Jimmie Miller’s parents and me. Collaboration with Jimmie. Our Expressionist production antagonises ‘Theatre of Action’. Moscow Academy of Cinema and Theatre offers us a place. We decide to continue trying to work in the UK. Live by writing a film treatment. Jimmie proposes marriage. I refuse. The Peace Pledge Union asks us to produce Miracle at Verdun in Manchester. Return there to find our friends leaving for Spain to fight Franco. We produce Fuente Ovejuna. Harold Lever becomes our first Business Manager. I initiate interviews with real people for the BBC. Howard Goorney joins us for The Good Soldier Schwejk. Prepare the first Living Newspaper to be seen in UK.

Joan's Book ◽  
2016 ◽  
Artnodes ◽  
2021 ◽  
Author(s):  
Louise Mackenzie ◽  
Robertina Šebjanič ◽  
Karolina Żyniewicz ◽  
Isabel Burr Raty ◽  
Dalila Honorato

In April 2020, artists Robertina Šebjanič, Louise Mackenzie, Karolina Żyniewicz and Isabel Burr Raty were invited by Dalila Honorato to develop research on the theme of “Staying in Touch: post-coronavirus art curating” as part of the collaborative digital art residency Braiding Friction. Working remotely across Slovenia, the UK, Poland, Belgium, Greece, USA and Portugal the group developed a speculative fiction in which art is the virus and art practitioners act as frontline workers. Braiding historical and contemporary art, architectural and bio-art practices, the group developed potential futures for post-pandemic art spaces, resulting in a fictional account of a series of art exhibitions that coincide with a pandemic event. The research was synthesised in the form of a pseudo-documentary premiered by the Creative Europe project BioFriction on 23rd July 2020. This article presents the transcript of the pseudo-documentary “Staying in Touch” (Honorato, Mackenzie, Żyniewicz, Burr Raty, Šebjanič and Tavares 2020, 00:00:00 to 00:47:55), set in 2039: an ergodic narrative constructed as a self-ethnographic role-playing exercise by its contributors, where alter-egos Vess L, Arri Val, K-130, Soladite Carnelian and Anise Neuchâtel reflect on their curatorial practices before, during and after the pandemic. Whilst the narrative draws from many academic and contemporary influences, any references to historical events, real people or real locales are used fictitiously. Other names, characters, places or incidents are the product of the authors’ imagination, and any resemblance to actual events or locales or persons, living or dead, is entirely coincidental. “Staying in Touch” was edited by Pavel Tavares with the support of Cultivamos Cultura and included cameo appearances by artists Marta de Menezes, Yann Marussich and Adam Zaretsky. At its core, this work is a case study of artistic research and the possibilities of interactive engagement during the COVID-19 lockdown.


2018 ◽  
Vol 6 (1) ◽  
pp. 234-248 ◽  
Author(s):  
Liz Tomlin

AbstractIn this essay, I will examine the development of a growing trend of democratisation in British contemporary theatre that seeks to reject the expertise of playwrights, actors or professional ensembles in favour of verbatim material drawn from a range of the public selected for their ordinariness, or conceptual frameworks within which the audience themselves construct and perform the aesthetic content of the work.This essay seeks to highlight how the discursive and aesthetic framing of real people in this context can, in certain instances, be seen to reflect the construction of ‘real, ordinary people’ in the political discourse surrounding the 2016 EU Referendum in the UK. In both cases, ‘real people’ are understood to be in opposition to those who might be said to hold particular professional expertise and also, commonly, to those of a more privileged socio-economic status: the so-called ‘liberal elite.’ With reference to Rimini Protokoll’s 100 % Salford, The National Theatre of Great Britain’s My Country and Kaleider’s The Money I will suggest that this particular discourse of democratisation, in both politics and theatre, can too easily conceal the expertise that lies behind the construction of ‘real people’ and their narratives.


2020 ◽  
Vol 36 (12) ◽  
pp. 3932-3934
Author(s):  
Alon Bartal ◽  
Alexander Lachmann ◽  
Daniel J B Clarke ◽  
Allison H Seiden ◽  
Kathleen M Jagodnik ◽  
...  

