Overcoming Obstacles

Author(s):  
Emília Ferreira

After several failures in the artistic education in Portugal, throughout the 18th century, the 19th century was still to bring a few setbacks. Social and political upheavals marked the first years of the century, with the invasions of Napoleonic armies and the civil war. In this chapter I will tell the history of the birth of the first public art museum, created in Porto in 1833. The meeting of the future king D. Pedro IV and the artist Baptista Ribeiro was about to make history. Indeed, when Baptista Ribeiro delivered the prince a report on the need to create a public art museum in the city, the prince couldn't be happier. He then invited Baptista Ribeiro to organize it, giving all his support to the creation of the first public art museum in the nation. It would, in fact, take more than a 100 years to match the dream of its first director. But in the meantime, it surely achieved more than he could expect.

2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.


2020 ◽  
Vol 2020 (12-3) ◽  
pp. 250-258
Author(s):  
Mahomed Gasanov ◽  
Abidat Gazieva

The article is devoted to the analysis of the historiography of the history of the city of Kizlyar. This issue is considered in the historical context of the Eastern Caucasus. The author analyzes the three main theoretical concepts of the problem concerning Russia’s policy in the region, using the example of the city of Kizlyar in the context of historiography.


Menotyra ◽  
2017 ◽  
Vol 24 (1) ◽  
Author(s):  
Asta Giniūnienė

The article for the first time analyses the decoration parts of the Christ’s tomb of the second halfof the 18th century found a few years ago in Švėkšna church. The Christ’s tomb from the oldchurch was transferred to the  new church, which was built in 1804 and used until the  4thdecade of the 19th century. On the basis of the sources and remained fragments we can statethat this was a complicated structure of the Paschal decoration designed under the Europeanbaroque scenery principles. It was composed of the paintings on boards and canvas and mis-cellaneous accessories. The  Christ’s tomb paintings are characterised by a  symbolic allegoriccontent and artistry. The prophets of the Old Testament and characters the New Testamentreflecting the Paschal Triduum liturgy were depicted in the decoration. The survived outlinepaintings of Adam and Eve in Paradise, Noah waiting for the Saviour, and Angels Lamentingover the Death of Jesus are the exceptional iconography images in the Lithuanian church art.The decorations of the Christ’s tomb were created by the professional masters who decoratedthe churches in Samogitia in the second part of the 18th century. The images of suffering anddead Jesus used in the figuration of the Paschal Triduum influenced the spread of the Passionscenes. This is supported by an interesting archival fact about the shrine with a group of sculp-tures depicting the tomb of Christ in the Švėkšna churchyard.The fragments of the Paschal decorations in the Švėkšna church are important baroque scen-ery exhibits, which are valuable for the history of the Lithuanian church art and scenography.The investigation of the Holy Week figuration in the Švėkšna church is a valuable illustrationof this multidimensional cultural, religious and artistic phenomenon.


Diacronia ◽  
2018 ◽  
Author(s):  
Gheorghe Chivu

The history of the verbal forms sum and sunt, introduced into the literary writing by the Transylvanian Latinist School, reveals a winding process in the elaboration of certain cultured norms proper to the modern literary Romanian. Not at all linear, this process was concurrently influenced by two, often divergent, tendencies that were active from the end of the 18th century up to the beginning of the 20th century: the use of some cultured forms, borrowed from Latin or created according to Latin patterns; and the revitalization of certain linguistic forms with regional diffusion. Initially proposed as literary pronunciations, the two verbal forms were soon adopted and used as etymological graphic forms that corresponded to sîm and suntu from certain conservative patois. During the second half of the 19th century (sum), and during the first decades of the 20th century (sunt), the two graphic forms became orthoepic norms as well, due to the phonological tradition of the Romanian writing.


2021 ◽  
Vol 19 (1) ◽  
pp. 97-127
Author(s):  
Leah Bornstein-Makovetsky

This article discusses the biographies and economic and public activities of the Ḥatim family in Istanbul in the late 18th century and throughout the 19th century. Most of the attention is focused on R. Shlomo Ḥatim and his son Yitsḥak, who were members of the Jewish elite in Istanbul and settled in Jerusalem at the ends of their lives. R. Shlomo, who is said to have served the Ottoman authorities in Istanbul, settled in Jerusalem more than ten years before the leaders of the Jewish economic elite in Istanbul were executed in the 1820s. His son, surviving this purge, followed much later, immigrating to Israel in 1846, but died immediately thereafter. This article provides insights into the business activities of the Ḥatim family, as well as the activities of Yitsḥak Ḥatim as an Ottoman official in Istanbul. I also discuss two more generations of this family, considered an elite, privileged one, and that was highly esteemed among well-known rabbis in the Ottoman Empire. I also discuss the ties that developed between the communities of Istanbul and Jerusalem in the first half of the 19th century as a result of initiatives of officials in Istanbul and of immigration from Istanbul to Jerusalem.


