scholarly journals Irina Onofrei, Multiplicația sovietică în contextul socio-cultural al perioadei brejneviste / Soviet Cartoons in the Social and Cultural Context of the Brezhnev Period

2015 ◽  
Vol 3 (2) ◽  
pp. 61-80
Keyword(s):  
Golden Age ◽  
Cultural Context ◽  
Life Experience ◽  
The Political ◽  
Political Environment ◽  
International Recognition ◽  
The Social ◽  
Inner World ◽  
Insight Into

This article examines the interaction between the Soviet animation and the political environment during the Brezhnev era, particularly focusing on the life and work of animators at the studio “Soiuzmultfilm”. By tracing the animators’ family backgrounds, professional, and life experience, this study offers an insight into the particularities of evolution of Soviet animation and its socio-cultural context. As we will argue, the studio “Soiuzmultfilm” created a social substratum of cartoon animators, who through their work produced an alternative message to the official one. The cartoon directors, in search for novel and effective ways to express their inner world, in the early 1960s launched a period full of experiments, which became the “Golden age” of the Soviet animation. The avalanche of styles, genres, and artistic techniques contributed to the apparition of cinema d’auteur genre, which brought international recognition to the Soviet animation.

The Younghusband-Waddell Collection and Its People: the Social Life of Tibetan Books Gathered in a Late-colonial Enterprise

Inner Asia ◽  
2012 ◽  
Vol 14 (1) ◽  
pp. 131-171
Author(s):  
Hildegard Diemberger
Keyword(s):  
Digital Technology ◽  
Social Life ◽  
First Century ◽  
The Political ◽  
Academic Institutions ◽  
Cultural Biography ◽  
The Social ◽  
Twenty First Century ◽  
New Perspective ◽  
Insight Into

AbstractIn this paper I follow the social life of the Tibetan books belonging to the Younghusband-Waddell collection. I show how books as literary artefacts can transform from ritual objects into loot, into commodities and into academic treasures and how books can have agency over people, creating networks and shaping identities. Exploring connections between books and people, I look at colonial collecting, Orientalist scholarship and imperial visions from an unusual perspective in which the social life and cultural biography of people and things intertwine and mutually define each other. By following the trajectory of these literary artefacts, I show how their traces left in letters, minutes and acquisition documents give insight into the functioning of academic institutions and their relationship to imperial governing structures and individual aspirations. In particular, I outline the lives of a group of scholars who were involved with this collection in different capacities and whose deeds are unevenly known. This adds a new perspective to the study of this period, which has so far been largely focused on the deeds of key individuals and the political and military setting in which they operated. Finally, I show how the books of this collection have continued to exercise their attraction and moral pressure on twenty-first-century scholars, both Tibetan and international, linking them through digital technology and cyberspace.

International Courts in Latin America and the Caribbean

2020 ◽  
pp. 1-24
Author(s):  
Salvatore Caserta
Keyword(s):  
Latin America ◽  
Social Groups ◽  
Social Processes ◽  
The Political ◽  
Political Environment ◽  
Methodological Issues ◽  
International Courts ◽  
The Social ◽  
The Caribbean

This introductory chapter presents the main theoretical and methodological issues of the book. In terms of theory, the chapter explains that the book relies on the concept of de facto authority, according to which international courts become authoritative and powerful when their rulings are endorsed by relevant audiences in their practices. To complement this approach, the chapter explains that the book proposes five original analytical markers, which are central for analysing and explaining the social processes through which international courts, in general, and regional economic courts, in particular, gain or lose de facto authority. These are: (i) the nature of the political environment surrounding them; (ii) the timing of their institutional founding; (iii) the material and/or abstract interests of the agents interacting with them; (iv) the fundamental support of different social groups relating to them; and (v) the societal embeddedness in their operational context.

