The Destinies of Senses

2021 ◽  
Vol 12 (1) ◽  
pp. 46-60
Author(s):  
Selma Eduarda Pereira ◽  
Alexandra Nogueira
Keyword(s):  
Digital Media ◽  
Contemporary Art ◽  
Print Media ◽  
The State ◽  
Digital Art ◽  
Preparation Process ◽  
Creation Process ◽  
Cultural Events ◽  
The Creation

During the state of global emergency of the COVID-19 pandemic, online cultural events have multiplied and gained space in our lives. However, this relationship between contemporary art and digital media has been developing for decades. In this paper, the authors cover the curatorial and preparation process for the virtual pavilion The Destinies of Senses that was part of the 4th edition of the digital art biennial The Wrong, which took place from November 2019 to March 2020, bringing to discussion the curation of online exhibitions, aesthetics post-digital, and the creation process of these artists. The authors approach in more detail one of the projects that integrated the exhibition and that combines fashion production, print media, and digital art.

scholarly journals LOCAL MEDIA IN THE CORONA CRISIS: SIGNIFICANCE AND CHALLENGES ON THE EXAMPLE OF POŽEGA 034 PORTAL

2021 ◽  
Vol 21 (1) ◽  
Author(s):  
Ante Mandarić ◽  
Goran Matijević
Keyword(s):  
Public Health ◽  
Digital Media ◽  
Crisis Communication ◽  
The State ◽  
Public Research ◽  
The Public ◽  
Number Of Patients ◽  
Local Media ◽  
The World ◽  
The Creation

The epidemic of the disease COVID-19, in Požeština in relation to China, where it originated in other parts of Croatia, appeared somewhat later, while Požega-Slavonia County in terms of total share in relation to other counties in Croatia remained relatively well , 16th place, out of a total of 20 counties, ie a smaller number of patients was recorded. In the conditions of public health danger to the health and lives of people with expressed uncertainty, citizens around the world were flooded with numerous information, about the disease, ways of prevention, treatment that at one point threatened to turn into an infodemia, as warned by the WHO. The importance of crisis communication in such conditions is of great importance, and how governments and headquarters communicate messages about the crisis to the public, which is discussed in the first parts of the paper and points out several inconsistencies and illogicalities in the actions of the state headquarters. prohibition and permission to make recommendations contrary to the epidemiologist’s recommendations. But more important than the recommendations of headquarters and governments, today are the recommendations and news transmitted by digital media, and especially the local ones that bring news and recommendations for the area where we live. Therefore, the aim of this paper was to investigate in the central part the significance of the local 034 Portal in the Corona crisis, and its monitoring of the crisis and its impact on the public. Research through several segments, it was found that the portal maintained the level of reporting on regular events and adjusted reporting on the Crown to the conditions and situation in the county, not leading to sensationalism, concern, fear, but was a carrier of preventive activities and a good ally in the fight. against the epidemic, that is, he followed the guidelines for informing the WHO and did not contribute to the creation of an infodemia.

Making It for the Screen

2015 ◽  
pp. 249-264
Author(s):  
Paul Chilsen
Keyword(s):  
Digital Media ◽  
Media Literacy ◽  
Teaching And Learning ◽  
Authentic Learning ◽  
The Internet ◽  
Creation Process ◽  
Screen Media ◽  
The World ◽  
The Creation ◽  
Digital Media Literacy

We are immersed in a culture of spoken media, written media, and now irrevocably, digital screen media. Just as writing and speaking skills are keys to functioning in society, we must consider that the world increasingly demands proficiency in “mediating” as well. Doing anything less leaves this powerful medium in the hands of a relative few. By offering instruction in what digital screen media is, how it is effectively created, how the Internet continues to alter communication, and how this all informs everyday teaching and learning, digital media literacy can become more broadly understood and accessible. This chapter follows a program developed by the Rosebud Institute and looks at how—using simple, accessible technology—people can become more digital media literate by creating screen products themselves. The creation process also enables deeper, more authentic learning, allowing us all to communicate more effectively, to self-assess more reflectively, and to thrive in a screen-based world.

