scholarly journals The Aesthetic Engagement Theory of Art

2021 ◽  
Vol 8 (0) ◽  
Author(s):  
Patrick Grafton-Cardwell
Keyword(s):  
Instrumental Value ◽  
Engagement Theory ◽  
Functionalist Account ◽  
The Subject ◽  
Aesthetic Engagement ◽  
The Aesthetic ◽  
Ultimate Purpose

I introduce and explicate a new functionalist account of art, namely that something is an artwork iff the fulfillment of its function by a subject requires that the subject aesthetically engage it. This is the Aesthetic Engagement Theory of art. I show how the Aesthetic Engagement Theory outperforms salient rival theories in terms of extensional adequacy, non-arbitrariness, and ability to account for the distinctive value of art. I also give an account of what it is to aesthetically engage a work that relies on our agential capacity to treat an object as having non-instrumental value, even while the ultimate purpose for our engaging the object is to get something from it.

scholarly journals The Role of Painting Activity as an Emotional Regulation in Children with Asperger Syndrome

2019 ◽  
Vol 8 (2S9) ◽  
pp. 666-672
Keyword(s):  
Asperger Syndrome ◽  
Character Education ◽  
Emotional Regulation ◽  
Aesthetic Experience ◽  
Self Confidence ◽  
Learning Programs ◽  
Research Findings ◽  
The Subject ◽  
The Aesthetic

Children with Asperger syndrome still need to be adjusted, in regulating their emotion, to their enjoyment in an activity that will be their emotional allocation. Art is able to improve their self-ability, to strengthen their self-confidence, and also to re-shape lack of knowledge about their own identity. This is because activity of art becomes a collection of inspiration, the aspect of imagination that is closely related to the aesthetic experience. This was a qualitative research as a study intended to understand the phenomenon of something that is experienced by the subject of research. For example: behaviour, perception, motivation, and action in holistic way and described in form of words and language, in a specific-natural context and by utilizing various methods. The research findings show that ability of emotional regulation is the ability of the subject in receiving and understanding a command, and then in minimizing tantrum, so that the subject is able to achieve a treatment therapy; including the subject's ability to identify and draw an object or other objects around them, to recognize some painting tools and to answer questions orally or in writing through the image media. The therapy can be packaged through art education based on painting activity which is the advantage of an area itself. Schools present learning programs that also support character education and the creative potential of the children, so that they can live independently later.

scholarly journals Turgenev’s traditions and motifs in the collection “Dragons, Tigers and Dogs” by Ba Jin

Litera ◽  
2021 ◽  
pp. 19-29
Author(s):  
Xiaoxuan Ren
Keyword(s):  
Chinese Literature ◽  
Comparative Methods ◽  
Journal Articles ◽  
Narrative Methods ◽  
Research Material ◽  
Ba Jin ◽  
The Subject ◽  
The Aesthetic ◽  
The Ancient Chinese ◽  
Literary Techniques

The subject of this research is the adoption and development of the motifs of I. S. Turgenev’s “Poems in Prose” in the lyrical collection “Dragons, Tigers and Dogs” by Ba Jin, who was dubbed “China’s Turgenev”. Attention is focused on the analysis of literary techniques adopted by Ba Jin from Turgenev, such as: narrative methods, motifs of the dreams, latent psychologism and profound psychologism of the landscape, symbolism, and fundamental musicality of the text. The research material contains the lyrical cycles of both writers, author's commentaries, journal articles published in Russia and China dedicated to examination of Turgenev's impact upon the Chinese writers. The article employs the historical-functional and comparative methods of analysis. The author is first to explore the influence of Turgenev's “Poems in Prose” on the works of Ba Jin, which defines the scientific novelty of this research. Ba Jin's scrutiny of Turgenev's “Poems in Prose”, during his work on translations, is reflected in his collection on the level of symbolism and the choice of motifs, command of language and literary style overall. The musicality of Turgenev's “Poems in Prose” encouraged Ba Jin to pursue the new artistic expressiveness of the language. The aesthetic peculiarities of Turgenev's “Poems in Prose” are consonant with the traditions and aesthetic requests of the Ancient Chinese literature, which justifies the enduring popularity of Turgenev’s works in China.

Stanisław Kowalczyk. Elementy filozofii i teologii sportu [The elements of philosophy and theology of sport]

1970 ◽  
Vol 8 (1) ◽  
pp. 293-294
Author(s):  
Stanisław Kowalczyk ◽  
Jan Kłos
Keyword(s):  
Social Integration ◽  
Subject Matter ◽  
Religious Faith ◽  
The Social ◽  
The Subject ◽  
Art Philosophy ◽  
The Aesthetic

Sport plays today an eminent role in man's life and in societies. Various sciences have made it the subject-matter of their reflection, i.e. psychology, sociology, the natural and humanistic sciences, art, philosophy, and theology. The present work seeks to answer some fundamental questions connected with the phenomenon of sport: what is it for man (part one)? whether and when does it serve the social integration of a community (part two)? what are the premises and principles of the ethics of sportive activity (part three)? what is the aesthetic dimension of sport (part four)? what are the relations between sport and religious faith (part five)? The philosophical profile is dominant in the book, taking into consideration various aspects of sport: anthropological, social, axiological, and theological.

