate personnel during the independence war. Midwives also founded a midwifes association, rebuilt the national midwifery system, and discontinued colonial elements. This transformation can be interpreted as the decolonisation of midwifery. Midwives and dukun beranak were the available options for assisting in the labour of an Indonesian woman. The Indonesian government had a different approach to the colonial government toward society and dukun beranak and built cooperation between midwives and the dukun beranak. The cooperative work among midwives and dukun beranak changed awareness of Indonesian women’s reproductive health matters. This article traces efforts to provide safer childbirth services by looking at the problem through the lens of midwives and dukun beranak relations. The evolution of this relationship shows the decolonisation process inside midwifery and childbearing services.

scholarly journals SATU GENERASI, TETAPI BERBEDA VISI: PERSEPSI CINTA MENURUT SAFITRI DAN DIKA ONE GENERATION, BUT A DIFFERENT VISION: PERCEPTION OF LOVE ACCORDING SAFITRI AND DIKA

Pujangga ◽  
2017 ◽  
Vol 1 (2) ◽  
pp. 17
Author(s):  
Saksono - Prijanto
Keyword(s):  
Complete Picture ◽  
The Novel ◽  
Relationship Patterns ◽  
Literary Works ◽  
Semiotic Approach ◽  
Way Of Thinking ◽  
The Voice ◽  
The Way

<p> </p><p align="center"><strong><em>A</em></strong><strong><em>BSTRACT</em></strong></p><p align="center"><strong><em> </em></strong></p><p><em>Product types literary readings also increasingly spectacular. They now deliver "literature" is no longer bound by the need to obey the grip to reveal the "beauty" literal. World some resaults laden with poverty, contempt, and the impossibility of them express the voice of freedom. The article "One generation, but a different vision: Perceptions of Love According Safitri and Dika" is written with the intention to try to reconstruct the way of thinking of the leaders in addressing and and deal with various aspects of life they experience, especially about the romance that unfolds in the novel Kelir Slindet works Kedung Darma Romansha and Koala Kumal, Marmut Merah Jambu, dan Cinta Brontosaurus work Raditya Dika.In order to get a complete picture of the literary works of two writers will be disclosed meaning behind the actions of the characters, particularly in negotiating the turmoil of life. Efforts disclosure as well reconstruction their thinking in negotiating the various aspects of life that used semiotic approach. Through the paradigmatic relationship patterns, is patterns between characters relationships with other characters and patterns between characters relationship with the community is expected that work becomes clear legibility.</em></p><p><em> </em></p><p><strong><em>Keywords: </em></strong><strong><em>r</em></strong><strong><em>econstruction </em></strong><strong><em>,</em></strong><strong><em>semiotic</em></strong><strong><em>, </em></strong><strong><em>paradigmatic</em></strong><strong><em></em></strong></p><p align="center"><strong>A</strong><strong>BSTRAK</strong></p><p align="center"><strong> </strong></p><p>Produk bacaan jenis sastra sekarang semakin spektakuler. Mereka sekarang menyampaikan “sastra” tidak lagi terikat dengan keharusan untuk taat kepada pakem dengan mengungkapkan “keindahan” secara literer. Dunia jungkir balik yang sarat dengan kepapaan, kenistaan, dan kemustahilan mereka ungkapkan dengan suara kebebasan. Artikel “Satu Generasi, tetapi berbedavisi: Persepsi Cinta Menurut Safitri dan Dika” ditulis dengan maksud untuk mencoba merekonstruksi cara berpikir para tokoh dalam menyikapi dan dan menyiasati beragam aspek kehidupan yang mereka alami, khususnya tentang percintaan yang terungkap dalam novel <em>Kelir Slindet</em> karya Kedung Darma Romansha serta <em>Koala Kumal</em>, <em>Marmut Merah Jambu</em>, dan <em>Cinta Brontosaurus </em>karya Raditya Dika.Untuk dapat memperoleh gambaran utuh mengenai karya dua sastrawan itu akan diungkapan makna di balik tindakan para tokoh, khususnya dalam menyiasati gejolak kehidupan. Upaya pengungkapan sekaligus perekonstruksian cara berpikir mereka dalam menyiasati beragam aspek kehidupan itu digunakan melalui pendekatan semiotik. Melalui pola hubungan paradigmatik, yaitu pola hubungan antartokoh dengan tokoh lain dan pola hubungan antartokoh dengan masyarakat diharapkan keterbacaan karya tersebut menjadi jelas. </p><p> </p><p><strong>Kata kunci: </strong><strong>r</strong><strong>ekonstruksi</strong><strong>, </strong><strong>semiotic</strong><strong>, </strong><strong>paradigmatik</strong></p>

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