Graphic Reconstructing and Application Research of Traditional Auspicious Pattern in the Customization for Haute Couture

2014 ◽  
Vol 1048 ◽  
pp. 341-344
Author(s):  
Xiao Mei Chen ◽  
Qing Dong ◽  
Xiao Yang Liu
Keyword(s):  
Design Thinking ◽  
Application Research ◽  
Modern Design ◽  
Haute Couture ◽  
Aesthetic Taste ◽  
Graphic Language ◽  
The Aesthetic ◽  
Traditional Pattern ◽  
Implied Meaning ◽  
Important Significance

Costume pattern carries massive traditional culture and national spirit. It has important significance on people’s life and records the historical process of a nation. The topic of the paper starts from Chinese traditional auspicious pattern, summarizes the combination, layout and implied meaning of pattern through the analysis on the special shape and formal beauty; analyzes and research the cultural spirit and plastic art of traditional auspicious pattern. It makes analysis on the graphic language of traditional pattern and formal language under modern design thinking, finds new graphic language in reconstruction and innovation, this new form may have no direct relation with traditional pattern, but it could invisibly convey traditional spirit, which could better reflect the aesthetic taste of modern design to make Chinese traditional essence possess times spirit and reach the internal spirit unity between people and costume.

scholarly journals REPRESENTATION OF A PERSON’S APPEARANCE IN TERMS OF CONSIDERATION OF THE AESTHETIC CATEGORY OF “UGLINESS” (ON MATERIAL OF PHRASEOLOGICAL UNITS OF THE MANSI AND RUSSIAN LANGUAGES)

2019 ◽  
Vol 13 (2) ◽  
pp. 343-355
Author(s):  
Oksana Yurisovna Dinislamova
Keyword(s):  
Native Speakers ◽  
Aesthetic Taste ◽  
Cultural Specificity ◽  
The World ◽  
The Aesthetic

The article deals with phraseological units of the Mansi and Russian languages as lexical means of description of a person’s appearance within the framework of the aesthetic category of “ugliness” in the context of the linguocultural content of national pictures of the world; reflection of people’s ideas about “ugliness” is revealed; the universal and specific parameters of figurativeness of metaphorical expressions in description of “ugliness” are determined; the components of semantics and internal figurative forms that create the national-cultural specificity of the considered phraseological units are described. The purpose of the article is to study phraseological units representing the appearance of a person and being lexical means of representation of aesthetic feelings and aesthetic taste of the Mansi and Russian peoples by describing the aesthetic category of the “ugliness” existing in the minds of native speakers.

scholarly journals Application of Flower and Bird Patterns in Modern Makeup and Hair from the Perspective of Design Culture

2021 ◽  
Vol 3 (5) ◽  
pp. 113-118
Author(s):  
Chen Wang ◽  
Dan Liu ◽  
Xiaoman Huang
Keyword(s):  
National Culture ◽  
Traditional Culture ◽  
Modern Design ◽  
Important Material ◽  
Design Culture ◽  
The Times ◽  
Traditional Patterns ◽  
The Aesthetic

Under the background of the vigorous development of various cultural and artistic forms, the traditional patterns that can express the unique charm of Chinese national culture have become an important material for modern design. Traditional patterns not only have unique decorative functions, but also represent the spirit of traditional culture. Among them, flower and bird patterns are also precipitated by history. It is worth exploring how to combine the flower and bird patterns with the aesthetics of the times, and how to integrate the traditional flower and bird patterns with the nature of the times. Starting with the formation and development of flower and bird patterns, this paper analyzes the historical, cultural and aesthetic attributes of flower and bird patterns from the perspective of design culture, and expounds the application of flower and bird patterns in makeup and hair in various historical dynasties. With the development of the times, the application of flower and bird patterns in modern makeup and hair should be both national and in line with the aesthetic requirements of modern people.

scholarly journals SEMANTICS OF POEM IN «DIV TICS OF POEM IN «DIVANI LUGATI-T-TURK»

2021 ◽  
pp. 36-45
Author(s):  
Qosimjon SODIQOV ◽  
Govhar RAHMATOVA
Keyword(s):  
World Literature ◽  
Fine Art ◽  
Oral Poetry ◽  
Verbal Art ◽  
Specific Expression ◽  
Artistic Value ◽  
Aesthetic Taste ◽  
History Of ◽  
Extensive Information ◽  
The Aesthetic

Lyric songs depict how rich is the aesthetic taste of the Turkic peoples and their special love for verbal art for a long period, and the fact that they possessed artistic resources capable of competing with the most agile peoples of their time. Moreover, these songs illustrate the artistic views of the Turks. Pure lyrical experiences, with their novelty, the richness of images, and unique pathos, have always engaged the reader. The poetry of the Turkic peoples is studied as a separate phenomenon in the history of world literature. Mahmud Kashgari’s Divani lugat at-Turk provides extensive information about the foundations of Turkish poetry and its scope. We can see the first paradigms of lyric poetry in the oral poetry of the Turkic peoples in the Divani lugat at-Turk. As a great linguist of his time and an advanced thinker – Kashgari proves each word with its specific expression or a piece of poetry. Each poem in his work is unique regarding its artistic value and semantics. We can see this, especially in these lyrical poems. Even simple episodes in lyrical songs demonstrate the ability of our ancestors to express thoughts beautifully. The lyrical passages in the Divani lugat at-Turk consist of the description of the mistress, the sad moments of the separation of beloved ones, and the poems addressed to his beloved one. The issue of fine art and its location is noteworthy in them. The devices used in them play an essential role as the initial version in the context of the literature of the Turkic peoples. The author cites some examples of such poetic art: tashbih, oxymoron, metaphor, tajnis, repetition, hyperbole (mubalaga), irsali masal, etc. These devices were actively reflected in all types of poetry of the later period. This article discusses the semantics of lyrical poems in the Divani lugat at-Turk and reveals their fine art.

