Pleasure in the Middle Ages, ed. Naama Cohen-Hanegbi and Piroska Nagy. International Medieval Research, 24. Turnhout: Brepols, 2018, xxiii, 383 pp., 10 b/w ill.
The term ‘pleasure’ has many different meanings, and can be understood both in physical, emotional terms and in religious, or philosophical contexts. Pleasure pertains both to the body and to the spirit, so it turns out to be a very malleable concept which cannot be easily examined in a cultural-historical framework. The contributors to the present volume, however, who originally presented their studies orally at the 2013 International Medieval Congress at Leeds, pursue, as the two editors formulate it themselves, very diverse approaches, depending on their individual research discipline. However, pleasure is regularly associated with emotions, whether from a historical, theological, philosophical, art-historical (only one study), or literary (practically left out) perspective. Of course, this opens another Pandora’s box since ‘emotions’ represent a vast range of aspects in human life that are commonly not easy to identify or to determine in a critical fashion. Cohen-Hanegbi (Tel Aviv University) and Nagy (Université du Quebec à Montréal) offer the approximate definition of pleasure as being “an affect sustained by the interaction between physical and sensory knowledge, between cultural and social mores, and between religious thought and ethics” (xix). It might be difficult to grasp what they really mean by this, especially because they consider such features as “pleasured bodies, didactic pleasures, and pleasure in God” (ibid.), which again leaves us groping for straws. However, we are assured at the end of the introduction that all contributors, despite vast differences in their methodologies and materials, “attempt to define and analyze pleasures, joys, enjoyments, and delights through the language and mindset of the source material” (xxii).