scholarly journals Vzpomínka na rok 1989. Ze sbírkového fondu Jihočeského muzea v Českých Budějovicích

2021 ◽  
Vol 188 (3-4) ◽  
pp. 25-40
Author(s):  
Jiří Petráš
Keyword(s):  
Three Dimensional ◽  
Technical Equipment ◽  
Museum Collections ◽  
Power Structures ◽  
The Public ◽  
Changing Society

The goal of this study was to remind people of the period immediately following 17th November 1989. We wanted to point out the importance of previously overlooked museum collections in documenting our development, and draw attention to museums as a source of learning and knowledge. It was interesting to view the equipment and items used by students and the Civil Forum when addressing the public and promoting their ideas – posters, leaflets, film shots, various three-dimensional items, and also the technical equipment that strike committees used during their work. The second important part of the study was analysis of three speeches by Mojmír Prokop, spokesman of the Civil Forum in České Budějovice, during the course of the first half of November and the beginning of December 1989 – we saw the impression his speeches gave (how they reflected the changing society-wide situation), his emphasis of various topics and their selection. The process by which these people became members of power structures, how they were co-opted into national committees on all levels and also into the Federal Assembly, was also interesting.

scholarly journals Key Concept: A Turn Towards Academobilities

eTopia ◽  
2017 ◽  
Author(s):  
Samantha Brown
Keyword(s):  
Power Structures ◽  
The Public ◽  
Mobility Studies ◽  
Starting Point ◽  
Key Concepts ◽  
Over Time ◽  
Do So ◽  
Changing Society

This paper introduces the key concept ‘academobilities’ as an addition to the growing collection of keywords of mobility studies. Situating academobilities within
the tradition of keywords will allow scholars across disciplines to refer to it as a
tool that can be used in their own research. Academobilities is a two-fold concept. First, it calls into question the culture surrounding academia by examining the specific ways information is transported and communicated to the public, critically examining power structures, inclusions, and exclusions. The second way in which academobilities can be employed is to examine the interconnected relationship between the academy and mobility; academia is dependent upon mobility. This paper introduces academobilities as a key concept that scholars can adopt and apply
in unique ways that move beyond this two-fold understanding. Scholars across disciplines can certainly add fruitful theoretical underpinnings to academobilities, andto do so is encouraged. Understandings of key concepts change and fluctuate over
time (Williams 1976) to address our ever-changing society. The goal of writing this paper is to identify a starting point from which scholars of all disciplines can leap. 

scholarly journals Heritage Artefacts in the COVID-19 Era: The Aura and Authenticity of 3D Models

2021 ◽  
Vol 7 (1) ◽  
pp. 519-539
Author(s):  
Thiago Minete Cardozo ◽  
Costas Papadopoulos
Keyword(s):  
User Experience ◽  
Three Dimensional ◽  
3D Models ◽  
Essential Elements ◽  
The Other ◽  
Social Distancing ◽  
The Public ◽  
Affective Experiences ◽  
The One ◽  
Digital Engagement

Abstract Museums have been increasingly investing in their digital presence. This became more pressing during the COVID-19 pandemic since heritage institutions had, on the one hand, to temporarily close their doors to visitors while, on the other, find ways to communicate their collections to the public. Virtual tours, revamped websites, and 3D models of cultural artefacts were only a few of the means that museums devised to create alternative ways of digital engagement and counteract the physical and social distancing measures. Although 3D models and collections provide novel ways to interact, visualise, and comprehend the materiality and sensoriality of physical objects, their mediation in digital forms misses essential elements that contribute to (virtual) visitor/user experience. This article explores three-dimensional digitisations of museum artefacts, particularly problematising their aura and authenticity in comparison to their physical counterparts. Building on several studies that have problematised these two concepts, this article establishes an exploratory framework aimed at evaluating the experience of aura and authenticity in 3D digitisations. This exploration allowed us to conclude that even though some aspects of aura and authenticity are intrinsically related to the physicality and materiality of the original, 3D models can still manifest aura and authenticity, as long as a series of parameters, including multimodal contextualisation, interactivity, and affective experiences are facilitated.