Review: Peter Sloterdijk, Der Ästhetische Imperativ – Schriften zur Kunst

2016 ◽  
Vol 33 (7-8) ◽  
pp. 367-374
Author(s):  
Sascha Rashof
Keyword(s):  
Product Design ◽  
Aesthetic Experience ◽  
Philosophical Approach ◽  
Modern Design ◽  
Light Product ◽  
Environmentally Responsible ◽  
Artificial Condition ◽  
Peter Sloterdijk ◽  
The Aesthetic ◽  
Action Cinema

Peter Sloterdijk’s Der Ästhetische Imperativ – Schriften zur Kunst is a collection of essays addressing a range of topics in the aesthetic realm, including sound, light, product design, cities and architecture, the human (artificial) condition, museums, action cinema and the art system. Via a ‘media’-anthropological, historico-philosophical approach, he critiques the ‘aesthetic imperative’ of (post-)modern design civilizations by re-evaluating the analogy between universal ethics and aesthetics after Kant. In this way, Sloterdijk argues for a more singular, intensive, socially and environmentally responsible aesthetic experience.

scholarly journals The Causal Theory of Names: Between Theory and Practice

2021 ◽  
Vol 12 (1) ◽  
pp. 152-164
Author(s):  
Sa’ida Walid Al-Sayyed
Keyword(s):  
Online Survey ◽  
Native Speakers ◽  
Demographic Data ◽  
Causal Theory ◽  
Theory And Practice ◽  
Cultural Traditions ◽  
Language And Culture ◽  
Aesthetic Taste ◽  
The Aesthetic ◽  
Social Media Network

This study explores to what extent a personal name has a causal relationship with its usage. Data were collected by means of a survey in which demographic data were elicited from the participants. Furthermore, the participants, whose ages were above 18 years, were asked to write their first names and reasons behind being given such names. The sample comprised 400 subjects who participated in the online survey distributed through social media network groups. The results revealed that names and naming practices are not haphazard ones. By and large, there is a relationship between the name and its usage, as stated by the causal theory of names. Whenever people choose a name, they are under the influence of; naming after people who are admired for their virtues, the aesthetic taste of the name, parents’ and relatives’ religious beliefs, maintaining rhyming names, circumstantial names, and respecting social and cultural traditions. Another striking finding is that nature and the environment are no longer rich resources for choosing names. Moreover, the analysis found evidence for the complete absence of names related to occupational and achievement names, death prevention and survival names, horrific names, and proverbial names. It is envisaged that the findings might be beneficial for sociolinguists, onomasticians, learners of Arabic as a foreign language, i.e. non-native speakers of Arabic. It might also help people working on language and culture and how culture affects naming traditions in the Arabic context.

scholarly journals Test and Design of Colors and Visual Illusion Based on Changing Spatial Characte

2020 ◽  
Vol 179 ◽  
pp. 02131
Author(s):  
Xin Zhang ◽  
Xinyue Zhang
Keyword(s):  
Visual Illusion ◽  
Psychological Effects ◽  
Optical Illusion ◽  
Ordinary Space ◽  
Interior Spaces ◽  
Aesthetic Taste ◽  
Orange Yellow ◽  
Aesthetic Enjoyment ◽  
Set Up ◽  
The Aesthetic

In order to change the dull and rigid atmosphere in some interior spaces, a kind of scheme of aesthetic optical illusion is designed combined the spatial principle, and colors and visual illusion design technology. Which is beneficial to change the spatial character. In this paper, VR technology is used to immerse the space of three times three times three cubic meters of red, orange, yellow, blue, green, purple, white and black, so as to collect the psychological effects of the experimenters, the results showed that 90% of them had the same color psychological induction.The conclusion of colors and visual illusion is verified through the successful application of the practical results in plane, indoor and medical treatment: changing the spatial character can reasonably use the colors and visual illusion design, can have unexpected humanistic interest and aesthetic enjoyment, and meet the aesthetic needs of space. Therefore, it is suggested to set up some colors and visual illusion works of art in the ordinary space to improve the comfort and aesthetic taste of the space.

The Decorated Home of the Rabbi of Zurich

2013 ◽  
Author(s):  
Joseph Shatzmiller
Keyword(s):  
Small Community ◽  
Inner Life ◽  
Aesthetic Taste ◽  
Spiritual Leader ◽  
The Family ◽  
Medieval Germany ◽  
The Aesthetic ◽  
Religious Objects ◽  
Almost All ◽  
The City

This chapter offers a testimonial to the influence that success had on the development of the aesthetic taste of Jewish financiers. It describes the decorations in an apartment discovered in the mid-1990s in the city of Zurich. In this apartment, between the years 1320 and 1330, lived the family of the exceedingly rich Rabbi Moses ben Menahem, the spiritual leader of the city's small community who is well known today to rabbinic scholars. Today, almost all of the modern scholars' knowledge about the inner life of the Jews of medieval Germany depends on rabbinic writings and on religious objects that survived the centuries, while knowing close to nothing about other trends that were part of their culture.

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