scholarly journals The Effectiveness of Warm Water Therapy for Constipation

2019 ◽  
Vol 7 (1) ◽  
pp. 475-482
Author(s):  
Nilawati Soputri ◽  
Winnyasri Omeganila Lado
Keyword(s):  
Treatment Period ◽  
Digestive System ◽  
Sample Selection ◽  
Warm Water ◽  
Future Studies ◽  
The Third ◽  
The Past ◽  
History Of ◽  
Water Therapy ◽  
Larger Sample

Constipation can be caused by the lack of water intake. Continues constipation that is not treated can cause various health problems in the digestive system. The purpose of the study is to find out the effectiveness of drinking warm water in the morning before breakfast in treating constipation. 25 people volunteered to participate in this study. The subjects have a history of recurrent constipation in the last 3 months, had no defecated in the past 3 days at the time of the study, and had no urge to defecate. The subjects did not consume laxatives nor herbs to facilitate defecation. The subjects were given 500 cc of warm water before breakfast every day for three consecutive days. The effectiveness of therapy is measured by percentage of the subjects that can defecate on the first day, second day and the third day.  The result of the study shows that the therapy was 56% effective on the first day, 76% effective at the second day, and 80% effective on the third day of therapy.  Based on this study warm water therapy can be used as an alternative way to overcome constipation. Further studies are needed to evaluate the efficacy of the warm water with longer treatment period. A larger sample selection and treatment based on etiology are needed to be considered in future studies.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

“A composItIon wrItten wIthout creatIve lImItatIons” – Wanda Landowska and concerto for harpsichord and five instruments by ManueL de Falla (1923)

2021 ◽  
Vol 1 (15) ◽  
pp. 67-107
Author(s):  
Ines R. Artola
Keyword(s):  
Strict Sense ◽  
Sonata Form ◽  
Historical Sources ◽  
Avant Garde ◽  
20Th Century Music ◽  
The Third ◽  
Word Analysis ◽  
The Past ◽  
History Of ◽  
The One

The aim of the present article is the analysis of Concerto for harpsichord and five instruments by Manuel de Falla – a piece which was dedicated by the composer to Wanda Landowska, an outstanding Polish harpsichord player. The piece was meant to commemorate the friendship these two artists shared as well as their collaboration. Written in the period of 1923-1926, the Concerto was the first composition in the history of 20th century music where harpsichord was the soloist instrument. The first element of the article is the context in which the piece was written. We shall look into the musical influences that shaped its form. On the one hand, it was the music of the past: from Cancionero Felipe Pedrell through mainly Bach’s polyphony to works by Scarlatti which preceded the Classicism (this influence is particularly noticeable in the third movement of the Concerto). On the other hand, it was music from the time of de Falla: first of all – Neo-Classicism and works by Stravinsky. The author refers to historical sources – critics’ reviews, testimonies of de Falla’s contemporaries and, obviously, his own remarks as to the interpretation of the piece. Next, Inés R. Artola analyses the score in the strict sense of the word “analysis”. In this part of the article, she quotes specific fragments of the composition, which reflect both traditional musical means (counterpoint, canon, Scarlatti-style sonata form, influence of old popular music) and the avant-garde ones (polytonality, orchestration, elements of neo-classical harmony).

“Solidarity is Something you can Hold in your Hand”

2022 ◽  
pp. 1-25
Author(s):  
Torkil Lauesen
Keyword(s):  
Third World ◽  
Detailed Account ◽  
Popular Front ◽  
Global Context ◽  
The Third ◽  
The Past ◽  
The Future ◽  
History Of ◽  
The Third World ◽  
Support Work

Abstract This article tells the story of an organization based in Copenhagen, Denmark, which supported the Liberation struggle in the Third World from 1969 until April 1989. It focus on the support to the Popular Front for the Liberation of Palestine (pflp). The story is told in a historical and global context. The text explains the strategy and tactic behind the support-work. It explains how the different forms of solidarity work developed over two decades (for a more detailed account of the history of the group, see Kuhn, 2014). Finally, the article offers an evaluation of the past and a perspective on the future struggle for a socialist Palestine.

scholarly journals Predictors of proximity to others in colony housed shelter cats (Felis silvestris catus)