scholarly journals INFRANGÍVEL E DESMESURA: DUAS POTÊNCIAS DA PAISAGEM

Palíndromo ◽  
2013 ◽  
Vol 5 (9) ◽  
Author(s):  
Ana Carla de Brito
Keyword(s):  
Immanuel Kant ◽  
Contemporary Art ◽  
Maurice Blanchot ◽  
Reciprocal Transformation ◽  
Creation Process ◽  
The Creation

RESUMOEste trabalho trata de algumas obras de Thiago Rocha Pitta procurando contemplar dois aspectos: o fascínio frente à paisagem como desastre; e a interrogação da visibilidade de elementos incorpóreos. Comparece como articulação teórica Immanuel Kant, que permite refletir sobre a atração pelo que é temível e imensurável; Maurice Blanchot, cujas reflexões autorizam a compreensão de certas nuances relativas ao processo de criação; e François Cheng, que permite pensar a fugacidade dos vapores através do conceito de devir recíproco identificado com a pintura de paisagem chinesa.Palavras ChaveThiago Rocha Pitta, paisagem, Arte Contemporânea. AbstractThis paper deals with some works by Thiago Rocha Pitta, trying to regard two aspects: the fascination in front of the landscape as a disaster; and the interrogation about the visibility of intangible items. Immanuel Kant is present as a theoretical articulator who allows a  reflection about the attraction of what is fearful and immeasurable; Maurice Blanchot, whose reflections authorize the understanding of some nuances concerning the creation process; and François Cheng, who suggests the fugacity of vapors through the concept of reciprocal transformation identified with the Chinese landscape painting.Key wordsThiago Rocha Pitta, landscape, Contemporary Art.

Fifty Years of Drama on Israeli Children’s Television

2018 ◽  
Vol 33 (2) ◽  
pp. 123-147 ◽  
Author(s):  
Yuval Gozansky
Keyword(s):  
Digital Media ◽  
The State ◽  
Children's Television ◽  
Israeli Society ◽  
Historical Study ◽  
Direct Supervision ◽  
Privatization Process ◽  
The Creation ◽  
Viewing Habits ◽  
Children's Drama

This article analyzes the changes in drama series in the first five decades (1966–2016) of Israeli children’s television. Based on interviews with 27 central producers, this cultural-historical study seeks to explain the significance attributed to children’s drama over the years. Early children’s drama series in Israel were instructional or educational, but they also sought to control the representation of childhood under the direct supervision of the state. The neo-liberal privatization process in Israeli society led to the creation of locally produced, Hebrew-speaking daily dramas on private channels for children. In the multiscreen environment created by the age of multichannel television and digital media, original Israeli daily drama shows functioned as a central branding tool for children’s channels. The article contends that these shows became one of the producers’ key answers to the changes in children’s viewing habits and, more particularly, linear television’s strategy for success in a world of multiple online screens.

Making It for the Screen

2018 ◽  
pp. 602-618
Author(s):  
Paul Chilsen
Keyword(s):  
Digital Media ◽  
Media Literacy ◽  
Teaching And Learning ◽  
Authentic Learning ◽  
The Internet ◽  
Creation Process ◽  
Screen Media ◽  
The World ◽  
The Creation ◽  
Digital Media Literacy

We are immersed in a culture of spoken media, written media, and now irrevocably, digital screen media. Just as writing and speaking skills are keys to functioning in society, we must consider that the world increasingly demands proficiency in “mediating” as well. Doing anything less leaves this powerful medium in the hands of a relative few. By offering instruction in what digital screen media is, how it is effectively created, how the Internet continues to alter communication, and how this all informs everyday teaching and learning, digital media literacy can become more broadly understood and accessible. This chapter follows a program developed by the Rosebud Institute and looks at how—using simple, accessible technology—people can become more digital media literate by creating screen products themselves. The creation process also enables deeper, more authentic learning, allowing us all to communicate more effectively, to self-assess more reflectively, and to thrive in a screen-based world.

scholarly journals Instanciando mecanismos de a/r/tografia no processo de criação em arte digital/computacional

