The Media in Forestry: Government, Governance and Social Visibility

2013 ◽  
Vol 2 (2) ◽  
pp. 137
Author(s):  
FERNANDO PERLI

<p><strong>Resumo:</strong> A formação do Movimento dos Trabalhadores Rurais Sem Terra (MST) marcou-se pelo envolvimento de entidades civis e religiosas na produção de diversos meios de comunicação. Dentre a variedade, os audiovisuais tornaram-se instrumentos cada vez mais recorrentes para a capacitação de quadros e a visibilidade social do MST. Na década de 1990, as coberturas dadas pela mídia e a ampliação dos mecanismos de divulgação do movimento social contribuíram para o desenvolvimento de projetos que incentivaram a produção de vídeos-documentários pelos sem-terra. O presente artigo suscita a análise das apropriações e produções de audiovisuais na organização do MST, considerando o sentido político do reconhecimento de audiovisuais para a divulgação do movimento social e o debate sobre o lugar ocupado por diferentes mecanismos de difusão de representações na luta pela reforma agrária.</p><p><strong>Palavras-chave:</strong> Audiovisuais – Movimentos sociais – Movimento dos Trabalhadores Rurais Sem-Terra.</p><p> </p><p><strong>Abstract:</strong> The formation of the Landless Rural Workers Movement (MST) was marked by the participation of civil and religious authorities in the production of various media. Among them, the audiovisual production became an increasingly recurrent instrument to train its cadre and to enable social visibility to the organization. In the 1990s, the media coverage and the expansion of dissemination mechanisms have contributed to the development of projects that stimulated the production of documentaries by the landless rural workers. This paper raises the analysis of appropriations and audiovisual productions within MST, considering the political sense of acknowledging the audiovisual as a means to disseminate the social movement as well as the debate on the place occupied by different diffusion mechanisms of representations in the struggle for agrarian reform.</p><p><strong>Keywords:</strong> Audiovisual – Social movement – Landless Rural Workers Movement.</p>


Author(s):  
Evelyn R. Ackerman ◽  
Gary D. Burnett

Advancements in state of the art high density Head/Disk retrieval systems has increased the demand for sophisticated failure analysis methods. From 1968 to 1974 the emphasis was on the number of tracks per inch. (TPI) ranging from 100 to 400 as summarized in Table 1. This emphasis shifted with the increase in densities to include the number of bits per inch (BPI). A bit is formed by magnetizing the Fe203 particles of the media in one direction and allowing magnetic heads to recognize specific data patterns. From 1977 to 1986 the tracks per inch increased from 470 to 1400 corresponding to an increase from 6300 to 10,800 bits per inch respectively. Due to the reduction in the bit and track sizes, build and operating environments of systems have become critical factors in media reliability.Using the Ferrofluid pattern developing technique, the scanning electron microscope can be a valuable diagnostic tool in the examination of failure sites on disks.


ASHA Leader ◽  
2013 ◽  
Vol 18 (2) ◽  
Keyword(s):  
Know How ◽  

How to use your local know-how to get the media to pay attention.


Crisis ◽  
2001 ◽  
Vol 22 (4) ◽  
pp. 163-169 ◽  
Author(s):  
R. Warwick Blood ◽  
Jane Pirkis

Summary: The body of evidence suggests that there is a causal association between nonfictional media reporting of suicide (in newspapers, on television, and in books) and actual suicide, and that there may be one between fictional media portrayal (in film and television, in music, and in plays) and actual suicide. This finding has been explained by social learning theory. The majority of studies upon which this finding is based fall into the media “effects tradition,” which has been criticized for its positivist-like approach that fails to take into account of media content or the capacity of audiences to make meaning out of messages. A cultural studies approach that relies on discourse and frame analyses to explore meanings, and that qualitatively examines the multiple meanings that audiences give to media messages, could complement the effects tradition. Together, these approaches have the potential to clarify the notion of what constitutes responsible reporting of suicide, and to broaden the framework for evaluating media performance.


Author(s):  
Eric L. Sprankle ◽  
Christian M. End ◽  
Miranda N. Bretz

Utilizing a 2 (lyrics: present or absent) × 2 (images: present or absent) design, this study examined the unique effects of sexually degrading music videos and music lyrics on males’ aggressive behavior toward women, as well as males’ endorsement of rape myths and sexual stereotypes. Under the guise of a media memory study, 187 male undergraduate students were randomly assigned to one of four conditions. Despite the many psychological theories predicting an effect, the presentation of sexually degrading content in a visual or auditory medium (or combination thereof) did not significantly alter the participants’ aggression and self-reported endorsement of rape myths and sexual stereotypes. The null findings challenge the many corporate and governmental restrictions placed on sexual content in the media over concern for harmful effects.


Author(s):  
Jeeyun Oh ◽  
Mun-Young Chung ◽  
Sangyong Han

Despite of the popularity of interactive movie trailers, rigorous research on one of the most apparent features of these interfaces – the level of user control – has been scarce. This study explored the effects of user control on users’ immersion and enjoyment of the movie trailers, moderated by the content type. We conducted a 2 (high user control versus low user control) × 2 (drama film trailer versus documentary film trailer) mixed-design factorial experiment. The results showed that the level of user control over movie trailer interfaces decreased users’ immersion when the trailer had an element of traditional story structure, such as a drama film trailer. Participants in the high user control condition answered that they were less fascinated with, absorbed in, focused on, mentally involved with, and emotionally affected by the movie trailer than participants in the low user control condition only with the drama movie trailer. The negative effects of user control on the level of immersion for the drama trailer translated into users’ enjoyment. The impact of user control over interfaces on immersion and enjoyment varies depending on the nature of the media content, which suggests a possible trade-off between the level of user control and entertainment outcomes.


2014 ◽  
Vol 45 (2) ◽  
pp. 112-126 ◽  
Author(s):  
Martin Latsch ◽  
Bettina Hannover

We investigated effects of the media’s portrayal of boys as “scholastic failures” on secondary school students. The negative portrayal induced stereotype threat (boys underperformed in reading), stereotype reactance (boys displayed stronger learning goals towards mathematics but not reading), and stereotype lift (girls performed better in reading but not in mathematics). Apparently, boys were motivated to disconfirm their group’s negative depiction, however, while they could successfully apply compensatory strategies when describing their learning goals, this motivation did not enable them to perform better. Overall the media portrayal thus contributes to the maintenance of gender stereotypes, by impairing boys’ and strengthening girls’ performance in female connoted domains and by prompting boys to align their learning goals to the gender connotation of the domain.


1991 ◽  
Vol 46 (4) ◽  
pp. 325-325
Author(s):  
No authorship indicated
Keyword(s):  

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