scholarly journals Bury my bones but keep my words: The interface between oral tradition and contemporary African writing

Literator ◽  
2004 ◽  
Vol 25 (2) ◽  
pp. 27-44
Author(s):  
M.J. Cloete
Keyword(s):  
Oral Tradition ◽  
African Literature ◽  
Ngugi Wa Thiong'o ◽  
Oral Literature ◽  
Bessie Head ◽  
Definition Of ◽  
School Curricula

The contention in this article is that African oral tradition should be reexamined in view of its perceived new importance in the work of African novelists. This article investigates the nature and definition of oral tradition, as well as the use of oral tradition as a cultural tool. The increasing inclusion of oral literature as part of the African literature component within university and school curricula is discussed. Finally, the pronounced role of oral tradition in fiction is examined, using as exemplars some seminal works of Bessie Head (1978, 1990 and 1995 ) and Ngugi wa Thiong’o (1965, 1977, 1981, and 1982).

scholarly journals Toward A Restoration of Societal Ethos with Reference on Chinua Achebe’s Writings

2020 ◽  
Vol 03 (11) ◽  
Author(s):  
Mexan Serge EPOUNDA ◽  
Keyword(s):  
Human Dignity ◽  
Oral Tradition ◽  
Social Values ◽  
African Literature ◽  
Chinua Achebe ◽  
Oral Literature ◽  
The Past ◽  
Cultural Codes ◽  
Nigerian Immigrants ◽  
Societal Norms

Traditional oral literature of Africa is counted as one of the most distinctly and varied categories of African literature with Chinua Achebe as pioneer. In his writings, Achebe takes on the roles of social commentator and crusader through the conduit of orature to criticize the devaluation of cultural and societal norms. His later novels can be read imbued with the lamentation of the death of moral and social values in Nigerian society; the unspoken degradation of Nigerian immigrants in Europe and America, and the frequency with which corrupt practices have undermined the nation’s development. This paper examines how Achebe’s writings canvasses for a re-examination of societal ethos, which demands that the contemporary Nigeria settles. Therefore, the necessary actions should be taken in restoring, maintaining and preserving the oral tradition. Preservation is not just limited to keeping the form of oral tradition in the community, but the values that contained in the oral tradition with the past by recovering social, moral and cultural codes for the restoration of human dignity.

Approaches to the Study of African Oral Literature

Africa ◽  
1972 ◽  
Vol 42 (2) ◽  
pp. 140-147 ◽  
Author(s):  
T. O. Beidelman ◽  
Ruth Finnegan
Keyword(s):  
Oral Tradition ◽  
African Literature ◽  
Future Research ◽  
General Knowledge ◽  
Oral Literature ◽  
Opening Paragraph ◽  
Influential Book

Opening ParagraphDr. Ruth Finnegan's study Oral Literature in Africa (The Oxford Library of African Literature. Oxford: Clarendon Press, 1970, pp. xix+558, £5) is likely to become an influential book. It surveys and summarizes much of our knowledge regarding the basic forms of African oral literature. Although there have been a number of essays published discussing some of the issues involved in recording, analysing, and appreciating such literature, as well as on the use of oral tradition for historical studies, this is the first modern attempt to take stock of our general knowledge in this field and to suggest how and along what paths future research should proceed.

scholarly journals “Securing One’s Base in Ngũgĩ wa Thiong’o’s Ongoing Literary Theory”: An Interview

2018 ◽  
Vol 9 (2) ◽  
pp. 783-785
Author(s):  
Moustapha Ndour
Keyword(s):  
Literary Theory ◽  
African Literature ◽  
Self Esteem ◽  
Ngugi Wa Thiong'o ◽  
Language Policies ◽  
Literary Identity ◽  
African People ◽  
European Languages ◽  
Full Control ◽  
Definition Of

In this interview, Ngũgĩ wa Thiong’o shares his current ongoing thoughts on the definition of African literature, issue of language and positionality, and decolonization of African resources. Ngũgĩ argues that English and European languages are stealingAfrican literary identity. His personal commitment to write in Gĩkũyũ is less motivated by a wider readership than a concern to secure “his base”. He lays the blame on Africans for lacking self-esteem or self-conception. Decolonizing African resources, including reforming language policies, stands as a mental sanity challenge in a world where African people are stereotyped and ethnicized in comparison to their Western counterparts. He concludes his thought humorously by calling for a full control of African resources and spaces.

Challenges of Fear Conditioning Research in the Age of RDoC

2017 ◽  
Vol 225 (3) ◽  
pp. 189-199 ◽  
Author(s):  
Tina B. Lonsdorf ◽  
Jan Richter
Keyword(s):  
Fear Conditioning ◽  
Clinical Diagnosis ◽  
Research Domain Criteria ◽  
Major Focus ◽  
The Future ◽  
Definition Of ◽  
Methodological Considerations ◽  
Research Domain

Abstract. As the criticism of the definition of the phenotype (i.e., clinical diagnosis) represents the major focus of the Research Domain Criteria (RDoC) initiative, it is somewhat surprising that discussions have not yet focused more on specific conceptual and procedural considerations of the suggested RDoC constructs, sub-constructs, and associated paradigms. We argue that we need more precise thinking as well as a conceptual and methodological discussion of RDoC domains and constructs, their interrelationships as well as their experimental operationalization and nomenclature. The present work is intended to start such a debate using fear conditioning as an example. Thereby, we aim to provide thought-provoking impulses on the role of fear conditioning in the age of RDoC as well as conceptual and methodological considerations and suggestions to guide RDoC-based fear conditioning research in the future.

