Production

Saw ◽  
2011 ◽  
pp. 13-18
Author(s):  
Benjamin Poole
Keyword(s):  
Marketing Strategy ◽  
Horror Films ◽  
Full Length ◽  
The Public ◽  
Production History ◽  
History Of ◽  
Pain And Suffering ◽  
The Impact ◽  
Public Imagination

This chapter traces the production history of SAW (2004). The film was initially conceived and filmed as a short by its creators, James Wan and Leigh Whannell, in order to create a 'calling card' for potential backers. However, backers were suitably impressed, and the two received enough capital to expand SAW into a full-length cinema release. It is interesting to consider how such an apparently humble text as SAW, one that propagates such abject, extreme imagery, has caught the public imagination. Like other game-changing horror successes, SAW's budget was, by Hollywood standards, very low. However, low-budget successes are familiar to horror, with fans expectant of, and even encouraged by, a film's lowly roots. The distributors of SAW were quick to capitalise on the film's genre appeal. Lionsgate released the film, and every subsequent sequel, on the weekend before Halloween. This savvy marketing strategy imbued each film with the aura of an 'event' release. The impact of SAW on the genre industry is discernible in the extreme horror films that followed on from its success, films that emphasised their gory content and focused on themes of pain and suffering.

New Wars and Their Visual Representation: Dead Bodies without Graves/Mourne

2020 ◽  
Vol 2 ◽  
pp. 1-18
Author(s):  
Tuncay Şur ◽  
Betül Yarar
Keyword(s):  
Social Media ◽  
Visual Representation ◽  
Human Beings ◽  
The Public ◽  
Photographic Images ◽  
War Photography ◽  
New Wars ◽  
The Social ◽  
History Of ◽  
The Impact

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.

The Landscape of War and the Transformations of the Public Sphere

2019 ◽  
Vol 44 (2) ◽  
pp. 62-67
Author(s):  
Dijana Alic
Keyword(s):  
The European Union ◽  
Independent State ◽  
The Public ◽  
Time Space ◽  
History Of ◽  
The Public Sphere ◽  
Modern Warfare ◽  
The Impact ◽  
The City ◽  
Edward Soja

On 6 april 1992, the european union (eu) recognised bosnia and hercegovina as a new independent state, no longer a part of the socialist federal republic of Yugoslavia. The event marked the start of the siege of sarajevo, which lasted nearly four years, until late february 1996. It became the longest siege in the history of modern warfare, outlasting the leningrad enclosure by a year. During its 1425 days, more than 11,500 people were killed. The attacks left a trail of destruction across the city, which began to transform it in ways not experienced before. This paper explores how the physical transformation of sarajevo affected the ways in which meaning and significance were assigned to its built fabric. I argue that the changes imposed by war and the daily destruction of the city challenged long-established relationships between the built fabric and those who inhabited the city, introducing new modes of thinking and interpreting the city. Loosely placing the discussion within the framework of ‘Thirdspace', established by urban theorist and cultural geographer edward soja, i discuss the relationship that emerged between the historicality, sociality and spatiality of war-torn sarajevo. Whether responding to the impacts of physical destruction or dramatic social change, the nexus of time, space and being shows that the concept of spatiality is essential to comprehending the world and to adjusting to and resisting the impact of extraordinary circumstances. Recognising the continuation of daily life as essential to survival sheds light on processes of renewal and change in a war-affected landscape. These shattered urban spaces also show the ways in which people make a sense of place in relation to specific socio-historical environments and political contexts.

Memories and Expectations of Environmental Disaster: Some Lessons from the Marshall Islands

2013 ◽  
Author(s):  
Peter Rudiak-Gould
Keyword(s):  
Climate Change ◽  
Global Climate ◽  
Marshall Islands ◽  
Environmental Disaster ◽  
The Public ◽  
History Of ◽  
Natural Protection ◽  
Human Habitation ◽  
The Republic ◽  
Public Imagination

The Republic of the Marshall Islands, an archipelago of low-lying coral atolls in eastern Micronesia, is one of four sovereign nations that may be rendered uninhabitable by climate change in the present century. It is not merely sea level rise which is expected to undermine life in these islands, but the synergy of multiple climatic threats (Barnett and Adger 2003). Rising oceans and increasingly frequent typhoons will exacerbate flooding at the same time that the islands’ natural protection—coral reefs—will die from warming waters and ocean acidification. Fresh water resources will be threatened by both droughts and salt contamination from flooding. Although the reaction of the coral atoll environment to climate change is uncertain, it is likely that the islands will no longer be able to support human habitation within fifty or a hundred years (Barnett and Adger 2003: 326)—quite possibly within the lifetimes of many Marshall Islanders living today. In the public imagination, climate change in vulnerable, remote locations is the intrusion of contamination into a formerly pristine environment, of danger into a once secure sanctuary, of change into a once static microcosm (see Lynas 2004: 81, 124). Archaeologists, of course, know better than this: every place has a history of environmental upheavals, and the Marshall Islands is no exception. Researchers agree that coral atolls are among the most precarious and marginal environments that humans have managed to inhabit (Weisler 1999; Yamaguchi et al. 2005: 27), existing only ‘on the margins of sustainability’ (Weisler 2001). The islands in fact only recently formed: while the reefs are tens of millions of years old, the islets that sit on them emerged from the sea only recently, probably around 2000 BP (Weisler et al. 2000: 194; Yamaguchi et al. 2005: 31–2), just before the first people arrived (Yamaguchi et al. 2005: 31–2). The new home that these early seafarers found was not so much an ancient safe haven as a fragile geological experiment—land whose very existence was tenuous long before humans were altering the global climate.

