scholarly journals HARDY AS A MODERN NOVELIST

2015 ◽  
Vol 54 (2) ◽  
pp. 57-67
Author(s):  
Saima Manzoor
Keyword(s):  
19Th Century ◽  
Psychological Disorders ◽  
Life Time ◽  
Broad Context ◽  
The Other ◽  
Long Time ◽  
The Common ◽  
Common Man ◽  
The 19Th Century

Hardy is the last of the Victorian and one of the most popular novelists of England. He, being an author of unique endowments, was not much esteemed in his life time. Hardy became the victim of stereotypical criticism and was badly ostracized by the ecclesiastical circles and the critics of his time as they merely focused on the depressing features of his fiction. This paper intends to reveal certain aspects of his work which remained neglected for a long time. The present study is designed to focus on those characteristics of his work which win the title of a modern novelist for him. Hardy was quite conscious of the shifting environment around him at the vogue of industrialization that left profound marks on his meditative temperament. His depiction of the 19th century scenario is dominated with clash and collision between innovation and tradition. His art deals with twofold aspects of modernity exposing the sanguine and gloomy consequences of modernity. Owing to such an approach of the writer he is regarded as a social realist and one of the earliest of the modern novelists. Hardy poignantly observes the pathetic condition of the labourers, on one hand, and the modern mechanical advancements, one the other, which were of little benefit for the common man in society. The current study is designed to focus upon his approach to the modern developments in the broad context of social and political changes. Hardy is a modern novelist as he concentrates on the current issues such as gender, class, social and psychological disorders, etc. He is a supporter of class and female liberation.

scholarly journals Recognition of two great contemporaries

Muzikologija ◽  
2015 ◽  
pp. 147-157
Author(s):  
Melita Milin
Keyword(s):  
19Th Century ◽  
Sigmund Freud ◽  
Academic Career ◽  
Common Denominator ◽  
Professional Goals ◽  
Long Time ◽  
The Common ◽  
The 19Th Century

The common denominator in the careers of two contemporaries and great men, citizens of Austria-Hungary - Leos Jan?cek and Sigmund Freud - was that, in spite of their status as outsiders, they managed to achieve well-deserved recognition. Both non-Germans, they had to surmount a number of obstacles in order to attain their professional goals. The Slavophile Jan?cek dreamed for a long time of success in Prague, which came at last in 1916, two years before a triumph in Vienna. Freud had serious difficulties in his academic career because of the strengthening of racial prejudices and national hatred which were especially marked at the end of the 19th century. After the dissolution of the Empire things changed for the better for the composer, whose works got an excellent reception in Austria and Germany, whereas the psychiatrist had to leave Vienna after the Anschluss.

Epidemics as Leisure Killers: The Transformation of Japan’s Entertainment Industry in the Second Half of the 19th Century

2021 ◽  
Vol 31 (1) ◽  
pp. 195-217
Keyword(s):  
19Th Century ◽  
Social Disorganization ◽  
The Other ◽  
Entertainment Industry ◽  
Economic Changes ◽  
The Past ◽  
The Common ◽  
The Individual ◽  
The 19Th Century

Among the various human attitudes toward a pandemic, along with fear, despair and anger, there is also an urge to praise the catastrophe or imbue it with some sort of hope. In 2020 such hopes were voiced in the stream of all the other COVID-19 reactions and interpretations in the form of predictions of imminent social, political or economic changes that may or must be brought on by the pandemic, or as calls to “rise above” the common human sentiment and see the pandemic as some sort of cruel-but-necessary bitter pill to cure human depravity or social disorganization. Is it really possible for a plague of any kind to be considered a relief? Or perhaps a just punishment? In order to assess the validity of such interpretations, this paper considers the artistic reactions to the pandemics of the past, specifically the images of the plague from Alexander Pushkin’s play Feast During the Plague, Antonin Artaud’s essay “The Theatre and the Plague” and Albert Camus’s novel The Plague. These works in different ways explore an attitude in which a plague can be praised in some respect. The plague can be a means of self-overcoming and purification for both an individual and for society. At the same time, Pushkin and Camus, each in his own way and by different means, show the illusory nature of that attitude. A mass catastrophe can reveal the resources already present in humankind, but it does not help either the individual or the society to progress.

scholarly journals Wprowadzenie do „Za kulisami” Cypriana Norwida

2021 ◽  
Vol 16 (11) ◽  
pp. 400-413
Author(s):  
Kazimierz Braun ◽  
Keyword(s):  
19Th Century ◽  
Ancient Greece ◽  
Life Time ◽  
The Other ◽  
Literary Adaptation ◽  
Use Of Space ◽  
Polish Literature ◽  
Space And Time ◽  
The 19Th Century ◽  
Adam Mickiewicz

