scholarly journals УТВОРЕННЯ І ПОЧАТКИ ФУНКЦІОНУВАННЯ СЯНОЦЬОГО ГРОДСЬКОГО УРЯДУ ТА ІНТЕГРАЦІЯ СЯНОЦЬКОЇ ЗЕМЛІ ДО СКЛАДУ ПОЛЬСЬКОГО КОРОЛІВСТВА В XIV-XV ст.

Author(s):  
Михайло Тупиця

Стаття розповідає про впровадження традиційного польського права на території Галицької Русі. Розглядається історіографія проблеми і джерела, які вже були опубліковані, але не залучалися до такого роду досліджень. Автор стверджує, що правові традиції Середньовіччя в Центрально-Східній Європі змогли об’єднати правові культури двох цивілізацій – католицької західної і православної східної. Злиття руської та польської правових культур розглядається на прикладі історії юридичої установи – ґродського уряду. Ґродський уряд обраний автором для того, щоб подивитися, яким чином протікав процес впровадження польських правових інститутів на території Сяноцької землі Руського воєводства. Щоб відслідкувати процес інтеграції правової системи Сяноцької землі проаналізовані джерела та знайдені перші згадки про посади, які до того часу не були властиві тутешнім юридичним практикам. Причини, хід та наслідки інтеграції Сяноцької землі представлені роздумами про роль місцевої та прийшлої аристократії (шляхти). Ключові слова: Сяноцька земля, Сяноцький замок, Сяноцьке самоврядуваня Галичина, Польське королівство. The article tells about the acquisition of traditional Polish law in the territory of Galicia. The historiography of the problem and sources that have already been published, but not involved in this kind of research, are considered. The legal traditions of the Middle Ages in Central-Eastern Europe thus were able in some way to unite the rights of the two civilizations – the Catholic West and the Eastern Orthodox. The merging of the Rus and Polish legal cultures are examined on the example of the history of institutions, and in this case, the main attention was drawn to the castle court. The castle court was chosen to see how the process of introducing Polish legal institutions to the territory of the Sanok Land of the Rus province was proceeding. In order to track down the process of integrating the legal system of the Sanok Land, we analyze the sources and look for the first mentions of those or other offices that were not inherent in the local law before. The reasons for the course and consequences of the integration of the Sanok Land are represented by thinking about the role of the local and alien aristocracy. Understanding the integration process is facilitated by the proposed periodization of historical sources of research. For its establishment, the principle of the availability of the sources and the specificity of their separation after the administrative reform of 1434 is taken. At the same time, the general picture of the composition of the Sanok castle court is presented before and after the reform. The territory of jurisdiction and the scope of authority of this institution are also presented in this article. At the same time, it must be said that often in medieval practices there was a significant personal factor that was associated with the economic and political influence of a particular official. Key-words: Sanok Land, Sanok Castle, Sanok Government, Galicia, Polish Kingdom.

Author(s):  
Oleg Mukhin

Рассматривается методический потенциал использования визуальных материалов в процессе изучения истории студентами вуза на основе авторского опыта преподавания истории Средних веков. Предлагается типология визуальных материалов, в рамках которой выявляются особенности привлечения различных типов визуальных материалов в свете целей и результатов их использования. Характеризуются плюсы привлечения визуальных материалов, а также ставится вопрос о необходимости методического обоснования его объема в рамках конкретного занятия. Обосновывается особая роль визуальных материалов в работе со студентами исторических факультетов педагогических вузов.The article deals with the problem of the methodological potential of using visual materials in the process of studying history by university students. Reasoning based on the author’s experience in teaching the history of the Middle Ages. Suggests a typology of visual materials, including “synchronous” historical sources (images, created during the study period or depicting monuments of a given period), “asynchronous” historical sources (visual materials, created within the framework of the studied historical epoch, but much later than the events or characters, depicted with their help), reconstruction (images, created for cognitive purposes and reproducing the features of historical reality in accordance with existing scientific knowledge) and “memorials” (monuments (and their images), dedicated to historical figures and events of the studied era, created outside it). The features of attracting these types of visual materials in the light of the goals and results of their use are revealed. The equivalence of the indicated types of visual materials in terms of the methodological effectiveness of their application is emphasized. The advantages of attracting visual materials are characterized, as well as the question is asked of the need for a methodical justification of its volume within a specific lesson. he article substantiated the special role of visual materials in work with students of historical faculties of pedagogical universities.


