The Role of Cardinals’ Portraits in Venice

2021 ◽  
Author(s):  
Sarah Ferrari
Keyword(s):  
Sixteenth Century ◽  
Detailed Analysis ◽  
Visual Representations ◽  
Works Of Art

The most powerful Venetian cardinals in the sixteenth century were arguably those stemming from the Grimani family. This chapter presents a detailed analysis of the MS Morosini Grimani 270 in the Biblioteca del Museo Correr in Venice, focusing on drawings that illustrate the appointment of Grimani cardinals, alongside their portraits. The iconographic derivation of these drawings from existing works of art will be explored through comparison with painted portraits and other visual representations of the Grimani cardinals, some previously unidentified. The possible function of the included cardinal portraits, and the historical scenes relating to them will be investigated, considering the role of images of cardinals within the dynastic strategies and histories of certain families.

scholarly journals Brussels French une fois: Transfer-induced innovation or system-internal development?

2005 ◽  
Vol 8 (2) ◽  
pp. 145-157 ◽  
Author(s):  
JEANINE TREFFERS-DALLER
Keyword(s):  
Sixteenth Century ◽  
Detailed Analysis ◽  
Language Contact ◽  
Frequency Of Occurrence ◽  
Ample Evidence ◽  
Internal Development ◽  
Induced Innovation ◽  
Systemic Factors

In language contact studies, specific features of the contact languages are often seen to be the result of transfer (interference), but it remains difficult to disentangle the role of intra-systemic and inter-systemic factors. We propose to unravel these factors in the analysis of a feature of Brussels French which many researchers attribute to transfer from (Brussels) Dutch: the adverbial use of une fois. We compare the use of this particle in Brussels French with its occurrence in corpora of other varieties of French, including several that have not been influenced by a Germanic substrate or adstrate. A detailed analysis of the frequency of occurrence, the functions and the distribution of the particle over different syntactic positions shows that some uses of une fois can be traced back to sixteenth-century French, but that there is also ample evidence for overt and covert transfer (Mougeon and Beniak, 1991) from Brussels Dutch.

El concepto de tiranía en la obra de Antonio de Guevara

Moreana ◽  
2012 ◽  
Vol 49 (Number 189- (3-4) ◽  
pp. 21-40
Author(s):  
Eduardo A. Salas Romo
Keyword(s):  
Sixteenth Century ◽  
Detailed Analysis ◽  
New Meanings ◽  
European Renaissance

The aim of this paper is to elucidate a particular vision of the concept of tyranny as presented in the works of Antonio de Guevara (c.1480-1545), one of the most distinguished and influential Spanish scholars in the Sixteenth Century. Guevara contributed to the shaping of many meaningful terms and ideas that kindled the cultural ambiance of his days. Furthermore, this Spaniard’s writings establish a dialogue with the works by the leading figures of the European Renaissance, such as More’s Utopia, Erasmus’ Institutio principis christiani or The Courtier by Castiglione. The detailed analysis of Guevara’s texts will show how the Renaissance revitalized Classical motifs instilling into them new meanings. This is the case, for example, in the case of genres such as the Specula (Principis or Militis). Guevara claims for a proper education for both the prince and the court, concluding that sovereignty must be properly supported by the ethical (or even intellectual) principles of the monarch.

Russian Museum of Emperor Alexander III as a place of memory

2020 ◽  
Vol 2020 (11-1) ◽  
pp. 132-147
Author(s):  
Dmitry Rakovsky
Keyword(s):  
Comparative Analysis ◽  
Historical Consciousness ◽  
Russian Society ◽  
Museum Collection ◽  
Works Of Art ◽  
History Of ◽  
The Creation ◽  
Historical Representations

The main purpose of this article is to study the role of the Russian Museum in the formation of the historical consciousness of Russian society. In this context, the author examines the history of the creation of the Russian Museum of Emperor Alexander III and its pre-revolutionary collections that became the basis of this famous museum collection (in particular, the composition of the museum’s expositions for 1898 and 1915). Within the framework of the methodology proposed by the author, the works of art presented in the museum’s halls were selected and distributed according to the historical eras that they reflect, and a comparative analysis of changes in the composition of the expositions was also carried out. This approach made it possible to identify the most frequently encountered historical heroes, to consider the representation of their images in the museum’s expositions, and also to provide a systemic reconstruction of historical representations broadcast in its halls.

