Stam, Mart (1899–1986)

2018 ◽  
Author(s):  
Tanja Poppelreuter
Keyword(s):  
Low Cost ◽  
Modern Architecture ◽  
Student Work ◽  
Avant Garde ◽  
The Social ◽  
Modern Technologies

Mart (Martinus Adrianus) Stam (b. in 1899 in Purmerend, Netherlands—d. in 1986 in Goldach, Switzerland) was a Dutch architect, designer, and architectural theorist, and was involved in a number of principal events and organizations during the 1920s and 1930s. Stam moved to Berlin in 1922 to work as a draftsman with Max Taut and Hans Poelzig among others. While in Berlin, Stam met El Lissitzky who introduced him to Constructivism. Inspired by the progressive and social outlook of this Russian movement Stam founded the avant-garde magazine ABC: Beiträge zum Bauen [ABC: Contributions on Building] together with Hans Schmidt, Hennes Mayer, and Emil Roth (1924–1928). The magazine focused on convincing readers about the social necessity for low-cost, well-designed, and functional houses, as well as the use of modern technologies. ABC also established connections with Asnova, the association of new architects in Moscow, and published the student work of Vkhutemas [School of Modern Architecture] in Moscow.

Misreading Egypt

2018 ◽  
Author(s):  
Jesse Schotter
Keyword(s):  
New Media ◽  
Narrative Form ◽  
Experimental Film ◽  
Tower Of Babel ◽  
Avant Garde ◽  
Sergei Eisenstein ◽  
History Of ◽  
The One ◽  
The Relationship ◽  
Modern Technologies

The first chapter of Hieroglyphic Modernisms exposes the complex history of Western misconceptions of Egyptian writing from antiquity to the present. Hieroglyphs bridge the gap between modern technologies and the ancient past, looking forward to the rise of new media and backward to the dispersal of languages in the mythical moment of the Tower of Babel. The contradictory ways in which hieroglyphs were interpreted in the West come to shape the differing ways that modernist writers and filmmakers understood the relationship between writing, film, and other new media. On the one hand, poets like Ezra Pound and film theorists like Vachel Lindsay and Sergei Eisenstein use the visual languages of China and of Egypt as a more primal or direct alternative to written words. But Freud, Proust, and the later Eisenstein conversely emphasize the phonetic qualities of Egyptian writing, its similarity to alphabetical scripts. The chapter concludes by arguing that even avant-garde invocations of hieroglyphics depend on narrative form through an examination of Hollis Frampton’s experimental film Zorns Lemma.

The Avant-Garde of Sensitivity: On Grzegorz Królikiewicz’s “The Trees”

2018 ◽  
Author(s):  
Sylwia Borowska-Kazimiruk
Keyword(s):  
Visual Representations ◽  
Social Costs ◽  
Avant Garde ◽  
The Social

The author analyses Grzegorz Królikiewicz’s Trees (1994) in two ways: as a metaphor of the Polish post-1989 transition, and as an eco-horror presenting the complexity of relations between human and plant world. This binary interpretation attempts to answer the question about the causes of the failure of Trees as a film project. The film itself may also be interpreted as a story about historical conditions that affect the ability to create visual representations of the social costs of political changes, as well as ecocritical issues.

scholarly journals Advanced mycelium materials as potential self-growing biomedical scaffolds

2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Maria Elena Antinori ◽  
Marco Contardi ◽  
Giulia Suarato ◽  
Andrea Armirotti ◽  
Rosalia Bertorelli ◽  
...  
Keyword(s):  
Tissue Engineering ◽  
Low Cost ◽  
Direct Interaction ◽  
Dermal Fibroblasts ◽  
Engineering Systems ◽  
Edible Fungi ◽  
Avant Garde ◽  
Fibrous Network ◽  
Body Tissues ◽  
Wide Range

AbstractMycelia, the vegetative part of fungi, are emerging as the avant-garde generation of natural, sustainable, and biodegradable materials for a wide range of applications. They are constituted of a self-growing and interconnected fibrous network of elongated cells, and their chemical and physical properties can be adjusted depending on the conditions of growth and the substrate they are fed upon. So far, only extracts and derivatives from mycelia have been evaluated and tested for biomedical applications. In this study, the entire fibrous structures of mycelia of the edible fungi Pleurotus ostreatus and Ganoderma lucidum are presented as self-growing bio-composites that mimic the extracellular matrix of human body tissues, ideal as tissue engineering bio-scaffolds. To this purpose, the two mycelial strains are inactivated by autoclaving after growth, and their morphology, cell wall chemical composition, and hydrodynamical and mechanical features are studied. Finally, their biocompatibility and direct interaction with primary human dermal fibroblasts are investigated. The findings demonstrate the potentiality of mycelia as all-natural and low-cost bio-scaffolds, alternative to the tissue engineering systems currently in place.