2012 ◽  
pp. 138-145
Author(s):  
Adérito Fernandes Marcos Marcos
Keyword(s):  
Research Process ◽  
Digital Art ◽  
Computer Art ◽  
Creation Process ◽  
Creative Person ◽  
The Creation

In this essay we bring into discussion how a/r/tography mechanisms or approach could be instantiated in the creation process cycle in digital art or computer art in order to more effectively identify practices of borderland experiencing, reshaping, rethinking, redoing and remaking that transforms the creation process into a research process, where the creative person enhances continuously the meaning of his/her artwork.

scholarly journals Marka artystyczna. Jak rozumiane jest pojęcie marki w świecie sztuki?

2017 ◽  
Vol 61 (1) ◽  
pp. 231-251
Author(s):  
Agnieszka Szymańska-Palaczyk
Keyword(s):  
Contemporary Art ◽  
The State ◽  
Art World ◽  
Social Phenomenon ◽  
Level Of Knowledge ◽  
The Subject ◽  
The Creation

This article shows how members of the contemporary art world in Poland understand the concept of the brand: how they define and validate it; what associations it evokes; and what kind of language is used to speak about it. The article summarizes part of the research conducted in 2015 with members of the art world within the framework of the project ‘The Artistic Brand as a Social Phenomenon: The Creation, Differentiation, and Role of Artistic Brands in Contemporary Poland.’ Thoughts on the subject of art brands lead to a description of the state of contemporary art in Poland. The definitions formulated by the respondents are compared to marketing theories, thus making it possible to determine the respondents’ level of knowledge of such theories. In conclusion, definitions of artistic brands are reviewed and supplemented on the basis of the material obtained from the research.

scholarly journals O Tempo e a Memória em Cena: Pensando o processo de criação do documentário expandido Cine Rabeca

ILUMINURAS ◽  
2020 ◽  
Vol 21 (53) ◽  
Author(s):  
Marcia Mansur de Oliveira
Keyword(s):  
Field Research ◽  
The State ◽  
Analytic Approach ◽  
Creation Process ◽  
Artistic Experience ◽  
Life Trajectory ◽  
The Creation

Resumo: O documentário expandido Cine Rabeca é realizado com trilha sonora ao vivo feita pelos músicos Luiz Paixão e Renata Rosa, que há 20 anos circulam internacionalmente apresentando as poéticas musicais da Zona da Mata de Pernambuco. Na performance, em primeiro plano, os músicos estão no centro do palco, sentados lado a lado em um único banco. Por trás deles, projeta-se um documentário sobre suas trajetórias, feito a partir de acervo fílmico produzido entre 1991 e 2009. Este movimento do duplo filme-performers cria uma imagem que fornece insights situados no encontro entre a pesquisa de campo e a experimentação artística. Este trabalho propõe uma abordagem analítica do processo de criação do documentário para pensar sobre como a imagem atua na percepção de vestígios do tempo e na evocação de memórias. Palavras-chave: Documentário etnográfico. Imagem. Cine-transe TIME AND MEMORY ON THE SCENE: THOUGHTS ON THE CREATION PROCESS OF THE EXPANDED DOCUMENTARY  CINE RABECA Abstract: The expanded documentary Cine Rabeca is staged with live soundtrack by the musicians Luiz Paixão and Renata Rosa, that have been touring internationally over the last twenty years presenting the poetics from the Zona da Mata Norte region of the state of Pernambuco, Brazil. In the performance, the musicians are in the center of the stage, sitting side by side on a single bench. A documentary about their life trajectory, made through film archive from years 1991-2009 is screened behind them. This movement of the double film-performers creates an image that offers insights concerning field research and artistic experience. This paper offers an analytic approach of the documentary creation process and discusses how image acts in the perception of traces of time and evocation of memory. Keywords: Ethnographic documentary. Image. Cine-trance

The Creation Process in Digital Art

2009 ◽  
pp. 601-615 ◽  
Author(s):  
Adérito Fernandes Marcos ◽  
Pedro Sérgio Branco ◽  
Nelson Troca Zagalo
Keyword(s):  
Digital Art ◽  
Creation Process ◽  
The Creation
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