scholarly journals «ORIENTAL APHRODITE» ON THE OBJECTS FROM TERRITORY OF SCYTHIA (on the origins of iconography)

2019 ◽  
Vol 33 (4) ◽  
pp. 340-347
Author(s):  
H. V. Vertiienko
Keyword(s):  
Material Culture ◽  
Eastern Mediterranean ◽  
Ancient Egypt ◽  
Musical Instruments ◽  
National Museum ◽  
First Case ◽  
National University ◽  
Female Deities ◽  
History Of ◽  
The Village

The article analyzes the origins of the iconography of a woman’s face with a hairstyle that has characteristic curls, which have been deployed in different directions, on the objects of Scythian material culture. This feature of iconography is fixed twice. The first case are four silver and gilded pendants from the barrow 34 near the village Sofiyivka, Kherson region (Museum of Historical Treasures of Ukraine — a branch of the National Museum of History of Ukraine, inv. no. 2755/1—4). The second case, is the image on the working part of a bronze stamp from the Kamyanskoe settlement (Archaeology Museum of the Karazin National University of Kharkiv, inv. no. VN 2089). As for the female hairstyle on these images, it is not typical for classical Hellenic art, but finds parallels in the art of the Eastern Mediterranean and Ancient East. This style is similar to the so-called «Hathoric wig» in the art of ancient Egypt (on stelae, sculptures, amulets, painting on coffins, mirrors, musical instruments, etc.), which influenced the iconography of the hairstyles of female deities («Oriental Aphrodite») of the Mediterranean. The image of the goddess in the «Hathoric wig» could permeate to the Northern Pontic Sea Region through the Hellenic craftsmen, as a replica of the image of «Oriental Aphrodite» cult of whom may have existed in the region. At the same time, these images could be a «copy» (imitation) made by the Scythian craftsmen directly from the Egyptian original, most likely from some faience amulet, which usually has similar size and sometimes reproduces the head of Hathor. According to Herodotus, in the Scythian pantheon, the figure of Celestial Aphrodite (Aphrodite Urania) was corresponded by Argimpasa (Herod. IV, 59). Consequently, in such an iconographic form these images could depict this goddess. The image of the «Hathoric wig» on these objects can be considered the most northern examples of this iconographic element.

The history of the keyboard instrument MNP I 49 from the Museum of Musical Instruments in Poznań. the state of research

2021 ◽  
Vol 2 (16) ◽  
pp. 137-148
Author(s):  
Małgorzata Wróblewska
Keyword(s):  
20Th Century ◽  
National Archive ◽  
Musical Instruments ◽  
National Museum ◽  
Previous Knowledge ◽  
History Of ◽  
Baroque Era ◽  
State Of Research ◽  
Source Materials ◽  
Keyboard Instrument

The keyboard instrument MNP I 49 from the Museum of Musical Instruments in Poznań has not been a subject of detailed academic studies yet, but there have been mentions of it in various types of publications throughout the years. The item is currently placed in the exhibition hall devoted to the art of the Baroque era in the Museum of Applied Arts in Poznań. It is a unique historical item in the Polish collection due to a very scarce number of harpsichords preserved in Poland. This situation is mainly a result of two world wars in the 20th century. Due to not enough available sources, the exact time of the creation of the instrument and the name of its builder were impossible to determine. The aim of the present article was to compile and arrange previous knowledge about the historical item MNP I 49. The work lists source materials and publications in which the instrument was mentioned, such as documents from the National Archive in Poznań, Raczyński Library in Poznań and National Museum Archive in Poznań. Based on the available source materials, the author was able to determine that the harpsichord appeared at the Skórzewski family’s palace in Czerniejewo before 1855.

