The Re-Materialisation of the Art Object
The phenomena of the re-materialisation of the art object is presented through the shift in art-thinking since mid-last century, derived from the impact of earlier art. This shift is marked by Lippard’s seminal book on the disappearance of the art object, as reflected in the title above, with reference to the Duchampian Readymade and Greenbergian Modernism. The chapter then reviews the current situation via contemporary understandings and the writings of Beech who challenges Lippard’s view of immateriality within Conceptual art. This is followed by examples of recent practice where new technologies have allowed for a re-materialisation of the art object to include artists such as Intersculpt, Michael Eden, and those in the Second Life Kriti Island exhibition, where virtual objects solidified into physical forms. This re-positioning of the art object allows a return to the initial formative conceptual framework, and offers a way through to a cutting-edge form of postconceptual art practice.