Food

Author(s):  
Elizabeth Telfer

Much human time and attention goes into the production, preparation and consumption of food; hence it is only to be expected that a number of philosophical issues should be connected with it. Recently food has attracted specific philosophical attention, but there have always been philosophical debates with a bearing on food. One such is that concerning the pleasures of eating and drinking, where we find traditional attempts (mainly stemming from Plato) to show that such pleasures must be inferior ones. Another arises from the aesthetic claims sometimes made on behalf of food: can food, or cookery, ever be an art-form, and if so then in virtue of what similarities with central, less contentious forms of art? Further discussion investigates the symbolic and ritual significance of the preparation and consumption of food, its religious and social meanings. Moral questions arise: is there a duty to help feed the hungry of the Third World, and if so how far does this duty extend? Are there duties of proper nutrition towards oneself, and is there a compelling moral case against eating meat? Two virtues have a close connection to food: temperance (which can be seen as an Aristotelian mean between gluttony and and extreme asceticism) in the consumption of it and hospitableness in the provision of sharing it.

Author(s):  
Mark T Laver

On May 15, 1953, Toronto’s Massey Hall played host to what has become widely known in text books and collectors guides as “The Greatest Jazz Concert Ever.” The concert featured iconic bebop musicians Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, and Max Roach – a stunning assemblage of musicians whom Downbeat Magazine proclaimed to be the “Quintet of the Year.” Curiously, however, the contemporary critical reaction was decidedly lukewarm. According to 1950s Globe and Mail critic Alex Barris, for instance, “All in all, it was neither a great concert nor a bad one.” How, then, has such an apparently pedestrian event come to be known as the “greatest jazz concert ever”? This paper pursues an answer to that question by drawing on the socially-grounded aesthetic theorization of Pierre Bourdieu to help unpack the complex web of social and textual factors involved in the aesthetic valorization of the bebop. In the first section, I establish the theoretical framework, briefly explaining those elements of Bourdieu’s terminology and theory that are most germane to my study. In the second section, I apply Bourdieu’s concept of consecration to examine how music journalists, critics, and scholars discursively constructed bebop as a high art form. In the third section, I consider the musicians’ own effort to affirm their high art credentials. In the fourth and final section, I interrogate the consequences of the valorization of a primarily black music according to the aesthetic terminology and values of a primarily white establishment.


Animation ◽  
2018 ◽  
Vol 13 (3) ◽  
pp. 192-206
Author(s):  
Zachary Samuel Gottesman

CGI has led to a theoretical revolution in media studies. What is cinema when reality can be created on a computer? What is animation when superflat 2D aesthetics are becoming haunted by 3D digital graphics? This article adds a third term to the debate: rotoscoping. The author analyzes the first exclusively rotoscoped Japanese anime, Aku no Hana (The Flowers of Evil), a contemporary reinterpretation of Charles Baudelaire’s Les Fleurs du Mal that reflects on postmodern malaise, rural decay and depopulation, and otaku escapism, in order to examine the aesthetic of the rotoscope in relation to cinema and anime. He argues that rotoscoping is an uncannying of the cinematism and animitism, or a polemical response to both the ideologies of Disney immersive realism and anime flat animation. The article investigates the narrative’s ‘writer of postmodern life’ Sawa Nakamura in relation to Baudelaire’s modernism and the conditions of postmodernity themselves: the structure of Japanese imperialism today and its effect on Gunma prefecture, the setting of the show. Finally, the author analyzes the hostile response to the show among otaku to explore how the hauntology of the rotoscopic machine channels the ghosts of neoliberalism, the super-exploited laborers of the third world.


IEE Review ◽  
1989 ◽  
Vol 35 (3) ◽  
pp. 101
Author(s):  
Mohan Munasinghe

1989 ◽  
Vol 28 (04) ◽  
pp. 270-272 ◽  
Author(s):  
O. Rienhoff

Abstract:The state of the art is summarized showing many efforts but only few results which can serve as demonstration examples for developing countries. Education in health informatics in developing countries is still mainly dealing with the type of health informatics known from the industrialized world. Educational tools or curricula geared to the matter of development are rarely to be found. Some WHO activities suggest that it is time for a collaboration network to derive tools and curricula within the next decade.


2004 ◽  
Vol 34 (136) ◽  
pp. 455-468
Author(s):  
Hartwig Berger

The article discusses the future of mobility in the light of energy resources. Fossil fuel will not be available for a long time - not to mention its growing environmental and political conflicts. In analysing the potential of biofuel it is argued that the high demands of modern mobility can hardly be fulfilled in the future. Furthermore, the change into using biofuel will probably lead to increasing conflicts between the fuel market and the food market, as well as to conflicts with regional agricultural networks in the third world. Petrol imperialism might be replaced by bio imperialism. Therefore, mobility on a solar base pursues a double strategy of raising efficiency on the one hand and strongly reducing mobility itself on the other.


2019 ◽  
Vol 42 (2) ◽  
pp. 32-39
Author(s):  
LaNada War Jack

The author reflects on her personal experience as a Native American at UC Berkeley in the 1960s as well as on her activism and important leadership roles in the 1969 Third World Liberation Front student strike, which had as its goal the creation of an interdisciplinary Third World College at the university.


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