scholarly journals ‘Political-Timing-Specific’ Performance Art in the Realm of the Museum

2022 ◽  
pp. 239-254
Author(s):  
Hélia Marçal ◽  
Daniela Salazar
Keyword(s):  
Performance Art ◽  
Main Argument ◽  
Political Performance ◽  
The Past ◽  
Counter Narratives ◽  
Specific Performance

Can reenactments be a way to create counter-narratives in and for the museum? Through the analysis of political performance (or what the artist Tania Bruguera calls ‘political-timing-specific’ artworks), this essay discusses the potential of reenactment as both a practice of materializing memories and narratives of oppression and of rethinking museum policies in terms of preservation and display. Its main argument is that, while the archive can be regarded as a form of materializing the memory of these works, reenactment is more than a way of recovering the past; it is also a device for reconstructing memories of activism and oppression. This essay further suggests that reenactments of political-timing-specific works demand a change in accessioning, conservation, and presentation practices, which might be inclined to erase decentralized art-historical and material narratives.

scholarly journals Other Stories: Experimental Forms of Contemporary Historying at the Crossroads Between Facts and Fictions

2018 ◽  
Vol 14 (1) ◽  
pp. 5-15
Author(s):  
Małgorzata Sugiera
Keyword(s):  
New Wave ◽  
Main Argument ◽  
Historical Discourse ◽  
Avant Garde ◽  
The Past ◽  
Academic History ◽  
The Future ◽  
Rhetorical Dimension ◽  
Hayden White ◽  
Experimental History

Summary The process of questioning the authority of academic history—in the form in which it emerged at the turn of the 19th century—began in the 1970s, when Hayden White pointed out the rhetorical dimension of historical discourse. His British colleague Alun Munslow went a step further and argued that the ontological statuses of the past and history are so different that historical discourse cannot by any means be treated as representation of the past. As we have no access to that which happened, both historians and artists can only present the past in accordance with their views and opinions, the available rhetorical conventions, and means of expression. The article revisits two examples of experimental history which Munslow mentioned in his The Future of History (2010): Robert A. Rosenstone’s Mirror in the Shrine (1988) and Hans Ulrich Gumbrecht’s In 1926 (1997). It allows reassessing their literary strategies in the context of a new wave of works written by historians and novelists who go beyond the fictional/factual dichotomy. The article focuses on Polish counterfactual writers of the last two decades, such as Wojciech Orliński, Jacek Dukaj, and Aleksander Głowacki. Their novels corroborate the main argument of the article about a turn which has been taking place in recent experimental historying: the loss of previous interest in formal innovations influenced by modernist avant-garde fiction. Instead, it concentrates on demonstrating the contingency of history to strategically extend the unknowability of the future or the past(s) and, as a result, change historying into speculative thinking.

scholarly journals Black dissent in America: exploring Ava DuVernay’Selma and 13th against the background of the 2020 anti-racial discrimination protests

2021 ◽  
pp. 95-115
Author(s):  
Maria Eduarda Gil Vicente
Keyword(s):  
Racial Discrimination ◽  
The United States ◽  
Police Brutality ◽  
Specific Group ◽  
Recent Event ◽  
Racial Relations ◽  
The Past ◽  
Counter Narratives ◽  
Black Resistance ◽  
White Majority

The 2020 protests on police brutality and racial discrimination in the United States constitute the most recent event of black dissent in what is a history marked by injustice, humiliation, exploitation and the denial of freedom, equality and self-representation of a specific group of people. Dissent can be exercised in many ways and in different areas of society. Over the past few years, Ava DuVernay has produced filmic works that are counter-narratives to the forms of representation imposed on African-Americans by the dominant white majority. This paper analyzes two of those works, Selma (2014) and 13th (2016), and considers their potential as instruments of dissent within the context of black resistance, at a time when racial relations are once again under scrutiny.

Political Performance Art:

Leaving Art ◽  
2010 ◽  
pp. 151-158
Author(s):  
Suzanne Lacy ◽  
Lucy R. Lippard
Keyword(s):  
Performance Art ◽  
Political Performance

The conceptual heritage of public relations: using public memory to explore constraints and liberation

2019 ◽  
Vol 23 (4) ◽  
pp. 375-392
Author(s):  
W. Timothy Coombs ◽  
Sherry J. Holladay
Keyword(s):  
Public Relations ◽  
Design Methodology ◽  
Public Memory ◽  
Content Type ◽  
The Public ◽  
The Past ◽  
Counter Narratives ◽  
Dominant Narratives ◽  
Practical Implications ◽  
Development And Evolution