An Author as Literature. (Visual) Autofiction of Dorota Masłowska

2016 ◽  
Author(s):  
Anna Michalak
Keyword(s):  
New Media ◽  
Cultural Practices ◽  
Conceptual Art ◽  
Visual Representations ◽  
The Creation

Using the promotional meeting of Dorota Masłowska’s book "More than you can eat" (16 April 2015 in the Bar Studio, Warsaw), as a case study, the article examines the role author plays in it and try to show how the author itself can become the literature. As a result of the transformation of cultural practices associated with the new media, the author’s figure has gained much greater visibility which consequently changed its meaning. In the article, Masłowska’s artistic strategy is compared to visual autofiction in conceptual art and interpreted through the role of the performance and visual representations in the creation of the image or author’s brand.

Mechanisms for Unity

2018 ◽  
Author(s):  
Samuel K. Cohn, Jr.
Keyword(s):  
Eighteenth Century ◽  
Sixteenth Century ◽  
Black Death ◽  
Men And Women ◽  
The Poor ◽  
Works Of Art ◽  
The Face ◽  
The Church

This chapter investigates changes in mentalities after the Black Death, comparing practices never before analysed in this context—funerary and labour laws and processions to calm God’s anger. While processions were rare or conflictual as in Catania and Messina in 1348, these rituals during later plagues bound communities together in the face of disaster. The chapter then turns to another trend yet to be noticed by historians. Among the multitude of saints and blessed ones canonized from 1348 to the eighteenth century, the Church was deeply reluctant to honour, even name, any of the thousands who sacrificed their lives to succour plague victims, physically or spiritually, especially in 1348: the Church recognized no Black Death martyrs. By the sixteenth century, however, city-wide processions and other communal rituals bound communities together with charity for the poor, works of art, and charitable displays of thanksgiving to long-dead holy men and women.

scholarly journals ERASMUS AND JUAN LUIS VIVES ON RHETORICAL DECORUM AND POLITICS

2021 ◽  
pp. 1-22
Author(s):  
KAARLO HAVU
Keyword(s):  
Sixteenth Century ◽  
Political Rhetoric ◽  
Rhetorical Theory ◽  
History Of Rhetoric ◽  
Rhetorical Situation ◽  
Internal Development ◽  
Close Analysis ◽  
The Reformation ◽  
History Of

Abstract The article analyses the emergence of decorum (appropriateness) as a central concept of rhetorical theory in the early sixteenth-century writings of Erasmus and Juan Luis Vives. In rhetorical theory, decorum shifted the emphasis from formulaic rules to their creative application in concrete cases. In doing so, it emphasized a close analysis of the rhetorical situation (above all the preferences of the audience) and underscored the persuasive possibilities of civil conversation as opposed to passionate, adversarial rhetoric. The article argues that the stress put on decorum in early sixteenth-century theory is not just an internal development in the history of rhetoric but linked to far wider questions concerning the role of rhetoric in religious and secular lives. Decorum appears as a solution both to the divisiveness of language in the context of the Reformation and dynastic warfare of the early sixteenth century and as an adaptation of the republican tradition of political rhetoric to a changed, monarchical context. Erasmus and Vives maintained that decorum not only suppressed destructive passions and discord, but that it was only through polite and civil rhetoric (or conversation) that a truly effective persuasion was possible in a vast array of contexts.

