scholarly journals The State of Autonomies in Spain. Historical Roots of a Current Problem

2018 ◽  
pp. 7-15
Author(s):  
Ángel Herrerín López

During the last few months, ever years, in Spain, we have witnessed the worsening of the problem of Catalan nationalism and its claim to independence. Beyond the particularities of the Catalan issue, this question involves a broader need to restructuring a State capable of accommodating all regions in our country. This essay aims to look at the past and analyze how the Spanish Second Republic – a Democratic reference in current Spanish society – tried to rearticulate Spain’s regional and cultural diversity in such a tumultuous decade as that of the 1930s.

2021 ◽  
Vol 10 (78) ◽  

In addition to the way of expressing art from the past to the present, diversity of different methods and techniques are seen. The art world underwent a great change under the influence of modernism in the 20th century and lost its “Art object” uniqueness. As a result, painting and sculpture moved away from classical art understanding. The art formations of the period not only changed the production techniques and theories in art, but also changed the work of art and the place where it is exhibited. With the mechanization, the increase in mass production and the desire to consume different products brought the concept of object and waste-garbage phenomenon. Although it may seem like a current problem, this waste-garbage problem has always been the biggest problem of humanity since the early civilization. With the development of technology, the number of objects that qualify as garbage has been removed and it has become the material of art. In this article, the position of waste objects that have lost their function in contemporary art practices is discussed. In addition, it was aimed to analyze the artists' processes of transforming these objects into artworks by using the accumulation method, their techniques and their plastic approach to the subject. Keywords: Art, accumulation, waste, garbage, art object


Te Kaharoa ◽  
2018 ◽  
Vol 12 (1) ◽  
Author(s):  
Paul Moon ◽  
Melissa Derby

How do we account for the ideological orientation of so much of the literature produced by academics in New Zealand over the past three decades dealing with the state of the country’s indigenous population? Specifically, how do we explain the near uniformity in these works when addressing themes associated with the ongoing crises and trauma of colonisation, that are purportedly bearing down on Māori?  The self-evident response would be to take this literature at face value – observing the overtly Marxist architecture both of its arguments and the conceptualisation of the salient issues,[i] and unquestioningly assume that colonisation is indeed a current as well as historical phenomenon in New Zealand; that it imposes crises and trauma on the country’s indigenous population; that its causes are systemic; that the coloniser’s racism is the axiomatic governing principle upholding this process;[ii] that there is a culturally, politically, and ethnically monolithic entity known as ‘Māori’; and that Māori agency is so limited that the process appears destined to be perpetually ruinous.  This is an extraordinary series of contingent relationships, and obviously exposes itself to serious historical, political, sociological, and cultural critiques.    


2009 ◽  
Vol 4 (3) ◽  
pp. 31-45
Author(s):  
Ljiljana Gavrilović

The paper considers the concept of the conservation of cultural heritage that "belongs" or is ascribed to the state, and is located beyond its borders, that is, the manner in which the concepts of culture and heritage are constructed, and the (possible) conservation mechanisms that derive from differently defined frameworks of cultural heritage. It examines aspects of the concept of cultural diversity and heritage conservation that are at first glance hidden, namely ownership (the Judeo-Christian concept as the only possible/best of all), control (of territory, of the past and the future) and the power deriving from this. A question that is given special consideration is the relationship between identity politics as a globally supported and locally interpreted/implemented conceptualization of cultural heritage and the implementation of the UNESCO concept of culture, as a (seemingly) anti-globalization trend. It is shown that behind this relation there continues to lie a conflict between two great metanarratives (the Enlightenment and Romanticism), which have shaped western civilization over the last two centuries.


2017 ◽  
pp. 5-21 ◽  
Author(s):  
E. Yasin

The article is devoted to major events in the history of the post-Soviet economy, their influence on forming and development of modern Russia. The author considers stages of restructuring, market reforms, transformational crisis, and recovery growth (1999-2011), as well as a current period which started in2011 and is experiencing serious problems. The present situation is analyzed, four possible scenarios are put forward for Russia: “inertia”, “mobilization”, “decisive leap”, “gradual democratic development”. More than 30 experts were questioned in the process of working out the scenarios.