scholarly journals Book Review: Artifacts from Ancient Egypt

2019 ◽  
Vol 58 (2) ◽  
pp. 125
Author(s):  
Amanda K. Sprochi
Keyword(s):  
Material Culture ◽  
Daily Life ◽  
Eastern Mediterranean ◽  
Ancient Egypt ◽  
Roman Period ◽  
General Outline ◽  
Beliefs And Practices ◽  
Ancient Egyptian ◽  
The People

Artifacts from Ancient Egypt, a new title in the Greenwood Daily Life through Artifacts series, utilizes objects of daily life from ancient Egypt to illuminate the ways in which material culture reflects the lifeways of the people who produce it. In keeping with the general outline of the series, author Barbara Mendoza, a Berkeley-trained specialist in ancient Egyptian and eastern Mediterranean art and archaeology, has selected 45 pieces that reflect the customs, beliefs, and practices of ancient Egyptians from the earliest Predynastic era (ca. 5000 BCE) through the late Graeco-Roman period (ca. 300 CE). The material culture of ancient Egypt is particularly adapted to this kind of treatment, given its deeply ornamented and symbolic nature, and is an excellent beginner’s guide to understanding and interpreting how material culture reflects the society that created it.

scholarly journals A Quarried Excavation Site : Late Bronze Age Relics Unearthed in a Gravel Pit near Muhi

2021 ◽  
Vol 10 (1) ◽  
pp. 1-10
Author(s):  
Norbert Berta ◽  
Zoltán Farkas
Keyword(s):  
Material Culture ◽  
Bronze Age ◽  
Iron Age ◽  
Late Bronze Age ◽  
Long Distance ◽  
Gravel Pit ◽  
New Information ◽  
History Of ◽  
The Village ◽  
Excavation Site

East of the village of Muhi, in the direction of Nyékládháza, there are huge gravel pits, many of which have already been abandoned, flooded, and transformed into popular modern resorts. Recently, new gravel extraction sites have also been opened, and so a rescue excavation of the Muhi-III kavicsbánya (gravel pit) site took place in 2019. After months of excavation, the artifacts are still in the process of being cleaned and restored, and so until this work is complete, it is only possible to outline a brief overview of the important and remarkable finds. Features have been excavated from several periods (Middle Neolithic, Late Bronze Age, and Early Iron Age), but the most significant ones are those from the Late Bronze Age. These finds reveal information about a place of intensive human activity, a settlement on the border of different European cultural zones that participated in long-distance trade. These influences are reflected in varied elements of material culture. The large quantities of metal and ceramic finds brought to light in various conditions can be dated to the so-called pre-Gava period based on finds from the major features (urn graves, vessel hoards), and thus provide new information on the Late Bronze Age history of the Sajó-Hernád plain.

Reception of ancient Egypt

2020 ◽  
pp. 78-96
Author(s):  
Florian Ebeling
Keyword(s):  
Material Culture ◽  
Ancient Egypt ◽  
History Of Ideas ◽  
Direct Access ◽  
The West ◽  
Ancient Egyptian ◽  
History Of ◽  
The Way

The history of reception of ancient Egypt deals with the perceptions and images of ancient Egypt in the West that emerged without direct access to ancient Egyptian sources, especially without proper knowledge of the hieroglyphs. It deals with texts, images and art as part of the history of ideas and with material culture as well. It is not about the question of whether these images and concepts correspond to the historical realities in ancient Egypt, but about the question of the way in which ancient Egypt was referred to, and about the relevance of this concept in the history of the West.

scholarly journals MatteRealities: Historical Trajectories and Conceptual Futures for Material Culture Studies

2019 ◽  
Vol 3 (1) ◽  
pp. 308-316
Author(s):  
Ingrid Gessner ◽  
Miriam Nandi ◽  
Juliane Schwarz-Bierschenk
Keyword(s):  
Material Culture ◽  
Large Scale ◽  
National Museum ◽  
Human Beings ◽  
Research Organizations ◽  
Theatrical Performances ◽  
History Of ◽  
And Performance ◽  
The University ◽  
Political Character

