scholarly journals Uprising! Searching for new subjectivities in the Sixties. Introduction

2019 ◽  
Vol 6 (1) ◽  
pp. 1-4
Author(s):  
Antonella Cagnolati ◽  
José Luis Hernández Huerta ◽  
Andrés Payà Rico

Thanks to an extraordinary synergy between many heterogeneous factors, the fertile seedlings planted in the Sixties flourished and bore fruit in the 1970s. Slowly, their branches entwined throughout Western society up until the end of that decade and beyond. The elements influencing this metamorphosis are brought to light and discussed in the rich, in-depth articles collected in this monographic issue of Espacio, Tiempo y Educación, entitled The Sixties Reloaded. Exploring social movements, student protests and youth rebellion –a new exploration of the decade that has generally been relegated to the body of sociological and philosophical research. They were rich and dense years: the goal of the younger generations was to create a new symbolic imaginary, which took shape through music, fashions and alternative lifestyles that stood out in stark contrast to those enjoyed by their parents and grandparents. They went to the streets to protest: they alarmed the politicians in power who tried to convey through the media a very simplified version of the young, so missing the most significant development in the 1960s –the youth taking on a new role, becoming visible in “other” places, beyond the traditional spaces for protest, fighting for pacifism and civil rights, in an attempt to unite the utopian desire to change the world with a recognition of a strong subjectivity.

Author(s):  
Lane Demas

This chapter explores the decline of golf in America’s inner cities in the 1980s, subsequent efforts to increase minority participation, and the rise of Tiger Woods. Complicating the notion of Woods as a traditional, popular figure in sport desegregation, the narrative instead posits him as a reluctant civil rights hero, contextualizing his popularity and exploring why the media (and many golf fans) struggled to turn back the clock and fit Woods into the mold of historic black athletes. It was a process that future historians may consider a failure, not only because the traditional “civil rights era” was over but also because the young Woods himself asked not to be identified as “black” and instead told the world that he was “Cablinasian,” a term he coined to describe his multiracial heritage. The chapter features an analysis of Woods that draws on a comparison with other athletes, including lesser-known black golfers like Calvin Peete as well as superstars like basketball great Michael Jordan.


Author(s):  
Laura E.B. Key

Willard Maas (1906–71) was an American filmmaker and poet. He was known for his experimental style of filmmaking and was considered part of an avant-garde group of artists who worked in opposition to the commercial film industry. The types of films he made were sometimes referred to as "film poems" for their unconventional style, blurring the traditional distinction between the media of film and poetry. Maas was a literature professor by trade, working at Wagner College in New York City. Along with his wife, fellow filmmaker and artist Marie Menken, Maas was prominent in the New York art scene from the 1940s to the 1960s. Maas and Menken were founder members of the Gryphon Group, a set of like-minded artists who worked together on postwar experimental art and film projects. The couple was well-known for holding avant-garde salons at their Brooklyn apartment. Maas and Menken’s tempestuous relationship was well recorded, and they are cited as inspiration for the characters of George and Martha in Edward Albee’s play, Who’s Afraid of Virginia Woolf? (1962). Maas’s film credits as director include Geography of the Body (1943, with Marie Menken and George Barker), The Mechanics of Love (1955, with Ben Moore), Image in the Snow (1943–8), and Narcissus (1956, with Ben Moore).


Author(s):  
Michael F. Leruth

Chapter 3 considers Forest’s internet-based art from the mid-1990s through the present, with particular emphasis on ritualistic and festive manifestations of public liminality that take place online or make the internet an integral part of the event, and on more whimsical exercises in parody and the détournement of interfaces reminiscent of his early experiments with print and broadcast media. Works discussed in Chapter 3 includeFrom Casablanca to Locarno: Love Updated by the Internet and Electronic Media (1995),Time-Out (1998), The Techno-Wedding (1999), The Center of the World (1999), Territorial Outings (2001), Meat: The Territory of the Body and the Networked Body (2002), Memory Pictures (2005), The Experimental Research Center of the Territory (2008), The Traders’ Ball (2010), Ego Cyberstar and the Problem of Identity (2010), Ebb and Flow: The Internet Cave (2011), and Sociological Walk with Google Glass (2014). Chapter 3 also explains Forest’s unique position in the acrimonious “Quarrel of Contemporary Art” (Querelle de l’art contemporain) that raged among French intellectuals and in the media in the 1990s and early 2000s and highlights his contributions to France’s annual Internet Festival, which he helped create.