DRIEDIMENSIONAAL NIEUWS

2019 ◽  
Vol 3 (2) ◽  
pp. 128-152
Author(s):  
Tessel X. Dekker
Keyword(s):  
Nineteenth Century ◽  
The Netherlands ◽  
Mass Medium ◽  
Three Dimensional ◽  
Reciprocal Relationship ◽  
Visual Medium ◽  
The Public ◽  
Wax Models

THREE-DIMENSIONAL NEWS The Amsterdam wax museum as a competitor of the illustrated newspaper, 1882-1919 The nineteenth-century wax museum can be viewed as a contemporary mass medium that showed people scenes from the news. The Nederlandsch Panopticum was the first of its kind in the Netherlands, located in Amsterdam between 1882 and 1919. As an informative visual medium, the Panopticum had to compete with other media, like the illustrated newspaper, for the attention of the public. At the same time, the wax museum also depended on photographs published in these same papers: wax models were often, and in the course of time almost exclusively, modelled after photos. This reciprocal relationship can be seen as an example of ‘intermediality’. In the end, the wax museum lost ground, foremost, to the new mass medium of the time, cinema, which took over both as an urban attraction and as a popular visual medium.

scholarly journals Integrating Digital Datasets into Public Engagement through ArcGIS StoryMaps

2020 ◽  
Vol 8 (4) ◽  
pp. 351-360
Author(s):  
Matthew D. Howland ◽  
Brady Liss ◽  
Thomas E. Levy ◽  
Mohammad Najjar
Keyword(s):  
Iron Age ◽  
Public Engagement ◽  
Three Dimensional ◽  
First Century ◽  
Copper Production ◽  
The Public ◽  
The Past ◽  
Archaeological Methods ◽  
Three Dimensional Models

AbstractArchaeologists have a responsibility to use their research to engage people and provide opportunities for the public to interact with cultural heritage and interpret it on their own terms. This can be done through hypermedia and deep mapping as approaches to public archaeology. In twenty-first-century archaeology, scholars can rely on vastly improved technologies to aid them in these efforts toward public engagement, including digital photography, geographic information systems, and three-dimensional models. These technologies, even when collected for analysis or documentation, can be valuable tools for educating and involving the public with archaeological methods and how these methods help archaeologists learn about the past. Ultimately, academic storytelling can benefit from making archaeological results and methods accessible and engaging for stakeholders and the general public. ArcGIS StoryMaps is an effective tool for integrating digital datasets into an accessible framework that is suitable for interactive public engagement. This article describes the benefits of using ArcGIS StoryMaps for hypermedia and deep mapping–based public engagement using the story of copper production in Iron Age Faynan, Jordan, as a case study.

scholarly journals Unsupervised Three-Dimensional Tubular Structure Segmentation via Filter Combination

2021 ◽  
Vol 14 (1) ◽  
Author(s):  
Hengfei Cui ◽  
Chang Yuwen ◽  
Lei Jiang
Keyword(s):  
Three Dimensional ◽  
Processing Technique ◽  
Medical Image Segmentation ◽  
Tubular Structure ◽  
Tubular Structures ◽  
Ranking Methods ◽  
Real Patient ◽  
The Public ◽  
Segmentation Methods ◽  
Structure Enhancement

AbstractTubular structure enhancement plays an utmost role in medical image segmentation as a pre-processing technique. In this work, an unsupervised 3D tubular structure segmentation technique is developed, which is mainly inspired by the idea of filter combination. Three well-known vessel filters, Frangi’s filter, the modified Frangi’s filter and the Multiscale Fractional Anisotropic Tensor (MFAT) filter, separately enhance the original images. Next, the enhanced images obtained using three different filters are combined. Different categories of vessel filters have the ability of complementarity, which is the main motivation of combining these three advanced filters. The combination of them ensures a high diversity of the enhancing results. Weighted mean and median ranking methods are used to conduct the operation of filter combination. Based on the optimized weights for all the three individual filters, fuzzy C-means method is then applied to segment the tubular structures. The proposed technique is tested on the public DRIVE and STARE datasets, the public synthetic vascular models (2011 and 2013 VascuSynth Sample), and real-patient Coronary Computed Tomography Angiography (CCTA) datasets. Experimental results demonstrate that the proposed technique outperforms the state-of-the-art filter combination-based segmentation methods. Moreover, our proposed method is able to yield better tubular structure segmentation results than that of each individual filter, which exhibits the superiority of the proposed method. In conclusion, the proposed method can be further used to facilitate vessel segmentation in medical practice.

