A Morpho-Syntactic Approach To Translating English Verb Phrases In Literary Texts Into Arabic

2020 ◽  
pp. 805
Author(s):  
وليد يونس متعب ◽  
على حسين حازم
Keyword(s):  
Literary Texts ◽  
Verb Phrases ◽  
Syntactic Approach ◽  
English Verb

scholarly journals WUJUD CAMPUR KODE POSTINGAN AKUN FACEBOOK MEME MANADO BASUDARA

2020 ◽  
Vol 7 (2) ◽  
Author(s):  
Matrona Mamudi ◽  
Golda J. Tulung ◽  
Mariam Pandean
Keyword(s):  
Social Media ◽  
Research Method ◽  
Qualitative Method ◽  
Descriptive Analysis ◽  
Noun Phrases ◽  
Analysis Techniques ◽  
Verb Phrases ◽  
Mixed Code ◽  
English Verb ◽  
English Noun

AbstractThis researchaims to describe mixing code form of the post of facebook account Meme Manado Basudara. The object of this research mixing code form of the post of facebook account Meme Manado Basudara. The research method used is descriptive qualitative method. Data analysis techniques in this research are descriptive analysis and data collection techniques with 2 techniques, namely reading and note taking. Based on the analysis of the research, it was found that the forms of words consisting of nouns (nouns), adjectives (adjectives), verbs (verbs), adverbs (adverbs). The various forms of phrase codes were also found in this research, namely noun phrases, verb phrases and adjective phrases.There are mixing code form of words consisting of mixed forms of noun code (nouns) instead of 7 nouns consisting of 6 Indonesian nouns and 1 English noun. The mixing code form of adjective found 8 adjectives consisting of 6 Indonesian adjectives, 6 Indonesian adjectives and 2 English adjectives. The mixing code form of verbs (11 verbs), 11 verbs consisting of 6 Indonesian verbs, 5 verbs in English. The form of a mixture of adverb code that is 3 Indonesian adverb languages. The results of the research mixing code form of the post of facebook account Meme Manado Basudaraalso found mixed forms of phrase codes including 1 English noun phrase, 1 English verb phrase and 1 English adjective phrase.Keywords : mixed code, social media, ,meme

scholarly journals Verb Phrase and Its Translations Found in the Novel “Budha, a Story of Enlightenment”

2020 ◽  
Vol 8 (2) ◽  
pp. 505-518
Author(s):  
I Made Juliarta
Keyword(s):  
Syntactic Structure ◽  
Target Language ◽  
The Novel ◽  
Translation Process ◽  
Verb Phrase ◽  
Verb Phrases ◽  
Translation Analysis ◽  
Data Source ◽  
Higher Rank ◽  
English Verb

This study aims at analyzing the syntactic structure of the verb phrase and its translation process occurred.  This study also analyzes the kinds of shifts of verb phrase occurred in the translation process from English into Indonesia.  This study is a descriptive qualitative study.  The theory used in analyzing data is the theory proposed by Catford and Radford (1988). The theory used in analyzing the data source is the theory in translation especially in shifts of translation and the theory in syntax in order to analyze the verb phrases found in the data source. There are 12 verb phrases as data of this study. The verb in the data source can be categorized as an Indonesian verb. It can be seen from the text that is available in the data source, that the verb phrase in the source language can be transferred into an Indonesian verb in the target language Then, there are some steps applied in this study, the first step of this research is to collect the data source found in the novel The Budha, a Story of Enlightenment. The second step is to read and identify the text in the novel The Budha, a Story of Enlightenment containing the verb phrase. The next step is to take some texts, analyze and interpret the data, and finally draw a conclusion. The verb phrase found in the novel The Budha, a Story of Enlightenment was identified by the researcher. And this study continued in analyzing the translation process occurred. The result of translation analysis of the text shows that there is a shift occurred in all the 12 processes of translating English verb phrase into Indonesian. 8 are classified as changing into lower rank and 4 are classified as changing into a higher rank. 

