Dualities of interior decoration companies in China

2021 ◽  
pp. 297-327
Author(s):  
Li Shanshan
Keyword(s):  
2020 ◽  
pp. 73-86 ◽  
Author(s):  
Grażyna Bąkowska-Czerner ◽  
Rafał Czerner

Studies on the relics of the Hellenistic-Roman town at the site of Marina el-Alamein in Egypt have been carried out since 1986. House H9 was one of the first buildings to be excavated, investigated, and preserved through conservation. Successive research has supplemented the previous studies. The house is one of the largest and earliest features at the site. In the context of Marina, it is more firmly embedded in the Greek-Hellenistic tradition, yet also refers to Roman solutions. It is a house of the oikos type, featuring a courtyard with two porticoes situated asymmetrically perpendicular to each other. Elements referring to the Greek systems of prostas and pastas can be discerned in the layout. The research focused on domestic cult as well as elements and character of the decor, including painted interior decoration. Architecture and home furnishings document civilisational changes at the cultural touchpoint between the Greek and Roman traditions.


2021 ◽  
Vol 2021 ◽  
pp. 1-7
Author(s):  
Shan Liu ◽  
Yun Bo ◽  
Lingling Huang

With the further development of the social economy, people pay more attention to spiritual and cultural needs. As the main place of people’s daily life, the family is very important to the creation of its cultural atmosphere. In fact, China has fully entered the era of interior decoration, and people are paying more and more attention to decorative effects and the comfort and individual characteristics of decoration. Therefore, it is of practical significance to develop the application of decorative art in interior space design. However, the transfer effect of current interior decoration art design tends to be artistic, which leads to image distortion, and image content transfer errors are easy to occur in the process of transfer. The application of image style transfer in interior decoration art can effectively solve such problems. This paper analyzes the basic theory of image style transfer through image style transfer technology, Gram matrix, and Poisson image editing technology and designs images from several aspects such as image segmentation, content loss, enhanced style loss, and Poisson image editing constrained image spatial gradient. The application process of style transfer in interior decoration art realizes the application of image style transfer in interior decoration art. The experimental results show that the application of image style transmission in interior decoration art design can effectively avoid the contents of the interior decoration errors and distortions and has a good style transfer effect.


2021 ◽  
pp. 1-22
Author(s):  
Laura C. Jenkins

ABSTRACT In the decades around the turn of the twentieth century, New York was seized by a passion for things French in interior decoration. The influx of French eighteenth-century decorative arts from London and Paris exerted a powerful influence over the imaginations of a new millionaire class, while the emergence of the professional dealer-decorator established channels for the incorporation of these materials into the luxury residence. While these interiors were developed in collaboration with leading US architects such as Richard Morris Hunt and George B. Post, they also posed a subtle challenge to the discourse of intellectualism developed on architects’ behalf. Governed by issues of taste and commerce as well as by artistic judgement, these French interiors presented a compelling vision of aristocratic stature that was at once in keeping, and in conflict, with the aspirations of an American Renaissance. This article considers the role of eighteenth-century French-style interiors in the articulation of a ‘civilised’ architectural tradition in the United States during the so-called Gilded Age. Focusing on the private mansion, it reconsiders the notion of the American Renaissance as a principally academic movement by calling attention to the ways in which it also responded to the requirements of the elite class as well as the commercial marketplace.


2021 ◽  
Vol 284 ◽  
pp. 05001
Author(s):  
Alevtina Balakina ◽  
Yury Lempl

This article is devoted to the detailed analysis of modern requirements for finishing materials, used in the interiors of inpatient facility ward units. The authors have studied a number of regulatory normative documents acting in the territory of the Russian Federation and analyzed the practical experience of interior decoration of ward units at the health care capital construction facilities. The authors highlight and describe the main requirements for the finishing materials for the inpatient facility ward units and point out the peculiarities of solutions in the interiors. A classification of modern finishing materials (with an indication of their technical characteristics) used in the decoration of interiors of long-term care units is made on the basis of the practical experience studied by the authors taking into account the functional purpose of the premises as well as the variants of visual design of interiors of inpatient facility ward units.


1972 ◽  
Vol 6 (3) ◽  
pp. 289-296
Author(s):  
Helen A. Harrison

The current nostalgic interest in the 1920s and '30s has brought about more than the revival of period fashion and interior decoration in America. For anyone concerned with die visual arts it has illuminated the most exciting and prolific decade diat country has ever seen. During die Depression the official approach to art and die artist was radically different from anything before or since, and probably from anything in the Western world. That this should have come about is in itself amazing, die more so as it was done through Congressional legislation, supported by the President.


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