Abstract “No ideas but in things!” William Carlos Williams’s leitmotif for the modernist epic Paterson seems to anticipate the current renewal of academic attention to the materialities of culture: When the Smithsonian Institution accounts for The History of America in 101 Objects (Kurin) or when Neil MacGregor, designated director of the Humboldt Forum in Berlin, aims at telling The History of the World in 100 Objects (2011), they use specimens of material culture as register and archive of human activity. Individual exhibitions explore the role of objects in movements for social and political change (Disobedient Objects, Victoria and Albert Museum, London). Large-scale national museum projects like the new Humboldt Forum in Berlin or the National Museum of African American History and Culture in Washington, D.C., draw attention to the long existence of collections in Western institutions of learning and reveal the inherently political character of material culture—be that by underscoring the importance of institutional recognition of particular identities or by debates about provenance and restitution of human remains and status objects. The plethora of objects assembled in systematic as well as idiosyncratic collections within and outside the university is just beginning to be systematically explored for their roles in learning and education, funded by national research organizations such as the German BMBF.1 In theatrical performances, things function as discussion prompts in biographical work (Aufstand der Dinge, Schauspielhaus Chemnitz) or unfold their potential to induce a bodily experience (The Force of Things: An Opera for Objects, GK Arts Center, Brooklyn, NY). Things are present: as heritage, as commodities, as sensation; they circulate in processes of cognition and mediation, they transcend temporal and spatial distantiations. Things figure in narration and performance, in our everyday life practices, in political activism. They build knowledge of ourselves and others, influence the ways in which we interact with our fellow human beings, and in which we express or control our feelings. They combine the apparently concrete and the fleetingly abstract. Overall, things make us do things.

Wildfires in the eastern Mediterranean as a result of lightning activity – a change in the conventional knowledge

2016 ◽  
Vol 25 (5) ◽  
pp. 592 ◽  
Author(s):  
Shlomit Paz ◽  
Moshe Inbar ◽  
Haim Kutiel ◽  
Dan Malkinson ◽  
Naama Tessler ◽  
...  
Keyword(s):  
Eastern Mediterranean ◽  
Weather Conditions ◽  
Lightning Activity ◽  
Convective Storm ◽  
Air Masses ◽  
System A ◽  
First Case ◽  
Synoptic Conditions ◽  
History Of ◽  
Possible Cause

No records exist in the scientific literature about lightning fires in the eastern Mediterranean (EM). Although thunderstorms are frequent in winter, if spontaneous fire is ignited, it will immediately be extinguished by rain. No thunderstorms occur in summer, and therefore no favourable weather conditions for natural ignitions exist. In October 2014, the synoptic conditions over the EM comprised a Red Sea Trough (RST) with an easterly axis (a less frequent version of this system). A convective storm, accompanied by thunderstorms with intense local rains developed rapidly. Simultaneously, six wildfires were reported from different locations in northern Israel (in the EM). Lightning activity documented by the Israel Electric Co. was at the same time and locations as the reported wildfires. To the best of our knowledge, this is the first case recorded in recent history of wildfires in the EM as a result of lightning. Moreover, in the literature, the RST is associated with fires only when its axis is in a western position, thus driving very hot and dry air masses. A different way of thinking is needed on the potential of lightning in autumn as a possible cause of fires under different situations of the RST.

