Introduction: ‘The UFOs Are Coming!’

2016 ◽  
pp. 7-16
Author(s):  
Jon Towlson
Keyword(s):  
International Relations ◽  
Science Fiction ◽  
New Age ◽  
International Relations Theory ◽  
The Political ◽  
Conspiracy Theories ◽  
The Third ◽  
Close Encounters ◽  
Alien Abduction

This introductory chapter provides an overview of Steven Spielberg's Close Encounters of the Third Kind (1977). Close Encounters is a UFO movie that arose from a resurgence of ufology in the 1970s, which coincided with the growth of New Age movements, mysticism, alien-abduction cults, and an increasing belief in conspiracy theories. The film speaks to Utopianism, the belief within international relations theory that war can be eliminated either by perfecting man or by perfecting government. Utopianism is, of course, a key concept in science fiction. The chapter then looks at Jack Kroll's review of Close Encounters, which demonstrates how so many of the political criticisms surrounding the film stem from the time of its initial reception, and how its cultural denotation as ‘transcendent’ science fiction was immediately recognised and accepted by some — but not all — critics. The chapter also details the synopsis of the film.

Close Encounters: Cultural Impact

2016 ◽  
pp. 125-132
Author(s):  
Jon Towlson
Keyword(s):  
Popular Culture ◽  
Science Fiction ◽  
Government Agency ◽  
American Government ◽  
Cultural Impact ◽  
Extraterrestrial Life ◽  
Conspiracy Theories ◽  
The Third ◽  
Close Encounters ◽  
First Contact

This chapter reflects on the cultural impact of Steven Spielberg's Close Encounters of the Third Kind (1977). During the filming of Close Encounters, a rumour spread that the film was being secretly sponsored by an American government agency as part of its acclimation programme to ready humankind for imminent first contact with extraterrestrials. In some ways, there is a sense — conspiracy theories aside — that Spielberg may have achieved something along those lines. As such, the cosmic outlook of Close Encounters has influenced not only subsequent science-fiction films but also the continuing fascination with extraterrestrial life and a whole UFO subculture. Even if the film itself is all but forgotten in certain quarters, its impact can still be felt keenly on popular culture and in the SETI/ufology community at large.

scholarly journals Impact of technology on Translation and Translation Studies

2019 ◽  
Vol 23 (2) ◽  
pp. 344-361
Author(s):  
Yves Gambier
Keyword(s):  
International Relations ◽  
Translation Studies ◽  
The Political ◽  
The Third ◽  
The Past ◽  
Attitudes And Perceptions ◽  
Long Time ◽  
The 1960S ◽  
Impact Of Technology ◽  
Multimodal Communications

The landscape in translation and interpreting is changing deeply and rapidly. For a long time, but not necessarily everywhere, translation was denied as a need (except for the political and religious powers), as effort (translation being defined as a kind of mechanical work, as substitution of words), and as a profession (translators embodying a subaltern position). Technology is bringing in certain changes in attitudes and perceptions with regards international, multilingual and multimodal communications. This article tries to define the changes and their consequences in the labelling and characterisation of the different practices. It is organised in five sections: first, we recall that translation and interpreting are only one option in international relations; then, we explain the different denials of translation in the past (or the refusal to recognize the different values of translation). In the third section, we consider how and to what extent technology is transforming today practices and markets. The ongoing changes do not boil solely to developments in Machine Translation (which started in the 1960s): community, crowdsourced/collaborative translation and volunteer translation encompass different practices. In many cases, users provide their own translations, with or without formal qualifications in translation. The evolution is not only technical but also economic and social. In addition, the fragmentation and the diversity of practices do have an impact on a multi-faceted market. In the fourth section, we emphasize that there are nowadays different concepts of translation and competitive paradigms in Translation Studies. Finally, we tackle the organisational challenge of the field, since the institutionalisation of translation and Translation Studies cannot remain the same as when there was a formal consensus on the concept of translation.

Jurassic Park

2020 ◽  
Author(s):  
Paul Bullock
Keyword(s):  
Science Fiction ◽  
Men And Women ◽  
Steven Spielberg ◽  
The Third ◽  
Close Encounters ◽  
The World ◽  
The Impact

‘Constellations: Jurassic Park’ explores how Steven Spielberg used the film to investigate several key themes that have been important to him across his career. These themes are: nature and humankind’s relationship with it, the importance of cinematic fantasy and how it shapes our view of the world, and the impact of toxic masculinity on both men and women. The book also looks at how Spielberg blends genres across his career as a whole and Jurassic Park specifically. This is particularly true of the science fiction and horror genres, which are used in Jurassic Park to create a film that is both cathartically scary and thematically satisfying. These points are contextualised within the wider scope of Spielberg’s life and career to understand how Jurassic Park acted as bridging point between the light entertainments he had been known for up to that point (Close Encounters of the Third Kind and E.T. the Extra-Terrestrial, for example) and the more serious filmmaking he focused on after its release (Saving Private Ryan and Lincoln).

Introduction

2016 ◽  
Author(s):  
David A. Baldwin
Keyword(s):  
International Relations ◽  
Political Science ◽  
Power Analysis ◽  
Controversial Issues ◽  
The Third ◽  
Theoretical Approaches ◽  
The One

This introductory chapter begins with a brief discussion of the importance of the concept of power in political science. It then sets out the book's three main purposes. The first is to clarify and explicate Robert Dahl's concept of power. This is the concept of power most familiar to political scientists, the one most criticized. The second purpose is to examine twelve controversial issues in power analysis. The third is to describe and analyze the role of the concept of power in the international relations literature with particular reference to the three principal approaches—realism, neoliberalism, and constructivism. It is argued that a Dahlian perspective is potentially relevant to each of these theoretical approaches.