2016 ◽  
pp. 24 ◽  
Author(s):  
Malini Suchak ◽  
Michael Piombino ◽  
Kalina Bracco
Keyword(s):  
Past History ◽  
Individual Variability ◽  
Felis Silvestris Catus ◽  
Future Studies ◽  
The Past ◽  
Close Proximity ◽  
History Of ◽  
Adult Cats ◽  
Stress Behaviors ◽  
High Degree

Colony housing of cats allows shelters to maximize the number of cats housed in limited space. Most research on colony-housed cats examines stress in relation to group size or enclosure size.  While this is important for evaluating welfare, it is equally important to understand how cats are interacting socially in these colonies. We observed 259 adult cats housed in groups of two to eight individuals. Scan samples were used to assess how frequently individual cats were in close proximity to other cats. These data were used to measure individual differences in sociability and patterns of proximity to certain partners. We used information about the past history of the cat, which was collected upon admission to the shelter to identify predictors of time spent in proximity. There was a high degree of inter-individual variability in sociability. Strays tended to spend less time in proximity to other cats, and this effect was most pronounced in females.However, none of the information collected upon admission predicted patterns of proximity to certain partners, or which cats spent time in association witheach other. Future studies should explore the implications of differences in sociability by associating observations of social behavior and stress behaviors.

The Testimony for Marcion's Gospel in NA28: Revisiting the Apparatus to Luke in the Light of Recent Research

2021 ◽  
Vol 68 (1) ◽  
pp. 52-60
Author(s):  
Dieter T. Roth
Keyword(s):  
Scholarly Work ◽  
The Third ◽  
The Past ◽  
Textual History ◽  
History Of

AbstractScholarly work on Luke has often noted the significance of Marcion's Gospel for understanding the textual history of the third canonical Gospel. It is not surprising, therefore, that in the past new insights into Marcion's Gospel have led to revisions in the apparatus of the highly influential Nestle-Aland Novum Testamentum Graece, now in its 28th edition. In view of the precedent for continually updating the Nestle-Aland text and apparatus, this article revisits the apparatus to Luke in the light of recent research on Marcion's Gospel in order to highlight problematic references that should be changed or removed in the apparatus of future Nestle-Aland editions.

Correlates and predictors of self-harm in a prospective sample of sexually assaulted adolescents

2020 ◽  
Vol 25 (4) ◽  
pp. 847-859
Author(s):  
Fatima Valencia-Agudo ◽  
Tami Kramer ◽  
Venetia Clarke ◽  
Andrea Goddard ◽  
Sophie Khadr
Keyword(s):  
Depressive Symptoms ◽  
Sexual Assault ◽  
Bivariate Analysis ◽  
Clinical Implications ◽  
Future Studies ◽  
Stress Symptoms ◽  
History Of ◽  
Self Harm ◽  
Logistic Regressions ◽  
Larger Sample

Background: Sexual assault of adolescents is associated with negative mental health outcomes, including self-harm. Little is known about correlates and predictors of self-harm after sexual assault. We hypothesized that pre-assault vulnerabilities and post-assault psychological distress would be associated with self-harm after experiencing a recent sexual assault. Methods: The sample was recruited from adolescents aged 13 to 17 years accessing sexual assault centers and it included 98 females. Longitudinal data were collected at T0 (3.9 weeks on average post-assault) and T1 (21.8 weeks on average post-assault). Bivariate analysis and hierarchical binary logistic regressions were performed. Results: The rate of self-harm was 38.1% before the assault and 37.8% after the assault ( T1). History of family dysfunction ( OR 3.60 (1.30, 10.01)), depressive symptoms at T0 ( OR 5.83 (2.35, 14.43)) or T1 ( OR 2.79 (1.20, 6.50), and posttraumatic stress symptoms at T1 ( OR 3.21 (1.36, 7.58)) predicted self-harm at T1. These effects were attenuated when adjusting for confounders, except for depressive symptoms at T0 ( OR 4.21 (1.57, 11.28)). Discussion: Clinical implications for the prevention of onset or continuation of self-harm following adolescent sexual assault are discussed. Future studies should replicate these findings in a larger sample and consider different trajectories of self-harm.

