Study on the Hand Spinning Wheel in a Copy of the Mural Painting Collected by Mr. Liu Xianzhou

2011 ◽  
Vol 282-283 ◽  
pp. 497-504
Author(s):  
Qiang Li ◽  
Bin Li ◽  
Xiao Ming Yang
Keyword(s):  
Han Dynasty ◽  
Mural Painting ◽  
Ancient China ◽  
Image Information ◽  
Art Works ◽  
History Of ◽  
Three Stages ◽  
Complete Investigation ◽  
Shape Changes

Many scholars have too much ignored the studies on the hand spinning wheel in ancient China, they drew some wrong conclusions based primarily on the hand spinning wheel in a copy of the mural painting collected by Mr. Liu Xianzhou. We aim to explain the history of hand spinning wheel in ancient China objectively. We made a complete investigation on the image information on the hand spinning wheel from the art works of the Han Dynasty, at the same time we analyzed referenced materials about the hand spinning wheel in ancient China. It is concluded that the mural painting itself is a counterfeit, and the process of shape changes of the hand spinning wheels in ancient China experienced three stages: the finger spinning wheel rotated by the spokes, the crank spinning wheel rotated by the spokes, the hand spinning cord wheel.

Headhunting in ancient China: the history of violence and denial of knowledge

2018 ◽  
Vol 81 (1) ◽  
pp. 103-120 ◽  
Author(s):  
Olivia Milburn
Keyword(s):  
Han Dynasty ◽  
Cultural Norms ◽  
Ancient China ◽  
History Of ◽  
History Of Violence ◽  
Oracle Bones ◽  
Chinese Texts ◽  
Enemy Combatant ◽  
The Way ◽  
Ancient Texts

AbstractHeadhunting has a long and well-documented history in China, but most people are today unaware of this practice, first recorded in Shang oracle bones and regularly mentioned in ancient Chinese texts until the Han dynasty. This ignorance is because headhunting subsequently came to be seen as a barbaric practice and knowledge concerning its long history was destroyed: this was achieved by inventing a new character, guo 聝, which means “to cut the ear of a dead enemy combatant” and using this to replace (and thus confuse meanings with) an older character guo 馘, which refers specifically to headhunting. Ancient texts in which headhunting practices are documented have been misunderstood and misrepresented by imperial era scholars to prevent anyone from seeing that ancient China was a headhunting culture. This study shows how dominant cultural norms can impact on the way in which texts are read.

scholarly journals Generation of a Historical Weapon Ge and Its Impacts on Huaxia Culture

2018 ◽  
Vol 10 (1) ◽  
pp. 57
Author(s):  
Zhuo Lu
Keyword(s):  
River System ◽  
Han Dynasty ◽  
Ancient China ◽  
Euphrates River ◽  
Western Han Dynasty ◽  
Chinese Nation ◽  
The World ◽  
Depth Study ◽  
History Of

The history of Huaxia (Chinese: , a historical concept representing the Chinese nation and civi-lization) is full of wars. Various weapons were developed that are suitable for ground combat with horse-drawn vehicles. The weapon Ge (Chinese: ) was already used before 221 BC (before the Qin Dynasty, ca. 221–206 BC), and disappeared in around 25 AD (at the end of Western Han Dynasty). In most other regions in the world, this type of weapon has hardly been used. The weapon axe was used in the ancient wars (in the same period) outside Ancient China (also called the Middle King-dom), such as in Mesopotamia (the area of the Tigris–Euphrates river system). However, the weapon axe is different from Ge, although there seem some similarities. This article provides an in-depth study and analysis of the reasons for the historic use of this unique weapon Ge, of its development in Ancient China, and of its influence on (military and civil) culture.

Nikolay Sieber in the history of prerevolutionary Russian economic thought

2018 ◽  
pp. 95-110
Author(s):  
L. D. Shirokorad
Keyword(s):  
Economic Theory ◽  
Political Economy ◽  
Organic Synthesis ◽  
Marginal Utility ◽  
Economic Thought ◽  
History Of ◽  
Three Stages

This article shows how representatives of various theoretical currents in economics at different times in history interpreted the efforts of Nikolay Sieber in defending and developing Marxian economic theory and assessed his legacy and role in forming the Marxist school in Russian political economy. The article defines three stages in this process: publication of Sieber’s work dedicated to the analysis of the first volume of Marx’s Das Kapital and criticism of it by Russian opponents of Marxian economic theory; assessment of Sieber’s work by the narodniks, “Legal Marxists”, Georgiy Plekhanov, and Vladimir Lenin; the decline in interest in Sieber in light of the growing tendency towards an “organic synthesis” of the theory of marginal utility and the Marxist social viewpoint.

Frontiers of Visibility

Transfers ◽  
2013 ◽  
Vol 3 (2) ◽  
pp. 24-46 ◽  
Author(s):  
Franziska Torma
Keyword(s):  
Twentieth Century ◽  
Current Understanding ◽  
Machine Age ◽  
History Of ◽  
Three Stages ◽  
The 1950S ◽  
The 1960S ◽  
Popular Images ◽  
Cinematic Technology

This article deals with the history of underwater film and the role that increased mobility plays in the exploration of nature. Drawing on research on the exploration of the ocean, it analyzes the production of popular images of the sea. The entry of humans into the depths of the oceans in the twentieth century did not revitalize myths of mermaids but rather retold oceanic myths in a modern fashion. Three stages stand out in this evolution of diving mobility. In the 1920s and 1930s, scenes of divers walking under water were the dominant motif. From the 1940s to the 1960s, use of autonomous diving equipment led to a modern incarnation of the “mermen“ myth. From the 1950s to the 1970s, cinematic technology was able to create visions of entire oceanic ecosystems. Underwater films contributed to the period of machine-age exploration in a very particular way: they made virtual voyages of the ocean possible and thus helped to shape the current understanding of the oceans as part of Planet Earth.

