scholarly journals Vilius Ivanauskas, The Centenary of Lithuania’s Independence: National Mobilization and Democracy Development Throughout Modern Lithuanian History

2018 ◽  
Vol 6 (1) ◽  
pp. 98-117
Keyword(s):  
World War Ii ◽  
Local Politics ◽  
New Order ◽  
World War ◽  
Independent State ◽  
Soviet Occupation ◽  
Politics Of History ◽  
History Of ◽  
National Ideology ◽  
The 19Th Century

Modern Lithuania developed consistently in response to external and internal challenges. During the rebirth of the modern nation in the 19th century several vectors emerged that constantly influenced intellectual discourses, politics, and resistance. First, there was the development of national ideology, which aimed at guaranteeing the rights of the Lithuanian nation to establish an independent state. Secondly, the direction of democracy became increasingly evident in the projection and development of the independent state. This article seeks to show the development and overlap of national ideology and democracy, highlighting the main challenges faced in the history of modern Lithuania, discussing the periods of interwar Lithuania, World War II, the Soviet occupation, and contemporary Lithuania, and describing the country’s political and ideological trajectories, including the local politics of history. By taking the concept of the nation as a “category of practice” one notices that nationalism became an important factor not only in the liberation from the occupying empires (Russia and the USSR), but also in justifying the new order in the new state or even when challenging democracy.

scholarly journals Cultural memory in Lithuanian periodical press during World War II

2020 ◽  
Vol 45 ◽  
pp. 95-114
Author(s):  
Titas Krutulys
Keyword(s):  
Content Analysis ◽  
World War Ii ◽  
Soviet Union ◽  
Cultural Memory ◽  
Qualitative Content Analysis ◽  
Periodical Press ◽  
World War ◽  
Soviet Occupation ◽  
History Of ◽  
Historical Periods

During World War II Lithuania was ruled by three completely different political regimes. In the first year Lithuania was authoritarian state ruled by group of nationalists, in 1940 Lithuania was occupied by Soviet Union and in 1941 State was occupied by Nazi Germany. All these political powers was undemocratic and propagated their ideologies. One of the most important aspect of every ideology is to suggest new concept of time. This change of perception of time could be seen in the change of cultural memory. Article try to analyze this change using the most popular Lithuanian periodical press of the period. This research analyzed main historical periods and the most popular themes represented in the main newspapers. Using theories of Anthony D. Smith and Raoul Girardet research showed what historical periods was seen positively and what negatively, what was main historical heroes and enemies; also how foreign history was represented in the periodical press. The quantitative content analysis showed that while representations of history in the so called independent Lithuania and in Lithuania occupied by Nazis was quite similar, historical representations during first Soviet occupation was unique. Qualitative content analysis showed that there was three very different paradigms of cultural memories, represented in periodical press. Lithuanian nationalist mostly tried to promote Lithuanian medieval times and especially Lithuanian dukes and historical capital Vilnius, also they tried to justify their politics creating myth of great welfare during their rule. They praised Soviet history, criticized Poland and poles, but wrote about most of the countries quite neutral. During Soviet occupation all Lithuanian history was harshly criticized and showed as negative times, this regime promoted only few Lithuanian heroes who died young or was known for their left wing politics. Main historical past represented in the newspapers was history of Soviet Union, other countries was ignored. Main enemies of Soviets was Lithuanian gentry, and Lithuanian rulers of the past. During Nazi occupation there was more Lithuanian national history than German history, but the main appreciable historical periods was Lithuanian prehistory and the 19th Century. Regime promoted history of Lithuanian culture and language, but tried to ignore Lithuanian state. Foreign history was mostly binary – propaganda criticized Soviet Union as well as Tsarist Russia, USA and United Kingdom, but appreciated history of Italy, Japan, Finland, Turkey, Spain etc. Main historical enemies were of course Bolsheviks and Jews.

History of Nursing

PEDIATRICS ◽  
1948 ◽  
Vol 1 (4) ◽  
pp. 576-577
Author(s):  
BORIE TOTH
Keyword(s):  
World War Ii ◽  
19Th Century ◽  
Human History ◽  
Religious Orders ◽  
World War ◽  
Nursing Service ◽  
Human Culture ◽  
The World ◽  
History Of ◽  
The 19Th Century

The keynote of the book is found in the preface where it is stated that "the central thesis of the authors is the inextricable interweaving of nursing service with all other branches of human culture." The development of nursing is traced through the record of human history starting with primitive times and ending with the problems facing the world at the conclusion of World War II. Up to the middle of the 19th century, nursing was under the auspices of religious orders. After the Protestant revolt, nursing as a profession for lay people began to take root.

scholarly journals Between music and ideologies: Croatian music criticism from the beginning to World War II

