scholarly journals Postmodernism, Interpretivism, and Formal Ontologies

Author(s):  
Jan H. Kroeze

This chapter investigates the relationship between postmodernism, interpretivism, and formal ontologies, which are widely used in Information Systems (IS). Interpretivism has many postmodernist traits. It acknowledges that the world is diverse and that knowledge is contextual, ever-changing, and emergent. The acceptance of the idea of more than one reality and multiple understandings is part and parcel of postmodernism. Interpretivism is, therefore, characterized as a postmodern research philosophy. To demonstrate this philosophical premise more concretely, the creation of the logical structure of formal ontologies is sketched as an example of typical interpretivist and postmodernist activity in IS.

2011 ◽  
Vol 19 (5) ◽  
pp. 1265-1271 ◽  
Author(s):  
Tiago Braga do Espírito Santo ◽  
Taka Oguisso ◽  
Rosa Maria Godoy Serpa da Fonseca

The object is the relationship between the professionalization of Brazilian nursing and women, in the broadcasting of news about the creation of the Professional School of Nurses, in the light of gender. Aims: to discuss the linkage of women to the beginning of the professionalization of Brazilian nursing following the circumstances and evidence of the creation of the Professional School of Nurses analyzed from the perspective of gender. The news articles were analyzed from the viewpoint of Cultural History, founded in the gender concept of Joan Scott and in the History of Women. The creation of the School and the priority given in the media to women consolidate the vocational ideal of the woman for nursing in a profession subjugated to the physician but also representing the conquest of a space in the world of education and work, reconfiguring the social position of nursing and of woman in Brazil.


1999 ◽  
Vol 38 (04/05) ◽  
pp. 298-302 ◽  
Author(s):  
M. Joubert ◽  
D. Fieschi ◽  
M. Fieschi ◽  
P. Staccini

AbstractWithin a hospital, the moving of medical information systems from retrospective data-gathering methods to prospective clinical information systems raises the question of the confidentiality of patient data. A method of improving the traditional matrix model usually used to achieve access controls is described. The event-driven model refers to the way a security system ensures that a given user has a valid »need-to« relationship to a given patient. Events are defined as the occurrence of specific data that trigger the creation or the updating of the relationship between the identity of a user and the identity of a patient (e. g., admission, discharge, transfer, prescription, and report). The creation and the deletion of the relationships between users and patients are based on numerous repositories and working lists of patients. This implementation requires an organization of the hospital activities which is able to manage, in a real-time manner, those repositories as closely as possible to the steps occurring during the patient’s care process. Although this approach seems to reasonably fit the dynamic of the care process, it adds significant organizational constraints.


2021 ◽  
Vol 32 (2) ◽  
pp. 17-38
Author(s):  
Ayu Haswida Abu Bakar

Beautiful women have often been associated with great men of authority and governance in various kingdoms. However, according to scholars, the beautiful female subject also serves as a domineering figure that monopolises the man himself. She can also be a contributing factor towards the downfall of an empire and the world of the man she exists in. For instance, this phenomenon occurred during certain Chinese dynasties. Hence, this research, using the film titled “Tun Fatimah” (1962), focuses on studying and analysing the relationship between the beauty of Tun Fatimah – the daughter of the “Dato‟ Bendahara” of Malacca and the wife of Tun Ali – and the creation of a “sultan” (king), who was still a bachelor and governed tyrannically. Subsequently, history witnessed the king‟s downfall as a ruler in the larger context of the Malay World. It also led to fissures within the great Malaccan sultanate. This research utilises a qualitative approach, focusing on the detailed textual-narrative analysis of the film, supported by the epistemology of desire. Findings show that Tun Fatimah‟s beauty, which was befitting as queen for the Malaccan sultanate, is the main factor in contributing to the libido imbalance of the king and the weakness of hegemonic masculinity in the empire. The imbalance triggered the king‟s irrationality as shown through his emotions such as the thirst for vengeance, anger, jealousy, guilt and regret. In conclusion, the factors proved they did contribute fully to creating a tyrannical Malaccan king.


Author(s):  
Giovanni Galipò ◽  
Duccio Baldassini

The study of microtoponomastics, the examination of sources and the use of new technologies for the creation of geographic information systems capable of gathering various layers of information, allows the extraction of extremely interesting materials for land planning. The case study of the Vallombrosa Forest, probably the best-known forest area in Italy, is indicative of how the exploration of the world of historical archives is important still today. From the evidence that the Vallombrosan Benedictine monks, in the last years of the eighteenth century, had already drawn up a forest regulation plan, we can see the need and urgency to preserve a real scientific and cultural heritage. The creation of a Silvomuseum in Vallombrosa is confirmed as a brilliant intuition and its careful and punctual realization represents the challenge that awaits the current managers of the millenary forest, the cradle of Italian forestry sciences.