Atlanti ◽  
2016 ◽  
Vol 26 (2) ◽  
pp. 123-133
Author(s):  
Izet Šabotić

This paper discusses the importance of archival material and especially its publication for historical research. In fact, starting from the Middle Ages through to the modern age, historical research and historical achievements of science to a large extent depended on the archive material (written historical sources). Historical sources can be provided through archival fonds and collections, or through the publication of archival material in the conference documents. The process of provision of historical sources is long and complex, involves a wide range of professional, organizational and technical actions and procedures, since the creation of archives to the placing of the same in the user purposes. An important basis for historical research make published archive documents, including certain technical and material basis. In the archives in Bosnia and Herzegovina this important issue has always been given attention in accordance with human and material capacities of the same, which were mostly very poor. A little more attention paid to this area of work is in the Archives of Bosnia and Herzegovina, and in regional archives in Tuzla, Banja Luka, Sarajevo and Mostar, which resulted in the publication of several dozen collections of documents. Publishing of archival documents (historical sources) created the important research and scientific base, which has resulted in a significant historical synthesis relating to important issues and topics from the history of Bosnia and Herzegovina.


Author(s):  
Ildar Garipzanov

The concluding chapter highlights how the cultural history of graphic signs of authority in late antiquity and the early Middle Ages encapsulated the profound transformation of political culture in the Mediterranean and Europe from approximately the fourth to ninth centuries. It also reflects on the transcendent sources of authority in these historical periods, and the role of graphic signs in highlighting this connection. Finally, it warns that, despite the apparent dominant role of the sign of the cross and cruciform graphic devices in providing access to transcendent protection and support in ninth-century Western Europe, some people could still employ alternative graphic signs deriving from older occult traditions in their recourse to transcendent powers.


2020 ◽  
pp. 45-65
Author(s):  
Darya Morozova

The article analyzes the ethical and theological content of the apocryphal Syrian "autobiography" of St. Clement of Rome (Epytome), as well as its early Slavic translation (Life of St. Clement). The study uses historical-philosophical, patristic and philological methodology to outline the specific teachings, attributed to St. Clement by this Greek-speaking Syrian text from the pseudo-Clementine cycle. The methods of comparative textology and translation studies are used to analyze the features of the Slavic version of the work. The study revealed that, contrary to the ideas of the publisher of the Slavic version, P. Lavrov, the translation was undoubtedly made according to the archaic, pre-metaphrasic version of the work. Therefore, it can be dated to the ninth century and come from the school of Cyril and Methodius. The popularity of the monument among Slavic readers is partly explained by the archaic features of the original version of the work preserved in the translation, such as graphic imagery, expressive presentation, and numerous dialogues. Such a lively account facilitated the perception of the conceptually rich ethical content of the work. At the heart of both Greek and Slavic versions is the ethical category of philanthropy (φιλανθρωπία), which figures as a central Christian virtue. Much of the Epitome is devoted to a detailed explanation of this category and its distinction from other virtues. In the original, the ethics of philanthropy is opposed to the astrological ideology represented by Clement’s father Faust. Faust's views are based on the natural philosophical ideas of the early Greek Stoics. Apostle Peter, Clement's teacher, responds to his arguments from the standpoint of Judeo-Christian monotheism, referring to the biblical history of his people. Thus, Hellenism is confronted with biblical monotheism. So, Epitome appears a kind of argument in the controversy between Gentile Christians and Judeo-Christians (Ebionites), which has troubled the Syrian Church for centuries. However, in translation, this clash of worldviews remains obscured, as the translator does not seem to recognize either the terminology of Stoic natural philosophy, or astrological issues, or the debate between the traditions of Peter and Paul in Syria. Thus, all the Stoic terminology of Faust is reduced to a single concept of "being". Therefore, in the translated version, the controversy is not so much between Christianity and astrology, as between ethics and "ontology". Instead, the translator enriches the philosophical outline of the work with polysemic Slavic vocabulary, which sheds new light on the role of the bishop in Peter’s instructions to Clement. Comparison of the Greek and Slavic versions of the Epitome – an autobiography attributed to St. Clement – with his only authentic work, 1Corinthians, allowed to draw another unexpected conclusion. All these works are not only devoted to one main problem - the restoration of peace in the controversial Christian community, but also offer similar ways out of the crisis through brotherly love, solidarity and respect for the otherness of the fellow Christians. This may indicate either that the author of the Syrian apocrypha was inspired by the true Epistle of Clement to the Corinthians, or that the image of St. Clement, that developed in the early tradition, dictated the message of the pseudo-epigraph quite powerfully. Due to this consonance, the apocryphal work of the Syrian Ebionites did to some extent acquaint Slavic readers with the ideas of Clement of Rome, whose only authentic work was almost unknown in the Middle Ages.