Activities for Students: Estimating African Elephant Populations (Part 1)

2009 ◽  
Vol 102 (7) ◽  
pp. 534-539
Author(s):  
Sarah Quebec Fuentes
Keyword(s):  
Mathematics Classroom ◽  
African Elephant ◽  
Entire Area ◽  
The Third ◽  
The Past ◽  
Elephant Population ◽  
History Of ◽  
Representative Area

How many elephants remain in Africa? For a variety of environmental reasons, monitoring the population of elephants in Africa is extremely important. When attempting to estimate the size of an elephant population in a certain area, a researcher must make several decisions. Should the count be conducted from the air or from the ground? Should the elephants in the entire area be counted or only those in a representative area? Should only the elephants themselves be counted, or should signs of their presence—such as dung, tracks, and feeding evidence—be considered as well? Over the past four decades, the approaches used to count elephants have become more statistically refined. This twopart article, to be continued in next month's issue, will explore the mathematics of some of the methods used to count elephants and will present related activities for the mathematics classroom. In this part, we will provide a brief but pertinent history of the African elephant and then present two different methods of counting elephants. This activity may be used as an entire unit or as an application of a particular concept and may be incorporated into several courses. Algebra and geometry students will be able to handle the necessary mathematics. Although this activity informally exposes students to several statistical concepts, a sophisticated understanding of statistics is not required to complete the first two scenarios. The mathematics for the third scenario is more advanced, however; thus, it could be used in higher-level classes such as statistics and calculus. The tasks involved in all three scenarios encourage students to make connections between mathematics and other disciplines and touch on the various implications of mathematical decisions.

The Oxford Handbook of Aesthetics

2009 ◽  
Keyword(s):  
Recent Work ◽  
Aesthetic Experience ◽  
The Third ◽  
Extensive Survey ◽  
General Overview ◽  
The Past ◽  
The Arts ◽  
History Of ◽  
Theory Application ◽  
Music Film

The Oxford Handbook of Aesthetics looks at a fascinating theme in philosophy and the arts. Leading figures in the field contribute forty-eight articles which detail the theory, application, history, and future of philosophy and all branches of the arts. The first article of the book gives a general overview of the field of philosophical aesthetics in two parts: the first is a quick sketch of the lay of the land, and the second an account of five central problems over the past fifty years. The second article gives an extensive survey of recent work in the history of modern aesthetics, or aesthetic thought from the seventeenth to the mid-twentieth centuries. There are three main parts to the book. The first part comprises sections dealing with problems in aesthetics, such as expression, fiction or aesthetic experience, considered apart from any particular artform. The second part contains articles on problems in aesthetics as they arise in connection with particular artforms, such as music, film, or dance. The third part addresses relations between aesthetics and other fields of enquiry, and explores viewpoints or concerns complimentary to those prominent in mainstream analytical aesthetics.

Future Studies of the Biological Past of the Black

1986 ◽  
Vol 10 (4) ◽  
pp. 501-506
Author(s):  
Kenneth F. Kiple
Keyword(s):  
Selection Process ◽  
Recent Past ◽  
Middle Passage ◽  
Future Studies ◽  
The Past ◽  
History Of ◽  
Biological Aspects

The First article in this issue sketched out what has been done in the recent past on various biological aspects of the history of the black in Africa and in the Americas. The articles that followed revealed in splendid fashion the quality and sophistication of studies underway today. In concluding the issue, I could not resist the temptation to discuss briefly what sorts of themes and issues I hope will be pursued tomorrow.Central to future bio-studies of the black will be the growing realization that after stripping away those husks of scholarly posturing and platitudes that in the past have pronounced Afro-Americans and Africans a “biological elite,” the kernel of truth remaining is that they were indeed such an elite, but not necessarily for the reasons offered. Those reasons generally have focused on the shock of capture, the long and deadly march to the sea, the squalor of the baracoons on the coast, the horrors of the middle passage, and the numbing, debilitating “seasoning” procedures on the plantations of the Americas. While there is no question that the whole of this represents a selection process of sorts, it was much too random to create an instant elite, as a bomb dropped on a city does not make an elite of the survivors.

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