scholarly journals Bringing the Battle to Britain: Band of Brothers and Television Runaway Production in the UK

2020 ◽  
Vol 17 (3) ◽  
pp. 313-333
Author(s):  
Simone Knox
Keyword(s):  
Professional Experience ◽  
Close Attention ◽  
Television Production ◽  
Tax Relief ◽  
Runaway Production ◽  
Production History ◽  
History Of ◽  
Contractual Agreements ◽  
The Uk ◽  
The Impact

This article explores the development and pre-production history of the 2001 HBO mini-series Band of Brothers. It does so via a combination of original archive research (conducted at the BFI Reuben Library) and interviews with several industry figures with relevant professional experience, including John Barclay, the current Head of Recorded Media for the UK trade union Equity, and Roger Harrop, the former director of regional film commission Herts Film Link. Using these methodologies, the article identifies Band of Brothers as the first significant US runaway television production in the UK, and uncovers how this HBO programme came to benefit from British film tax relief. Here, close attention is paid to dubious practices concerning tax policy and contractual agreements for actors, especially Damian Lewis's pay. The article demonstrates the impact Band of Brothers has had on television production in the UK in terms of providing Equity with a useful precedent when negotiating for subsequent international productions such as Game of Thrones (2011–19). Band of Brothers offers important and timely lessons to be learned, especially given the recent growth of US television runaway productions in the UK.

Guide to the Revised CRCC Code of Ethics for the Rehabilitation Counselor

2001 ◽  
Vol 32 (4) ◽  
pp. 33-37 ◽  
Author(s):  
Lorie J. McQuade ◽  
Gerald C. Murray
Keyword(s):  
Private Practice ◽  
Code Of Ethics ◽  
Rehabilitation Counselors ◽  
Public And Private ◽  
Rehabilitation Counselor ◽  
The Public ◽  
History Of ◽  
The Impact

The purpose of this article is to discuss the most recent changes in the CRCC Code of Ethics (the Code), effective January 1,2002, from the perspective of practicing rehabilitation counselors. The authors present a collaborative view from both the public and private practice sectors. Selected changes in the Code, and the impact of those changes on practitioners are discussed. Questions for reflection are located at the conclusion of the article to stimulate the reader's thinking. A brief history of the development of the Code is also presented.

Indian Oceanic Crossings: Music of the Afro-Asian Diaspora Traversées de l'océan Indien : la musique dans la diaspora afro-asiatique

2008 ◽  
Vol 1 (1-2) ◽  
pp. 135-154 ◽  
Author(s):  
Shihan de Silva Jayasuriya
Keyword(s):  
Indian Ocean ◽  
Nous Pouvons ◽  
Contemporary Culture ◽  
The Public ◽  
Asian Diaspora ◽  
History Of ◽  
Contemporary Status ◽  
The Indian Ocean ◽  
Indian Ocean World ◽  
Public Imagination

Abstract African movement in the Indian Ocean is a centuries old phenomenon. The better-known transatlantic migration to the Americas has gripped scholars and the public imagination particularly due to the commemorations, in 2007, of the bicentennial of Britain abolishing the slave trade. Archival and oral accounts are complementary in investigating the silent history of the Indian Ocean involuntary migrants. Through case studies, assimilation, social mobility, marginalisation and issues of identity, perhaps we can begin to understand the contemporary status endured by Asia's Africans. This paper considers African influence in the Indian Ocean World through retention and transmission of music while exploring identity and contemporary culture of Afro-Asians. La migration africaine à travers l'océan Indien est un phénomène vieux de plusieurs siècles. Plus connue, la migration transatlantique vers les Amériques a focalisé l'attention des chercheurs ainsi que l'imagination du public surtout du fait des commémorations, en 2007, du bicentenaire de l'abolition du commerce des esclaves en Grande-Bretagne. Les archives et les comptes-rendus oraux apportent un complément à l'enquête sur l'histoire silencieuse des migrants involontaires de l'océan Indien. A travers les études de cas d'assimilation, de mobilité sociale, de marginalisation et les questions d'identité, nous pouvons peut-être commencer à comprendre le statut subi ou apprécié aujourd'hui par les Africains d'Asie. Cet article étudie l'influence africaine sur le monde de l'océan Indien à travers la conservation et la transmission de la musique tout en explorant l'identité et la culture des Afro-Asiatiques.

