Magical Realism: Language World Picture in the novel «One Hundred Years of Solitude» of Gabriel Garcia Márquez

2021 ◽  
Vol IX(257) (75) ◽  
pp. 21-26
Author(s):  
N. V. Chorna
Keyword(s):  
Magical Realism ◽  
Gabriel Garcia Marquez ◽  
Modern World ◽  
The Novel ◽  
World Picture ◽  
Realistic View ◽  
Way Of Thinking

The article focuses on the study of language world picture of the magical realism discourse in the novel «One Hundred Years of Solitude» of Gabriel Garcia Marquez. The magical realism discourse depicts a realistic view of the modern world through the prism of mythological way of thinking and supplements mysterious, farial and mystical elements. The main conceptual characteristics of magical realism discourse are considered to be: fantastical elements, unity of reality and magic, possible words, mythical chronotope, author’s reticence, hyperbolization of the secret and metadiscourse

scholarly journals MAGICAL REALITY IN A. NURI NOVEL “PASSENGER OF HIS DESTINY”

2021 ◽  
Vol 31 (6) ◽  
pp. 1319-1323
Author(s):  
D.Yu. Syryseva
Keyword(s):  
Magical Realism ◽  
Fairy Tale ◽  
Gabriel Garcia Marquez ◽  
Salman Rushdie ◽  
Physical Reality ◽  
Narrative Discourse ◽  
The Novel ◽  
Miguel Angel Asturias ◽  
The World ◽  
The Subject

The subject of analysis in the article is a different, magical reality in the novel by the modern Tatar Russian-speaking writer A. Nuri “Passenger of his destiny”, the ways of its creation and functioning at different levels of the artistic organization of the text. The complexity of external and internal boundaries is shown both in the space of the physical objective world, depicted in the novel, and in the consciousness of the protagonist, who is trying to understand the world and the nature of magical reality. If the world of physical reality is meaningful and logically cognizable, then dreams, hallucinations, secret signs become the methods of cognizing another reality. The author examines the influence of the works of Gabriel García Márquez, Miguel Angel Asturias, Salman Rushdie both at the level of macropoetics (the space-belt component of the novel) and at the level of micropoetics (images, episodes, motifs) on the artistic world of the novel. The article shows connections with oriental narrative discourse and fairy-tale imagery. Conclusions are drawn about the connection between the aesthetics of the novel and the aesthetics of magical realism.

Epic and Novel

2013 ◽  
Vol 68 (3) ◽  
pp. 396-422 ◽  
Author(s):  
Natasha Moore
Keyword(s):  
Nineteenth Century ◽  
Everyday Life ◽  
Economic Life ◽  
Modern World ◽  
The Novel ◽  
Aurora Leigh ◽  
Big Picture

This essay explores a peculiarly Victorian solution to what was perceived, in the middle of the nineteenth century, as a peculiarly Victorian problem: the fragmentation and miscellaneousness of the modern world. Seeking to apprehend the multiplicity and chaos of contemporary social, intellectual, political, and economic life, and to furnish it with a coherence that was threatened by encroaching religious uncertainty, Victorian poets turned to the resources of genre as a means of accommodating the heterogeneity of the age. In particular, by devising ways of fusing the conventions of the traditional epic with those of the newly ascendant novel, poets hoped to appropriate for the novelistic complexity of modern, everyday life the dignifying and totalizing tendencies of the epic. The essay reevaluates the generic hybridity of Elizabeth Barrett Browning’s Aurora Leigh (1856) as an attempt to unite two distinct kinds of length—the microscopic, cumulative detail of the novel and the big-picture sweep of the epic—in order to capture the miscellaneousness of the age and, at the same time, to restore order and meaning to the disjointed experience of modernity.

The Datafied Society

2017 ◽  
Keyword(s):  
Big Data ◽  
Everyday Life ◽  
The Novel ◽  
Research Practices ◽  
Knowledge And Skills ◽  
Its Analysis ◽  
New Knowledge ◽  
Novel Methods ◽  
Way Of Thinking ◽  
Machine Readable

As machine-readable data comes to play an increasingly important role in everyday life, researchers find themselves with rich resources for studying society. The novel methods and tools needed to work with such data require not only new knowledge and skills, but also a new way of thinking about best research practices. This book critically reflects on the role and usefulness of big data, challenging overly optimistic expectations about what such information can reveal, introducing practices and methods for its analysis and visualisation, and raising important political and ethical questions regarding its collection, handling, and presentation.