2019 ◽  
pp. 91-106 ◽  
Author(s):  
Rostislav I. Kapeliushnikov

Using published estimates of inequality for two countries (Russia and USA) the paper demonstrates that inequality measuring still remains in the state of “statistical cacophony”. Under this condition, it seems at least untimely to pass categorical normative judgments and offer radical political advice for governments. Moreover, the mere practice to draw normative conclusions from quantitative data is ethically invalid since ordinary people (non-intellectuals) tend to evaluate wealth and incomes as admissible or inadmissible not on the basis of their size but basing on whether they were obtained under observance or violations of the rules of “fair play”. The paper concludes that a current large-scale ideological campaign of “struggle against inequality” has been unleashed by left-wing intellectuals in order to strengthen even more their discursive power over the public.


Author(s):  
Josh Kun

Ever since the 1968 student movements and the events surrounding the Tlatelolco massacre, Mexico City rock bands have openly engaged with the intersection of music and memory. Their songs offer audiences a medium through which to come to terms with the events of the past as a means of praising a broken world, to borrow the poet Adam Zagajewski’s phrase. Contemporary songs such as Saúl Hernández’s “Fuerte” are a twenty-first-century voicing of the ceaseless revolutionary spirit that John Gibler has called “Mexico unconquered,” a current of rebellion and social hunger for justice that runs in the veins of Mexican history. They are the latest additions to what we might think about as “the Mexico unconquered songbook”: musical critiques of impunity and state violence that are rooted in the weaponry of memory, refusing to focus solely on the present and instead making connections with the political past. What Octavio Paz described as a “swash of blood” that swept across “the international subculture of the young” during the events in Tlatelolco Plaza on October 2, 1968, now becomes a refrain of musical memory and political consciousness that extends across eras and generations. That famous phrase of Paz’s is a reminder that these most recent Mexican musical interventions, these most recent formations of a Mexican subculture of the young, maintain a historically tested relationship to blood, death, loss, and violence.


Author(s):  
VICTOR BURLACHUK

At the end of the twentieth century, questions of a secondary nature suddenly became topical: what do we remember and who owns the memory? Memory as one of the mental characteristics of an individual’s activity is complemented by the concept of collective memory, which requires a different method of analysis than the activity of a separate individual. In the 1970s, a situation arose that gave rise to the so-called "historical politics" or "memory politics." If philosophical studies of memory problems of the 30’s and 40’s of the twentieth century were focused mainly on the peculiarities of perception of the past in the individual and collective consciousness and did not go beyond scientific discussions, then half a century later the situation has changed dramatically. The problem of memory has found its political sound: historians and sociologists, politicians and representatives of the media have entered the discourse on memory. Modern society, including all social, ethnic and family groups, has undergone a profound change in the traditional attitude towards the past, which has been associated with changes in the structure of government. In connection with the discrediting of the Soviet Union, the rapid decline of the Communist Party and its ideology, there was a collapse of Marxism, which provided for a certain model of time and history. The end of the revolutionary idea, a powerful vector that indicated the direction of historical time into the future, inevitably led to a rapid change in perception of the past. Three models of the future, which, according to Pierre Nora, defined the face of the past (the future as a restoration of the past, the future as progress and the future as a revolution) that existed until recently, have now lost their relevance. Today, absolute uncertainty hangs over the future. The inability to predict the future poses certain challenges to the present. The end of any teleology of history imposes on the present a debt of memory. Features of the life of memory, the specifics of its state and functioning directly affect the state of identity, both personal and collective. Distortion of memory, its incorrect work, and its ideological manipulation can give rise to an identity crisis. The memorial phenomenon is a certain political resource in a situation of severe socio-political breaks and changes. In the conditions of the economic crisis and in the absence of a real and clear program for future development, the state often seeks to turn memory into the main element of national consolidation.


Author(s):  
Walter Lowrie ◽  
Alastair Hannay

A small, insignificant-looking intellectual with absurdly long legs, Søren Kierkegaard (1813–1855) was a veritable Hans Christian Andersen caricature of a man. A strange combination of witty cosmopolite and melancholy introvert, he spent years writing under a series of fantastical pseudonyms, lavishing all the splendor of his mind on a seldom-appreciative world. He had a tragic love affair with a young girl, was dominated by an unforgettable Old Testament father, fought a sensational literary duel with a popular satiric magazine, and died in the midst of a violent quarrel with the state church for which he had once studied theology. Yet this iconoclast produced a number of brilliant books that have profoundly influenced modern thought. This classic biography presents a charming and warmly appreciative introduction to the life and work of the great Danish writer. It tells the story of Kierkegaard's emotionally turbulent life with a keen sense of drama and an acute understanding of how his life shaped his thought. The result is a wonderfully informative and entertaining portrait of one of the most important thinkers of the past two centuries.


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