Author(s):  
O.E. Fedorenko ◽  
К.V. Коlyadenko

An epidemic of any infectious disease is an invisible ruthless enemy that cannot be defeated by military, political, economic or ideological means. Humanity always reacts to such threats quite nervously and subconsciously tries to mythologize them, at least a little, in order to somehow psychologically protect itself from the real fear of imminent death. Since there is no rational defense against such a threat, people for the most part react in an irrational manner.The 19th century, almost the same as the previous centuries, «started» in epidemiological terms almost from the very beginning of its calendar. Only in contrast to the previous 18th century, the main and dominant danger was posed by another infectious pathology — cholera.In the history of medicine, over the 19th century, as many as six outbreaks of cholera epidemics were recorded since 1817. The first of them began in East Bengal and lasted 8 years (1817—1824), gradually, covering almost all India and big regions of the Middle East. It was worsened by the traditional travels of both Hindu and Muslim pilgrims to «holy places» who spread Vibrio cholerae on foot and through active communication with local residents.One of the significant reasons why cholera epidemic continued with minimal interruptions for almost the entire nineteenth century was an insufficient level of scientific knowledge in microbiology and the resulting ignorance of the causative agent of cholera — vibrio and its properties.Another factor was a complete lack of understanding by society of the need to observe at least the simplest sanitary standards in everyday life. And there was also misunderstanding among the leadership which tried to limit the next outbreak of cholera mainly by administrative measures without adequate explanations of their essence and necessity to the population.


Author(s):  
Karolina Karpińska

This article is dedicated to discussing the implementation of the descriptive geometry, i.e. the scientific novelty from the end of the 18th century, in secondary school education on the Polish territories in the 19th century. At that time, Polish lands were under the occupation of three empires: Prussia, Austria, and Russia. Over the time, the policy of the partition empires toward the Poles was changing in intensity. As a consequence, in the 19th century, there were schools on the Polish territories with Polish, Prussian, Austrian and Russian curricula and relevant lecture languages. The article analyses the implementation of descriptive geometry into teaching mathematics in schools located in all three partitions. Keywords: descriptive geometry, history of mathematics education, history of mathematics


Author(s):  
Doron Swade

The principles on which all modern computing machines are based were enunciated more than a hundred years ago by a Cambridge mathematician named Charles Babbage.’ So declared Vivian Bowden—in charge of sales of the Ferranti Mark I computer— in 1953.1 This chapter is about historical origins. It identifies core ideas in Turing’s work on computing, embodied in the realisation of the modern computer. These ideas are traced back to their emergence in the 19th century where they are explicit in the work of Babbage and Ada Lovelace. Mechanical process, algorithms, computation as systematic method, and the relationship between halting and solvability are part of an unexpected congruence between the pre-history of electronic computing and the modern age. The chapter concludes with a consideration of whether Turing was aware of these origins and, if so, the extent—if any—to which he may have been influenced by them. Computing is widely seen as a gift of the modern age. The huge growth in computing coincided with, and was fuelled by, developments in electronics, a phenomenon decidedly of our own times. Alan Turing’s earliest work on automatic computation coincided with the dawn of the electronic age, the late 1930s, and his name is an inseparable part of the narrative of the pioneering era of automatic computing that unfolded. Identifying computing with the electronic age has had the effect of eradicating pre-history. It is as though the modern era with its rampant achievements stands alone and separate from the computational devices and aids that pre-date it. In the 18th century lex continui in natura proclaimed that nature had no discontinuities, and we tend to view historical causation in the same way. Discontinuities in history are uncomfortable: they offend against gradualism, or at least against the idea of the irreducible interconnectedness of events. The central assertion of this chapter is that core ideas evidenced in modern computing, ideas with which Turing is closely associated, emerged explicitly in the 19th century, a hundred years earlier than is commonly credited.


2011 ◽  
Vol 54 (1) ◽  
pp. 1-38 ◽  
Author(s):  
Seema Alavi

AbstractThe essay highlights the role of one individual, Nawab Siddiq Hasan Khan (1832-90), in writing the cultural and intellectual history of imperialisms. It brings his biography, journeys and intellectual forays together to show how he used the temporal moment of the mid 19th century ‘age of revolts’, and the spatial connectivity offered by British and Ottoman imperialisms and re-configured them to his own particular interests. Locating Siddiq Hasan in the connected histories of the British and Ottoman Empires, it views his in-house cosmopolitanism as a form of public conduct that was shaped by Islamic learning that cultivated urbane civility as Muslim universalist virtuous conduct. This was a form of cosmopolitanism enabled by imperial networks, informed by pre-colonial webs of interaction between India and West Asia, and deeply rooted in the scriptures.


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