A New Estimation of Water-Drive Reservoir Production Performance Prediction Based on Radial Fluid Flow

2011 ◽  
Vol 361-363 ◽  
pp. 364-369
Author(s):  
Xiao Juan Liu ◽  
Rui Huang ◽  
Rui He Wang
Keyword(s):  
Numerical Approach ◽  
Production Performance ◽  
Calculation Error ◽  
Fine Grid ◽  
Reservoir Evaluation ◽  
Vertical Heterogeneity ◽  
Production History ◽  
Calculation Results ◽  
History Of ◽  
The Impact

Due to deposition sequence, reservoir can be approximately considered as formation vertically consisting of many small layers with different physical properties. Meanwhile, the property distribution of these small layers, e.g. heterogeneity of the formation, has a great impact on reservoir development and its production performance. No matter how fine grid to be used, it is always difficult for traditional numerical simulation to couple the impact of vertical heterogeneity of the formation, that will inevitably result in significant calculation error. Therefore in order to overcome this defect and deliver better calculation results which are consistent along with real production performance, this paper derives a math model combined both analysis approach and numerical approach, which has a better description for vertical heterogeneity of formation by overlapping small layers and could deliver better calculation results by fine-gridding strata profile. The model could be applied to either predict further field production performance or conduct history match based on production history of field. This method has applied in actual production analysis and reservoir evaluation, and good results have been achieved.

scholarly journals MODERNIST ARCHITECTURE, CONFLICT, HERITAGE AND RESILIENCE: THE CASE OF THE HISTORICAL MUSEUM OF BOSNIA AND HERZEGOVINA

2017 ◽  
Vol 11 (3) ◽  
pp. 178 ◽  
Author(s):  
Selma Harrington ◽  
Branka Dimitrijević ◽  
Ashraf M. Salama
Keyword(s):  
Bosnia And Herzegovina ◽  
Architectural Heritage ◽  
World War ◽  
World War 2 ◽  
The Public ◽  
Identity Narratives ◽  
History Of ◽  
Modernist Architecture ◽  
The Many ◽  
The Impact

Bosnia and Herzegovina is one of the successor states of former Yugoslavia, with a history of dramatic conflicts and ruptures. These have left a unique heritage of interchanging prosperity and destruction, in which the built environment and architecture provide a rich evidence of the many complex identity narratives.  The public function and architecture of the Historical Museum of Bosnia and Herzegovina, once purposely built to commemorate the national liberation in World War 2, encapsulates the current situation in the country, which is navigating through a complicated period of reconstruction and transformation after the war in 1990s. Once considered as the embodiment of a purist Modernist architecture, now a damaged structure with negligible institutional patronage, the Museum shelters the fractured artefacts of life during the three and a half year siege of Sarajevo. This paper introduces research into symbiotic elements of architecture and public function of the Museum. The impact of conflict on its survival, resilience and continuity of use is explored through its potentially mediatory role, and modelling for similar cases of reuse of 20th century architectural heritage. 

scholarly journals RAPID DATA COLLECTION FOR THE AUDIT OF MONUMENTS & MEMORIALS IN SOUTH AFRICA

2021 ◽  
Vol XLVI-M-1-2021 ◽  
pp. 313-320
Author(s):  
C. Jackson ◽  
M. Nkhasi-Lesaoana ◽  
L. Mofutsanyana
Keyword(s):  
South Africa ◽  
Public Space ◽  
Large Scale ◽  
National Audit ◽  
The Public ◽  
Funding Mechanism ◽  
History Of ◽  
Monuments And Memorials ◽  
The Impact ◽  
Roll Out

Abstract. The tradition of memorialising people and events through physical constructions such as statues and monuments like in many countries, has shaped the public space of a modern South Africa. Considering the colonial and apartheid history of South Africa, these physical markers, often uncontextualized, continue to maintain positions of prominence within the modern streetscape.Since the turn of the democratic era in South Africa, a pressing need has existed to assess the impact of the markers on the heritage landscape of the country. An endeavour made more difficult by a lack of a comprehensive inventory of these resources across the country.The National Audit of Monuments and Memorials (NAMM) was designed to address this gap through a full national survey of monuments and memorials, conducted under the auspices of a job creation stimulus package designed to create short term employment in the wake of the economic fallout from the Covid-19 pandemic. Undertaking this project under this funding mechanism required that all phases of the project be undertaken within a six-month period.The compressed timeframes associated with this project required an approach that could support a level of fluidity to address the challenges of undertaking a project of this nature, whilst ensuring that the data collected by field surveyors can be monitored and included in the inventory of the national estate in an effective manner.The aim of this paper is to discuss and showcase the tools and workflows used to roll out and manage the large-scale national audit of monuments and memorials across South Africa.

New Wars and Their Visual Representation: Dead Bodies without Graves/Mourne

2020 ◽  
Vol 7 (1) ◽  
pp. 57-76
Author(s):  
Tuncay Şur ◽  
Betül Yarar
Keyword(s):  
Social Media ◽  
Visual Representation ◽  
Human Beings ◽  
The Public ◽  
Photographic Images ◽  
War Photography ◽  
New Wars ◽  
The Social ◽  
History Of ◽  
The Impact

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.

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