Professionalisation and aesthetic values

2020 ◽  
pp. 35-45
Author(s):  
Andrew Edgar
Keyword(s):  
Aesthetic Values

To Study of Aesthetic Values of Some Traditional Worshiping Plants of Dang District

2012 ◽  
Vol 3 (4) ◽  
pp. 46-47
Author(s):  
DR. BHARAT A KUMBHAR ◽  
◽  
DR. PRAKASH J. DABGAR
Keyword(s):  
Aesthetic Values

Assessment of Color Stability of Treated Leathers with Silicone Oil and Polyethylene Glycol

2014 ◽  
Vol 1 (1) ◽  
pp. 24-34
Author(s):  
Alireza K. ◽  
Hossein Ahmadi ◽  
Mohsen Mohammadi
Keyword(s):  
Ascorbic Acid ◽  
Polyethylene Glycol ◽  
Treatment Process ◽  
Color Change ◽  
Silicone Oil ◽  
Accelerated Aging ◽  
Color Stability ◽  
Antioxidant Additive ◽  
Before And After ◽  
Aesthetic Values

Lubricants and leather dressings are the most common treatments of dry and water logged historical leathers. Color change has a great importance during the time and treatment process, due to visual and aesthetic values of historic leather relics. Polyethylene glycol (PEG) and silicone oil (SiO) are frequently used leather dressings in the conservation procedures. Therefore, color stability of treated leathers with PEG and SiO were investigated before and after heat accelerated aging. Moreover, application of ascorbic acid was evaluated as an antioxidant additive for PEG (PEG+AA).Color change after treatment and aging were studied by colorimetry technique in the CIE *L*a*b system. Results indicated to severe color alteration in PEG treated and aged leathers with or without ascorbic acid. Whereas, SiO treated samples showed better stability and minimum color shift after aging. Silicone oil was characterized as the best dressing for historical leathers with compared to PEG and PEG+AA, due to its high stability and aesthetical properties.

Gerak Tari Baris Tunggal dalam Fotografi Ekspresi Menggunakan Teknik Strobo Light

2014 ◽  
Author(s):  
Ida Bagus Candra Yana*
Keyword(s):  
Visual Arts ◽  
Dance Movement ◽  
Multiple Images ◽  
Strobe Light ◽  
Creative Idea ◽  
The Arts ◽  
Art Works ◽  
Art Photography ◽  
Aesthetic Values ◽  
Aesthetic Expression

Dance  photography  is  a  photo  shoot  on a  dance  movement  which  has  a  characteristic as  it  shows  on  a  particular  movement  with unique costumes. The arts of dance photography specifically describes through a specific thematic effect  with  an  aesthetic  and  creative  oncoming. Based on the photographer experience to capture the  light  together  with  his  aesthetic  expression on  movement  photography,  he  finally  presented the  visual  arts  on  Baris  Tunggal  Dance  in  art photography expressions using strobe light. Basically,  the  creative  works  focused on  the  dancer  movements  and  transformed  into photography  expression  which  blended  with aesthetic  and  creative  idea  (ideational)  also  the technical photo shoot capability (technical) of the photographer. The photo shoots technique chosen through a variety of consideration which oriented on practical implementations possibilities, resulting photographs  in  freeze,  blurred,  and  multiple-images  as  art  photography.  The  art  photograph includes  extrinsic  and  intrinsic  aesthetic  values through photo presentation. With the presence of this photography art works it was not only present Gerak Tari Baris Tunggal dalam Fotografi Ekspresi Menggunakan Teknik Strobo Light in the form of mere documentation but it was the art photography expression on creative and aesthetic level. Keywords:  movements,  Baris  Tunggal  Dance, photography expression, strobo-light * Dosen ISI Denpasar

Ч. АЙТМАТОВДУН «ТООЛОР КУЛАГАНДА» РОМАНЫНДАГЫ ПЕЙЗАЖДЫК СҮРӨТТӨӨЛӨР

2020 ◽  
pp. 92-94
Author(s):  
Н. Алтыкеева ◽  
Б. Ниясалиева
Keyword(s):  
Full Moon ◽  
The Novel ◽  
Additional Tool ◽  
The Sublime ◽  
The World ◽  
State Of Mind ◽  
Inner World ◽  
Aesthetic Values