2019 ◽  
Author(s):  
Thomas Roessing

The second edition of this textbook provides a profound yet easy to read introduction to the complex theory of the spiral of silence. Having been developed by Elisabeth Noelle-Neumann since the 1960s, this theory endeavours to explain how the predominant opinions in a society change and how the media influences them. Since its development, this theory has evoked the interest of researchers all over the world and has therefore been examined and analysed in countless studies using a diverse array of methods. This book explains the spiral of silence theory, the methods used to research it, the most significant findings on it, and its social and political consequences.


2019 ◽  
Vol 11 (1) ◽  
Author(s):  
Philip Poe ◽  
Melody Fisher ◽  
Stephen Brandon ◽  
Darvelle Hutchins ◽  
Mark Goodman

In this article, we consider music as the praxis of ideology in the 1960s within the framework of Burke’s rhetoric of transformation. The 1960s were a period of cultural change in the United States and around the world—the civil rights movement, protests against the Vietnam War, challenges to communism in Eastern Europe, liberation politics around the world. The role of music as a unifying element among those people advocating change is well established in scholarship. We take that consideration of the role of music into a discussion of how music became the praxis of ideology, providing a place where millions of people could advocate for change and be part of the change by interacting with the music.


Author(s):  
Nadia Parastiwi ◽  
Rini Darmastuti

There have been various definitions of the Public Relation profession related to its purposes since its birth in the 1960s. The current research investigated is the meaning of the Public Relations profession for Public Relations students at Universitas Kristen Satya Wacana who, in the future, would work as Public Relations. This research was conducted using qualitative methods and a phenomenological approach. Three findings were presented in this article. First, the construction of the Public Relation profession depends on the body of knowledge, the ability to communicate and build relationships with the community, be creative, and have an attractive appearance. Second, the meaning of the Public Relation profession is constructed based on four references, namely the media and the surrounding community, materials and classes in higher education, from practitioners and developments in information technology. Third, the construction of the identity of the Public Relations profession through online shopping to improve self-image, obtain information on fashion developments, and the ability to select products selectively.


Author(s):  
Uta G. Poiger

This article traces the revolutions that raged Germany during the 1960s. This later part of the decade saw involvement of all and sundry in revolutions. The ‘Sixties’ — as a set of associations included greater autonomy of youth, anti-imperialist and anti-war activism, leftist aspirations to political revolt, sexual revolution, and women's emancipation. ‘1968’, in particular, functions as a myth, fostered by the participants in rebellion, their detractors, and the media. Both international connections and national politics shaped the 1960s rebellions — and the efforts to assess them ever since. This article presents the different manifestations of rebellions in East and West. It focuses on the relationship between reform and rebellion as a way of understanding the transformations and upheavals of the 1960s, especially in such areas as youth cultures and the entertainment industry, shifts in gender and sexual norms, challenges to the workings of political and educational institutions, and anti-colonialism.


Sarwahita ◽  
2021 ◽  
Vol 18 (01) ◽  
pp. 36-49
Author(s):  
Annisa Auliya ◽  
Aulia Siti Pathoni ◽  
Devi Aliefiyardi ◽  
Aulia Widowati ◽  
Nita Aresanti ◽  
...  

