Understanding Intercultural Socialization and Identity Development of International Students Through Duoethnography

2021 ◽  
pp. 1-20
Author(s):  
Glory Ovie ◽  
Lena Barrantes
Keyword(s):  
International Students ◽  
Identity Development ◽  
Research Methodology ◽  
Collaborative Research ◽  
The Other ◽  
Way Of Life ◽  
Personal Stories ◽  
The Face

This chapter looks at how two international PhD students (re)constructed and (re)negotiated their identities, and intercultural socialization through the sharing their personal stories and experiences. This chapter employed a duoethnography research methodology. Duoethnography is a collaborative research methodology in which two or more researchers engage in a dialogue on their disparate histories in a given phenomenon. The use of duoethnography allowed the researchers to revisit their lives as sites of research to determine how their different experiences and backgrounds informed the (re)construction and (re)negotiation of their identities in the face of multiple and competing identities and their subsequent participation in the new culture. Through this process, the researchers acted as the foil for the Other, challenging the Other to reflect in a deeper, more relational and authentic manner as they sought to achieve a balance between participating in a new way of life and maintaining their cultural and personal identities.

Buber versus Scholem and the Figure of the Hasidic Jew: A Literary Debate between Two Political Theologies

2018 ◽  
pp. 225-262
Author(s):  
Hannan Hever
Keyword(s):  
Martin Buber ◽  
Jewish Studies ◽  
The State ◽  
The Other ◽  
Way Of Life ◽  
The Face

This chapter looks at one of the most famous and significant debates in Jewish studies: between Gershom Scholem and Martin Buber over the character of Hasidism. On the face of it, the debate was a literary one, centering on the significance of the Hasidic tale and its role in the interpretation of the Hasidic movement. It was a debate between two conceptions of Hasidism, one as a system of theological concepts, and the other as a way of life. Yet this debate was not merely historicist, but topical and political as well. For in this debate, Buber and Scholem negotiated the question of Jewish sovereignty and endeavored to determine the desired relationship between Jews and the state.

Conflict happens

2017 ◽  
Author(s):  
Peggy D. Bennett
Keyword(s):  
Opportunity To Learn ◽  
The Other ◽  
Human Beings ◽  
Coping Behaviors ◽  
Value Conflict ◽  
Way Of Life ◽  
The Face ◽  
Power Game ◽  
Growth And Change ◽  
Problem Solve

Conflict is a way of life. Many of us, from the days of our youth, have developed habits to avoid conflict. By agree­ing, apologizing, and pretending, we can sidestep many of the conflicts that come our way. But these coping behaviors are not necessarily healthy for us or for those on the other side of the conflict. What if we were able to see conflicts (large and small) as opportunities to problem- solve? “The key mistake we make when we feel frustrated is to abandon the problem- solving game and turn to the power game instead”. How might our days in school be different if we were able to dissolve con­flicts maturely and respectfully? Momentary discomforts quickly shift to momentary reflection. Conflict converts to an opportunity to learn and grow, rather than shrink and cower. When conflict is focused on transforming people (including ourselves) and not just changing situations, the results are bigger than resolution. Our disputes become a “supremely important human enterprise [that] embodies and expresses the highest and best within us as human beings”. When we do not run from conflict, we begin to see and feel it as a necessary part of life. When conflict no longer frightens us, we stay calm in the face of anger. We allow time to simply consider rather than fix. We breathe our way into self- assurance. With our new lens, we give conflict a more balanced inter­pretation, a more reasoned response. We do not perseverate; we deny ourselves the “worry habit.” We move through the dilemma. We let it be, inhaling and exhaling, to get ourselves back to a stance of strength and wisdom. Value conflict as a positive, seeing it as an adventure or jour­ney, an opportunity for growth and change, an invitation to intimacy and relationship, and an opening for transforma­tion.