A Thousand and One Nights and the Novel

2017 ◽  
Author(s):  
Richard van Leeuwen
Keyword(s):  
Magical Realism ◽  
World Literature ◽  
Freedom Of Expression ◽  
Arab World ◽  
Arabic Literature ◽  
Literary Genre ◽  
The Novel ◽  
The West ◽  
Eighteenth And Nineteenth Centuries ◽  
Modern Arabic

This chapter examines the influence of Alf layla wa layla (A Thousand and One Nights), the ingenious Arabic cycle of stories, on the development of the novel as a literary genre. It shows that the Nights helped shape the European novel in the eighteenth and nineteenth centuries. The chapter first explains how the French translation of the Nights and its popularity in Europe led to its incorporation in world literature, creating an enduring taste for “Orientalism” in many forms. It then considers how the Nights became integrated in modern Arabic literature and how Arabic novels inspired by it were used to criticize social conditions, dictatorial authority, and the lack of freedom of expression. It also discusses the Nights as a source of innovation for the trend of magical realism, as well as its role in the interaction between the Arab world and the West.

“Earth has clear call of daily bells”: Nature’s Apocalyptic Liturgy in Christina Rossetti’s Verses

2011 ◽  
Vol 15 (1-2) ◽  
pp. 172-171 ◽  
Author(s):  
Chene Heady Faulstick
Keyword(s):  
Religious Experience ◽  
Religious Conversion ◽  
Emotional Experience ◽  
Modern World ◽  
The Novel ◽  
Broad Definition ◽  
Emotional Interaction ◽  
Baroque Art ◽  
Definition Of ◽  
Religious Understanding

AbstractThis essay reconsiders Charles Ryder’s religious conversion in Brideshead Revisited in terms of a primarily emotional conversion. When reading the novel as a pilgrimage to passion, readers can see in Charles a legitimate, convincing emotional conversion, which should—when emphasizing traditional Catholic ideals—ultimately also be understood as a religious conversion. Charles’s emotional interaction with Catholicism includes his intimate, formative relationship with the Catholic Flyte family, especially Sebastian, and aspects of his career as a Baroque artist, as Baroque art is often identified with Catholicism. It also includes Charles’s disenchantment with both the soullessness of war, which drains its participants of any emotional experience, and the modern world, which lacks connection to depth and tradition. Finally, the emotive power of his inadvertent pilgrimage to Brideshead also connects Charles to Catholicism as the house facilitates Charles’s memories of his religious experience at Lord Marchmain’s deathbed, his artistic conversion to Baroque art, and his passionate friendship with Sebastian. Such a broad definition of Catholicism calls for an expansive understanding of religion, but it is this kind of a religious understanding that Brideshead Revisited recommends.

scholarly journals Little, Maybe Less

2020 ◽  
Vol 75 (2) ◽  
pp. 207-238
Author(s):  
Daniel M. Stout
Keyword(s):  
Social Reform ◽  
The Novel ◽  
Social Critique ◽  
Way Of Thinking ◽  
Good And Evil

Daniel M. Stout, “Little, Maybe Less: Little Dorrit’s Minimal Moralia” (pp. 207–238) Against our ordinary ways of reading the novel, this essay argues that Charles Dickens’s Little Dorrit (1857) represents a stark refusal of the logics of accountability that necessarily underwrite any program of social reform. In pairing its critique of Circumlocution (which programmatically undervalues desert) with its critique of the Marshalsea (which programmatically overstates debt), the novel points not toward a future of happy proportionality—in which innovation might be meaningfully recognized and infractions responded to humanely—but toward a way of thinking that stands outside the liberal logics of exchange (of action and consequence, of sin and redemption, of debt and repayment) that animate both social critique and social reform. Rather than a reformist text, Little Dorrit’s horizon is a world beyond good and evil—or, as we might also call it, after liberalism.

scholarly journals Voices of Mexican history in Sophia Segovia's novel «The Murmur of Bees»

2021 ◽  
pp. 93
Author(s):  
Liudmila Okuneva
Keyword(s):  
Latin American ◽  
Magical Realism ◽  
Mexican Revolution ◽  
The Novel ◽  
Mexican History

The article examines the novel by the Mexican writer Sofia Segovia «The Murmur of Bees», published in Russian in 2021. The novel, written in the genre of Latin American "magical realism", describes the dramatic events of the period of "revolutionary caudillism" that followed the Mexican revolution of 1910—1917. The novel, which is a literary discovery of the year, provides an interpretation of revolutionary events that is unusual for official historiography.