Muzyka ◽  
2018 ◽  
Vol 63 (4) ◽  
pp. 55-64
Author(s):  
Sanja Majer-Bobetko
Keyword(s):  
World War Ii ◽  
Music Criticism ◽  
World War ◽  
National Opera ◽  
History Of ◽  
Comprehensive Text ◽  
National Ideology ◽  
Italian Politics ◽  
Artistic Values ◽  
Modern Sense

As the Croatian lands were exposed to often aggressive Austrian, Hungarian, and Italian politics until WWI and in some regions even later, so Croatian music criticism was written in the Croatian, German and Italian languages. To the best of our knowledge, the history of Croatian music criticism began in 1826 in the literary and entertainment journal Luna, and was written by an anonymous author in the German language.A forum for Croatian language music criticism was opened in Novine Horvatzke, i.e. in its literary supplement Danica horvatska, slavonska i dalmatinska in 1835, which officially started to promote the Croatian National Revival, setting in motion the process of constituting the Croatian nation in the modern sense of the word. However, those articles cannot be considered musical criticism, at least not in the modern sense of the word, as they never went beyond the level of mere journalistic reports. The first music criticism in the Croatian language in the true sense of the word is generally considered a very comprehensive text by a poet Stanko Vraz (1810-51) about a performance of the first Croatian national opera Ljubav i zloba (Love and malice) by Vatroslav Lisinski (1819-54) from 1846. In terms of its criteria for judgement, that criticism proved to become a model for the majority of 19th-century and later Croatian music criticism. Two judgement criteria are clearly expressed within it: national and artistic.Regardless of whether we are dealing with 1) ideological-utilitarian criticism, which was directed towards promoting the national ideology (Franjo Ksaver Kuhač, 1834-1911; Antun Dobronić, 1878-1955), 2) impressionist criticism based on the critic’s subjective approach to particular work (Antun Gustav Matoš, 1873-1914; Milutin Cihlar Nehajev, 1880-1931; Nikola Polić, 1890-1960), or 3) Marxist criticism (Pavao Markovac, 1903-41), we may observe the above mentioned two basic criteria. Only at the end of the period under consideration the composer Milo Cipra (1906-85) focused his interest on immanent artistic values, shunning any ideological utilitarianism, and insisting on the highest artistic criteria.

scholarly journals Wo manchmal die Gebeine bleichen

2018 ◽  
pp. 63-77
Author(s):  
Tadeusz Żuchowski
Keyword(s):  
World War Ii ◽  
Roman Catholic ◽  
World War ◽  
Construction Sites ◽  
Nazi Occupation ◽  
European Culture ◽  
The Status ◽  
History Of ◽  
The 19Th Century ◽  
The City

The status of cemeteries in European culture is unique. Tombs with inscriptionsinforming about the names of the buried are peculiar examples of historical documentswhich persuasively illustrate the history of a given region by revealing thetruth about the nationality, religious beliefs, and social status of the buried. Thus,cemeteries become unique reservoirs of memory, sometimes turning into objects ofideologically biased interest and even destruction. That was the case of the Protestantcemeteries in Poland which suffered as a result of historical ideologization affectingthe regions formerly populated by Germans. A metaphorical account of thatprocess can be found in The Call of the Toad, a novel by Günter Grass.However, the problem is much more complicated. Since the 19th century changesin urban planning of European cities resulted in transforming cemeteries into parks.Various developments of this kind can be observed in Poznań, where till 1939 cemeterieswere connected to particular confessions, and, with an exception of the garrisoncemetery, there were no burying grounds open to all. The cemeteries which belongedto parishes and communities were taken over by the city and gradually transformedinto parks, except the historic ones (the Roman Catholic cemetery on Wzgórze Św.Wojciecha, the Protestant Holy Cross cemetery on Ogrodowa St., and the Jewishcemetery on Głogowska St.). Such changes required a proper waiting period from themoment of the burying ground’s closing to its final disappearance. Fifty years afterthe last burial a cemetery could be officially taken over by the city. Transformationswhich began at the beginning of the 20th century were continued in the 1930s, to becompleted in the 1950s.Under the Nazi occupation, the decrees of the administrator of the Warthegaumade it possible for the city to take over the confessional cemeteries (Roman Catholic,Jewish, and Protestant). Those regulations remained valid after World War II. TheCity Council took over Protestant and Jewish cemeteries, and removed some RomanCatholic ones. Some of them have been transformed into parks. Consequently, all theProtestant and Jewish cemeteries, and some Roman Catholic ones, disappeared fromthe city map in 1945–1973. Most of them have been changed into parks and squares.The Protestant cemeteries were considered German and the parks located on suchareas received significant names, e.g., Victory Park, Partisans’ Park, etc. Cemeterieswere often being closed in a hurry and until today on some construction sites contractorscan find human bones.

