A Pedagogical Model to Integrate Computational Thinking Logic to First Year Design Studio

2022 ◽  
pp. 368-391
Author(s):  
Orkan Zeynel Güzelci ◽  
Meltem Çetinel

Today, computational thinking and computational design approaches transform almost all stages of architectural practice and education. In this context, since students are most likely to encounter computers, in this study, the approach of teaching students computational design logic is adopted instead of teaching how to use computers only as a drafting or representation tool. This study focuses on developing a pedagogical model that aims to teach computational thinking logic and analog computing through a design process. The proposed model consists of four modules as follows: abstraction of music and text (Module 1), decomposition of buildings (Module 2), analysis of body-space (Module 3), design of a space by the help of spatial patterns (Module 4). The proposed model is applied to first-year students in Interior Design Studio in the 2019-2020 fall semester. As a result of Module 4, students designed both anticipated and unanticipated spaces in an algorithmic way.

Author(s):  
Orkan Zeynel Güzelci ◽  
Meltem Çetinel

Today, computational thinking and computational design approaches transform almost all stages of architectural practice and education. In this context, since students are most likely to encounter computers, in this study, the approach of teaching students computational design logic is adopted instead of teaching how to use computers only as a drafting or representation tool. This study focuses on developing a pedagogical model that aims to teach computational thinking logic and analog computing through a design process. The proposed model consists of four modules as follows: abstraction of music and text (Module 1), decomposition of buildings (Module 2), analysis of body-space (Module 3), design of a space by the help of spatial patterns (Module 4). The proposed model is applied to first-year students in Interior Design Studio in the 2019-2020 fall semester. As a result of Module 4, students designed both anticipated and unanticipated spaces in an algorithmic way.


2020 ◽  
pp. 183-187
Author(s):  
Atlihan Onat Karacali

Design studios are the key features of design education. These studios are carried on uniquely and distinctly. Both the progress and grade phases are very special. For architecture and interior design disciplines, the design studio consists of an architectural or interior project design. Design studios are now accepted as the main courses of the semester, and other courses serve as the supportive ones. The traditional architectural presentation techniques used in the design studio were technical drawing and physical modeling. In the last three decades, computer-aided methods joined this list. These three main methods are the base of architectural expression and are taught generally in the first year of education. The following workshop proposal aims to figure out whether the order of these methods is effective in the understanding of first-year students. The workshop is going to choose students from both high and low grades of related supportive courses and divide them into equally distributed groups. A sample structural project is going to be given and each group will follow a different permutation of technical drawing, physical modeling, and computer-aided modeling. All works will be graded at both group and individual levels. Finally, there is going to be comparable data in hand to decide both the more correct permutation and the individual student effort independent from the group.


2019 ◽  
Vol 64 ◽  
pp. 02007
Author(s):  
Nilay Ünsal Gülmez ◽  
Dürnev Atılgan Yagan ◽  
Murat Şahin ◽  
Efsun Ekenyazıcı Güney ◽  
Hande Tulum

In an attempt to bridge the gap between architectural/interior design practice and education, ‘atmosphere’ as a prolific contemporary architectural debate in practice and theory is covered by the experiment of ‘Staging Poe’ carried out as a first year Design Studio through the study of Edgar Allen Poe’s selected poems. Poe’s 1846 text of ‘The Philosophy of Composition’, unfolding his analytical method of writing and emphasis on “effect” in poetry, provides a ground for experimenting with facets of materiality and structuring the studio. Aiming to cultivate intuitive design experiments of students into informed processes in hybridizing conceptual/textual and material/sensual aspects, studio is structured in two phases. In the first phase, “materialization”, idiosyncratic interpretations of students from words to materials with a focus on tectonic experiments and haptic experiences are sought in between materializing and dematerializing processes. In the second phase, the “atmospheric”, emphasis on dematerialization of the perception of materials through tools, such as light, color and sound is exercised to transform the object into a performance stage. Outcomes of the studio on aspects pertaining to material and materialities in creation of the immaterial that is the atmosphere is followed and evaluated through responses of students’ weekly reports.


Author(s):  
Ryane Imane ◽  

Like most university students worldwide, the engineering students at the School of Information Sciences (ESI) have to deal with their school closure and the new paradigm of distance learning. Despite efforts made by the administration and the teachers to accompany students, an internal survey conducted by the end of October 2021 revealed that almost all students, especially first-year ones, did not accept distance learning. This paper describes our experience to improve students’ satisfaction with distance learning by involving them in their courses’ design process. Four courses were concerned by the experience and were designed following the ADDIE method. Last-year students participated in the ADDIE analysis step, while the first-year students participated in the last step by evaluating the co-created courses. Courses were co-created with students as most of them got involved in the ADDIE development step and enriched courses by realizing extras activities. Results showed that students were highly satisfied with courses taught in the context of this study.


