scholarly journals ARCHITECTURAL ENGINEERING AS A PROFESSION: REPORT ON RESEARCH LEADING TO A CURRICULUM REVISION

2013 ◽  
Vol 19 (5) ◽  
pp. 738-748
Author(s):  
Josifas Parasonis ◽  
Andrej Jodko

Modern design practice, where an architect works with engineers in a large team, lacks optimisation. Improvement of collaboration between the professions of architecture (A) and structural engineering (SE) would result in more efficient structures. Collaboration can be improved by professionals who have training and/or experience in both professions. The fact is proved by the professionals that either were separately trained in each field, or had integrated training in both fields, or successfully practised on the borderline between A and E. The concept of architectural engineering (AE) appeared in the late nineteenth century, and the profession has increasingly been developing from that time on. The Aim of the research is to develop a competence model (CM) for an AE professional, and scientifically substantiate the subject matter of the undergraduate AE programme. The Scope of the study is the analysis of collaboration issues relating to the civil engineering (CE) and A professions, studies on the development of CM, and development of the study programme curriculum. The authors developed a CM for an AE professional containing essential competences and courses of the curriculum for training of the modern professional proficient in the development of architectural and structural design projects.

2006 ◽  
Vol 33 (1) ◽  
pp. 1-17
Author(s):  
Dewi Jones

John Lloyd Williams was an authority on the arctic-alpine flora of Snowdonia during the late nineteenth century when plant collecting was at its height, but unlike other botanists and plant collectors he did not fully pursue the fashionable trend of forming a complete herbarium. His diligent plant-hunting in a comparatively little explored part of Snowdonia led to his discovering a new site for the rare Killarney fern (Trichomanes speciosum), a feat which was considered a major achievement at the time. For most part of the nineteenth century plant distribution, classification and forming herbaria, had been paramount in the learning of botany in Britain resulting in little attention being made to other aspects of the subject. However, towards the end of the century many botanists turned their attention to studying plant physiology, a subject which had advanced significantly in German laboratories. Rivalry between botanists working on similar projects became inevitable in the race to be first in print as Lloyd Williams soon realized when undertaking his major study on the cytology of marine algae.


Modern Italy ◽  
2014 ◽  
Vol 19 (4) ◽  
pp. 405-419
Author(s):  
Stephen C. Bruner

In 1886 the Abyssinian chief Debeb became a public figure in Italy as a rapacious colonial bandit. However, over the next five years he acquired additional public personas, even contradictory ones: as a condottiero ally, a ladies’ man, a traitor, a young Abyssinian aristocrat and pretender to an ancient throne, a chivalrous warrior, and a figure representing the frontier and an Africa mysterious and hidden to Europeans. Upon his 1891 death in combat, he was the subject of conflicting Italian press obituaries. For some commentators, Debeb exemplified treacherous and deceitful African character, an explanation for Italy's colonial disappointments and defeats. However, other commentators clothed him in a romanticised mystique and found in him martial and even chivalrous traits to admire and emulate. To this extent his persona blurred the line demarcating the African ‘other’. Although he first appeared to Italians as a bandit, the notion of the bandit as a folk hero (the ‘noble robber’ or ‘social bandit’, Hobsbawm) does not fit his case. A more fruitful approach is to consider his multi-faceted public persona as reflecting the ongoing Italian debate over ‘national character’ (Patriarca). In the figure of Debeb, public debates over colonialism and ‘national character’ merged, with each contributing to the other.


2020 ◽  

Drawing on the papers presented at CEEJA’s* first international conference addressing the long-neglected field relating to the generation, dissemination and application of technical knowledge in Japan from the Edo to the Meiji periods, this volume provides a valuable selection of new research on the subject, from Hashimoto Takehiko’s detailed examination of Tanaka Hisashige’s ‘Myriad Year Clock’, Regine Mathias’s paper on mining and smelting, and Erich Pauer’s overview of Japanese technical books in the pre-modern era, to Suzuki Jun’s detailed account of boiler-making in late nineteenth-century Japan. * Centre Européen d’Études Japonaises d’Alsace, 2017


Author(s):  
Henry A. McGhie

This book explores the life of Henry Dresser (1838–1915), one of the most productive British ornithologists of the mid-late nineteenth and early twentieth centuries; it is also an exploration of ornithology during a period when the subject changed dramatically. The book is based on previously unpublished letters, diaries and photographs to provide the first detailed biography of any of the independent industrialist–naturalists who dominated nineteenth century British ornithology. Dresser travelled widely in Europe, New Brunswick and to Texas during the American Civil War before settling down to work in London in the timber and iron trades. He built enormous collections of skins and eggs of birds, many of which came from famous travellers and collectors. These collections formed the basis of over 100 publications on birds including some of the finest and some of the last of the great bird books of the late nineteenth century, combining cutting-edge scientific information with masterpieces of bird illustration. Dresser played a leading role in scientific society and in the early bird conservation movement. His correspondence and diaries reveal the inner workings, motivations, personal relationships and rivalries that existed among the leading ornithologists. This book is aimed at anyone interested in birds, history and natural history, and as a textbook for courses relating to history, history of science and museum studies.


Author(s):  
Eric M. Hines

The existence of structural art has implications far beyond the aesthetics of the built environment. Beauty is the purest expression of the human spirit, and its potential to coexist in the engineering imagination with practical project requirements is a powerful symbol for what is possible not only in structural engineering but in all engineering. Understanding the potential for structural art provides a key to strengthening the connection between our thoughts and our feelings, as they relate to our technological world and its improved coexistence with nature. The paper identifies and discusses sympathies between structural art and art in general and then uses examples from structural design practice to illustrate how the languages of drawing, simple calculations and project narrative are fundamental to the creative process in engineering.