Kazimierz Braun introduces his stage adaptation of “Behind the Wings”, a drama considered the crowning achievement of the poet/playwright, Cyprian Norwid (1821–1883). Behind the Wings is composed of two parts. The action of one part takes place in the 19th Century in Warsaw. The other is situated in ancient Greece around the 7th Century BC. Both parts are bound by the structure of “theatre within theatre”, popularized by Shakespeare in Hamlet. The Danish Prince uses the production of “The Murder of Gonzago” to unmask the murderer King. The hero of “Behind the Wings”, Omegitt, uses his play Tyrtaeus to unmask the moral degradation of his contemporaries. The action of the entire play (composed of these two parts) takes place in a theatre, where, during a carnival ball, among other attractions, “Tyrtaeus” is performed. “Behind the Wings”, as many of Norwid’s works, was not published during the author’s life time and was preserved with significant loopholes. Thus, for a production of this play the existing text must be adapted and transformed into a working scenario. The article discusses major obstacles which hinder the entrance to the great and complex dramatic edifice of “Behind the Wings” – such as the problems of the multitude of the characters, and the specific use of space and time by Norwid. In addition to the analysis of “Behind the Wings”, Kazimierz Braun recalls his own works on this play, beginning by his studies of Polish Literature at the Adam Mickiewicz University in Poznań and at the Directing Department, Warsaw’s School of Drama. During his long career he directed fifteen productions of Norwid’s texts, both in theatres and in television in Poland. A literary adaptation and a miseen- scène project of “Behind the Wings” prepared by Kazimierz Braun was published in a book: Cyprian Norwid, “Za kulisami”, opracowanie literackie i inscenizacyjne Kazimierz Braun, Wydawnictwo Pewne, Kielce 2021.

scholarly journals With no right to have rights. Conflict analysis and the common rights of the townsfolk of Rymanów in the latter half of the 19th century

2021 ◽  
Vol 18 (1) ◽  
pp. 20-38
Author(s):  
Joachim Popek ◽  
Keyword(s):  
Public Administration ◽  
19Th Century ◽  
The Other ◽  
National Commission ◽  
Official Document ◽  
The Public ◽  
Other Hand ◽  
The Common ◽  
The 19Th Century ◽  
The Town

This article concentrates on an inquest held by the local commission in Sanok into the common rights claimed by the inhabitants of the town of Rymanów in the latter half of the 19th century. The negotiations, which commenced in 1859, sometimes took a heated turn. They were attended by much conflict and misunderstanding, equally between the manor and the town as among the townsfolk themselves. Conclusions drawn from the analysis of the archive source provided the basis on which to evaluate the activities of each of the parties – the town’s agents and the landlords – and, interestingly, those of the commissioners and other officials in the public administration, whose decisions exhibited bias. The townsfolk began the negotiation from a position of certainty and conviction of the legal force of Prince Czartoryski’s privilege granting the disputed common rights to them. The manor’s agent, on the other hand, took a bold position, which he consistently maintained. He disputed the authenticity of Czartoryski’s grant and even the fact that the Prince had ever held the manor. This approach ultimately proved successful. Attention is also drawn to the role played by local commissioners and the officials in the National Commission in Lviv, the latter making the most important decisions. The first phase demonstrates the commissioners’ influence on the original outcome. The rationale given for the second decision, on the other hand, shows the arbitrariness with which the Lviv Commission made its ruling, based on just one official document. Analysis of the proceedings highlights a more general trend prevalent in Galicia, first described in the example of Rymanów. This is a case in which two consecutive inquests in the same matter ultimately ended in a negative decision. In other words, the townsfolk’s claims were dismissed, and they were denied any common rights eligible for buyout or regulation.

On the nature of chemistry

2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri
Keyword(s):  
19Th Century ◽  
The Other ◽  
Recent History ◽  
History Of Chemistry ◽  
History Of ◽  
The One ◽  
Fundamental Unity ◽  
The 19Th Century

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>

La Nueva gramática de la lengua castellana de martínez de noboa

1997 ◽  
Vol 24 (1-2) ◽  
pp. 115-138
Author(s):  
Marina Maquieira
Keyword(s):  
19Th Century ◽  
The Other ◽  
The 19Th Century ◽  
Grammatical Tradition ◽  
Philosophical Grammar

Summary This paper examines a treatise on Spanish grammar, i.e., a particular grammar which follows the tradition of French philosophical grammar. Bachiller D. Antonio Martínez de Noboa’s work, published in 1839, appears in a century when the Spanish grammatical tradition is at its best. Texts like Vicente Salvá’s (1786–1849) and of course Andrés Bello’s (1781–1865) have in recent years attracted the attention of researchers. However, Martínez de Noboa’s work is much less known, although Gómez Asencio (1981, 1985) did highlight its importance in his two indispensable studies of the period between 1771 and 1847. The Nueva Gramática de la lengua Castellana is indebted to the framework set by José Gómez de Hermosilla (1835) and Jacobo Saqueniza (1828), although it does include some original observations. This paper examines the structure of the work in question and aims to show how it is in global terms a unified text combining different aspects, of which the most striking is without doubt the syntactic one. With this aim in mind certain specific examples of the analogy pertaining to syntax have been studied. First those he himself highlighted, e.g., the article/pronoun and verb and then those comments on syntax which are logically pertinent, e.g., conjunctions. Noboa himself was cited as was Saqueniza as having been responsible for the introduction of distinction between coordinate and subordinate conjunctions in Spanish grammar, along with the distinction between simple and complex clauses. On the purely syntactic level, it was also Noboa who refined the whole notion of verbal government. Finally, there is a brief summary of the section dedicated to pronunciation and spelling which are also considered by the author to be in some way related to the other parts of the grammar. In sum, what makes this work particularly interesting is undoubtedly the emphasis on syntax as more studies had been carried out on morphology than in any other area up until the 19th century and continued after Noboa to monopolise questions concerning grammar throughout this century.