Thomas Moore and Victorian Ireland

1992 ◽  
Vol 4 (1) ◽  
pp. 46-62
Author(s):  
Deborah McWilliams Consalvo ◽  
Keyword(s):  
Nineteenth Century ◽  
The Political ◽  
Political Environment ◽  
Social Forces ◽  
Cultural Significance ◽  
Religious Ideology ◽  
The Social ◽  
Social Landscape ◽  
Religious Ideals ◽  
The Impact

This essay examines the political environment in Ireland during the nineteenth century and evaluates the impact of national patriotism upon the social landscape. In analyzing the changing topography of Victorian Ireland, religious ideology played a significant role in carving out the model of Irish culture at the close of the century. Thomas Moore's poetry reflects the cultural significance of both political and religious ideals by his use of imagery and language to unite these two social forces and represent them as thematic cooperatives essential to the identity and survival of Irish nationhood.

scholarly journals The Politics of Iranian Cinema

2010 ◽  
Vol 27 (3) ◽  
pp. 117-119
Author(s):  
Lina Khatib
Keyword(s):  
Middle Class ◽  
Participant Observation ◽  
The State ◽  
The Political ◽  
Political Environment ◽  
Islamic Republic ◽  
Form Part ◽  
The Relationship ◽  
Insight Into

If there is one element of the politics of Iranian cinema that is understudied,it is that of the relationship between Iranian films and the Iranian film audience.Saeed Zeydabadi-Nejad’s book, The Politics of Iranian Cinema: Filmand Society in the Islamic Republic, fills this glaring gap by providing aunique insight into how Iranian films are received in Iran; what political andsocial debates they spark; and how they form part of a larger nexus of powernegotiations between the state, artists, and film viewers. The book takes anexpansive approach to “politics,” not favoring hard politics over soft politics or vice versa, but showing how the two go hand in hand in defining the filmmakingprocess in Iran.The book’s uniqueness lies in its reliance on participant observation, inaddition to interviews, as one method of studying the Iranian film audience.Through this, the reader gets a sense of people’s reactions to the films discussed.Zeydabadi-Nejad often reproduces sections of conversation amongfilm viewers that bring to life his statements about the films’ relationshipwith the political environment. The cynicism expressed by a group of youngpeople after watching Bahman Farmanara’s 2001 film House on the Water(p. 86), for example, serves as a sharp illustration of the disillusionment withstate ideology among the urban middle class — an issue covered elsewherein the literature on Iranian cinema, but usually presented in generalized termsrather than through the prism of individual reactions found here ...

The Nadwat al-‘Ulama's Romance with Iqbal: Narrative construction and historiography

2019 ◽  
Vol 53 (06) ◽  
pp. 1762-1796
Author(s):  
MASHAL SAIF
Keyword(s):  
South Asia ◽  
South Asian ◽  
Historical Context ◽  
The Political ◽  
Political Environment ◽  
Narrative Construction ◽  
Social Imaginaries ◽  
The Social ◽  
Political Milieu ◽  
The Impact

AbstractThis article examines the Indian poet-philosopher Muhammad Iqbal's appropriation by three Nadwat al-‘Ulama scholars: Sayyid Sulayman Nadwi (d. 1953), Abu'l-Hasan ‘Ali Nadwi (d. 1999), and ‘Abd al-Salam Nadwi (d. 1956). It argues that the particular depictions of Iqbal by the Nadwa ‘ulama can be mapped onto larger evolutions within the institute. The early Nadwa ‘alim Sulayman Nadwi imagines Iqbal as a Muslim leader par excellence. A more conservative understanding of Islam emerged with the later Nadwa ‘ulama. They emphasize traditional theological ideas, particular modes of piety, and ritualistic actions. The article suggests that the later Nadwa ‘ulama’s writings on Iqbal are reflective of this particular understanding of Islam and morality, although there are two distinct responses to the poet. The above examination of the Nadwa is placed within its broader historical context. In so doing, the article contends that the impact of the political milieu in India must be taken into account to understand shifts in the Nadwa and South Asian Islam more broadly. It also asserts that the political environment in South Asia influenced Iqbal's reception by the Nadwa ‘ulama as well as by Muslims in South Asia and beyond. Additionally, this article argues that all three works by the Nadwa ‘ulama are subjective portrayals informed by the social imaginaries of their authors. In fact, in a broader sense, all works of narrative historiography are subjective accounts. This realization problematizes the boundaries between the categories of historiography and hagiography, and this research calls for a rethinking of these tensions.