Architecture, Modernism and Nation-Building in Kemalist Turkey

1994 ◽  
Vol 10 ◽  
pp. 37-55 ◽  
Author(s):  
Sibel Bozdoğan
Keyword(s):  
Nation Building ◽  
Critical Force ◽  
Modern Architecture ◽  
Urban Life ◽  
The West ◽  
Industrial City ◽  
The Social ◽  
Great Transformation ◽  
History Of ◽  
The 19Th Century

Deeply rooted in “the great transformation” brought about by capitalism, industrialization and urban life, the history of modern architecture in the West is intricately intertwined with the rise of the bourgeoisie. Modernism in architecture, before anything else, is a reaction to the social and environmental ills of the industrial city, and to the bourgeois aesthetic of the 19th century. It emerged first as a series of critical, utopian and radical movements in the first decades of the twentieth century, eventually consolidating itself into an architectural establishment by the 1930s. The dissemination of the so-called “modern movement” outside Europe coincides with the eclipse of the plurality and critical force of early modernist currents and their reduction to a unified, formalist and doctrinaire position.

Atverčiant primirštą Lietuvos kultūros puslapį: Vilniaus modernizmo atspindžiai pavelde

2021 ◽  
pp. 213-229
Author(s):  
Edita Povilaitytė-Leliugienė
Keyword(s):  
Interwar Period ◽  
New Technologies ◽  
Heating System ◽  
Modern Architecture ◽  
Heritage Preservation ◽  
Urban Structures ◽  
General Law ◽  
Central Heating ◽  
Heritage Buildings ◽  
Modern Technologies

The analyses of interwar Vilnius heritage preservation, research, and maintenance concentrated mostly on discussions about the general law, state tendency, and case studies of good and bad practices. However, the more modern heritage preservation, research, or maintenance theories and aspects during the interwar period were neglected. Therefore, this article aims to analyse if modern technologies, ideas, and methods in the heritage research and maintenance (mostly in the reconstructions and adaptation of heritage buildings for new purposes) projects were adapted or not in interwar Vilnius. According to this aim, the article analyses a few heritage maintenance works and emphasises how architects used new technologies, modern architecture details, and ideas in the heritage maintenance projects and their realisation. Technologies as central heating system, electrification, canalisation, toilets, or bright interiors, wide air-spaces were inseparable from modernism perspective. The architecture of buildings and urban structures were modernised and improved for better living quality. Also, ideas and technologies did not avoid the heritage objects, especially civil buildings as Vilnius Town Hall, squares as Cathedral square, defensive heritage object as Vilnius Upper Castle. However, the analysis maintains that modern technologies were used moderately and kept a respectful tone with the authentic heritage, whole complex, and elements.

The Nightingale's Butcher Manifesto

ARTMargins ◽  
2014 ◽  
Vol 3 (2) ◽  
pp. 129-130
Author(s):  
Hooshang Irani ◽  
Gholam Hossein Gharib ◽  
Hassan Shirvani
Keyword(s):  
Avant Garde ◽  
Iranian Art ◽  
The Social ◽  
Social Concerns

Perhaps the earliest manifesto in Iranian art, “The Nightingale's Butcher Manifesto” fights for an Iranian avant-garde—an avant-garde based on new modes of abstraction so as to break the chains of both Iran's artistic traditions and the social concerns of figuration.

scholarly journals Montager svøbt i matricepap. En materialearkæologisk undersøgelse af Asger Jorn og Guy Debords Fin de Copenhague

2015 ◽  
Vol 54 ◽  
pp. 587
Author(s):  
Thomas Hvid Kromann
Keyword(s):  
Waste Product ◽  
Theoretical Framework ◽  
Situationist International ◽  
International Network ◽  
Avant Garde ◽  
Photographic Documentation ◽  
The Social ◽  
Depth Analysis

Thomas Hvid Kromann: Montages wrapped in flong. A material-archeological examination of Asger Jorn and Guy Debord’s Fin de Copenhague The article presents and analyses Fin de Copenhague, which was published in 1957 by the Danish painter Asger Jorn and the French theorist and activist Guy Debord. According to legend, this famous avant-garde masterpiece was created in a 24-hour fit of vandalistic creativity and bound in a waste product from the production of newspapers, “flong,” making every copy in this edition of 200 unique. Until recently, Fin de Copenhague has been analyzed within the theoretical framework of the Situationist International (1957–1972), focusing rather on the concept than the materiality of the book. In alignment with a heightened theoretical awareness of the importance of Jorn’s printed matter, the article closely examines Fin de Copenhague, drawing on a combination of art historical and book historical disciplines.The first part of the article is focused on the production, the distribution and the reception of the work. Hereby, the article presents the first thorough analysis of the intertextuality of the work as well as the international network the book circulated within. In the second part of the article, one finds an in-depth analysis of the flong. Until now, no research has focused on the variations of Fin de Copenhague. The author has collected photographic documentation of numerous covers from European and American libraries, copies owned by collectors, and copies sold at auction. In this way, the multiple covers can be studied, including the various aesthetic effects of each individual book cover. Furthermore, a material-archeology of the flong makes it possible to date the single pieces of flong, proving that Fin de Copenhague couldn’t possibly be created within these 24-hours. It is necessary to differentiate between finalizing the idea for the book, the printed work and the published work. In addition to this, the notion of the “social authorship” is underlined, stressing the importance of the printers Verner Permild and Bjørn Rosengreen.