Ein föderales Imperium?

2021 ◽  
Author(s):  
Patrick Rummel
Keyword(s):  
South Africa ◽  
New Zealand ◽  
Great Britain ◽  
British Empire ◽  
19Th Century ◽  
Military Personnel ◽  
The Other ◽  
The 19Th Century

The previously ignored model of Greek colonisation attracted numerous actors from the 19th century British empire: historians, politicians, administrators, military personnel, journalists or anonymous commentators used the ancient paradigm to advocate a global federation exclusively encompassing Great Britain and the settler colonies in Canada, Australia, New Zealand and South Africa. Unlike other historical templates, Greek colonisation could be viewed as innovative and unspent: innovative because of the possibility of combining empire and liberty and unspent due to its very novelty, which did not contain the ‘imperial vice’ the other models had so often shown and which had always led to their political and cultural decline.

Contraste, Dissonanzen, Missklänge: Zum Verhältnis von Idylle und Tourismus in literarischen Schweiz-Reisen des 19. Jahrhunderts (Ida Hahn-Hahn, Hans Christian Andersen)

2021 ◽  
Vol 50 (1) ◽  
pp. 34-56
Author(s):  
Christian Schmitt
Keyword(s):  
19Th Century ◽  
The Other ◽  
Hans Christian Andersen ◽  
The Aesthetic ◽  
The One ◽  
The 19Th Century ◽  
The Relationship

Abstract The discrepancy between common temporary expectations of Switzerland as idyll on the one hand, and the reality of its industrially organized tourism on the other, imposes irritations upon the touristic gaze. This article, then, traces the origins of this discrepancy and examines the relationship between Swiss idyll and tourism in the 19th century. The analyses of Ida Hahn-Hahn’s Eine Idylle and Hans Christian Andersen’s Iisjomfruen showcase different ways of relating idyll and tourism to one another as well as the aesthetic merit produced by this constellation.

ON DETERMINING THE SEX OF THE UNBORN CHILD

PEDIATRICS ◽  
1973 ◽  
Vol 52 (4) ◽  
pp. 541-541
Author(s):  
T. E. C.
Keyword(s):  
19Th Century ◽  
The Other ◽  
Unborn Child ◽  
Great Probability ◽  
The 19Th Century

Dr. Eugene Beckland, considered by some of his contemporaries to be the most distinguished French physiologist of the first half of the 19th century, offered the rules cited below for telling the sexes of children before they were born.* There are tolerably conclusive rules, for telling the sexes of children before they are born; and were I to be guided entirely by the testimony of my own experience, I would say, that these rules are infallible. Ladies experience more sickness with boys than with girls, probably because they are generally larger and more lively. Their foreign appetites are also of a stronger, better defined, and more natural character. For instance, with one they will long for meat, spiritous liquors, etc.; with the other, for chalk, isinglass, and various substances, which would be quite repugnant to her at other times. Anain roundness of form promises a boy; whereas when the tendency is nearly all to the front, and the hips and back give but little evidence of the lady's situation, the great probability is, that the little stranger is a girl. At all events, these indications never have deceived me.1

scholarly journals Kant, Nietzsche and the idealization of friendship into nihilism

2013 ◽  
Vol 54 (128) ◽  
pp. 401-417
Author(s):  
Paul van Tongeren
Keyword(s):  
19Th Century ◽  
Literary Imagination ◽  
The Other ◽  
Other Hand ◽  
History Of ◽  
The One ◽  
Articles Of Faith ◽  
The 19Th Century

Is friendship still possible under nihilistic conditions? Kant and Nietzsche are important stages in the history of the idealization of friendship, which leads inevitably to the problem of nihilism. Nietzsche himself claims on the one hand that only something like friendship can save us in our nihilistic condition, but on the other hand that precisely friendship has been unmasked and become impossible by these very conditions. It seems we are struck in the nihilistic paradox of not being allowed to believe in the possibility of what we cannot do without. Literary imagination since the 19th century seems to make us even more skeptical. Maybe Beckett provides an illustration of a way out that fits well to Nietzsche's claim that only "the most moderate, those who do not require any extreme articles of faith" will be able to cope with nihilism.

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