Michael P. Steinberg: Cultural History and Cultural Studies

2018 ◽  
Vol 29 (4) ◽  
pp. 293-299
Author(s):  
Michael Kelly

This article introduces the special number of French Cultural Studies commemorating the role of Brian Rigby as the journal’s first Managing Editor. It situates his contribution in the emergence of cultural history and French cultural studies during the rapid expansion of higher education from the 1960s in France, the UK, the US and other countries. It suggests that these new areas of study saw cultural activities in a broader social context and opened the way to a wider understanding of culture, in which popular culture played an increasingly important part. It argues that the study of popular culture can illuminate some of the most mundane experiences of everyday life, and some of the most challenging. It can also help to understand the rapidly changing cultural environment in which our daily lives are now conducted.


2019 ◽  
pp. 14-17
Author(s):  
B. E. Nosenok

Cultural studies as a humanities researcher takes the place of an expert. The relevance of this topic is due to the lack of development of the issues of “culture-based studies” in Ukrainian culturology. There is a lack of translated into French or Ukrainian languages of French sources published since 1975. French culturological science, which developed after 1975, is almost not represented in Ukrainian culturology. The present stage of the development of French historiography, which lies at the heart of cultural history, and cultural studies, is associated with increased attention to social knowledge. This stage is characterized by the deployment of a “critical turn”, which proceeds from the following principles: the interdisciplinary approach, the significance of cultural expertise, the severity of publications and the multiplicity of their forms, multidisciplinarity. The “critical turn” affects the following spheres of knowledge: la Culturologie, les Études culturelles, les Sciences de la Culture. The article substantiates the relevance of the use of the concept of “culture-based studies” to the definition of processes that are unfolding within the framework of French humanities and are associated exclusively with the theoretical formations in the context of the social sciences. The purpose of the article is to outline a map of culture-based studies in the field of French humanitaristics. The methodology of the article is based on the application of interdisciplinary and multidisciplinary approaches to research in the field of culturology. Also, methodological developments in the field of “critical turn” and the achievements of the sociological circle and the interdisciplinary discussion club “Eranos” were applied. The scientific novelty of the article is to substantiate the appropriateness of the use of the concept of “culture-based studies” on the definition of processes that are unfolding within the framework of French humanitaristics and relate exclusively to theoretical formations in the context of social sciences. This concept to the field of Ukrainian culturology is introduced for the first time. Also, for the first time, the place and forms of culturology in French humanities were clarified. Conclusions. Working with a source base and methodology is one of the points that are compulsory on the way to the solution of the tasks, the main of which is the formation of the body of fundamental works for French history (including the history of culture) and historiography of the period since 1975 year to the present day. On the basis of this building, there is the prospect of building an alternative national cultural history project addressed to the vector of the French historiographical, historical-anthropological and cultural-related issues in the field of social knowledge. The article presents the arguments why it is appropriate to use the concept of “culture-based studies” in the context of conducting research in relation to French humanitaristics, in particular, the modern period of its development.


Thesis Eleven ◽  
2011 ◽  
Vol 107 (1) ◽  
pp. 39-46
Author(s):  
Matthias Bickenbach

For a long time, ‘culture’ appears only to be an effect of the power of discourses and media in Friedrich Kittler’s works. But in his Berlin lecture series on the cultural history of cultural studies, he discusses the historical formations in which a discrete science of culture could emerge. His perspective not only highlights the historical foundations but also the blind spots of cultural studies.


2003 ◽  
Vol 11 (2) ◽  
pp. 183-191 ◽  
Author(s):  
WANG NING

This essay deals with cultural studies, including elite culture and its products (literature and the performing arts), as well as studies of film and TV and other expressions of popular culture in the mainland of China. It lays particular emphasis on the currently prevailing concept of Cultural Studies introduced from the West at the beginning of the 1990s. The author addresses the following issues: how Cultural Studies was introduced into the Chinese context, how it was integrated with existing practices of cultural history and comparative literature studies, how it was institutionalized in China, and how it was developing into a position from where it can engage in a dialogue with Western scholarship against the background of increasing globalization. According to the author, Cultural Studies has much in common with literary studies, especially in the Chinese context. Therefore, these two branches of learning should not necessarily be seen as opposed to one another. Literary and cultural studies are complementary rather than exclusionary towards each other.