Abstract The COVID-19 pandemic occurred in many parts of the world has disrupted many aspects of life. One precaution to protect ourselves from this virus is cleaning our hands by using hand sanitizers and cleaning surfaces that are frequntly touched by using disinfectants. Therefore, there is tremendous need of this chemical substance in this pandemic era. This fact enforces people to make this chemical at home.. This homemade manufacture and use of sanitizers and disinfectants must be in accordance with the regulations, so that they don't cause any harmful effects for the body. This program is carried out with the aim of providing education to the community, especially residents of Duren Sawit Village. The media used in this program are Instagram and YouTube, and the materials were delivered in form of videos. Videos were uploaded to Instagram and YouTube on 2 – 23 June 2020. After that, a questionnaire was filled on 23 June – 1 July 2020. From the questionnaire data, it can be shown that the respondents have benefited from the video generally. The benefits obtained by the community were dealing with the functions and active ingredients contained in hand sanitizers and disinfectants; method of producing hand sanitizers and disinfectants; the importance of providing hand sanitizers and disinfectants at home; caution in using hand sanitizers and disinfectants; as well as the impact if there is a misuse of hand sanitizer or disinfectant. Through this program, it is expected that the community will be able to make and use sanitizers and disinfectants safely and effectively to achieve a healthier Indonesia. Abstrak Pandemi COVID-19 yang terjadi di berbagai belahan dunia mengakibatkan banyak aspek kehidupan terganggu. Salah satu tindakan pencegahan untuk melindungi diri kita dari virus ini adalah dengan membersihkan tangan menggunakan hand sanitizer dan membersihkan benda-benda yang sering tersentuh dengan disinfektan. Oleh karena itu, di masa pandemi kebutuhan bahan kimia tersebut meningkat tajam dan mendorong masyarakat untuk membuatnya sendiri di rumah. Pembuatan mandiri serta penggunaan hand sanitizer dan disinfektan ini harus sesuai aturan sehingga tidak menimbulkan efek yang tidak baik bagi tubuh. Program ini dilakukan dengan tujuan memberi edukasi kepada masyarakat, khususnya warga Kelurahan Duren Sawit, Kota Jakarta Timur. Materi disampaikan dengan video animasi melalui media Instagram dan YouTube. Video diunggah ke Instagram dan YouTube pada 2 – 23 Juni 2020. Setelah itu, dilakukan pengisian angket pada 23 Juni – 1 Juli 2020. Dari hasil angket, secara umum responden menyatakan sudah mendapatkan manfaat dari video yang dibagikan. Manfaat yang diperoleh masyarakat berupa fungsi, dan bahan aktif yang terkandung dalam hand sanitizer dan disinfektan; cara membuat hand sanitizer dan disinfektan; pentingnya penyediaan hand sanitizer dan disinfektan di rumah; beberapa peringatan dalam menggunakan hand sanitizer dan disinfektan; serta dampak yang ditimbulkan jika ada kesalahan dalam menggunakan hand sanitizer atau disinfektan. Melalui program ini diharapkan masyarakat mampu membuat serta menggunakan sanitizer dan disinfektan dengan aman dan efektif untuk mencapai Indonesia yang lebih sehat.


2021 ◽  
Vol 35 (35) ◽  
pp. 22-49
Author(s):  
Katarzyna Daniel

The Rohingya is an ethnic-religious Muslim minority that has struggled with serious human rights violations for decades. Indian migration to Burma, stimulated by British colonial rule, is pointed to as the main cause of the Muslim-Buddhist conflict. Although Indians in Burma currently constitute a fraction of the population (2.3%), resentment remained. The aim of the article is to analyze the threats to many aspects of the personal security of the Rohingya population. It is one of the most populous groups of stateless persons in the world; moreover, since the 1960s, this ethnic group has experienced oppression on a huge scale: from restrictions related to work and movement as well as difficult access to health care and education, through deprivation of civil rights , to physical violence and even death. All this is happening in the 21st century in front of the world. In order to better understand the Rohingya conflict with the Burmese army, the historical context and the course of the conflict were presented. The assistance activities of the European Union and possible solutions to this humanitarian crisis were also indicated.


1996 ◽  
Vol 8 (1) ◽  
pp. 106-143 ◽  
Author(s):  
W. J. Rorabaugh

In the 1960s three major sociopolitical movements, the New Left, Black Power, and feminism, arose in the United States. All three represented assaults on older ideas about the nature of authority, especially as expressed in a hierarchical fashion, all attached a premium to a sense of community, which was defined narrowly to include only members of each group, and all actively sought empowerment for themselves. The present essay examines this matrix. It begins by considering briefly the common historical background and early civil rights activity that influenced and to some extent linked all three movements. The essay then traces in turn each movement's beginning, development, and situation at the end of the Sixties. It explores how these movements shared certain values, expressed those ideas in different settings, and were interrelated in myriad, shifting ways. The overall complex interaction of these three movements suggests a common social critique that was greater than the sum of its parts.


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