2002 ◽  
Vol 01 (03) ◽  
pp. A04 ◽  
Author(s):  
Silvana Barbacci

This work analyses how the theme of the creation of thinking machines by man, particularly through artificial intelligence, is dealt with on stage, with reference to three plays addressing different topics and characterised by different types of performance. This analysis reveals the particular effectiveness of plays dealing with scientific topics, when the relationship between theatre and science results in reflections transcending the boundaries of its contents to address man and his essence and gives voice to the ancient question of the sense of the world.


2021 ◽  
pp. 112-127
Author(s):  
G.L. Tulchinskii ◽  
◽  

Digitalization has given rise to a substantially new civilizational and existential situation. The mankind development was associated with the creation of collective memory in the form of culture as a system for generating, storing and transmitting social experience, including the creation of an artificial environment. For the main part of history, man likened the world to himself, which made the world understandable. However, over time, the tools and means became less and less anthropomorphic. The world has increasingly become like complex mechanisms. Since the beginning of the 20th century, the relationship between man and machine has become one of the main themes in art. They gave rise to a wide horizon of aesthetic comprehension of this topic: from the pathos of transforming reality (including the person himself) to alarm and horror. However, modern digitalization creates an artificial environment that involves not only the natural environment, but also the biological nature of man. The person himself turns into an artifact. Moreover, under the conditions of digitalization, culture turns into a kind of machine, when reality appears as the realization of a “transcendental” digital code, which acts as an original source for any number of artifacts as its copies. This situation cannot but affect art and aestheticization, which are reduced to the flow of processing digitized data. It is not about new digital technologies in art. It is about changing the format of the entire process of artistic creation and aesthetic reception. A person is transformed from a user of consumption and creativity options into one of the options for a digital mega-machine.


2008 ◽  
Vol 36 (4) ◽  
pp. 435-445
Author(s):  
Gary Burlington

Worldview as a way to understand Christianity (Naugel 2002) and competing accounts of reality (Sire 1997, 2004) focuses on cognitive, rational structures of meaning. But how are worldviews created? What is the relationship of cognition to historical contingency and psychological motivation? To answer these questions, I present original research on the thoughts of Emilio Mulolani Chishimba, founder of Zambia's Mutima Church, and view them through the lens of Charles W. Nuckolls' (1996) theory of culture and myth formation. Missiologists are better prepared to engage the world when they understand the nexus of factors that create specific worldviews.


Religions ◽  
2020 ◽  
Vol 11 (12) ◽  
pp. 649
Author(s):  
John Eade

During the last twenty years around the world there has been a rapid increase in the number of people visiting long established religious shrines as well as the creation of new sites by those operating outside the boundaries of institutional religion. This increase is intimately associated with the revival of traditional routes, the creation of new ones and the invention of new rituals (religious, spiritual and secular). To examine this process, I will focus on the European region and two contrasting destinations in particular—the Catholic shrine of Lourdes, France, and the pre-Christian shrine of Avebury, England—drawing on my personal involvement in travelling to both destinations and being involved in ritual activities along the route and at the two destinations. In the discussion section of the paper, I will explore the relevance of these two case studies to the analysis of power, agency and performance and the ways in which they expose (a) the role of institutions and entrepreneurs in creating rituals and sacred places and (b) the relationship between people and the domesticated landscape.


Author(s):  
Haun Saussy

The first translation of a Baudelaire poem into Chinese, a 1924 version of “A Carcass” by Xu Zhimo, offers an example of creative adaptation in translation: in his version and preface Xu assimilates Baudelaire to the early Daoist philosopher Zhuangzi. This is a strange choice on general grounds, but reflects the translator’s strategy of creating a recognizable identity for the Flowers of Evil, and for modernist poetics generally, within the world of Chinese thought. Furthermore, the content of Baudelaire’s poem, the changes made to it in Xu’s translation, and the relationship Xu devises with the works of Zhuangzi together outline a different theory of translation: not the creation of equivalents, but the chewing, digestion, and assimilation of a previous text, whether native or foreign, as part of the life-process of a literary tradition. Xu’s version of “A Carcass” enacts what Baudelaire’s poem describes, thereby displacing the ground of translational equivalence.


2021 ◽  
pp. 114-143
Author(s):  
Maria Teresa Lizisowa

The article presents a stylistic analysis of legal language by combining moral issues with the logical use of linguistic signs – text, sentences and words. Particular emphasis was placed on the prescriptive nature of the preamble and on the logical structure of a sentence in legal language. The article also reflects human reflection on the beauty of the text, which is based on observation of the world and results from the need to arrange it according to cherished values. In this systemic harmony of content and form, there is the moral aspect of creating legislative texts in order to ensure security and just rights for society, as well as their functional beauty. The article presents numerous examples of the relationship between the morality and beauty of legal language through the prism of the content of legal acts.


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