Res Mobilis ◽  
2020 ◽  
Vol 9 (11) ◽  
pp. 3-18
Author(s):  
Carsten Kullmann

This article examines the cultural history of chairs to understand the many meanings the Monobloc can acquire. The history of chairs is traced from post nomadic culture through the Middle Ages to the Enlightenment period and the French Revolution. Subsequently, I will examine the Monobloc from a Cultural Studies perspective and demonstrate how its unique characteristics allow multiple meanings, which are always dependent on context and discourse. Thus, the Monobloc becomes an utterly democratic symbol of popular culture that can be appropriated for any use.


2020 ◽  
Vol 15 (1) ◽  
pp. 44-48
Author(s):  
Bohdana Nosenok

The aim of the paper is to reveal the specifics of the culture-based studies development process in the space of non-academic intellectual and discussion communities, namely, the "Eranos" and different philosophical cafes. The research methodology. One of the main research methods is historical reconstruction. Intellectual communities are presented from the perspective of applying ideographic and diachronic methods. Culture-based studies require the use of a multidisciplinary methodology, and the presentation of the development of culture-based studies in the framework of the formation of public space requires an appeal to the system method. Results. Knowledge exists not only within the walls of academic institutions. In the period of breaking of the old and the birth of new forms, the informal unions of intellectuals. There are different types of intellectual and discussion communities, gatherings in philosophical, literary cafes, are put on the forefront. Culture-based studies, at the very beginning of its formation, are associated with philosophical thought, since the figure of a philosopher in France is conceived wider than in the Ukrainian tradition. There the philosopher provides the intellectual activity, exploring a wide range of items. The methodology and the main issues of culture-based studies are formalized within the framework of the activity of intellectual discussion communities. Of these, "Eranos", which has been functioning since 1933 year, deserves special attention. The specificity of "Eranos" is, in particular, its international character. The novelty. Culture-based studies on the territory of France are abstract-theoretical formations since in this case it is stated that there is no reliance on empirical material (as in the Anglo-Saxon variant of cultural studies). Consequently, the development of cultural studies of pure theoretical orientation occurred differently than that of the Anglo-Saxon French colleagues. One of the forms of deployment of such studies is the emergence of new ideas not within the academic space, but during discussions inside the intellectual clubs. One of these communities is the famous "Eranos" club. Meanwhile, the public space also allowed intellectuals to gather in "philosophical cafes". This tradition continues to this day, especially in the activities of journals published by such intellectual communities. The practical significance. The results of the study can be used in the construction of educational programs in the field of cultural studies, cultural history, Ukrainian culture.


2018 ◽  
Vol 24 (1) ◽  
Author(s):  
Chris Healy

Meaghan Morris was celebrated at the Meaghan Morris Festival as a mentor, a cultural theorist, a much-loved colleague, a lecturer, a polemicist and a stirrer, a teacher, an internationalist, a translator and much else besides. Here, I want to add to that chorus by making a very specific case: that Meaghan Morris is the most significant and innovative living Australian cultural historian. This characterisation is, in part, rooted in my own investments in work at the intersections of cultural studies and cultural history but it is of much greater significance. An influential contemporary characterisation of cultural studies is that it was a boomer reaction to existing disciplinary constraints, a manifestation of anti-canonical impulses that choose instead to celebrate marginality while at the same time making an innovative case for the ways in which culture matters. It follows that if, today, academic disciplines in the social sciences and humanities have become highly flexible (rather than canonical) and maintained their institutional hegemony while simultaneously becoming irrelevant to much knowledge-work and that, today, margins and mainstreams seem like next-to-useless terms to describe cultural topographies or flows and that, today, culture matters nowhere so much as the rapacious industries of media cultures, then perhaps the moment of cultural studies seems of historical interest only.1


1995 ◽  
pp. 3 ◽  
Author(s):  
John Czaplicka ◽  
Andreas Huyssen ◽  
Anson Rabinbach

2021 ◽  
Vol 47 (1) ◽  
pp. 176-189
Author(s):  
Roxana Nubert ◽  
Ana-Maria Dascălu-Romiţan

Abstract Here the German language acts as a bridge between Eastern and Western Europe playing an important role. It is exactly on the Banat with its multicultural tradition that many hopes are pinned. The introduction of the subject German Cultural Studies within the framework of the Communication Sciences at the “Polytechnic” University Timișoara is only a stepping stone, but in the given context this is however a sign that betokens our will to participate in the task of building the linguistic and cultural bridge. The present paper elaborates on starting points towards a cultural history of the Banat.


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