The Expansion on the Modern World System and the Identity of Minority ― The Novel World of Geum Hee, a Korean-Chinese Author

2021 ◽  
Vol 30 ◽  
pp. 67-96
Author(s):  
Chang-Eun Oh ◽  
2013 ◽  
Vol 68 (3) ◽  
pp. 396-422 ◽  
Author(s):  
Natasha Moore

This essay explores a peculiarly Victorian solution to what was perceived, in the middle of the nineteenth century, as a peculiarly Victorian problem: the fragmentation and miscellaneousness of the modern world. Seeking to apprehend the multiplicity and chaos of contemporary social, intellectual, political, and economic life, and to furnish it with a coherence that was threatened by encroaching religious uncertainty, Victorian poets turned to the resources of genre as a means of accommodating the heterogeneity of the age. In particular, by devising ways of fusing the conventions of the traditional epic with those of the newly ascendant novel, poets hoped to appropriate for the novelistic complexity of modern, everyday life the dignifying and totalizing tendencies of the epic. The essay reevaluates the generic hybridity of Elizabeth Barrett Browning’s Aurora Leigh (1856) as an attempt to unite two distinct kinds of length—the microscopic, cumulative detail of the novel and the big-picture sweep of the epic—in order to capture the miscellaneousness of the age and, at the same time, to restore order and meaning to the disjointed experience of modernity.


2020 ◽  
pp. 35-41
Author(s):  
A. Mustafabeyli

In many political researches there if a conclusion that the world system which was founded after the Second world war is destroyed of chaos. But the world system couldn`t work while the two opposite systems — socialist and capitalist were in hard confrontation. After collapse of the Soviet Union and the European socialist community the nature of intergovernmental relations and behavior of the international community did not change. The power always was and still is the main tool of international communication.


MANUSYA ◽  
2017 ◽  
Vol 20 (2) ◽  
pp. 122-153
Author(s):  
Yao Siqi

《蛙》/ua55/ (frog) by the Nobel Prize winning Chinese author Mo Yan describes China’s changing its highly controversial one - child policy and system of forced abortions over the past half-century. Frog metaphors are omnipresent throughout the novel. The present study aims to investigate these metaphors within the framework of George Lakoff and Mark Johnson’s (1980) Conceptual Metaphor Theory (CMT) and the “GREAT CHAIN OF BEING” system of George Lakoff and Mark Turner (1989) to deepen our understanding of their nature and manifestations. Zoltán Kövecses’s (2002) “HUMAN BEINGS ARE ANIMALS” and “ANIMALS ARE HUMAN BEINGS” were also considered as cognitive metaphorical models. Moreover, the viewpoint of “phonetic metaphor” initially proposed by Ivan Fónagy (1999) was also taken into account. Results were that in Mo Yan’s work, the frog plays an essential role in the conceptualizing conventional views of certain areas in China. The analysis demonstrates how a cognitive approach offers an effective way to explore the cognitive basis of the text’s view on the complex relationship between the basic human rights and the dilemmas of living in a repressive society. This paper also hopes to make a certain contribution to comprehending frog metaphors in terms of more clearly delineated concepts and ideology reflecting China’s real society of a one-child policy and its traditional counter - policy notion.


1983 ◽  
Vol 16 (1) ◽  
pp. 155
Author(s):  
Ralph A. Austen ◽  
Albert Bergesen
Keyword(s):  

2021 ◽  
Vol IX(257) (75) ◽  
pp. 21-26
Author(s):  
N. V. Chorna

The article focuses on the study of language world picture of the magical realism discourse in the novel «One Hundred Years of Solitude» of Gabriel Garcia Marquez. The magical realism discourse depicts a realistic view of the modern world through the prism of mythological way of thinking and supplements mysterious, farial and mystical elements. The main conceptual characteristics of magical realism discourse are considered to be: fantastical elements, unity of reality and magic, possible words, mythical chronotope, author’s reticence, hyperbolization of the secret and metadiscourse


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