The 1960s student protests

2017 ◽  
pp. 95-109
Author(s):  
Robert Troschitz
Keyword(s):  
Author(s):  
Charlotte Galloway

Born in Lopburi, Thailand, Soonponsri graduated from Silpakorn University in 1962, and completed a Master of Fine Arts in sculpture and painting at the Otis Art Institute, Los Angeles in 1971. Throughout his career he has pushed the boundaries of institutional convention. While abstraction was popular with younger Thai artists such as Soonponsri in the 1960s, the National Exhibition of Art and Silpakorn University still favored more traditional works and approaches. Breakaway exhibitions arose, and Soonponsri was involved in one of the early shows held at the privately owned Bangkapi Gallery in 1964. He took on a politically active role following the pro-democracy student protests of 1973. Soonponsri became chairman of the Artists’ Front of Thailand, founded in 1974 with the aim of harnessing art in the quest to obtain democratic government. He was an organizer of the first Open Art Exhibition of Thailand, held in 1979 as a further challenge to the National Exhibition of Art. His activism contributed to significant change, and he later became a jury member for a revitalized National Art Exhibition. Soonponsri’s works are abstracted and emotive. In the early 1990s he was a lecturer at Silpakorn University with other well-known artists such as Ithipol Thangchalok.


Author(s):  
Ronald F. Inglehart

The degree to which people experience threats to their survival shapes their basic values. Throughout history, most people lived just above the starvation level, but in the years after World War II, unprecedented prosperity and social welfare safety nets launched an intergenerational shift from survival to self-expression values. When the first postwar birth cohort reached adulthood in the 1960s, student protests erupted, inaugurating pervasive cultural changes. Historically, a coherent set of pro-fertility norms evolved that limits women to producing as many children as possible and that stigmatizes any other form of sexual behavior not linked with reproduction. Because pro-fertility norms require people to repress strong drives, there is a built-in tension between them and their polar opposite, individual-choice norms. Throughout history, societies that lacked pro-fertility norms tended to die out, but in recent decades, a growing number of societies have attained high existential security, long life expectancy, and low infant mortality, opening the way for a shift from pro-fertility norms to individual-choice norms.


2019 ◽  
Vol 54 (2) ◽  
pp. 295-322 ◽  
Author(s):  
KATHERINE BALLANTYNE

This article examines 1960s student power debates at Tennessee universities. It makes three main arguments. First, student protests overin loco parentisrestrictions fit into an emerging student demand for autonomy more broadly, even in a politically and culturally conservative state like Tennessee. Second, these student power debates complicate the 1960s movements declension narrative, since Tennessee student activism peaked in 1970. Third, though black and white students both demanded greater personal autonomy, continued racial inequities on and off Tennessee campuses rendered their experiences distinct.


2020 ◽  
pp. 009614422095341
Author(s):  
Laura Bowie

West Berlin, a city emblematic of a fractured post-war society, provided the basis for the volatile student protests of 1968 where the youth sought to reclaim the city from its prescribed path. This article identifies the film camera as a probing tool of urban exploration during the 1960s through the films of Irena Vrkljan (1930−). As an “outsider” in the city, Vrkljan built on the work of many intellectuals in Berlin compelled by their urban experience to explore the connection between city and dweller. In contrast to the image of the 1960s as a period of upheaval, Vrkljan’s films offer a historically conscious and lyrical approach to the city that discovers alternative pasts and potential futures. Armed with a 16-mm camera and the writings of Kracauer and Simmel, an alternative West Berlin is uncovered where, in the words of Vrkljan, “it is possible to penetrate the fabric of the city.”


2018 ◽  
Vol 40 (3) ◽  
pp. 49-64
Author(s):  
Joanna Sondel-Cedarmas

CRITICISM OF “FASCIST NOSTALGIA” IN THE POLITICAL THOUGHT OF THE NEW RIGHTThe article analyses the way in which the Italian New Right perceived fascist traditions as cultivated by the Italian Social Movement Movimento Sociale Italiano. The New Right that was shaped in the period of student protests and marches in the 1960s and 1970s among the youth environment of the MSI strived for the ideological renewal of this party, in particular seeking to discard the so-called “Fascist Nostalgia” that had been dooming it to political exclusion. The party principally rejected Julius Evola’s integral traditionalism, which had been a point of reference for neo-fascist circles, and castigated the absence of contemporary cultural and ideological patterns of the Italian far right. Under the infl uence of the French idea of “Nouvelle Droit”, the Italian New Right was meant to be a metapolitical programme that assumed expanding of the traditional electorate with a simultaneous and direct impact on the civil society through taking up contemporary social and cultural topics, as well as fi ghting traditional dichotomy of the right and the left.


