Urban life and the city idea in the twentieth century

2017 ◽  
pp. 295-309
Author(s):  
Louise Young
Keyword(s):  
Twentieth Century ◽  
Urban Life ◽  
The City

Detecting Disorder

2016 ◽  
Author(s):  
Lila Caimari
Keyword(s):  
Twentieth Century ◽  
Buenos Aires ◽  
New Technologies ◽  
Urban Life ◽  
The City

Keeping order in the city is the oldest of police duties. In the 1820s, the Policía de Buenos Aires adopted the image of a watchful eye as their emblem, placing the symbol on their medallions, badges, and letterhead. This institution “never slept.” Watching the city by day, watching it by night, the police attempted to give the appearance of being the ubiquitous eyes of authority. This chapter focuses on the crisis and subsequent resurrection of this ideal during the first decades of the twentieth century. It traces this history into the 1930s, when the police began using the new technologies—radios and patrol cars—that fundamentally altered methods of perceiving and collecting information on urban life.

scholarly journals Inhabited Pasts: Monuments, Authority, and People in Delhi, 1912–1970s

2018 ◽  
Vol 77 (4) ◽  
pp. 1013-1035
Author(s):  
Deborah Sutton
Keyword(s):  
Twentieth Century ◽  
The State ◽  
Urban Life ◽  
Heritage Conservation ◽  
Urban Fabric ◽  
Wide Range ◽  
Commercial Opportunity ◽  
Splendid Isolation ◽  
The Relationship ◽  
The City

This article considers the relationship between the official, legislated claims of heritage conservation in India and the wide range of episodic and transitory inhabitations that have animated and transformed the monumental remains of the city, or rather cities, of Delhi. Delhi presents a spectrum of monumental structures that appear variously to either exist in splendid isolation from the rush of everyday urban life or to peek out amidst a palimpsest of unplanned, urban fabric. The repeated attempts of the state archaeological authorities to disambiguate heritage from the quotidian life of the city was frustrated by bureaucratic lapses, casual social occupations, and deliberate challenges. The monuments offered structural and spatial canvases for lives within the city, providing shelter, solitude, and the possibility of privacy, as well as devotional and commercial opportunity. The dominant comportment of the city's monuments during the twentieth century was a hybrid monumentality, in which the jealous, legislated custody of the state became anxious, ossified, and ineffectual. An acknowledgement and acceptance of the hybridity of Delhi's monuments offers an opportunity to reorient understandings of urban heritage.

Introduction to Richard Rogers

2006 ◽  
Author(s):  
James Attlee ◽  
Richard Rogers
Keyword(s):  
Twentieth Century ◽  
Public Discourse ◽  
Urban Landscape ◽  
Urban Life ◽  
Political Issues ◽  
Interior Spaces ◽  
The Face ◽  
Late Twentieth ◽  
Trafalgar Square ◽  
The City

It is surprising how few architects have come to grips with the crisis that faces the contemporary city. Richard Rogers is an exception. Over the last thirty years or so, the buildings that have made Rogers famous have been, as much as anything, explorations of the principles that have concerned him: flexibility, modernity, inclusivity, and sustainability. At the same time, in his writings and public discourse, he has been a passionate advocate of the city as a place of social and intellectual interchange, a democratic and architecturally stimulating environment. This vision is rooted as much in the civic ideals of the Italian Renaissance—Rogers was born in Florence—as in the late twentieth-century avant-garde. Many of the changes to the public face of London that have taken place over the last decade—the opening up of the river and the pedestrianization of Trafalgar Square are two examples—were called for by Rogers in architectural proposals, writings, and public statements published since the 1980s. Architecture, he has argued, cannot be detached from social and political issues. Increasingly, his words have had a prophetic edge, befitting his senior status within the profession and the cultural life of the nation. As one of the best-known architects on the planet, Rogers, at least potentially, has the ear of both government and business, the twin agencies holding the future of the urban landscape in their hands. For this reason alone, what he has to say merits close attention. Rogers first came to international prominence with the opening of the Pompidou Centre in the Beauborg area of central Paris, designed with his then partner, Renzo Piano, in 1976. One of the key buildings of the twentieth century, it changed the face of the French capital, creating a new cultural heart of the city. Rogers’s banishment of services to external ducts, creating vast open interior spaces, was to become a trademark further developed in the Lloyds Building in London, completed in 1984. Both structures celebrate urban life and activity, although one is a public and one a private space. The Beauborg has been compared to a giant climbing frame.

Review: Urban Latino Cultures: La Vida Latina en LA by Gustavo Leclerc, Raúl Villa, and Michael J. Dear (eds.)

1999 ◽  
Vol 22 (1) ◽  
pp. 126-128
Author(s):  
Catherine S. Ramirez
Keyword(s):  
Twentieth Century ◽  
Los Angeles ◽  
Mexican American ◽  
History Of ◽  
Crime Wave ◽  
Eighteenth And Nineteenth Centuries ◽  
The City ◽  
History Of Los Angeles

Throughout the twentieth century (and now the twenty-first), the specter of a Latina/o past, present, and future has haunted the myth of Los Angeles as a sunny, bucolic paradise. At the same time it has loomed behind narratives of the city as a dystopic, urban nightmare. In the 1940s Carey McWilliams pointed to the fabrication of a “Spanish fantasy heritage” that made Los Angeles the bygone home of fair señoritas, genteel caballeros and benevolent mission padres. Meanwhile, the dominant Angeleno press invented a “zoot” (read Mexican-American) crime wave. Unlike the aristocratic, European Californias/os of lore, the Mexican/American “gangsters” of the 1940s were described as racial mongrels. What's more, the newspapers explicitly identified them as the sons and daughters of immigrants-thus eliding any link they may have had to the Californias/os of the eighteenth and nineteenth centuries or to the history of Los Angeles in general.