Business Model Literature Overview

2014 ◽  
pp. 79-130 ◽  
Author(s):  
Ales Novak
Keyword(s):  
Business Model ◽  
Financial Reporting ◽  
Business Models ◽  
Potential Role ◽  
Financial Instruments ◽  
Business Logic ◽  
Literature Overview ◽  
Ifrs 9 ◽  
Definition Of

The term ?business model' has recently attracted increased attention in the context of financial reporting and was formally introduced into the IFRS literature when IFRS 9 Financial Instruments was published in November 2009. However, IFRS 9 did not fully define the term ‘business model'. Furthermore, the literature on business models is quite diverse. It has been conducted in largely isolated fashion; therefore, no generally accepted definition of ?business model' has emerged. Therefore, a better understanding of the notion itself should be developed before further investigating its potential role within financial reporting. The aim of this paper is to highlight some of the perceived key themes and to identify other bases for grouping/organizing the literature based on business models. The contributions this paper makes to the literature are twofold: first, it complements previous review papers on business models; second, it contains a clear position on the distinction between the notions of the business model and strategy, which many authors identify as a key element in better explaining and communicating the notion of the business model. In this author's opinion, the term ‘strategy' is a dynamic and forward-looking notion, a sort of directional roadmap for future courses of action, whereas, ‘business model' is a more static notion, reflecting the conceptualisation of the company's underlying core business logic. The conclusion contains the author's thoughts on the role of the business model in financial reporting.

The Role of Moral Education on the Dress Code in the Higher Learning Institution

Sains Insani ◽  
2016 ◽  
Vol 1 (1) ◽  
pp. 10-14
Author(s):  
Ira Meilita Ibrahim ◽  
Taufik A. Latif ◽  
Afi Roshezry Abu Bakar ◽  
Muthualagan Thangavelu
Keyword(s):  
Moral Education ◽  
Private University ◽  
Public University ◽  
Higher Learning ◽  
Private Institutions ◽  
Dress Code ◽  
Institutions Of Higher Learning ◽  
The World ◽  
Definition Of

The advancement of European dress to the rest of the world was linked to the definition of civilization as “a stage of social development considered to be more advanced” and “polite and good-mannered”. The widespread of their fashion style in the 19th and 20th centuries influenced the way the rest of the world attire. The fashion trend and dressing style thus change the purpose of dressing through time. The dressing style in campuses especially in private institutions of higher learning is under particular scrutiny, as it is often said to be inappropriate for a learning environment. This study looked at the importance of moral education, and its role in implementing the dress code for students among university students especially between two types of university i.e. public university and private university. It looked on the dressing style of students, both male and female, and the factors that lead to their dressing pattern which is common among students. This study also advocated the students’ understanding of the content of dress codes in their learning institution and the role played by moral education in regard to dress code. The overall study highlighted students’ perception towards the implementation of the dress code and punishment in their learning institution. The methodologies used to carry out this study are questionnaires and interviews. This study will therefore ascertain the important of dress code among students at higher learning institution and the role of moral education in cultivating values in order to dress properly or decently. Key Words: moral education, dress code, higher learning institution, civilization.

Two Representations of the Moscow Art Theater Audience

2020 ◽  
Vol 17 (5) ◽  
pp. 462-476
Author(s):  
Alexander A. Ushkarev ◽  
Galina G. Gedovius ◽  
Tatyana V. Petrushina
Keyword(s):  
Online Community ◽  
Modern Art ◽  
Virtual Space ◽  
Demographic Parameters ◽  
Cultural Consumption ◽  
Cultural Activity ◽  
Behavioral Differences ◽  
Technological Revolution ◽  
Definition Of

The technological revolution of recent decades has already brought art to the broadest masses, and the unexpected intervention of the pandemic has significantly accelerated the process of migration of theatrical art to the virtual space, causing the corresponding dynamics of the audience. What is the theater audience in the era of digitalization and the spread of alternative forms of cultural consumption? How does the theater build its relationship with the audience today? In search of answers, we conducted a series of sociological surveys of the Chekhov Moscow Art Theater’s audience — both at the theater’s performances and in the online community of its fans. The purpose of this phase of the study was to answer the fundamental questions: do spectators surveyed in the theater and those surveyed online represent the same audience; what are their main differences; and what are the drivers of their spectator behavior? The article presents the main results of a comparative analysis of two images of the Moscow Art Theatre’s audience based on a number of content parameters by two types of surveys, as well as the results of a regression analysis of the theater attendance. The study resulted in definition of the qualitative and behavioral differences between the theater visitors and the viewers surveyed online, and identification of the factors of theater attendance for both of the represented audience groups. The study made it possible to clarify the role of age and other socio-demographic parameters in cultural activity, as well as the influence of preferred forms of cultural consumption (live contacts or online views) on one’s attitude to art, motivation and spectator behavior. The conclusions of the study, despite the uniqueness of the object, reflect the general patterns of the modern art audience’s dynamics.

DIGITAL ECONOMY AND GLOBALIZATION: THE IMPORTANCE OF DIGITAL ENTREPRENEURSHIP DEVELOPMENT

2020 ◽  
Vol 6 (3) ◽  
pp. 17-20
Author(s):  
Farxod Tursunov ◽  
Keyword(s):  
Business Models ◽  
Digital Economy ◽  
Management Systems ◽  
Entrepreneurship Development ◽  
New Business ◽  
Definition Of ◽  
Digital Enterprise ◽  
New Business Models ◽  
Digital Entrepreneurship

The article discusses the role of the digital economy in the development of the country, how it becomes the basis of the economy, new business models and management systems. The opinion of scientistsis analyzed, a definition of a digital enterprise is given

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