The Later Work of Gabriel García Márquez

2021 ◽  
pp. 557-573
Author(s):  
Nicholas Birns
Keyword(s):  
Collective Memory ◽  
Magical Realism ◽  
Gabriel Garcia Marquez ◽  
Spanish America ◽  
Personal Memory ◽  
Late Work ◽  
Moral Transformation ◽  
Drug Cartels ◽  
Definition Of ◽  
Do So

If the Bolívar novel embodies the collective memory of a region in a manner spare yet ingenious, the novelist’s other major late work tends toward personal memory. In Of Love and Other Demons, García Márquez comes as close to magical realism as in any work since the short stories and One Hundred Years of Solitude and reaffirms the multiracial and Caribbean character of the author’s own definition of Spanish America. In News of a Kidnapping, García Márquez ventures onto the territory of drug cartels and violence, which became the preoccupation of the next generation of Colombian writers, relating this material from the deadpan, appalled stance that is as characteristic of his viewpoint as the mesmeric incantations so commonly associated with him. In Memories of My Melancholy Whores, a late in life moral transformation redeems a lifetime of iniquity and testifies to the strangeness of the new territory of extreme old age, in a sense as unexplored a country as Macondo once was. In Living to Tell the Tale, García Márquez reflects upon the first half of his own life. Unlike in the case of Bolívar, García Márquez did not get to tell the ending of the story, leaving later writers and readers to do so in their own minds, as the great master had done for the General.

The Oxford Handbook of Virginia Woolf

2021 ◽  
Keyword(s):  
Secondary Students ◽  
Virginia Woolf ◽  
Magical Realism ◽  
Natural World ◽  
The Novel ◽  
Post Secondary ◽  
The Core ◽  
The Times ◽  
The Many ◽  
Hogarth Press

With thirty-nine original chapters from internationally prominent scholars, The Oxford Handbook of Virginia Woolf is designed for post-secondary students, scholars, and common readers. Feminist to the core, each chapter offers an overview that is at once fresh and thoroughly grounded in prior scholarship. Six parts focus on Woolf’s life, her texts, her experiments, her as a professional, her contexts, and her afterlife. Opening chapters on Woolf’s life address the powerful influences of family, friends, and home. Part II on her works moves chronologically, emphasizing Woolf’s practice of writing essays and reviews alongside her fiction. Chapters on Woolf’s experimentalism pay special attention to the literariness of Woolf’s writing, with opportunity to trace its distinctive watermark while ‘Professions of Writing’, invites readers to consider how Woolf worked in cultural fields including and extending beyond the Hogarth Press and the Times Literary Supplement. Part V on ‘Contexts’ moves beyond writing to depict her engagement with the natural world as well as the political, artistic, and popular culture of her time. The final part, ‘Afterlives’, demonstrates the many ways Woolf’s reputation continues to grow. Of particular note, chapters explore three distinct Woolfian traditions in fiction: the novel of manners, magical realism, and the feminist novel.

Systems Thinking

2017 ◽  
Author(s):  
Sytse Strijbos
Keyword(s):  
Systems Thinking ◽  
Systems Approach ◽  
P Systems ◽  
Systems Science ◽  
Modern World ◽  
Von Bertalanffy ◽  
Scientific Program ◽  
World Picture ◽  
Recent Developments ◽  
History Of

Systems thinking was launched by Ludwig von Bertalanffy and others in the 1950s as an interdisciplinary movement with a broad and bold scientific program. The movement attempts to overcome the dominating mechanistic world picture and related reductionism in the sciences which is regarded as one of the main causes of the problems of the modern world. This chapter discusses the sixty-year history of systems thinking and sketches some main lines of its three domains: systems science, systems approach in technology and management, and systems philosophy. This interdisciplinary movement has stimulated fruitful theory formation in the first mentioned domain, although it has not succeeded in achieving its original far-reaching goals. Furthermore, integrative, interdisciplinary systems approaches in technology and management have become well accepted. Finally, recent developments signal a return to the intellectual-spiritual roots of the systems movement aiming for a renewal of its scientific agenda.

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