2. Contexts

2015 ◽  
pp. 7-24
Author(s):  
R. B. Bernstein
Keyword(s):  
British Empire ◽  
Cultural Context ◽  
Social Economic ◽  
Political Context ◽  
The Political ◽  
Ruling Elite ◽  
Founding Fathers ◽  
The Social ◽  
Anglo American ◽  
Landed Gentry

The founding fathers were born into a remarkable variety of families, occupations, religious loyalties, and geographic settings: from landed gentry destined to join the ruling elite, to middling or common sorts who chose the law or medicine as a professional path to distinction, or immigrants from other parts of the British Empire. They lived within and were shaped by three interlocking contexts—the intellectual world of the transatlantic Enlightenment; the political context within which Americans sought to preserve and improve the best of the Anglo-American constitutional heritage; and the social, economic, and cultural context formed as a result of their living on the Atlantic world’s periphery.

scholarly journals The Experience Created by the Social and Cultural Context Constructed by Video Games: A Digitization of Life and Death

2021 ◽  
Vol 3 (1) ◽  
pp. 19-31
Author(s):  
Tulia Maria Cășvean ◽  
◽  
Vasile Hodorogea ◽  
Ioan Emanuel Cășvean ◽  
◽  
...  
Keyword(s):  
Video Games ◽  
Video Game ◽  
Real World ◽  
Cultural Context ◽  
Life Experience ◽  
Real Life ◽  
Cultural Issues ◽  
Life And Death ◽  
The Social ◽  
Game Industry

Appling the Gadamer’s filter on video games, reveals that they support an intimate connection with real life, built on basic mimesis of simple and, at the same time, coherent and meticulous realities. Video games are not intrinsically real-world escapism but generate a concrete, contextualized life experience that is ultimately connected to social and material realities (Spiridon, 2013, pp. 64-65). Moreover, experiences gained through video games can contribute, same as television, cinema or novels do, to the creation of perceptions that influence the way people relate to various aspects of life. The pivot of this study focuses on the experience created by the social, cultural context, captured by video games, which allow players to make choices of "life and death". Such choices are even more important in the current pandemic context when some people seem not to clearly understand the potential consequences on their own protection or even own survival. The aim of the research is to open a path for a better understanding of how a video game appreciated by critics and very popular among players, especially during the pandemic (DayZ, produced by Bohemia Interactive in 2013) explores social, cultural issues that can create a favorable context for players to be better equipped for the reality of everyday life. The study will include, besides the analysis of the video game itself, wikis, and walkthroughs, the views of other researchers and professionals working in the video game industry.

Who are the Visigoths?

2020 ◽  
Author(s):  
Manuel Koch
Keyword(s):  
Ethnic Group ◽  
Traditional View ◽  
Sixth Century ◽  
Careful Examination ◽  
Political Environment ◽  
Roman World ◽  
The Social ◽  
The City ◽  
Insight Into

Although the Visigoths were an ethnic group within the kingdom of Toledo, the traditional view on Visigothic identity in sixth-century Spain has been challenged by abundant research concerning ethnicity in the transformation of the Roman world. The use of the term Gothus in sources of the kingdom of Toledo clearly manifest the presence of Visigoths and an awareness of a Visigothic identity. Careful examination of the records, however, suggests that the ethnic label Gothus differs from its established understanding. This chapter represents a case study of a particular source offering an exceptional insight into the social and political environment of the city.

Sign in / Sign up

Export Citation Format

Share Document