2014 ◽  
Vol 15 (1) ◽  
pp. 40-55
Author(s):  
E. Haven Hawley

Curators are partners with printing historians, collectors, and conservators, as well as with communities, in selecting, preserving, and interpreting cultural heritage. Uncovering the role of a technology such as mimeography reveals more than a history of a specific machine or technical process. It secures a better understanding about social experience by authenticating accounts about how diverse groups communicated with their own communities and to others. Special collections professionals need to be archaeologists to recover evidence from and to best preserve 20th-century publications. Current tools for studying recent print artifacts are insufficient. Thus, collaborating to generate methods for analysis is an . . .


2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Fabrizio Bertolino ◽  
Gianni Nuti ◽  
Manuela Filippa

The aim of the present study is to highlight and to critically discuss the role of the secondary and silent historical sources in the reconstruction of the biography of Maria Montessori, a century and a half after her birth. The collective memory, both at a national and international levels, has preserved the figure of the pedagogist into a series of celebratory objects. Picture card, notes and coins, stamps maximum cards, phone cards or, more recently, doodles are accessible to the wide community. Constructing a narrativity of a public celebrity means capturing the important features, and transforming them into symbolic constructs. We therefore propose to identify the overmentioned constructs in the light of the official biographies of Maria Montessori. Moreover, we aim to follow the iconographic traces of a micro-history which is often overlooked from the primary sources. However, this micro-history represents the heart of a collective and popular belief, widespread and educating, which preserves the memory and heritage of this “Personality to Remember".


Author(s):  
Nicole von Germeten

Chapter 1 begins with a quote from El Libro de Buen Amor, a fourteenth-century work of Spanish literature which praises the complex role of the medieval alcahueta, a kind of professional sexual matchmaker, often an older woman. The word alcahueta is loosely translated as a “bawd.” The chapter focuses on the legal history of sex work in Spain. First it discusses the role of the bawd in Spanish law codes, especially the thirteenth-century siete partidas, which influenced the viceregal judicial system. Along with bawds, Spaniards also participated in sex work by visiting or working at legal brothels, which had royal and municipal approval until 1623. Lastly, men, commonly known as “ruffians” also procured their wives, although all legal codes and courts penalized this moneymaking scheme. The second half of the chapter presents several case studies from Mexico City, which illustrate how the Spanish legal traditions mentioned earlier in the chapter changed and adapted according to New World situations and conditions.


Author(s):  
Lesaffer Randall

This chapter describes the role of Roman law—whose influence has been largely underestimated in recent scholarship—in the intellectual history and development of international law. To that end, the chapter offers a general survey of the historical interactions between Roman law and international law, drawing from general insights into the intellectual history of law in Europe that have remained remarkably absent in the grand narrative of the history of international law. The focus is on the periods in which these interactions were most pronounced. Next to Roman Antiquity, these are the Late Middle Ages (eleventh to fifteenth centuries) and the Early Modern Age (sixteenth to eighteenth centuries).


2002 ◽  
Vol 105 (1) ◽  
pp. 77-83
Author(s):  
John Ellen ◽  
Liz Ferrier

John Ellen is a media planning and buying consultant and former managing director of AIS Media in Brisbane. He speaks here about the emergence of specialised media (planning and buying) shops in Australia, commenting that the role of media planners and buyers needs to be understood in terms of the history of the advertising industry in Australia before and after the Trade Practice Commission's inquiry in 1995 and the subsequent deregulation of the industry. John was interviewed by Liz Ferrier, who also introduces this article.


2012 ◽  
Vol 53 (6) ◽  
pp. 631-651
Author(s):  
Alina Nowicka-Jeżowa

Summary Based on earlier research, and especially Tadeusz Ulewicz’s landmark study Iter Romano- -Italicum Polonorum, or the Intellectual and Cultural Links between Poland and Italy in the Middle Ages and the Renaissance (1999) this article examines the influence of Rome - in its role as the Holy See and a centre of learning and the arts - on Poland’s culture in the 15th and 16th century as well as on the activities of Polish churchmen, scholars and writers who came to the Eternal City. The aim of the article is to trace the role of the emerging Humanist themes and attitudes on the shape of the cultural exchange in question. It appears that the Roman connection was a major factor in the history of Polish Humanism - its inner development, its transformations, and the ideological and artistic choices made by the successive generations of the Polish elite. In the 15th century the Roman inspirations helped to initiate the Humanist impulse in Poland, while in the 16th century they stimulated greater diversity and a search for one’s own way of development. In the post-Tridentine epoch they became a potent element of the Poland’s new cultural formation. Against the background of these generalizations, the article presents the cultural profiles of four poets, Mikołaj of Hussów, Klemens Janicjusz, Jan Kochanowski, and Mikołaj Sęp Szarzyński. They symbolize the four phases of the Polish Humanist tradition, which draw their distinctive identities from looking up to the Roman model


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