No More Silent Victims: Agency, Authority and Artistry in the Black Woman’s Story in Revenge (1992)

2019 ◽  
pp. 123-144
Author(s):  
Celeste-Marie Bernier ◽  
Alan Rice ◽  
Lubaina Himid ◽  
Hannah Durkin
Keyword(s):  
The Other ◽  
Art Making ◽  
Black Artists ◽  
History Of ◽  
The Subject ◽  
The Aesthetic

“I was trying to write myself, paint myself, and my compatriots, my fellow black artists, if you like, into the history of British painting’, Lubaina Himid writes of the aesthetic, political, ideological and cultural philosophies undergirding her series, Revenge (1992), which is the subject of this chapter. Warring against the iconographic and invisibilising stranglehold exerted by white western male artists in particular, she says, ‘I’m trying to make a comment about how European artists ... have hijacked some of our African and Caribbean imagery, our bodies and all the rest of it’. Staging her own acts and arts of revenge against white western strategies of appropriating and objectifying Blackwomen’s bodies and art-making traditions, she exults in her successes by declaring that ‘I’ve hijacked some stuff back’. ‘The old solutions did not seem to allow for creative imaginings nor did they enable the black woman’s story to take its place amongst the other voices’, she concedes. Himid diagnoses a situation in which ‘old solutions’ or dominant representational modes are responsible for denying as well as distorting ‘the black woman’s story’. Working to do justice not to one but to many Blackwomen’s stories, she cuts to the heart of the matter: ‘Her story is complex and constantly interwoven through the whole, yet is often told simply and by others as that of a silent victim’.

Neuroaesthetics

2017 ◽  
pp. 87-102
Author(s):  
Ana Teresa Contier ◽  
Laila Torres
Keyword(s):  
Perceptual Experience ◽  
Aesthetic Experience ◽  
Functional Neuroimaging ◽  
Imaging Techniques ◽  
Neural Architecture ◽  
History Of ◽  
System Memory ◽  
The Subject ◽  
The Aesthetic

The aesthetic experience has been discussed throughout the history of mankind by philosophers and art historians, becoming a universal part of human experience, which leads us to some great interdisciplinary questions. It has been the subject of study by neuroscientists and neuro-psychologists since the 2000s. This recent evolution of neurology studies in the field of art, is due to in vivo brain imaging techniques, especially functional neuroimaging. Furthermore, recent research has provided evidence of cognitive interaction during the perception of an artwork indicating that the perceptual experience of art is not merely a passive one. This article reviews important studies in neuroaesthectics of visual art that point out that the aesthetic experience is related to the distribution in the neural architecture, suggesting the involvement of sensory-motor areas, emotional centers, reward system, memory and language.

Schiller on Freedom and Aesthetic Value: Part II

2020 ◽  
Author(s):  
Samantha Matherne ◽  
Nick Riggle
Keyword(s):  
Aesthetic Education ◽  
Political Freedom ◽  
Friedrich Schiller ◽  
Individual Freedom ◽  
Aesthetic Value ◽  
Ways Of Thinking ◽  
Way Of Thinking ◽  
Aesthetic Engagement ◽  
The Aesthetic

Abstract In his Letters on the Aesthetic Education of Man, Friedrich Schiller draws a striking connection between aesthetic value and individual and political freedom, claiming that, ‘it is only through beauty that man makes his way to freedom’. However, contemporary ways of thinking about freedom and aesthetic value make it difficult to see what the connection could be. Through a careful reconstruction of the Letters, we argue that Schiller’s theory of aesthetic value serves as the key to understanding not only his view of aesthetic engagement, but also his distinctive account of individual and political freedom. Whereas in Part I, we developed a reconstruction of Schiller's view that aesthetic value is the only path to individual freedom, in Part II we analyze how Schiller connects aesthetic value to political freedom. In the end, we show that Schiller defends a non-hedonic, action-oriented, communitarian theory of aesthetic value and a theory of freedom that makes the aesthetic not just supererogatory but fundamental for any fully autonomous life. Although we have lost touch with this way of thinking about aesthetic value and freedom, we submit that it is illuminating for contemporary thinking about both.

scholarly journals Intraspecific structural signs of curly silver fir (Abies alba Mill.) growing in the Ukrainian Carpathians