Regeneration of a historic city block: the example of the relocation of the historic Atelier building to the cloister area of the Congregation of the Resurrection in Krakow

2019 ◽  
Vol 63 (1) ◽  
pp. 77-86 ◽  
Author(s):  
Bogusław Podhalański ◽  
Anna Połtowicz
Keyword(s):  
Twentieth Century ◽  
Cultural Heritage ◽  
Steel Structure ◽  
City Block ◽  
Raising Awareness ◽  
Straight Line ◽  
Heritage Buildings ◽  
Heritage Building ◽  
Historic City ◽  
The City

Abstract The article discusses a project that features the relocation of the historic Atelier building, built by Krakow-based architect Wandalin Beringer (1839–1923) who was active in the early twentieth century, and the regeneration of a plot belonging to the Congregation of the Resurrection since 1885, which is located at 12 Łobzowska Street in Krakow. The method includes cutting the entire structure off at the foundation and then after reinforcing it with a steel structure transporting it in its entirety to the new location. The project included two possible variants of moving the building in a straight line, either by 21 or 59 metres and evaluates two projects of further regeneration, the adaptive reuse of the building as an exhibition and religious space as well as a proposal for the remodelling of the nearby plot that belongs to the Congregation into a space for meditation and as a recreational park. The aim of these measures is to prevent the demolition of this building, now over a century old, as a result of which a forgotten element of the cultural heritage of the city will be saved. This project was based on the results of analyses of the cultural and historical conditions of Krakow. The block of buildings in which the Atelier in question is located is a very attractive location, near to the very centre of Krakow, adjacent to residential, service and educational buildings. It is directly adjacent to the Monastery Complex of the Congregation of the Resurrection, listed as a heritage building under conservation protection (municipal registry of heritage buildings). In the second half of the twentieth century, the building was used as a workroom by artists such as Xawery Dunikowski and later by the sculptress Teodora Stasiak. The case of the Atelier may provide an inspiration for discussion as well as raising awareness among citizens and city authorities to avoid future situations in which cultural heritage may become forgotten or demolished.

Perancangan Boneka Edukasi Terinspirasi oleh Pencipta Boneka Si Unyil

2018 ◽  
Vol 1 ◽  
Author(s):  
Azhari Amri
Keyword(s):  
Design Process ◽  
Urban Culture ◽  
Urban Life ◽  
Rural Region ◽  
The Public ◽  
The Creation ◽  
The Difference ◽  
The City ◽  
Simple Materials

Film Unyil puppet comes not just part of the entertainment world that can be enjoyed by people from the side of the story, music, and dialogue. However, there is more value in it which is a manifestation of the creator that can be absorbed into the charge for the benefit of educating the children of Indonesia to the public at large. The Unyil puppet created by the father of Drs. Suyadi is one of the works that are now widely known by the whole people of Indonesia. The process of creating a puppet Unyil done with simple materials and formation of character especially adapted to the realities of the existing rural region. Through this process, this research leads to the design process is fundamentally educational puppet inspired by the creation of Si Unyil puppet. The difference is the inspiring character created in this study is on the characters that exist in urban life, especially the city of Jakarta. Thus the results of this study are the pattern of how to shape the design of products through the creation of the puppet with the approach of urban culture.

Saving the Nation

2020 ◽  
Author(s):  
Thomas H. Reilly
Keyword(s):  
Twentieth Century ◽  
Social Reform ◽  
Social Role ◽  
Urban Life ◽  
Chinese Society ◽  
Social Revolution ◽  
Social Christianity ◽  
History Of ◽  
Urban Elite ◽  
Justice And Mercy

This book is a history of the Chinese Protestant elite and their contribution to building a new China in the years from 1922 to 1952. While a small percentage of China’s overall population, China’s Protestants constituted a large and influential segment of the urban elite. They exercised that influence through their churches, hospitals, and schools, especially the universities, and also through institutions such as the YMCA and the YWCA, whose membership was drawn from the modern sectors of urban life. These Protestant elites believed that they could best contribute to the building of a new China through their message of social Christianity, believing that Christianity could help make Chinese society strong, modern, and prosperous, but also characterized by justice and mercy. More than preaching a message, the Protestant elite also played a critical social role, through their institutions, broadening the appeal and impact of social movements, and imparting to them a greater sense of legitimacy. This history begins with the elite’s participation in social reform campaigns in the early twentieth century, continues with their efforts in resisting imperialism, and ends with their support for the Communist-led social revolution.

Introduction

2018 ◽  
Author(s):  
Avner de Shalit
Keyword(s):  
Comparative Study ◽  
The State ◽  
Urban Life ◽  
Political Rights ◽  
The City

Immigration should be discussed within the context of the city rather than the state because cities are now quite autonomous political entities and because nearly all immigrants settle in cities. Hence the meeting between locals and immigrants take place in the context of urban life rather than as citizens of the state. The book’s three questions are presented: should cities be in charge of deciding whether to allow immigrants to settle in the city? If yes, what local political rights should be granted to immigrants? And is there a model of integration which is superior to other models? The latter involved a comparative study of three such models, in Amsterdam, Berlin, and Jerusalem.

A Tower of Tangled Histories: The Upper Silesia Tower in Poznań and the Making of an Unromantic Poland, 1911–1955

Slavic Review ◽  
2020 ◽  
Vol 79 (3) ◽  
pp. 566-590
Author(s):  
Patryk Babiracki
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Cold War ◽  
World War I ◽  
Material Structure ◽  
World War ◽  
Upper Silesia ◽  
The Cold War ◽  
The City ◽  
Over Time

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań’s International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.

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