The Beat Presence in Mexican Literature

Author(s):  
Alberto Escobar de la Garma
Keyword(s):  
1944 ◽  
Vol 1 (2) ◽  
pp. 179-206
Author(s):  
Francis Borgia Steck

Two Poets, both laymen, stand out like brilliant stars on Mexico’s firmament, shedding the luster of the faith they loyally professed on the land they loved with equal loyalty, unfolding for Mexico’s glory the wealth of their poetic genius at a time when the storm clouds were gathering visibly and days of gloom and sorrow lowered over the Church and the faith to which their native land owed so much of her high and enviable culture. The two laymen in question are Manuel Carpio, who died in 1860, and José Joaquín Pesado, whose death occurred a year later. It is generally granted that Carpio and Pesado will always be cited in the history of Mexican literature as the leading revivers and exponents of classicism in their native land, without breaking away completely from the more popular and appealing forms of romanticism. It may be said that, as classicists, Carpio and Pesado took up and brought to fruition the movement begun by Martinez de Navarette and Sánchez de Tagle a half century earlier.


1969 ◽  
Vol 29 (1) ◽  
pp. 10
Author(s):  
Harvey L. Johnson ◽  
Carlos Gonzalez Pena ◽  
Gusta Barfield Nance ◽  
Florence Johnson Dunstan

Hispania ◽  
1964 ◽  
Vol 47 (1) ◽  
pp. 47 ◽  
Author(s):  
Joseph Sommers
Keyword(s):  

Author(s):  
Juan Pascual Gay

El artículo quiere dar cuenta del motivo del Hijo Pródigo en la literatura mexicana de la década de los años veinte del siglo pasado. El personaje de la parábola desde su aparición fue relegando a otro viajero que había concitado el interés y la curiosidad en los primeros años de esa década, Ulises, de resonancias vasconcelistas. La complejidad del pródigo explica la seducción que operó sobre jóvenes poetas mexicanos, en particular, Xavier Villaurrutia, Gilbeto Owen y Salvador Novo.   The article wants to give an account of the reason for the prodigal son in Mexican literature of the Decade of the twenties of the last century. The character of the parable from his appearance was relegating another traveller who had aroused interest and curiosity in the early years of that decade, Ulysses, of resonance vasconcelistas. The complexity of the prodigal explains the seduction that operated on young Mexican poets, in particular, Xavier Villaurrutia, Gilbeto Owen and Salvador Novo.


2021 ◽  
Vol 14 (2) ◽  
pp. 82-114
Author(s):  
Vladimír Kremsa ◽  
Florin Žigrai

Abstract Context:The impulse to write this contribution was the effort of co-authors to bring the European landscape ecologist closer to the development, research & didactic approaches and possible future development of landscape ecology in Mexico from the theoretical, metascientific and applied point of view. Purpose: The purpose of the metascientific approach, in this case meta-landscape ecological approach, is to increase the degree of generalization of existing empirical-methodological, theoretical-application and didactic knowledge and results of landscape-ecological research, so that generally valid landscapeecological regularities and principles can be determined The aim was to acquire new generalizing and holistic qualities and perspectives in the field of landscape ecology in Mexico at this level. Methods: The two-step methodical procedure was elaborated, using metascientifically oriented landscape ecological and ecological Mexican literature, complemented by our studies and personal experience. Results: In this way, new knowledge, representing the added value and meaning of landscape ecologicalevolution, research, education and future development in Mexico was gained. It will serve also to Mexican landscap ecologists. Conclusiones: Mexican landscape ecology, lying at the intersection of European and American landscape ecology, can be described as integrative, idiographic-nomothetic at the spatial level of the landscape in the contact zone of European and American research approaches and principles.


Author(s):  
Gerardo Castillo Carrillo

Resumen En el presente escrito se realiza una revisión extratextual de la denominada narconovela mexicana (1990 a 2014), en particular se analiza la génesis y evolución del género, a partir de los conceptos propuestos por el sociólogo Pierre Bourdieu. Asimismo, se sustenta como planteamiento central que esta vertiente literaria tiene su origen y consolidación, dentro del campo literario mexicano, principalmente, a la propuesta literaria de los escritores del norte de México, entre quienes destacan Élmer Mendoza, Eduardo Antonio Parra, Víctor Hugo Rascón Banda, entre otros. Abstract In this brief is an extra-textual review of the "so-called" Mexican narconovela (1990-2014). In particular, it discusses the genesis and evolution of the genre from the concepts proposed by the sociologist Pierre Bourdieu. It also supports as its central approach that this literary aspect has its origin and consolidation within Mexican literature, mainly the literary proposals of Northern Mexican writers, highlighted by individuals like Élmer Mendoza, Eduardo Antonio Parra, Víctor Hugo Rascón Banda; among others.


Sincronía ◽  
2021 ◽  
Vol XXV (79) ◽  
pp. 186-204
Author(s):  
Mariana Guadalupe Bueno Ibarra ◽  

Ignacio Manuel Altamirano’s narrative has been one of the testimonies more remarkable of Mexican literature of the XIX century. Its study suggests many ways of approach to one of the more important historic and cultural time living in Mexico. The actual work analyses from the perspective of the ecocritic theory the fundamental importance of space and nature in literature. Clemencia is a novel that inscribes in the romanticism, nature develop in an open space with notables descriptions about mountains, plants, and gardens. The Ecocritics based its study in a natural perspective and about how it comes an active part in the narration; it gives a testimony of a concrete époque and reveals the relation between human / no-human. It is in Clemencia where this characteristic works in a space, where the natural world has and gives transcendental importance, a poetic scenery, nature, conforms for the nineteenth landscape in Guadalajara city.


2021 ◽  
Vol 37 (2) ◽  
pp. 176-196
Author(s):  
Amber Workman

Increasing literacy rates and engagement with reading as a cultural practice in Mexico has been the focus of many postrevolutionary programs, yet studies show that few Mexicans choose to read on a regular, voluntary basis. While the image of Mexicans as nonreaders is a common theme in contemporary Mexican literature and popular culture, few studies exist on the topic. This article analyzes representations of the nonreader in Rosa Beltrán’s novel Efectos secundarios (2011) and the relationship of these portrayals to citizenship, cultural policy and management, the cultural industry, and the effects of neoliberalism in twenty-first-century Mexico. While novels such as El último lector (Toscana 2004; The last reader) and advertising, such as that of the Gandhi bookstore chain, depict reading apathy as a personal failure on the part of Mexican citizens and a lack of volition to exercise what might be seen as a civic responsibility, Beltrán’s novel shows Mexican nonreaders as victims of a failed state marked by corruption, impunity, insecurity, and violence, which impede reading as a cultural practice. Because a reading public may be seen as vital for democracy, Beltrán’s novel invites critical engagement with key debates on reading and education policy, the politics of the Mexican publishing industry, and the effects of corruption and violence on the distribution of cultural goods.


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