The Avatar as a Self-Representation Model for Expressive and Intelligent Driven Visualizations in Immersive Virtual Worlds

Author(s):  
Colina Demirdjian ◽  
Hripsime Demirdjian

One could argue that the “self” as a human entity will be affected by the desire for more intelligence-driven products and creations. The avatar acts as an agent that unlocks the pathway to a better version of the human self. The true power of the avatar is beyond the comprehension of those that see it as a replica or a clone of a human. Rather, for those that look through the lens of the future, the avatar has the power(s) that mankind ultimately desires in their fulfilment of selfhood. To this end, the perception of the avatar needs to be reconsidered in order to appropriately recognise the avatar's multi-dimensional advantages and opportunities it holds for society and how it enhances the human condition. This paper creates a backdrop for understanding the avatar in the connected modalities of the real and virtual state of environments. This paper will also attempt to tackle the connected conditions that emerge as avatar-to-avatar interaction happens through the works of current research to understand the avatar more in-depth.


Author(s):  
Jonathan R. Eller

This chapter focuses on Ray Bradbury's exploration of the human condition during the war years, and how he broadened his horizons through books and beyond. In July 1944, Henry Kuttner suggested a trip East. Bradbury turned to the South instead. Later that summer, he traveled to Mexico. He was interested in understanding not only the multiplicity of cultures in the region, but also his own personality—who he was, and what he believed in. Bradbury believed that the wartime boom in novels exploring faith and the modern crisis of faith distracted from what he called the “real, factual, scientific problems” of the day. This chapter discusses Bradbury's views on the causes of World War II, along with his evolving sense of the challenges facing the future postwar world, and how they were influenced by Philip Wylie's books such as Generation of Vipers (1942). It also considers Bradbury's sentiments about living with the choices we make as individuals, with self-reflection as the key, as well as education, philosophies, aesthetics, and science and technology.



Author(s):  
Michael Szollosy

Public perceptions of robots and artificial intelligence (AI)—both positive and negative—are hopelessly misinformed, based far too much on science fiction rather than science fact. However, these fictions can be instructive, and reveal to us important anxieties that exist in the public imagination, both towards robots and AI and about the human condition more generally. These anxieties are based on little-understood processes (such as anthropomorphization and projection), but cannot be dismissed merely as inaccuracies in need of correction. Our demonization of robots and AI illustrate two-hundred-year-old fears about the consequences of the Enlightenment and industrialization. Idealistic hopes projected onto robots and AI, in contrast, reveal other anxieties, about our mortality—and the transhumanist desire to transcend the limitations of our physical bodies—and about the future of our species. This chapter reviews these issues and considers some of their broader implications for our future lives with living machines.



Augustinus ◽  
2017 ◽  
Vol 62 (3) ◽  
pp. 375-394
Author(s):  
Vittorino Grossi ◽  

The article presents St. Augustine’s concept of the Eucharist, relating it to the ecclesiological dimension that the concept of corpus Christi can have, showing its link with the paupers, since the Incarnate Word became pauper when assuming the human condition. Reference is also made to the charitable work of Giacomo Cusmano (1804-1885), as well as medieval controversies about the real presence of Christ in the Eucharist, and its evolution until the Second Vatican Council.



PMLA ◽  
1969 ◽  
Vol 84 (3) ◽  
pp. 530-535
Author(s):  
Robert M. Philmus

Most of the early science fantasies of H. G. Wells are, as he defines the term, prophetic: the myths that they develop to a logical conclusion represent a critique of some historical or essential aspect of the human condition. The Time Machine, his first scientific romance, explores the premises of prophetic fantasy at the same time that it embodies a myth of its own. In it Wells envisions the future devolution of man, already outlined in previous essays of his, as the ultimate consequence of what he perceived as a present attitude of complacent optimism, an attitude he dramatizes in the reaction of the Active audience to the Time Traveller's account of the world of 802,701 and beyond. Although the Time Traveller accepts this vision as literally true, his own theories about that world make it clear that its significance pertains to it only as a metaphoric projection of tendencies existing in the present. Thus the structure of The Time Machine reveals the Time Traveller's point of view, like that of his audience, to be limited: his final disappearance into the fantasied world of the future vindicates the rigorous integrity of Wells s prophecy.



2021 ◽  
Vol 2 (1) ◽  
pp. 1-26
Author(s):  
Jarno Hietalahti

Abstract This article offers a pragmatist approach to concentration camp humor, in particular, to Viktor Frankl’s and Primo Levi’s conceptualizations of humor. They both show how humor does not vanish even in the worst imaginable circumstances. Despite this similarity, it will be argued that their intellectual positions on humor differ significantly. The main difference between the two authors is that according to Frankl, humor is elevating in the middle of suffering, and according to Levi, humor expresses the absurdity of the idea of concentration camps, but this is not necessarily a noble reaction. Through a critical synthesis based on pragmatist philosophy, it will be claimed that humor in concentration camps expresses the human condition in the entirely twisted situation. This phenomenon cannot be understood without considering forms of life, how drastic the changes from the past were, and what people expected from the future, if anything.



2020 ◽  
pp. 3-10
Author(s):  
Jennifer Anna Gosetti-Ferencei

Introduces some of the central ideas of existentialism—including subjective truth, finitude, being-in-the-world, facticity, transcendence, inwardness, and the self as becoming—as relevant to an individual living in the contemporary moment. Highlights existentialist concern both for human individuality and for commonly-shared features of the human condition. Emphasizes existentialist attention both to the despairing aspects of human life and to the affirmation of existence as worthy of wonder. Introduces a few key thinkers—Kierkegaard, Marcel, Heidegger, Sartre, Nietzsche—while also indicating the diversity of existentialism to be emphasized throughout the book. Addresses what existentialism may have to offer in the context of contemporary challenges to objective truth and communal forms of meaning.



2021 ◽  
pp. 93-101
Author(s):  
John Danaher

This chapter studies the future of retribution and, in particular, the role that robots will play in shaping that future. It begins by describing the Bouphonia ritual, which speaks to two important features of the human condition: the enduring significance of practices of blame and punishment in human life, and the occasional absurdity of this desire. What happens when robots — or other sophisticated artificially intelligent (AI) machines — get embedded in our societies and have a part to play in criminal acts? Should they, like the knife in the Bouphonia ritual, be blamed for their contribution? Or should something else happen, something a little more radical? The chapter makes the case for radicalism. In particular, it suggests that the rise of the robots should lead us to reconsider the wisdom of our traditional practices of punishment and blame.





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