Purpose The purpose of this paper is to describe three foundational concepts that contribute to conceptual heritage of the field of public relations (publics, organizations and relationships). Conceptual heritage is positioned as a type of shared public memory, a dominant narrative, that encourages adherence to the past whilst recognizing that counter-narratives can pose useful alternatives to foundational concepts. Design/methodology/approach The approach is a selective literature review that describes three dominant concept categories and presents more recently developed alternative concepts and approaches to illustrate how public memory is subjective and evolving. Findings The concepts of publics, organizations and relationships have grounded the dominant narrative and development of the field of public relations. Though these concepts continue to be influential as researchers rely upon and expand upon their legacies, counter-narratives can spur the innovation of ideas, measurement and practice. Research limitations/implications The paper focuses on only three major foundational concepts selected by the authors. The importance of these concepts as well as additional examples of the field’s conceptual heritage and evolution could be identified by different authors. Practical implications The analysis demonstrates how the public memory contributes to the development and evolution of the field of public relations. Counter-narratives can offer appealing, subjectively constructed challenges to dominant narratives. Originality/value This paper describes and critiques public relations’ conceptual heritage and argues that conceptually and methodologically-based counter-narratives have contributed to its evolution.

Performing Gender and Political Recognition: Israeli Reform Jewish Life-cycle Rituals

2020 ◽  
pp. 089124162096826
Author(s):  
Elazar Ben-Lulu
Keyword(s):  
Life Cycle ◽  
Public Space ◽  
Coming Of Age ◽  
Religious Communities ◽  
Political Performance ◽  
The Past ◽  
The Feminine ◽  
Reform Jewish ◽  
Cultural Constructions ◽  
Jewish Religion

Anthropologists see life-cycle rituals as a significant way to understand gender roles and identities in religious communities. While in the past, these compulsory rituals involved a significant change in a person’s social status, today many of their traditional features have been transformed. This ethnographic inquiry examines Bat Mitzvah ceremonies (coming of age rituals for girls) in Israeli Reform Jewish congregations. By including new blessings, appropriating masculine religious symbols, and creating new bodily gestures, the feminine life-cycle ritual challenges the traditional Jewish laws and contemporary socio-cultural constructions of the Israeli Jewish community. The exclusion of the Israeli Reform community from mainstream Jewish religion turns this ritual into a subversive act that battles local Jewish Orthodoxy authority. The ceremony is a political performance, which positions the Reform congregations as an activist religious agent for gender equality in the Israeli public space.

Stages of Decline

2014 ◽  
Vol 17 (2) ◽  
pp. 337-378
Author(s):  
Ari Daniel Levine
Keyword(s):  
Cultural Memory ◽  
Song Dynasty ◽  
The Past ◽  
Southern Song ◽  
Counter Narratives ◽  
Social Trauma ◽  
Imperial Court ◽  
Northern Song ◽  
Historical Fact ◽  
The City

After the fall of the Northern Song [Formula: see text] (960–1127) capital of Kaifeng [Formula: see text] to Jurchen invaders in 1127, diasporic literati of the Southern Song dynasty [Formula: see text] (1127–1279) recreated and revisited its lost sites through textual commemoration, especially in memorabilia literature (biji [Formula: see text], lit. ‘brush notes’). As knowledge of the city passed from communicative memory into cultural memory, its decline and destruction became the focus of nostalgia and indignation for Yue Ke [Formula: see text] (1183–1234), the author of the Pillar Histories (Ting shi [Formula: see text]), a collection of counter-narratives of Northern Song history that expressed the shared experience of social trauma induced by dynastic collapse. Disconnected from their spatial context and even from historical fact, the city’s memory sites became stages for amoralistic declension narrative, in which the city’s destruction and occupation was assumed to have been instigated by the decadence of the imperial court of the passive Emperor Huizong [Formula: see text] (r. 1100–26) and his ‘nefarious ministers’. The most colourful elements of Yue’s ludic and fantastical narratives became the focus of his indignation, which encouraged his readers to denounce the traitors who had betrayed the empire by inviting the Jurchen invasion. In the Pillar Histories, Yue deployed textual imaginaries of nostalgia as forms of resistance by re-contesting the past events that led to dynastic collapse. By reconstructing the city in the cultural memory of his fellow diasporic literati, Yue was creating a vision of an ideal political, cultural and moral community that once existed at the dynasty’s inception, and might be reconstituted in the future, if and when Song subjects recaptured their lost homeland.

scholarly journals „Najpierw ręka lewa, potem ręka lewa”. Tłumacz norweskich powieści kryminalnych wobec błędów w tekście oryginalnym