Introduction

2017 ◽  
Author(s):  
David M. Edelstein
Keyword(s):  
Decision Making ◽  
International Relations ◽  
International Relations Theory ◽  
Great Powers ◽  
Time Horizons

The introduction establishes the puzzle motivating the book: what explains variation in the strategies that existing powers pursue toward rising great powers? The puzzle is central to international relations theory and also has important implications for contemporary policy questions. The introductory chapter presents a brief abstract of the book’s argument, which focuses on how time horizons and uncertainty affect leaders’ decision-making. The introduction concludes with a roadmap for the rest of the book.

Close Encounters: Genre and Context

2016 ◽  
pp. 17-24
Author(s):  
Jon Towlson
Keyword(s):  
Science Fiction ◽  
State Of The Art ◽  
Greek Mythology ◽  
Art Cinema ◽  
Special Effects ◽  
Star Wars ◽  
The Third ◽  
Close Encounters ◽  
Human Need ◽  
Science Fiction Films

This chapter discusses the genre and context of Steven Spielberg's Close Encounters of the Third Kind (1977). It begins by tracing the emergence of science fiction in literature and in cinema. The chapter then looks at how film serials popularised pulp science-fiction cinema in the form of rocketships, ray guns, alien invaders, evil intergalactic emperors, and damsels in distress. One can see them as the inspiration for the likes of Star Wars and the myriad superhero blockbuster movies that continue to dominate Hollywood today. In 1968, Stanley Kubrick's 2001: A Space Odyssey returned science fiction to its origins in Greek mythology. It is perhaps the first example of ‘transcendent’ science-fiction cinema, exploring the human need to place trust in a force larger than ourselves. In the early 1970s, science-fiction films were more overtly concerned with identity and environment, and how both were increasingly shaped or misshapen by technology. Meanwhile, post-9/11 has seen a move towards intelligent science fiction as a bankable commodity within Hollywood. Part of the genre's continuing appeal is, of course, the showcasing of state-of-the-art cinema technology within the sci-fi narrative. Special-effects technology has evolved in line with cinema's own development.

The end of International Relations theory?

2013 ◽  
Vol 19 (3) ◽  
pp. 405-425 ◽  
Author(s):  
Tim Dunne ◽  
Lene Hansen ◽  
Colin Wight
Keyword(s):  
International Relations ◽  
International Relations Theory ◽  
Social Forces ◽  
Special Issue ◽  
The Third ◽  
Different Types ◽  
The Status ◽  
Theoretical Pluralism

With a view to providing contextual background for the Special Issue, this opening article analyses several dimensions of ‘The end of International Relations theory?’ It opens with a consideration of the status of different types of theory. Thereafter, we look at the proliferation of theories that has taken place since the emergence of the third/fourth debate. The coexistence and competition between an ever-greater number of theories begs the question: what kind of theoretical pluralism should IR scholars embrace? We offer a particular account of theoretical engagement that is preferable to the alternatives currently being practised: integrative pluralism. The article ends on a cautiously optimistic note: given the disciplinary competition that now exists in relation to explaining and understanding global social forces, International Relations may find resilience because it has become theory-led, theory-literate and theory-concerned.

International relations in Spanish physics from 1900 to the Cold War

2002 ◽  
Vol 33 (1) ◽  
pp. 3-31 ◽  
Author(s):  
Joséé M. Sáánchez-Ron
Keyword(s):  
Cold War ◽  
Civil War ◽  
International Relations ◽  
20Th Century ◽  
The United States ◽  
The Political ◽  
Physical Sciences ◽  
Political Situation ◽  
The Third ◽  
The Cold War

This paper studies the tactics developed in Spain to improve the country's scientific capacity over most of the 20th century. Early in the 20th century, Spain sought to raise its low scientific standing by establishing relations with foreign scientists. The tactics changed according to the political situation. The first part of the paper covers the period from 1900 to the Civil War (1936-39); the second examines consequences of the conflict for physical scientists in Spain; and the third analyzes the growth of physical sciences in Franco's Spain following the Civil War, a period in which the United States exerted special influence.

How Speculative Fiction Can Teach about Gender and Power in International Politics: A Pedagogical Overview

2019 ◽  
Vol 21 (3) ◽  
pp. 240-257 ◽  
Author(s):  
Cynthia Boaz
Keyword(s):  
International Relations ◽  
Science Fiction ◽  
Feminist Theory ◽  
International Relations Theory ◽  
Speculative Fiction ◽  
State University ◽  
The Core ◽  
Battlestar Galactica ◽  
Units Of Analysis ◽  
Separate System

Abstract Fictional universes can be treated as discrete units of analysis in which we see the operation of international relations theory. This article discusses insights gleaned from a course created at Sonoma State University called “Gender and Geopolitics in Science Fiction and Fantasy,” in which feminist theory and international relations approaches are integrated, and science fiction and fantasy texts serve as the mechanism through which to examine the key themes and questions. This article provides an overview of the pedagogy to highlight the usefulness of speculative fiction in teaching. Each of the fictional universes is treated as a separate system where gender and political dynamics manifest in ways that observers of international relations will recognize. The core texts are Battlestar Galactica, Game of Thrones, Jessica Jones, Star Trek, Misfits, and Watchmen. The major theories and approaches explored here have implications for gender studies and feminist theory, the concepts of metaphor and allegory, and game theory.

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