English Today ◽  
2015 ◽  
Vol 31 (3) ◽  
pp. 22-27
Author(s):  
Ameyo S. Awuku

This paper looks at English language use in law discourse and particularly in university classrooms in Togo. Togo makes extensive use of the English language despite the fact that it is a francophone country. English is taught in almost all public institutions, except for primary schools. Financial institutions, such as banks, make extensive use of English. This is evidenced at first glance at the large computer screens positioned at the entrances to these institutions. At the Université de Lomé alone, there are several ESP (English for Specific Purposes) programs. Each of the five faculties (with several departments) and ten schools and institutes have an ESP program. The ESP course is applicable to first-year students on BA programs and to those on MA programs. However, despite this extensive presence of English, traditional language norms and the influence of French on English in Togo in general are still very strong.


Author(s):  
Yasemin Burcu Baloğlu ◽  
◽  
Cansın Yılmaz ◽  

Understanding the needs and expectations of the intended users of a designed environment is recognized as one of the essential factors that influence the decision-making process in an interior design project. This situation is also reflected in interior design education, where students conventionally design for hypothetical clients and users. This study explores the contribution of a new user-focused and scenario-based design studio modal to students’ approach to successive stages of design processes, learning outcomes, and engagement to the project course during an online education period. Within the scope of the study, second-year interior design students were assigned to real artists and product designers as clients for a workshop for creative production- showroom project. The students had to communicate with their clients, do research and integrate the information they have collected into their design proposals. The paper concludes with an evaluation of the proposed model from students’ view. It is believed that the approach proposed and applied within the scope of the study has the potential to present a different perspective in interior design studio courses.


Author(s):  
M. O. BELOVA ◽  
◽  
S.S. KARTASHOVA ◽  

The article considers modern pedagogical approaches and teaching methods that are based on the principles of motivation and are able to increase the interest of students in obtaining mathematical knowledge, skills and abilities. The purpose of the study is to analyse different approaches to the formation of professional competencies in the study of the discipline «Higher and Applied Mathematics». Timing of the study: 2018 - 2020. The results of the annual testing of first-year students of Kyiv National University of Trade and Economics to determine their attitude to the discipline and satisfaction with the learning process were used as an information base. The analysis of the change in the level of mathematical training was carried out by comparing the results of the initial and final tests, which were conducted at the beginning and end of the academic year. Analytical data obtained from the results of the study involving students, suggest that the use of a combination of modern pedagogical approaches and methods significantly increases motivation and arouses interest in studying the discipline. The tendency to more thorough knowledge was observed for almost all categories of students, regardless of their level of preparation. Students, getting into new realities, begin to learn mathematical material consciously and develop the ability to apply the acquired knowledge in professional activities. Given that the learning process at the university requires constant modification of the content and methods of teaching, the importance of the teacher's personality as a factor in the development of student's personality is emphasized. Key words: applied orientation, professional competencies, higher mathematics, methods.


2019 ◽  
Vol 5 (2) ◽  
pp. 46
Author(s):  
Albulena Pllana Breznica ◽  
Fisnike Pllana ◽  
Zana Pllana

The Albanian language, as well as the other Balkan languages, have received a large number of Turkish language elements, first of them being the acceptance of Turkish words. These words, respectively the Turkicisms, have penetrated in almost all spheres in the fields of social life. In Albanian, there are many words in these social spheres: religious spheres, administrative spheres, military spheres, crafts, construction, home environment, names etc. The historical and linguistic conditions of the borrowing of Turkicisms are known. Albanians and Turks (Ottomans) got into contact in the wars and battles between them, as well as during the reign of the Turkish Empire in the Balkan Peninsula, and in the Albanian territories as well. Turkicisms began to enter the Albanian language from the time the Turks deployed military officers and clerks in several Albanian cities. The ruling period of the foreign invaders and the typology of the communicating languages had a huge influence on linguistic borrowings. The Albanian language is typologically quite remote from Turkish and has therefore assumed relatively few Turkicisms compared to the long period of Turkish rule in the Albanian area. For this purpose, this research and analysis method has been used: A survey was carried out with 60 students of the Department of Albanian Language and Literature at the University of Prizren "Ukshin Hoti" in Prizren, with first year students of the second semester and with second year students of the second semester. In the analysis of the tests, graphical presentations of the use of some Turkish words (Turkicisms) have been created, which are used by students in conversations with each other, in the family and in society, in the city and around Prizren.


2019 ◽  
pp. 14-17
Author(s):  
Duaa Al Maani

This research provides an important opportunity to advance our understanding of the evolving conception of learning in the design studio and specifically how first year students at architecture schools adapt to their new learning environment.


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