scholarly journals Digital Sensoriality: The Neolithic Figurines from Koutroulou Magoula, Greece

2019 ◽  
Vol 29 (4) ◽  
pp. 625-652 ◽  
Author(s):  
Costas Papadopoulos ◽  
Yannis Hamilakis ◽  
Nina Kyparissi-Apostolika ◽  
Marta Díaz-Guardamino
Keyword(s):  
Computational Methods ◽  
Three Dimensional ◽  
The Public ◽  
The Past ◽  
Artistic Representations ◽  
Dynamic Objects ◽  
Physical Objects ◽  
Intellectual Climate ◽  
The Way

The image-based discourse on clay figurines that treated them as merely artistic representations, the meaning of which needs to be deciphered through various iconological methods, has been severely critiqued and challenged in the past decade. This discourse, however, has largely shaped the way that figurines are depicted in archaeological iterations and publications, and it is this corpus of images that has in turn shaped further thinking and discussion on figurines, especially since very few people are able to handle the original, three-dimensional, physical objects. Building on the changing intellectual climate in figurine studies, we propose here a framework that treats figurines as multi-sensorial, affective and dynamic objects, acting within distinctive, relational fields of sensoriality. Furthermore, we situate a range of digital, computational methods within this framework in an attempt to deprive them of their latent Cartesianism and mentalism, and we demonstrate how we have applied them to the study of Neolithic figurines from the site of Koutroulou Magoula in Greece. We argue that such methodologies, situated within an experiential framework, not only provide new means of understanding, interpretation and dissemination, but, most importantly, enable researchers and the public to explore the sensorial affordances and affective potential of things, in the past as well as in the present.

scholarly journals Design of Digital Interaction for Complex Museum Collections

2020 ◽  
Vol 4 (2) ◽  
pp. 31
Author(s):  
Laura Loredana Micoli ◽  
Giandomenico Caruso ◽  
Gabriele Guidi
Keyword(s):  
Cultural Heritage ◽  
Interactive Multimedia ◽  
Multimedia Applications ◽  
Museum Collections ◽  
Complementary Information ◽  
The Public ◽  
Ancient Egyptian ◽  
Funerary Ritual

Interactive multimedia applications in museums generally aim at integrating into the exhibition complementary information delivered through engaging narratives. This article discusses a possible approach for effectively designing an interactive app for museum collections whose physical pieces are mutually related by multiple and articulated logical interconnections referring to elements of immaterial cultural heritage that would not be easy to bring to the public with traditional means. As proof of this concept, a specific case related to ancient Egyptian civilization has been developed. A collection of Egyptian artifacts such as mummies, coffins, and amulets, associated with symbols, divinities, and magic spells through the structured funerary ritual typical of that civilization, has been explained through a virtual application based on the concepts discussed in the methodological section.

Marble Busts and Fish Fossils

Nuncius ◽  
2016 ◽  
Vol 31 (2) ◽  
pp. 439-483
Author(s):  
Elena Canadelli
Keyword(s):  
Eighteenth Century ◽  
Natural History ◽  
18Th Century ◽  
Museum Collections ◽  
The Public ◽  
Additional Information ◽  
Natural History Collection ◽  
Late 18Th Century ◽  
University Of Padua ◽  
The University

The historical catalogs of the museum collections contain a wealth of information for historians seeking to reconstruct their contents, how they were displayed and the ways in which they were used. This paper will present the complete transcription of a draft catalog that was prepared in 1797 for the Museum of Natural History and Antiquities of the University of Padua. Conserved in the university’s Museum of Geology and Paleontology, the catalog was the first to be compiled of the museum, which was established in 1733 thanks to the donation by Antonio Vallisneri Jr. of his father Antonio Vallisneri Sr.’s collection of antiquities and natural history. The catalog was compiled by the custodian of the museum, the herbalist and amateur naturalist Bartolomeo Fabris. It is of great interest because it provides a record of the number and nature of the pieces conserved in the museum at a time when natural history and archeology collections were still undivided. It also provides indications as to how such collections were arranged for display in the public halls of a university at the end of the eighteenth century. Based on this catalog, with additional information drawn from other manuscript and published sources and museum catalogs from the 1830s conserved in various institutes at the University of Padua, it is possible to reconstruct the contents and layout of a significant late 18th-century natural history collection.

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