Аннотация. Макалада романдын мазмунунан орун алган пейзаждык сүрөттөөлөр талкууланат. Пейзаждык сүрөттөөлөр чыгарманын көркөмдүүлүгүн, эстетикалык баалуулугун арттыруу менен катар эле каармандардын образын тереңден ачып берүүдө, окуялардын өнүгүп-өсүшү жана алдыда боло турган окуялар тууралуу окурманга маалымат берүүдө кошумча каражат катары колдонулат. Жазуучу романда пейзаждык сүрөттөөлөрдү өтө кылдат колдонгону байкалат. Алсак, тоо адамдагы улуулук жана бийиктикти айгинелейт, толукшуган ай жан- дүйнөнүн бөксөрбөй толуп турушун көрсөтөт, ачык асмандын алай-дүлөй түшкөн көрүнүшкө айланышы - каармандын ички сезими, уйгу-туйгу ойлонуусу, жан дүйнөсүнүн бурганак болушун ачып көрсөтүүдө маанилүү болсо, чабалекейлердин тынымсыз учуп чабалакташы, жан алакетке түшүп чыйпылдашы – алдыда боло турган кырсыктуу окуя тууралуу кабар берсе, согуштун апааты жашыл шибердин, бак-дарактардын күлгө айланышы, чымчык-куштардын күздү күтпөй кайдадыр учуп кетип жатышы менен түшүндүрүлөт. Tүйүндүү сөздөр: пейзаж. роман, идея, легенда, эпилог, каарман, негизги окуялар. Аннотация. В статье дается пейзажное описание. Пейзажное описание используется в произведении как дополнительное средство эстетических ценностей и помогает раскрыть образы героев, и действия произведения. Писатель в романе тонко использует пейзажное описание. Например горы возвышенное и самое ценное в человеке, а полная луна – счастливое душевное состояние человека, а превращение безоблачного неба в бущующий вид – указывает, как неспокойно в душе главного героя, его беспокойные мысли, как бушует его внутренний мир, а ласточки неспокойно летающие, предвещают несчастье, птицы улетающие раньше времени, превращение зелёной травы, деревьев в пепел предвещают ужасы войны. Ключевые слова: пейзаж. роман, идея, легенда, эпилог, герой, главное событие Annotation. The article discusses the landscape description. The landscape description is used in the work as an additional tool for aesthetic values and helps to reveal the images of heroes, and in the development of the action of the work/ The writer in the novel subtly uses the landscape description. The mountains are the sublime and the most valuable in a person, and the full moon is a happy state of mind of a person, and the transformation of a cloudless sky into a raging view indicates how restless the soul of the protagonist is, his restless thoughts. How his inner world is raging, and the swallows are restlessly flying, foreshadow the misfortune, the birds flying away ahead of time, the transformation of green grass, trees in the forehead the horrors of war. This article describes the idea of the story "Do not kill" which is given instead of the epilogue in the novel "When the mountains fall" which was written by Ch.Aitmatov. It considers the role of a story that calls to live in peace and to end wars that are occurring in the world. Keywords: Landscapе, novel, idea, legend, epilogue, hero, main event.

To The Problem Of Researching Individual Concepts In Author’s Texts

2020 ◽  
Vol 6 (1) ◽  
pp. 6-19
Author(s):  
Nadezhda V. Razumkova
Keyword(s):  
Intercultural Communication ◽  
Semantic Space ◽  
Individual Characteristics ◽  
Literary Translation ◽  
Anthropological Linguistics ◽  
Individual Concepts ◽  
And Gender ◽  
Further Development ◽  
Aesthetic Values ◽  
Individual Style