2020 ◽  
pp. 88-104
Author(s):  
Karolina Drozdowska
Keyword(s):  
Crime Fiction ◽  
Identity Change ◽  
Main Argument ◽  
Source Text ◽  
Left Hand ◽  
The Past ◽  
Short Summary ◽  
The World ◽  
The Devil

“First the left hand, then the left hand.” A Translator of Norwegian Crime Novels Faced with Mistakes in the Source Text Norwegian crime fiction is a genre which has gained enormous popularity among readers around the world over the past several years, and this creates a greater demand for translation of this kind of literature. The purpose of this text is to take a closer look at mistakes in Norwegian source texts a translator has to face when working with this genre. The article gives a short summary of potential causes of these mistakes, attempts to categorize them and describes possible ways of correcting them. The main argument is that the translator’s role and identity change in this process, as the translator often has to perform the tasks of an additional editor or proofreader. The crime novels analyzed here are: Blod i dans [Dance with the Devil] by Gard Sveen, Møt meg i paradis [Meet me in Paradise] by Heine Bakkeid and Alt er mitt [Deep Fjord] by Ruth Lillegraven.

scholarly journals Border Militias

2020 ◽  
Vol 4 (1) ◽  
pp. 1-20
Author(s):  
John Parsons
Keyword(s):  
The United States ◽  
United States Government ◽  
The Past ◽  
Southern Us ◽  
Counter Narratives ◽  
The Us ◽  
States Government ◽  
Us Government ◽  
Mexico Border ◽  
Us Mexico Border

Narratives of security and threat are continually used to justify morally contentious activities. In the past three years, the United States’ government has increasingly promoted narratives of “criminal migrants” and “immigrant invasions.” In response to perceived threats, the US-Mexico border has undergone a process of militarization. During this time, various border militias have continued to operate along the southern US border. My research was conducted over 11 months with two militias operating on the US-Mexico border I have labeled Border Watch. This militia provides a snippet of how morality is operationalized in the legitimization of actions and how morality is intrinsically linked to security in the lived experiences of its volunteers. In this article, I argue that the volunteers make sense of their experiences away from the border through the narrative espoused by the US government. The resonance between experience and narrative defines the latter as truth and the ability to dismiss counter-narratives. For the volunteers of Border Watch who adhere to a notion of citizenship through the lens of the citizen-soldier ideal, the narrative delivers a moral imperative to act in defense of the nation. Within the nexus of danger, security, and morality, the volunteers of Border Watch conceptualize their project as one in which moral citizens protect the nation and its citizens from an evil Other.

scholarly journals Sekularingseringstesen i religionssociologien

1999 ◽  
Author(s):  
Lene Kühle
Keyword(s):  
Social Reality ◽  
Sociology Of Religion ◽  
Main Argument ◽  
New Paradigm ◽  
Sociological Study ◽  
Political Sphere ◽  
The Past ◽  
The Future ◽  
Recent Developments ◽  
Dominant Paradigm

Secularization has been á major issue in sociological debates on religion. Recent developments in theory as well as in social reality seems to indicate that the future for the seularization thesis will not be as glorious as the past. The main argument in this article is that the secularization thesis, which can more properly be understood as a paradigm in the Kuhnian sense, is no longer a very useful frame for the sociological study of religion. This argument is supported by three examples from the contemporay political sphere, where the description in terms of "secularization" seems to lead to ambiguous conclusions. The article gives a brief presentation of two candidates for a new paradigm and discusses the requirements that the new paradigm is expected to meet. Whether any of these paradigms or perhaps a completely different one is going to assume the position as the dominant paradigm in the sociology of religion is still to be seen.

scholarly journals What We Can Learn From Studying The Past: The Wonderful Usefulness of History in Educational Research

2021 ◽  
Vol 22 ◽  
Author(s):  
Johannes Westberg
Keyword(s):  
Educational Policy ◽  
Educational Research ◽  
History Of Education ◽  
Historical Research ◽  
Main Argument ◽  
Short History ◽  
The Past ◽  
History Of

Why should educational researchers study the history of education? This article suggests that this research is of immediate relevance to current issues of education and may therefore serve a wide variety of purposes. The main argument is that history of education offers four vital contributions: a unique methodological expertise that in turn enables historians of education to provide educational research with vital explanations, comparisons, and the ability to analyse the use and abuse of history in contemporary educational policy and debate. In short, history of education is vital to educational research, not despite its historical orientation, but because of it. Consequently, this paper poses a challenge, both for the field of educational research to promote educational historical research, and for historians of education to explore the untapped potential of this sub-discipline.

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