Numismatic Material of the 15th—16th Centuries from Burials near the Village of Kovashi, Leningrad Oblast

2021 ◽  
pp. 147-167
Author(s):  
Konstantin Gorlov ◽  
◽  
Andrey Gorodilov ◽  
Keyword(s):  
Material Culture ◽  
Local Population ◽  
Leningrad Region ◽  
Burial Ground ◽  
Leningrad Oblast ◽  
Russian Academy Of Sciences ◽  
History Of ◽  
Burial Rites ◽  
Academy Of Sciences ◽  
The Village

In the fall of 2019, the archaeological expedition of the Institute of History of Material Culture of the Russian Academy of Sciences carried out excavations in the Lomonosov district of the Leningrad region, in the village of Kovashi. During the course of the excavations, a previously unknown burial ground of the 15th—16th centuries was investigated, including at least 97 burials. Among the burial items, the most significant ones are 33 coins of Novgorod and Pskov Republics’ emission, of Principality of All Rus during the reigns of Ivan III, Vasily III and Ivan IV. The composition of the numismatic collection from the burials of the Kovashi burial ground reflected the most important changes that took place in the financial sphere of the Novgorod Republic during the period of its independence ceding to Moscow. Coins found in the tombs have become the leading chronological indicator, allowing us to refine both the dating of individual graves containing money and the functioning of all of the burial ground by following the process of its development. Fixation of the “obol of the dead” among the population of the Vodskaya Pyatina supplements the available data on the burial rites of the local population and their idea of the afterlife.

scholarly journals Egyptian and Greek Water Cultures and Hydro-Technologies in Ancient Times

2020 ◽  
Vol 12 (22) ◽  
pp. 9760
Author(s):  
Abdelkader T. Ahmed ◽  
Fatma El Gohary ◽  
Vasileios A. Tzanakakis ◽  
Andreas N. Angelakis
Keyword(s):  
Eastern Mediterranean ◽  
Arable Land ◽  
Ancient Egypt ◽  
Nile River ◽  
Intense Rainfall ◽  
Ancient Greek ◽  
History Of ◽  
Treatment Technologies ◽  
Ancient Times ◽  
Ancient Civilizations

Egyptian and Greek ancient civilizations prevailed in eastern Mediterranean since prehistoric times. The Egyptian civilization is thought to have been begun in about 3150 BC until 31 BC. For the ancient Greek civilization, it started in the period of Minoan (ca. 3200 BC) up to the ending of the Hellenistic era. There are various parallels and dissimilarities between both civilizations. They co-existed during a certain timeframe (from ca. 2000 to ca. 146 BC); however, they were in two different geographic areas. Both civilizations were massive traders, subsequently, they deeply influenced the regional civilizations which have developed in that region. Various scientific and technological principles were established by both civilizations through their long histories. Water management was one of these major technologies. Accordingly, they have significantly influenced the ancient world’s hydro-technologies. In this review, a comparison of water culture issues and hydro-structures was adopted through the extended history of the ancient Egyptians and Greeks. The specific objectives of the work are to study the parallel historical cultures and hydro-technologies, assessing similarities and differences, and to analyze their progress since primitive times. The tools adopted for the research include visits to historical aeras and museums, comments, consultations, correlation and exhibitions available in the cyberspace. Review results herein showed that dams and canals were constructed in ancient Egypt to manage the flood of the Nile river and develop irrigation systems from ca. 6000 BC. In the second millennium BC, Minoans managed the flow of the streams via two dams, to protect arable land from destruction after intense rainfall and to irrigate their farms. Additional results showed that ancient Egyptians and Greeks invented many devices for lifting water for plant irrigation such as the shadouf, sakia and tympanum and pumps, of which some were already in use in Mesopotamia for irrigating small plots. The ancient Egyptians were the first who discovered the principle and the basis of coagulation (after ca. 1500 BC). They used the alum for accelerating the settlement of the particles. Additionally, the ancient Greeks developed several advanced water treatment technologies since the prehistoric times. To sum up, the study captured many similarities between two civilizations in water technologies. In addition, it confirmed the sustainability and durability of several of those hydro-technologies since they are still in use up to now in many places.

scholarly journals WOJCIECH ANTONI JANUSZ GLUZIŃSKI (1922–2017)