Author(s):  
Mark Blacklock

Chapter 4 focuses on the work of Charles Howard Hinton, author of the first Scientific Romances and the least well-known yet most influential theorist of higher space of the late nineteenth century. ‘Hinton was an important mediating figure,’ writes Steven Connor, ‘because, like some of the physical scientists who investigated Spiritualism, his grasp of scientific principles was extensive and subtle.’ Indeed, his work fed into the literature of occult groupings, avant-garde art, Modernist poetry and fiction, and also back into geometry and orthodox science. ‘Cubes’ give a detailed account of Hinton’s work, highlighting his acknowledged and implied sources, Kepler, Kant, and his father, before focusing on his invention of a system of cubes for training the subject in the visualization of higher space. This set of cubes are read as ‘quasi-objects’, things that make fluid the distinction between thinking thing and thing thought on, between mind and material object.


2010 ◽  
Vol 53 ◽  
pp. 41-76
Author(s):  
Robert Maxwell

Since the late nineteenth century, scholars have considered pilgrimage a dynamic catalyst that influenced a range of cultural practices, not least architecture. The charismatic stewardship of such influential scholars as Arthur Kingsley Porter, Kenneth John Conant, Emile Mâle and Elie Lambert helped propel the study of ‘pilgrimage architecture’ to a leading field of study, and a handful of churches — notably St-Sernin in Toulouse, St-Martin in Tours, St-Martial in Limoges, Ste-Foy in Conques and the cathedral at Santiago de Compostela — achieved status as paradigmatic monuments. At the same time, the subject was also for a long while a source of heated debate fuelled by nationalist interests, occasionally lapsing even into ad hominem squabbles. The matter has in recent decades generated calmer discussion, including new perspectives introduced by studies of other complementary cultural phenomena. Urban and economic historians, in particular, have looked to the role of pilgrimage in relation to urban growth and the rise of commercial markets. This scholarship has contributed to re-evaluations among art historians and has shed greater light, for example, on the predatory fervour with which certain bishops, cathedral chapters and abbots enticed pilgrims to destinations like Chartres, Santiago de Compostela or Cluny, just as the infusion of interdisciplinary perspectives has helped architectural historians reassess so-called pilgrimage architecture. After all, not all churches of that type were on the pilgrimage roads, nor do all churches on those roads reflect the Toulousain-Compostelan model. The relative importance of the paradigmatic five churches has been called into question.


2019 ◽  
pp. 443-462 ◽  
Author(s):  
Lawrence M. Friedman

This chapter discusses the development of tort law in the second half of the nineteenth century. Tort law experienced its biggest growth spurt in the late nineteenth century. The legal world began to sit up and pay attention. The very first English-language treatise on torts appeared in 1859: Francis Hilliard’s book, The Law of Torts, Or Private Wrongs. Then came Charles G. Addison, Wrongs and Their Remedies in 1860, in England. By 1900, there was an immense literature on the law of torts; Joel Bishop and Thomas M. Cooley had written imposing treatises on the subject; the case law had swollen to heroic proportions. Tort law was a product of the industrial revolution; England here had a head start; problems emerged there first, and so did their tentative legal solutions.


Regional variation, a persistent feature of Greek alphabetic writing throughout the Archaic period, has been studied since at least the late nineteenth century. The subject was transformed by the publication in 1961 of Lilian H. (Anne) Jeffery's Local Scripts of Archaic Greece (reissued with a valuable supplement by A. Johnston in 1990), based on first-hand study of more than a thousand inscriptions. Much important new evidence has emerged since 1987 (Johnston's cut-off date), and debate has continued energetically about all the central issues raised by the book: the date at which the Phoenician script was taken over and filled out with vowels; the priority of Phrygia or Greece in that takeover; whether the takeover happened once, and the resulting alphabet then spread outwards, or whether takeover occurred independently in several paces; if the takeover was a single event, the region where it occurred; if so again, the explanation for the many divergences in local script. The hypothesis that the different scripts emerged not through misunderstandings but through conscious variation has been strongly supported, and contested, in the post-Jeffery era; also largely post-Jeffery is the flourishing debate about the development and functions of literacy in Archaic Greece. Dialectology, the understanding of vocalization, and the study of ancient writing systems more broadly have also moved forwards rapidly. In this volume a team of scholars combining the various relevant expertises (epigraphic, philological, historical, archaeological) provide the first comprehensive overview of the state of the question 70 years after Jeffery's masterpiece.


2016 ◽  
Vol 5 (2) ◽  
pp. 179-199
Author(s):  
Andrew E. Clark-Huckstep

Michel Foucault's The History of Sexuality has been the subject of debate among historians for decades. More specifically, his assertion, ‘the sodomite was a temporary aberration, the homosexual was now a species,’ has been used to support an ‘acts-to-identity’ theory that locates in the late-nineteenth century a shift in thinking about sexuality. The author argues that a re-reading of Foucault shifts the focus of historical inquiry from identities towards the process of knowledge creation, allowing for ambiguity that the concept ‘identity’ might foreclose. This essay examines the debate and offers a new reading of Foucault based on the work of Lynne Huffer. Finally, the author seeks to centre a source-driven approach in conjunction with The History of Sexuality, providing readings of patients and informants from the work of Richard von Krafft-Ebing and Havelock Ellis.


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