Abstract Motivation Micro-blogging with Twitter to communicate new results, discuss ideas and share techniques is becoming central. While most Twitter users are real people, the Twitter API provides the opportunity to develop Twitter bots and to analyze global trends in tweets. Results EnrichrBot is a bot that tracks and tweets information about human genes implementing six principal functions: (i) tweeting information about under-studied genes including non-coding lncRNAs, (ii) replying to requests for information about genes, (iii) responding to GWASbot, another bot that tweets Manhattan plots from genome-wide association study analysis of the UK Biobank, (iv) tweeting randomly selected gene sets from the Enrichr database for analysis with Enrichr, (v) responding to mentions of human genes in tweets with additional information about these genes and (vi) tweeting a weekly report about the most trending genes on Twitter. Availability and implementation https://twitter.com/botenrichr; source code: https://github.com/MaayanLab/EnrichrBot. Supplementary information Supplementary data are available at Bioinformatics online.


Author(s):  
Caroline Tudor ◽  
George Cornish ◽  
Keith Spicer

Reflecting the international movement to widen access to public datasets, NSIs need to provide solid evidence not to publish data they believe may represent a disclosure risk. Under complementary legislation such as the UK Freedom of Information Act, theoretical risk assessments alone are often not enough to satisfy a court of law. The 2011 UK Census is a high-profile and rich data resource and outputs include detailed multivariate statistics down to local area level presenting potentially abundant disclosure risk. There is strong user demand for small cell counts unobscured by disclosure control. This paper uses the 2011 UK Census as an example to demonstrate the use of intruder testing in obtaining specific and practical evidence for disclosure protection. Using a structured approach with real people as intruders, original insight is gained into notions of disclosure and perceptions of how the data are protected.


2000 ◽  
Vol 111 (1) ◽  
pp. 78-90 ◽  
Author(s):  
C. R. M. Hay ◽  
T. P. Baglin ◽  
P. W. Collins ◽  
F. G. H. Hill ◽  
D. M. Keeling

2006 ◽  
Vol 175 (4S) ◽  
pp. 476-477
Author(s):  
Freddie C. Hamdy ◽  
Joanne Howson ◽  
Athene Lane ◽  
Jenny L. Donovan ◽  
David E. Neal

2006 ◽  
Vol 175 (4S) ◽  
pp. 210-210
Author(s):  
◽  
Freddie C. Hamdy ◽  
Athene Lane ◽  
David E. Neal ◽  
Malcolm Mason ◽  
...  
Keyword(s):  

2003 ◽  
Vol 2 (1) ◽  
pp. 131
Author(s):  
A ZAPHIRIOU ◽  
S ROBB ◽  
G MENDEZ ◽  
T MURRAYTHOMAS ◽  
S HARDMAN ◽  
...  

Crisis ◽  
2014 ◽  
Vol 35 (4) ◽  
pp. 268-272
Author(s):  
Sean Cross ◽  
Dinesh Bhugra ◽  
Paul I. Dargan ◽  
David M. Wood ◽  
Shaun L. Greene ◽  
...  

Background: Self-poisoning (overdose) is the commonest form of self-harm cases presenting to acute secondary care services in the UK, where there has been limited investigation of self-harm in black and minority ethnic communities. London has the UK’s most ethnically diverse areas but presents challenges in resident-based data collection due to the large number of hospitals. Aims: To investigate the rates and characteristics of self-poisoning presentations in two central London boroughs. Method: All incident cases of self-poisoning presentations of residents of Lambeth and Southwark were identified over a 12-month period through comprehensive acute and mental health trust data collection systems at multiple hospitals. Analysis was done using STATA 12.1. Results: A rate of 121.4/100,000 was recorded across a population of more than half a million residents. Women exceeded men in all measured ethnic groups. Black women presented 1.5 times more than white women. Gender ratios within ethnicities were marked. Among those aged younger than 24 years, black women were almost 7 times more likely to present than black men were. Conclusion: Self-poisoning is the commonest form of self-harm presentation to UK hospitals but population-based rates are rare. These results have implications for formulating and managing risk in clinical services for both minority ethnic women and men.


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