Muzealnictwo ◽  
2017 ◽  
Vol 58 (0) ◽  
pp. 0-0
Author(s):  
Elżbieta Gajewska-Prorok
Keyword(s):  
Material Culture ◽  
Department Head ◽  
National Museum ◽  
History Of ◽  
Methodological Problems ◽  
Theorie Und Praxis ◽  
The University ◽  
The City ◽  
Long Term Studies

Wojciech A.J. Gluziński, a philosopher and an outstanding Polish theoretician of museology, passed away on 26 March 2017. He was born on 31 March 1922 into an intellectual family in Lviv. He commenced studying philosophy in 1945 at the Jagiellonian University in Cracow, and continued at the Faculty of Humanities at the University & Polytechnic in Wrocław. He got an MA in philosophy in 1952, but even in 1949 he had already started working in the Old Townhouse (later the Historical Museum of the City of Wrocław), a branch of the Silesian Museum (since 1970 the National Museum) in Wrocław. He was connected with the National Museum until the end of his career. In the following years he held the posts of Head of Historical Department, Head and later Curator of the Department of History of Material Culture, and was the museum’s advisor and counsellor from 1991 to 1995. He organised a dozen permanent and temporary exhibitions during more than 40 years of working. He wrote numerous articles published in such periodicals as: “Annual of the Kłodzko Region”, “Annual of Silesian Ethnography” and “Annual of Silesian Art”. His long-term studies on the theory of museology resulted in a doctoral dissertation entitled Philosophical and methodological problems of museology written under the supervision of Prof. Kazimierz Malinowski in 1976 in the Institute of Conservation and Historic Monuments Studies at the Copernicus University in Toruń. The edited work was published in 1980 as a book entitled Underlying museology. Gluziński shared his opinions at numerous conferences abroad, and published articles in post-conference materials, including in “ICOFOM Study Series”, “Muzeologické Sešity” and in “Neue Museumskunde. Theorie und Praxis der Museumsarbeit”.

scholarly journals ‘Habitually Embodied’ Memories: The Materiality and Physicality of Music in Hardy's Poetry

2020 ◽  
Vol 17 (2) ◽  
pp. 245-269
Author(s):  
Catherine Charlwood
Keyword(s):  
Material Culture ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Poetic Form ◽  
Mechanical Contact ◽  
Critical Fields ◽  
The Unconscious ◽  
Interdisciplinary Field ◽  
History Of ◽  
Century Science

This article reads Thomas Hardy's many musical instrument poems as the meeting point for the concerns of several critical fields: material culture, memory studies and the emerging interdisciplinary field of musical haptics. Close readings illuminate not only their relevance to such enquiries, but also how Hardy's manipulation of poetic form engenders a tactile musicality or ‘poetics of touch’ (as Marion Thain puts it). This article focuses on the aspects of these poems which have undergone least exploration: the depiction of the bodily effort involved in music-playing. While some of the poems are critical favourites (‘Old Furniture’) many of those studied here are routinely overlooked.A mnemonically-minded poet, Hardy wrote about the memories objects hold and the memories that may be mediated through them. For Hardy, the history of objects is inseparable from that of their now-dead owners: person and thing are tied together in memory. This is in part due to an object's inherent tangibility, and musical instruments are particularly tactile objects, benefiting from the further mnemonic of music itself.The core of the article considers Hardy's late poem ‘Haunting Fingers: A Phantasy in a Museum of Musical Instruments’, which hears instruments speak out their memories of being touched, and through memory feel ‘old muscles travel/Over their tense contours’. Revisions to the manuscript show Hardy removing ‘death’ and privileging instead the immediacy of remembered touch.Paying attention to the reading and note-taking Hardy did within nineteenth-century science, this article traces Hardy's imaginative explorations of the processes involved in playing musical instruments back to discoveries about the workings of the unconscious. Saleeby, James, Maudesley and Bastian informed Hardy's knowledge of the science behind music-playing, while musical haptics helps this study unpack why Hardy attends to the interactions which take place at the point of mechanical contact: finger to key, and to string.

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