2020 ◽  
Vol 66 (No. 7) ◽  
pp. 299-308
Author(s):  
Ivan Sopushynskyy ◽  
Ruslan Maksymchuk ◽  
Yaroslav Kopolovets ◽  
Sezgin Ayan
Keyword(s):  
Wood Density ◽  
Abies Alba ◽  
Subject Area ◽  
Wood Products ◽  
Silver Fir ◽  
Annual Rings ◽  
Stem Wood ◽  
The Subject ◽  
The Aesthetic ◽  
The Relationship

The aim of this paper is to present the intraspecific differentiation of the curly silver fir (Abies alba Mill.) by the wood structure growing in the Ukrainian Carpathians. To find the morphological distinctions by using the silvicultural and biometric methods, 50 silver fir trees with anomalous wavy-relief stemwood formations were investigated. The trees aged from 94 to 132 years were characterised by the diameter at breast height of 32–59 cm. The length of the wave-grained stemwood varied from 6 to 11.5 m. The amplitude of the wood fibre waves varied from 4.4 to 24.1 mm. The smallest values of the amplitude of the wave-grained wood corresponded to the smaller wavelengths. The significant differences in the wood density and annual growth between the silver fir trees with the straight-grained and wave-grained stem wood were determined. The number of annual rings in 1 cm of the curly silver fir was 27.1% lower and 22.7% higher than the same characteristics for the straight-grained stem wood. The obtained linear equation described the relationship between the number of annual rings in 1 cm and the basic wood density of the silver fir with the straight-grained wood. The aesthetic features of the curly silver fir stem wood were discussed in the subject area of a new niche of exclusive wood products.

scholarly journals Sacred Architecture and Public Space under the Conditions of a New Visibility of Religion

Religions ◽  
2020 ◽  
Vol 11 (8) ◽  
pp. 379
Author(s):  
Jakob Helmut Deibl
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Sacred Architecture ◽  
The Subject ◽  
The Aesthetic ◽  
The City

Embedded in the paradigm of the “New Visibility of Religion,” this article addresses the question of the significance of sacred buildings for public spaces. ‘Visibility’ is conceived as religion’s presence in cities through the medium of architecture. In maintaining sacred buildings in cities, religions expose themselves to the conditions of how cities work. They cannot avoid questions such as how to counteract the tendency of public space to erode. Following some preliminary remarks on the “New Visibility of Religion,” I examine selected sacred buildings in Vienna. Next, I focus on the motifs of the city, the “ark” as a model for sacred buildings and the aesthetic dimension of public space. Finally, I consider the contribution of sacred buildings to contemporary public spaces. What is at issue is not the subject that moves in public and visits sacred buildings with the aim of acquiring knowledge or with the urgency to act, but rather the subject that feels and experiences itself in its dealings with public space and sacred buildings. In this context, I refer to the experience of disinterested beauty (Kant), anachronism, multi-perspectivity (Klaus Heinrich), and openness (Hans-Dieter Bahr).

The Definition of the Supernatural

1910 ◽  
Vol 3 (3) ◽  
pp. 310-324
Author(s):  
George T. Knight
Keyword(s):  
Present Essay ◽  
The Subject ◽  
Definition Of ◽  
Ultimate Purpose ◽  
Christian History

With the ultimate purpose of helping to clarify thought on the subject of the supernatural, the present essay is a study of usage mostly in Christian history and particularly of today. It therefore notes the meanings which seem to be assigned to the word and to its synonyms and associates; and it includes some criticism of usage, according to the accepted laws of thought, such as may contribute to the purpose of clarification.

Text declamation as a determinant of melodic form in the Old Roman eighth-mode tracts

1986 ◽  
Vol 6 ◽  
pp. 193-226 ◽  
Author(s):  
Edward Nowacki
Keyword(s):  
Satisfactory Result ◽  
Gregorian Chant ◽  
Narrow Sense ◽  
The Subject ◽  
The Aesthetic ◽  
Old Roman

This essay presents a close examination of the Gregorian eighth-mode tracts in Old Roman transmission. Its main objective will be to show that the apparent diversity of the genre as a whole is due largely to conditioned variation, and that within subsets characterised by identical textual conditions, melodic shape is uniform, or thrifty, to a degree that is as remarkable as it is unexpected. Particular attention will be paid to the regular and, in some cases, predictable ways in which the accentuation, phrasing and syntax of the text determine melodic form. The essay will take up the subject of text expression in its classic formulation by Dominicus Johner and show how he was prevented from arriving at a satisfactory result by the very terms in which he framed the question. Finally and incidentally, some comparative observations will be made about the counterparts of the Old Roman tracts in Frankish transmission (i.e. Gregorian chant in the narrow sense) with a view to showing the aesthetic superiority of the Old Roman versions in certain respects.

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