Some Musical (and Other) Readings
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The “landmark” status of Oklahoma! prompts examining it through a series of case studies in terms of how musicals work in dramatic terms (not least given their inherent lack of verisimilitude); the problems of reconciling convention with innovation; the way the show plays with pastoral tropes; its connection with notions of Manifest Destiny; the treatment of characters according to gender and ethnicity; the role of Oklahoma! as wartime propaganda; and the question of how close the Broadway musical might come to being a form of “American opera.” These issues reveal the cultural work that the show did in 1943, and still does today.
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2018 ◽
Vol 165
(2)
◽
pp. 113-115
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2019 ◽
Vol 2
(1)
◽
pp. 026-034
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