scholarly journals THE ONTOLOGICAL FEATURES OF VERB PHRASES IN NATIONAL GEOGRAPHIC’S VISIONS OF MARS

2021 ◽  
Vol 5 (2) ◽  
pp. 287-297
Author(s):  
Wedhowerti Wedhowerti
Keyword(s):  
Verb Phrase ◽  
Verb Phrases ◽  
Different Types ◽  
Syntactic Approach ◽  
The Subject ◽  
Action Process ◽  
Ontological Aspect

Verb Phrase (VP) is one of the most important types of phrase for its function. It provides information about the subject of the sentence. Verb Phrase itself has more than one type. It also has ontological aspect, an aspect by which a certain situation is represented. This aspect is made up by features. This study aims at finding out and analyzing the types of VP and their ontological features in National Geographic’s Visions of Mars. By analyzing and understanding the types of VP and their ontological features, readers understand the discourse more. They gain more perspective syntactically. This study employs syntactic approach and is qualitative in nature. The results yield three different types of VP, i.e. action, process, and state where action VP places the highest position. There are four ontological features found in Visions of Mars, i.e. dynamic, agentive, non-evolving, and evolving. The findings imply how Visions of Mars is structured. The deeds are mostly conducted or done by an agent and show prompt situations.

scholarly journals The Variation of English Verb Phrases in English Cookbook

2018 ◽  
Author(s):  
Kadek Ayu Ekasani ◽  
Ida Bagus Putra Yadnya ◽  
I Ketut Artawa ◽  
Ni Luh Ketut Mas Indrawati
Keyword(s):  
Verb Phrases ◽  
English Verb

scholarly journals Word Order of Noun and Verb Phrases in Contemporary Persian and English Poems

2017 ◽  
Vol 8 (1) ◽  
pp. 1229-1235
Author(s):  
Saloome Rostampour
Keyword(s):  
Word Order ◽  
Literary Texts ◽  
Literary Language ◽  
Analysis Method ◽  
Structural System ◽  
Intended Meaning ◽  
Content Analysis Method ◽  
Verb Phrases ◽  
Main Instrument ◽  
Made In

Literature is a system of semantic markers which convey emotions as well. Sentences in literary texts, particularly poetic ones, are not merely a medium to convey a message. In literary language, there is not a one to one correspondence between words and their meaning. That is in literary texts, the words and consequently sentences do not have their common dictionary meaning. Rather, in many cases, they include the writers or poets intended meaning. For writers and poets, words are not simply means of conveying a message, but a scheme to create beauty and novel innovations. The poets to make more impression on their addressees usually create uncommon sentences in the language. To express their feelings and thoughts, they invert the poems internal word order or sort out the structural system of their poetic sentences counter to standard language. By creating marked words or sentences, they actually seek to communicate their audience artistically and innovatively. Sentence is the poets main instrument that according to traditional grammars definition consists of two parts: subject and predicate. However, in modern linguistics sentence is a set of noun and verb phrases that are joined together as a harmonious whole. Each of noun or verb phrases has a unique structure so that their internal order cannot be changed; however, poets make their utterance poetic by inverting these groups to create greater influence. By using content analysis method, an attempt is made in this article to analyze the internal orders of noun and verb phrases in contemporary poems. The author gratefully acknowledge the financial and other support of this research, provided by the Islamic Azad University. eslamshahr Branch, Tehran ,Iran

Ale na razie tu cisza” – fotografie sprzed katastrofy w wybranych zapisach literackich (Stefan Chwin, Ryszard Kapuściński, Wisława Szymborska)

2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk
Keyword(s):  
Time Perspective ◽  
Terrorist Attack ◽  
First World War ◽  
General Concept ◽  
Literary Texts ◽  
World War ◽  
The Past ◽  
The First World War ◽  
History Of ◽  
First World

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.

Does Literature Matter Today? Thoughts of the Outside

CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie
Keyword(s):  
Aesthetic Education ◽  
The Other ◽  
Human Values ◽  
Literary Texts ◽  
Lost Cause ◽  
Western Tradition ◽  
The World

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.

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