This article reviews the text concept studies on the material of a Russian poem and its translation into Chinese within the framework of the anthropological linguistics. The study of individual concepts, embodying the ethical and aesthetic values of a creative person, is relevant and promising for the further development of establishing their role in the implementation of a writer’s individual style in translation. The author analyzes the lexical-semantic space, which implements a fragment of the content of the universal concept of HOME, presented in the original and translated texts. The author presents a linguistic experiment carried out among Chinese students. Its purpose was to consider the cognitive (indicative, figurative, and situational) basis of the content of the translation and the degree of its compliance with the author’s intention. The tasks include the description of translation transformations as well as interpretation of the mental reactions of Chinese respondents. The results obtained indicate that the author’s representation of the HOME concept is achieved through the use of cognitive structures, associated with Russian traditional views. The representation of the discursive concept by interpreters is accompanied by cognitive refraction in terms of the associative development of thoughts. Literary translation is seen as an indirect act of intercultural communication, the subjects of which — the author, translator, and reader — have a set of individual characteristics, lining up on the principle of following an ethnic cultural standard to individual-emotional and gender marked manifestations.

Hundred Mile Aesthetics

2018 ◽  
Author(s):  
Dominic McIver Lopes
Keyword(s):  
Network Theory ◽  
Main Argument ◽  
Aesthetic Value ◽  
Psychological Traits ◽  
Aesthetic Practice ◽  
Almost All ◽  
Aesthetic Values

The main argument for the network theory of aesthetic value is that it better explains the facts about aesthetic activity than aesthetic hedonism. According to the network theory, an aesthetic value figures in a fact that lends weight to the proposition that it would be an aesthetic achievement for an agent to act in the context of an aesthetic practice. Each aesthetic practice has its own aesthetic profile, in which determinate aesthetic values are distinctively realized, and each has core aesthetic norms centred on its distinctive aesthetic profile. An account is given of the valence of aesthetic values. The theory explains why aesthetic experts disperse into almost all demographic niches, why they jointly inhabit the whole aesthetic universe, why they specialize by aesthetic domain, why they specialize by type of activity, why they specialize by activity and domain interacts, and why their expertise is rooted in relatively stable psychological traits.

Getting Practical

2018 ◽  
Author(s):  
Dominic McIver Lopes
Keyword(s):  
Network Theory ◽  
Mental Representations ◽  
Practical Reasons ◽  
Main Argument ◽  
Aesthetic Appreciation ◽  
Aesthetic Value ◽  
Aesthetic Property ◽  
Aesthetic Values ◽  
Aesthetic Reason

While the main argument for the network theory of aesthetic value is that it better explains the facts about aesthetic activity than does aesthetic hedonism, the two theories share some common assumptions. Aesthetic evaluations are mental representations that attribute aesthetic values to items. Aesthetic acts are acts based on aesthetic evaluations. Aesthetic values figure in aesthetic reasons, which are practical reasons. That is, an aesthetic reason lends weight to the proposition that an agent should perform some act—an act of aesthetic appreciation, for example. Hence, one task for a theory of aesthetic value is to state what makes some values aesthetic. A second is to state what makes it the case that an aesthetic property figures in a reason that lends weight to what an agent should do. Aesthetic hedonism and the network theory offer only to explain the practical normativity of aesthetic value.

Neo-Kantian Writings in Marburg, 1880–1889

2018 ◽  
Author(s):  
Frederick C. Beiser
Keyword(s):  
Final Section ◽  
Aesthetic Values

This chapter describes Cohen’s writings on philosophy in the 1880s, specifically his work on epistemology and aesthetics. It analyzes Cohen’s Das Princip der Unendliche Methode where Cohen advocates an analysis of sensibility into intelligible units called infinitesimals. This marks the beginning of his break with Kant’s dualism between understanding and sensibility. One section considers the second edition of Kants Theorie der Erfahrung, which brought many changes in his evolving philosophy. A final section deals with Cohen’s first foray into the field of aesthetics, his book Kants Begründung der Aesthetik. Cohen’s early aesthetics is interpreted as an attempt to reinstate classical aesthetic values against romanticism.

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