The Problematic Text of Athenagoras of Athens’s Leg. 12.3: A Proposed Emendation

2016 ◽  
Vol 70 (3) ◽  
pp. 319-334
Author(s):  
Devin L. White
Keyword(s):  
Religious Epistemology ◽  
History Of Interpretation ◽  
History Of ◽  
Three Stages ◽  
The Creation ◽  
Argument Proceeds ◽  
Text Context

This study argues that Athenagoras of Athens’s Leg. 12.3 contains a lacuna. A vital clause should be emended to read ὑπὸ µόνου δὲ παραπεµπόµενοι τοῦ τὸν ὄντως θεὸν καὶ τὸν παρ’αὐτοῦ λόγον [πνεύµατος] εἰδέναι. The argument proceeds in three stages. First, an overview of the text, context, and history of interpretation of Leg. 12.3 will demonstrate that the text contains a lacuna. Second, a brief survey of Athenagoras’s religious epistemology will argue that πνεύµατος was the most likely original word. Finally, an analysis of the Spirit’s role in Leg. 7.2-3 will demonstrate that the reconstructed text of Leg. 12.3 is consistent with Athenagoras’s pneumatology, which relied upon traditional Jewish exegesis of the creation narratives.

Rethinking Public Health Pedagogy in Muslim Countries Postcolonially

2021 ◽  
Vol 17 (1) ◽  
Author(s):  
Raudah Mohd Yunus ◽  
Md. Mahmudul Hasan ◽  
Nurul Yaqeen Mohd Esa
Keyword(s):  
Public Health ◽  
Developing Countries ◽  
Critical Analysis ◽  
Pedagogical Practices ◽  
Educational Model ◽  
Modern Education ◽  
The Third ◽  
Muslim Countries ◽  
History Of ◽  
Three Stages

This article discusses the history of modern education in developing countries and attempts to look at Public Health (PH) education and curriculum from a Muslim and postcolonial perspective. It argues that, since modern PH pedagogical practices in Muslim countries are derived almost entirely from the western educational model and paradigm, they need reconstruction mainly for compatibility and relevance checks. The reconstruction of PH that this paper proposes aims at complementing and enriching the existing syllabi and involves three stages: fundamental, intermediate and advanced. In the first stage, students are equipped with a strong foundation of western and Islamic philosophies; the second one involves the incorporation of Islamic principles into the existing PH curriculum; while the third entails a critical analysis and deconstruction of some PH concepts and approaches in order to nurture students’ creativity in solving complex, emerging problems in the light of Islamic teachings as well as the need of Muslim sociocultural settings.

ARTIFICIAL LIGHT SOURCE AS A COMPONENT CONSTITUTING THE SCULPTURE

2021 ◽  
Vol 6 (15) ◽  
pp. 235-245
Author(s):  
Soner ÖZDEMİR
Keyword(s):  
Light Source ◽  
Artificial Light ◽  
New Materials ◽  
Plastic Arts ◽  
Modern Period ◽  
Artificial Light Source ◽  
Art Works ◽  
History Of Art ◽  
History Of ◽  
Material Forming

Light, which is the main source in which plastic arts produce meaning by processing it, indirectly takes place in all works of art with its different colors and tones throughout the history of art. With the use of new materials and techniques in art with the modern period, it is seen that the light itself, that is, the light source, is also included in art works as a medium. This situation allowed the artists to create brand new perceptions and effects. With the second half of the 20th century, the use of artificial light source in sculpture as an element belonging to the sculpture is encountered. Some of the artists selected as examples in this study were chosen in terms of being the first example in terms of the material they used, the way they used the light source and the diversity of the content they produced with these materials. Light, which is one of the primary conditions for perception in sculpture; In this study, the material forming the sculpture, such as transparency and reflection, is not based on its interaction with its structure, but as an element that forms a part or whole of the sculpture. It is aimed to show the effect of using artificial light source in sculpture on expression and perception through selected examples.

scholarly journals Promoting the Development of Enterprise Niche: Case Study on China’s Organizational Ambidexterity

2018 ◽  
Vol 10 (10) ◽  
pp. 3806 ◽  
Author(s):  
Ling Ding ◽  
Di Cao ◽  
Taohua Ouyang ◽  
Jin-xi Wu
Keyword(s):  
Process Model ◽  
Enterprise Management ◽  
Organizational Ambidexterity ◽  
Strategic Positioning ◽  
The Core ◽  
Cross Border ◽  
History Of ◽  
Core Issue ◽  
Three Stages

This paper aims to take the longitudinal development history of the Lenovo Cross-border complex nested R&D organization as the research object, to explore the development rules of enterprise niche. Strategic positioning is the core issue of enterprise management, and enterprise niche is the core issue of strategic positioning. This study elaborates on the three stages of enterprise R&D organizational ambidexterity promoting enterprise niche evolution, discusses the process model of space development, and reveals the life cycle of enterprise niche. It reveals the deep reason for promoting enterprise niche to develop—the ambidexterity of complex nested organization. The conclusion helps to promote the successful space development of enterprise niches through Cross-border merger and acquisition, and to enhance global sustainable development for the companies from emerging markets such as China.

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