scholarly journals Divna Vekovic (1886-1944): The first woman physician in Montenegro

2006 ◽  
Vol 59 (7-8) ◽  
pp. 391-393
Author(s):  
Marina Martinovic ◽  
Vladimir Jokanovic
Keyword(s):  
World War Ii ◽  
World War ◽  
Woman Physician ◽  
Political Situation ◽  
Birth Place ◽  
The First World War ◽  
History Of ◽  
The Veil ◽  
The 19Th Century ◽  
First World

The authors are dealing with historical and political situation in Montenegro in the second part of the 19th century. They emphasized the importance of foundation of the Empress Maria Girls' Institute, which was financed by the Empress of Russia. Many famous South-Slav intellectuals have graduated from this Institute. Among them, the name of Divna Vekovic, the first woman physician in Montenegro, particularly stands out. A Sorbonne student, she was an outstanding physician and hu?manitarian during the First World War. Between the two World Wars, she revealed the spiritual wealth of Montenegro to Europe. She was the first to translate the Mountain of Wreath into French. She also translated the poetry of J. J. Zmaj and of other poets. During the World War II she continued her work in her birth place. She cared for the sick, the wounded and the poor. She died at the end of the war under mysterious circumstances. In the history of Montenegrin medicine, she has almost been forgotten. The aim of this paper is to lift the veil of oblivion from the life and work of this noble woman. .

Africa in the World: History and Historiography

2018 ◽  
Author(s):  
Esperanza Brizuela-Garcia
Keyword(s):  
African American ◽  
World War Ii ◽  
Far East ◽  
Western World ◽  
World War ◽  
The World ◽  
History Of ◽  
The Many ◽  
The 19Th Century ◽  
Modern Era

Since antiquity and through the modern era African societies maintained contacts with peoples in Europe, the Near and Far East, and the Americas. Among other things, African peoples developed local forms of Christianity and Islam, contributed large amounts of gold to European medieval economies, and exported millions of slaves through the Sahara, and the Atlantic and Indian Oceans. Despite this, by the 19th century historians and philosophers of history thought Africa was a continent without major civilizations, whose peoples passively rested at the margins of history. These ideas persisted into the 20th century when historians undertook the challenge of writing histories that explained how communities around the world were connected to one another. In their early iterations, however, these “world narratives” were little more than histories of the Western world; Africa continued to be largely absent from these stories. After World War II, increasing interest in the history of African societies and a more generalized concern with the study of communities that were both mis- and under-represented by historical scholarship called for a revision of the goals and methods of world historians. Among the most important critiques were those from Afrocentric, African American, and Africanist scholars. Afrocentric writers argued that Africa had in fact developed an important civilization in the form of Egypt and that Egypt was the foundation of the classical world. African American and Africanist writers highlighted the contributions that peoples of African descent had made to the world economy and many cultures around the globe. Africanists also questioned whether world historical narratives, which meaningfully accounted for the richness and complexity of African experiences, could be achieved in the form of a single universal narrative. Instead, historians have suggested and produced new frameworks that could best explain the many ways in which Africa has been part of the world and its history.

1. Integration and Disintegration before 1945

2017 ◽  
Author(s):  
Peter Stirk
Keyword(s):  
World War Ii ◽  
World War I ◽  
European Integration ◽  
Economic Integration ◽  
New Order ◽  
Nation State ◽  
World War ◽  
National Integration ◽  
Postwar Reconstruction ◽  
History Of

This chapter examines patterns of national integration and international disintegration in the decades before World War II. It first provides an overview of integration and disintegration before World War I, along with World War I and postwar reconstruction, before discussing the challenge of the New Order envisioned by Adolf Hitler. It argues that national integration was a source of myths that formed an obstacle to the consolidation of incipient European integration. It also shows that economic integration did not lead inexorably to political unification and that visions of empire, central to the history of the major European states, challenged the supposed pre-eminence of the nation state and were bound up, in varying degrees, with some visions of integration. Finally, the chapter explains how integration, often assumed to be a peaceful process in contrast to the violent proclivities of nationalism and the nation state, has not always taken a benign form.

scholarly journals The History of Money in Montenegro

2015 ◽  
Vol 4 (1) ◽  
pp. 5-18
Author(s):  
Nikola Fabris
Keyword(s):  
World War Ii ◽  
19Th Century ◽  
World War ◽  
Gold Coin ◽  
Legal Tender ◽  
History Of ◽  
Ministry Of Finance ◽  
The 19Th Century ◽  
Gold Coins ◽  
German Mark