scholarly journals MODERN TECHNOLOGIES OF MARKETING INTELLIGENCE

2019 ◽  
Vol 4 (20) ◽  
pp. 116-124
Author(s):  
Oksana Makara ◽  
Alla Lialiuk ◽  
Yurii Panasiuk
Keyword(s):  
Physical Health ◽  
Negative Impact ◽  
Web Analytics ◽  
Direct Identification ◽  
Methodological Basis ◽  
Private Data ◽  
The Social ◽  
Marketing Intelligence ◽  
Modern Technologies

The purpose of the article is to explore the use of the latest technologies in marketing intelligence, and to offer a vision of its use without harming the social and physical health of consumers. The methodological basis of the research was foreign and domestic publications and analytical reviews on the problems of marketing intelligence using web analytics. The proposed approaches can be taken into account by the marketing services of domestic enterprises when conducting marketing intelligence. An example of Google Analytics examines the technology of marketing intelligence. It is concluded that the beginning of development of open methods of processing private data of users without their direct identification is positive. which would limit the interference with the privacy of people, leaving marketing intelligence possible, and would prevent its negative impact on people's lives.  

Publishers’ Spring

2018 ◽  
pp. 43-58
Author(s):  
Sophie Heywood
Keyword(s):  
Case Studies ◽  
Book Production ◽  
Children's Books ◽  
Children’S Books ◽  
Avant Garde ◽  
The Social ◽  
Publishing Houses ◽  
May 68

The years around May ’68 (c. 1965 – c. late-1970s) are widely understood to represent a watershed moment for children’s books in France. An important factor was the influence of a new fringe of avant-garde publishers that attracted attention across their trade in and beyond France. Using archives and interviews and accounts of some of the books produced and their reception, this article presents case studies of the most influential publishing houses as a series of three snapshots of the areas of movement in the field. At the same time, it evaluates the extent to which the social, cultural and political upheavals in France in the wake of May ’68 helped to alter the shape of book production for children and to bring about a ›radical revolution‹ in the children’s publishing trade.

The archaeological site of chellah, new technologies for investigation, modeling, and mapping.

2021 ◽  
Author(s):  
Iman el guertet ◽  
Abdellatif aarab ◽  
Abdelkader larabi ◽  
Mohammed Jemmal ◽  
Sabah benchekroun
Keyword(s):  
New Technologies ◽  
Low Cost ◽  
Archaeological Site ◽  
Archaeological Sites ◽  
Electrical Tomography ◽  
Geophysical Investigation ◽  
Islamic Period ◽  
Non Invasive ◽  
Aerial Vehicle ◽  
Modern Technologies

<p>archaeological sites have been always a subject of curiosity and search, the archaeologists and scientists from different specialties have been wondering about the origins of the man civilization, about the way our forefathers lived, how they nourished, dressed, and housed themselves, what techniques were used for the transport, the fishing, and the business, about the culture and the spiritual practices. in fact, the modern technologies, practices, and innovations are only a continuation of what was once; this is why the human being believes it is imperative to revive and understand the heritage and to discover its secrets. in the present work which pours in the same direction, we decided to revive and explore a wealthy site located in rabat, the Moroccan capital, this site is named chellah, which represents the summing up of historical eras from the antiquity to the Islamic period and which is marked by the presence of antique and Islamic constructions which reflect this continuity. our research aims to build a model for the detection of areas that are not yet excavated but are already mentioned by archaeologists, geographers, and historians to validate their hypothesis and to find out where exactly these areas are located. our methodology is based on the processing of unmanned aerial vehicle<strong> (uav)</strong> images to generate high-resolution photogrammetric products with low cost, those datasets will be analyzed with a technique that has been in use since the '80s and which is using crop, soil, and shadow marks visualized on images taken by aerial photography. this analysis gave us the vision to select the zones on which a geophysical investigation by electrical tomography was carried out to approve the presence of the archeological components that require future excavation. our study focused on the importance of non-invasive methodologies for the study, preservation, and valorization of archaeological sites.</p>

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