A new agora: A project(ion) on the sub-centre

2016 ◽  
Author(s):  
Grace Salisbury Mills ◽  
Sam Kebbell
Keyword(s):  
Experimental Design ◽  
Research Methodology ◽  
Design Research ◽  
Urban Transformation ◽  
The Other ◽  
Urban Intervention ◽  
The Face ◽  
Design Research Methodology ◽  
The One ◽  
The City

Supervisor: Sam Kebbell Carried out in the aftermath of the 2011 Christchurch Earthquake, this design-research project probes at architecture’s capacity to affect and embody an emergent polycentric urban condition: one ushered in by the effective elimination of the city’s CBD, overnight. The experimental design-research methodology deploys typology, contextuality, and self-consciously ‘urban’ programming to explore the socio-spatial and tectonic opportunities of polycentrism within the selected Christchurch suburb of Sumner (herein considered an emergent sub-centre). On the one hand, A New Agora is a radical and catalytic urban intervention, addressing the sub-centre as architecture’s project at a moment when Christchurch’s future was veiled in uncertainty. On the other, the project is a consideration and commentary on architecture’s multi-faceted, critical relationship with the city: ultimately arguing that the two must be treated as fundamentally intertwined, not least in the face of vast structural urban transformation.

Mimetic Monsters

2010 ◽  
Vol 4 (1) ◽  
pp. 85-93
Author(s):  
Timothy Beal
Keyword(s):  
The Other ◽  
Jewish Tradition ◽  
Book Of Job ◽  
Edge Of Chaos ◽  
The Face ◽  
The Relationship

This article reads between two recent explorations of the relationship between religion, chaos, and the monstrous: Catherine Keller’s Face of the Deep and Author's Religion and Its Monsters. Both are oriented toward the edge of chaos and order; both see the primordial and chaotic as generative; both pursue monstrous mythological figures as divine personifications of primordial chaos; both find a deep theological ambivalences in Christian and Jewish tradition with regard to the monstrous, chaotic divine; both are critical of theological and cultural tendencies to demonize chaos and the monstrous; and finally, both read the divine speech from the whirlwind in the book of Job as a revelation of divine chaos. But whereas one sees it as a call for laughter, a chaotic life-affirming laughter with Leviathan in the face of the deep, the other sees it as an incarnation of theological horror, leaving Job and the reader overwhelmed and out-monstered by God. Must it be one way or the other? Can laughter and horror coincide in the face of the deep?

Óscar Romero and the Politics of Sainthood

2011 ◽  
Vol 5 (3) ◽  
pp. 265-291
Author(s):  
Manuel A. Vasquez ◽  
Anna L. Peterson
Keyword(s):  
Human Rights ◽  
Civil War ◽  
El Salvador ◽  
The Other ◽  
Post Colonial ◽  
Holy See ◽  
The Poor ◽  
The Face ◽  
Crisis Of Modernity ◽  
The One

In this article, we explore the debates surrounding the proposed canonization of Archbishop Oscar Romero, an outspoken defender of human rights and the poor during the civil war in El Salvador, who was assassinated in March 1980 by paramilitary death squads while saying Mass. More specifically, we examine the tension between, on the one hand, local and popular understandings of Romero’s life and legacy and, on the other hand, transnational and institutional interpretations. We argue that the reluctance of the Vatican to advance Romero’s canonization process has to do with the need to domesticate and “privatize” his image. This depoliticization of Romero’s work and teachings is a part of a larger agenda of neo-Romanization, an attempt by the Holy See to redeploy a post-colonial and transnational Catholic regime in the face of the crisis of modernity and the advent of postmodern relativism. This redeployment is based on the control of local religious expressions, particularly those that advocate for a more participatory church, which have proliferated with contemporary globalization

“My Power is in My Infirmity”: Illness and Death of Yu.F. Samarin

2019 ◽  
Vol 54 ◽  
pp. 412-431
Author(s):  
Svetlana I. Skorokhodova
Keyword(s):  
The Other ◽  
Russian Philosopher ◽  
Bodily Resurrection ◽  
The Face