Abstract The paper depicts the history of using money in Montenegro covering the period before the Christ until nowadays. Montenegro mostly used foreign currencies throughout its long history, these being Roman, Austro-Hungarian, Turkish, Venetian, and even the Napoleon (French gold coin) money. The first ideas for Montenegro’s own money came from the Bishop Petar Petrovic Njegoš in the 19th century. The first Montenegrin money, the Perper, was minted in 1906. The King Nikola`s Decree as of 11 April 1906 authorized the Ministry of Finance to mint the nickel and bronze coins. Silver and gold coins were minted later. The Perper disappeared from the scene with Montenegro’s joining the Kingdom of Serbs, Croats and Slovenes, putting into circulation the Dinar, a currency of the newly established state. Montenegro, being a part of the Socialist Federal Republic of Yugoslavia, used the Dinar as its currency after World War II until 1999. Dual currency system consisting of the German Mark and the Dinar was introduced in late 1999, whereby the German Mark became the only legal tender in 2001. With the introduction of the Euro the German Mark was replaced and the Euro became the official means of payment.

History of International Law and Western Civilization

2007 ◽  
Vol 9 (4) ◽  
pp. 353-373 ◽  
Author(s):  
Gustavo Gozzi
Keyword(s):  
World War Ii ◽  
International Law ◽  
Ottoman Empire ◽  
19Th Century ◽  
Political Systems ◽  
World War ◽  
History Of ◽  
China And Japan ◽  
History Of International Law ◽  
The 19Th Century

AbstractThis paper discusses the origins 19th-century international law through the works of such scholars as Bluntschli, Lorimer, and Westlake, and then traces out its development into the 20th century. Nineteenth-century international law was forged entirely in Europe: it was the expression of a European consciousness and culture, and was geographically located within the community of European peoples, which meant a community of Christian, and hence "civilized," peoples. It was only toward the end of the 19th century that an international law emerged as the expression of a "global society," when the Ottoman Empire, China, and Japan found themselves forced to enter the regional international society revolving around Europe. Still, these nations stood on an unequal footing, forming a system based on colonial relations of domination. This changed in the post–World War II period, when a larger community of nations developed that was not based on European dominance. This led to the extended world society we have today, made up of political systems profoundly different from one another because based on culture-specific concepts. So in order for a system to qualify as universal, it must now draw not only on Western but also on non-Western forms, legacies, and concepts.

scholarly journals CATALOGUES OF ENGRAVINGS – ITALIAN ONES FROM THE NATIONAL MUSEUM IN WROCŁAW AND FRENCH ONES FROM THE NATIONAL MUSEUM IN SZCZECIN

Muzealnictwo ◽  
2018 ◽  
Vol 59 ◽  
pp. 93-97
Author(s):  
Justyna Guze
Keyword(s):  
World War Ii ◽  
18Th Century ◽  
National Museum ◽  
World War ◽  
Alphabetical Order ◽  
Original Works ◽  
History Of ◽  
The Times ◽  
User Friendly ◽  
The 19Th Century

At the turn of 2017 and 2018, with the date 2017 printed in the colophon, two catalogues of engravings’ collections were published: old Italian prints from the collection of the National Museum in Wrocław, and French prints from the National Museum in Szczecin. The collection of Wrocław contains groups of artworks by the best Italian engravers from the Renaissance to the 18th century, and a small representation of the 19th century. An introduction to the catalogue gives the history, the scope and the contents of the collection as well as the brief history of the engraving art on the Apennine Peninsula. The catalogue itself is glossed, giving references to the latest research, preceded by biographical notes of encyclopaedic character. This well illustrated and thoroughly edited catalogue, organised in a user-friendly alphabetical order, is a compendium useful not only for art historians. The catalogue published by the National Museum in Szczecin has the same title as the exhibition of French engravings from its collection. It is a combination of both the exhibition and the collection catalogue. Hence its specific layout corresponding rather with the narration of an exhibition than a catalogue’s criteria. Both the encyclopaedic profiles of artists and the following glosses are accompanied by selected bibliography; its full version together with extensive academic references can be found at the end of the volume. The collection of over 600 prints has been divided not in alphabetical or chronological order but in accordance with an academic hierarchy of subjects. Engravings for art reproduction purposes prevail in Szczecin collection although original works of famous artists are also included. The publication of both catalogues allows us to learn more about the engravings in Polish public collections, i.e. the ones of national museum in Szczecin and Wrocław. It also gives the history of Polish collections after 1945, affected by the previous losses of the World War II. Undoubtedly, the sign of the times and the presence of Poland in the united Europe is the publication of the Italian engravings’ collection from Wrocław, which was kept before in the Academy of Arts in Berlin. Great care has been taken to prepare both catalogues in terms of their typography, although the illustrations in the French engravings’ catalogue would be of more benefit if were somewhat larger.

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