Author(s):  
Alys Moody

This chapter examines the questions raised about the role of art in the aftermath of the 1968 student protests in France and the US, as aesthetic autonomy was being absorbed into the university and the university itself was changing in response to the emergence of what in the US became known as “French theory.” Paul Auster, who was a student at Columbia in 1968 and spent the early 1970s in Paris, moves between these two milieus, using his commitment to the art of hunger to locate himself outside both. In the process, Auster reinvents the art of hunger in line with the preoccupations of his own historical moment, locating the beseiged author at the center of the tradition, and linking the art of hunger’s preoccupation with aesthetic autonomy to the 1960s’ and 1970s’ quest for personal authenticity.


Author(s):  
Aly Renwick

An inspiration for the many student’ protests and workers’ industrial struggles of the 1960s came from the black civil rights struggle in America and the worldwide opposition to the US war in Vietnam. When a civil rights struggle then started in Northern Ireland, many sixties activists in the UK began to make this a focus for their political work. In the early 1970s a number of them came together to form the Troops Out Movement (TOM). This chapter contributes to a history of the TOM that is yet to be written. Set in the context of 1960s activism, it examines the start of TOM in late 1973 in relation to the situation that erupted in Northern Ireland. This included the Civil Rights Movement and the Unionist reaction to it, discrimination and the Special Powers Act, the work of the Campaign for Democracy in Ulster at Westminster, and early protests in the UK against British political and military involvement. The chapter goes on to discuss the TOM’s campaign for the withdrawal of British troops, our work with the Labour Movement, and our influence on public opinion in Britain, including the evidence of polls indicating popular support for British withdrawal.


2019 ◽  
Vol 6 (1) ◽  
pp. 1-4
Author(s):  
Antonella Cagnolati ◽  
José Luis Hernández Huerta ◽  
Andrés Payà Rico

Thanks to an extraordinary synergy between many heterogeneous factors, the fertile seedlings planted in the Sixties flourished and bore fruit in the 1970s. Slowly, their branches entwined throughout Western society up until the end of that decade and beyond. The elements influencing this metamorphosis are brought to light and discussed in the rich, in-depth articles collected in this monographic issue of Espacio, Tiempo y Educación, entitled The Sixties Reloaded. Exploring social movements, student protests and youth rebellion –a new exploration of the decade that has generally been relegated to the body of sociological and philosophical research. They were rich and dense years: the goal of the younger generations was to create a new symbolic imaginary, which took shape through music, fashions and alternative lifestyles that stood out in stark contrast to those enjoyed by their parents and grandparents. They went to the streets to protest: they alarmed the politicians in power who tried to convey through the media a very simplified version of the young, so missing the most significant development in the 1960s –the youth taking on a new role, becoming visible in “other” places, beyond the traditional spaces for protest, fighting for pacifism and civil rights, in an attempt to unite the utopian desire to change the world with a recognition of a strong subjectivity.


2014 ◽  
Vol 38 (01) ◽  
pp. 102-129
Author(s):  
ALBERTO MARTÍN ÁLVAREZ ◽  
EUDALD CORTINA ORERO

AbstractUsing interviews with former militants and previously unpublished documents, this article traces the genesis and internal dynamics of the Ejército Revolucionario del Pueblo (People's Revolutionary Army, ERP) in El Salvador during the early years of its existence (1970–6). This period was marked by the inability of the ERP to maintain internal coherence or any consensus on revolutionary strategy, which led to a series of splits and internal fights over control of the organisation. The evidence marshalled in this case study sheds new light on the origins of the armed Salvadorean Left and thus contributes to a wider understanding of the processes of formation and internal dynamics of armed left-wing groups that emerged from the 1960s onwards in Latin America.


Author(s):  
Richard B. Mott ◽  
John J. Friel ◽  
Charles G. Waldman

X-rays are emitted from a relatively large volume in bulk samples, limiting the smallest features which are visible in X-ray maps. Beam spreading also hampers attempts to make geometric measurements of features based on their boundaries in X-ray maps. This has prompted recent interest in using low voltages, and consequently mapping L or M lines, in order to minimize the blurring of the maps.An alternative strategy draws on the extensive work in image restoration (deblurring) developed in space science and astronomy since the 1960s. A recent example is the restoration of images from the Hubble Space Telescope prior to its new optics. Extensive literature exists on the theory of image restoration. The simplest case and its correspondence with X-ray mapping parameters is shown in Figures 1 and 2.Using pixels much smaller than the X-ray volume, a small object of differing composition from the matrix generates a broad, low response. This shape corresponds to the point spread function (PSF). The observed X-ray map can be modeled as an “ideal” map, with an X-ray volume of zero, convolved with the PSF. Figure 2a shows the 1-dimensional case of a line profile across a thin layer. Figure 2b shows an idealized noise-free profile which is then convolved with the PSF to give the blurred profile of Figure 2c.


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