This article is devoted to the insufficiently known topic of the disease and death of Y. F. Samarin, a great Russian philosopher, ascetic and warrior, politician and scientist. On the basis of the extensive archival materials the author of the article presents the events panorama that allows to reconstruct certain fragments of Samarin’s life. According to the author, the strongest aspects of Samarin’s personality, supported by his belief in bodily resurrection, were revealed in the face of bodily affliction and death. His love for congenial people, relatives, and Russia dominated all the other feelings of the philosopher both during his life and at the time of his departure. The article shows that something mysterious and undisclosed still remains in Samarin s death.

The Hierophanic Facets of the Seraphic Hymns

Trictrac ◽  
2018 ◽  
Vol 10 ◽  
Author(s):  
Petru Adrian Danciu
Keyword(s):  
Mutual Recognition ◽  
The Other ◽  
Human Being ◽  
Material World ◽  
Face To Face ◽  
The People ◽  
Musical History ◽  
The Face ◽  
The One

Starting from the cry of the seraphim in Isaiahʹ s prophecy, this article aims to follow the rhythm of the sacred harmony, transcending the symbols of the angelic world and of the divine names, to get to the face to face meeting between man and God, just as the seraphim, reflecting their existence, stand face to face. The finality of the sacred harmony is that, during the search for God inside the human being, He reveals Himself, which is the reason for the affirmation of “I Am that I Am.” Through its hypnotic cyclicality, the profane temporality has its own musicality. Its purpose is to incubate the unsuspected potencies of the beings “caught” in the material world. Due to the fact that it belongs to the aeonic time, the divine music will exceed in harmony the mechanical musicality of profane time, dilating and temporarily cancelling it. Isaiah is witness to such revelation offering access to the heavenly concert. He is witness to divine harmonies produced by two divine singers, whose musical history is presented in our article. The seraphim accompanied the chosen people after their exodus from Egypt. The cultic use of the trumpet is related to the characteristics and behaviour of the seraphim. The seraphic music does not belong to the Creator, but its lyrics speak about the presence of the Creator in two realities, a spiritual and a material one. Only the transcendence of the divine names that are sung/cried affirms a unique reality: God. The chant-cry is a divine invocation with a double aim. On the one hand, the angels and the people affirm God’s presence and call His name and, on the other, the Creator affirms His presence through the angels or in man, the one who is His image and His likeness. The divine music does not only create, it is also a means of communion, implementing the relation of man to God and, thus, God’s connection with man. It is a relation in which both filiation and paternity disappear inside the harmony of the mutual recognition produced by music, a reality much older than Adam’s language.

Challenging Gender Hierarchies in Narratives of the Nation: Representations of Women in Zintgraff and the Battle of Mankon and Hard Choice

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Naomi Epongse Nkealah ◽  
Olutoba Gboyega Oluwasuji
Keyword(s):  
The Other ◽  
Literary Texts ◽  
Gender Differentiation ◽  
Hard Choice ◽  
Other Hand ◽  
Gender Hierarchies ◽  
The Face ◽  
The One ◽  
Representations Of Women ◽  
Do So

Ideas of nationalisms as masculine projects dominate literary texts by African male writers. The texts mirror the ways in which gender differentiation sanctions nationalist discourses and in turn how nationalist discourses reinforce gender hierarchies. This article draws on theoretical insights from the work of Anne McClintock and Elleke Boehmer to analyse two plays: Zintgraff and the Battle of Mankon by Bole Butake and Gilbert Doho and Hard Choice by Sunnie Ododo. The article argues that women are represented in these two plays as having an ambiguous relationship to nationalism. On the one hand, women are seen actively changing the face of politics in their societies, but on the other hand, the means by which they do so reduces them to stereotypes of their gender.

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