Presidential Address: Tudor Government: The Points of Contact III. The Court

1976 ◽  
Vol 26 ◽  
pp. 211-228 ◽  
Author(s):  
G. R. Elton
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Presidential Address ◽  
The Political ◽  
Henry Viii ◽  
Interesting Topic ◽  
History Books

WHEN on the previous two occasions I discussed Parliament and Council as political centres, as institutions capable of assisting or undermining stability in the nation, I had to draw attention to quite a few unanswered questions. However, I also found a large amount of well established knowledge on which to rely. Now, in considering the role of the King's or Queen's Court, I stand more baffled than ever, more deserted. We all know that there was a Court, and we all use the term with frequent ease, but we seem to have taken it so much for granted that we have done almost nothing to investigate it seriously. Lavish descriptions abound of lavish occasions, both in the journalism of the sixteenth century and in the history books, but the sort of study which could really tell us what it was, what part it played in affairs, and even how things went there for this or that person, seems to be confined to a few important articles. At times it has all the appearance of a fully fledged institution; at others it seems to be no more than a convenient conceptual piece of shorthand, covering certain people, certain behaviour, certain attitudes. As so often, the shadows of the seventeenth century stretch back into the sixteenth, to obscure our vision. Analysts of the reigns of the first two Stuarts, endeavouring to explain the political troubles of that age, increasingly concentrate upon an alleged conflict between the Court and the Country; and so we are tempted, once again, to seek the prehistory of the ever interesting topic in the age of Elizabeth or even Henry VIII.

Factors that Impede or Facilitate Post-Conflict Justice Mechanisms?

2012 ◽  
Vol 12 (2) ◽  
pp. 193-217 ◽  
Author(s):  
Dawn L. Rothe ◽  
Scott Maggard
Keyword(s):  
Detailed Analysis ◽  
The State ◽  
Policy Implications ◽  
Empirical Testing ◽  
Power Politics ◽  
The Past ◽  
Post Conflict

This article provides an overview of post-conflict justice (PCJ) as well as a detailed analysis of factors that impede or facilitate the implementation of mechanisms to address the atrocities of a conflict. Grounded in an extensive new dataset, developed over the past three years, covering all conflicts in Africa between 1946 and 2009, we extend previous research by including empirical testing of previously untested assumptions and variables impacting PCJ, most notably, the role of power, politics, economics, and geo-strategic interests at the state and international political levels as well as combining previously tested variables amongst and between each other. Further, the aspects of PCJ, including conflicts where mechanisms were not deployed are included in the analysis along with those coded as symbolic in nature. We conclude by discussing the pragmatic issues associated with testing the concept of realpolitik and policy implications based on our analysis.

scholarly journals Ancient Pneumatics Transformed during the Early Modern Period

Nuncius ◽  
2014 ◽  
Vol 29 (1) ◽  
pp. 127-173 ◽  
Author(s):  
Matteo Valleriani
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Early Modern Period ◽  
Logical Structure ◽  
Exact Role ◽  
Ancient Technology ◽  
Ancient Science ◽  
Modern Period ◽  
Natural Philosophers

The paper aims to show how sixteenth century hydraulic and pneumatic engineers appropriated ancient science and technology – codified in the text of Hero of Alexandria’s Pneumatics – to enter into scientific discourse, for instance, with natural philosophers. They drew on the logical structure, content and narrative style passed down from antiquity to generate and codify their own theoretical approach and to document their new technological achievements. They did so by using the form of commented and enlarged editions, just as Aristotelian natural philosophers had been doing for centuries. The argument aims to detail the exact role of ancient science and the process of transformation it underwent during the early modern period. In particular, it aims to show how pneumatic engineers first tested the ancient technology codified by Hero while carrying out their own practical activities. Once these tests were successfully concluded, in the spirit of early modern humanism they finally presented these activities as being associated with the work of their discipline’s most authoritative author, Hero of Alexandria, whose technology was tested during the construction of the hydraulic and pneumatic system of the garden of Pratolino.

Julia Lombardo, “Somtuosa Meretrize“: A Portrait by Property

1988 ◽  
Vol 41 (1) ◽  
pp. 44-83 ◽  
Author(s):  
Cathy Santore
Keyword(s):  
Sixteenth Century

The examination of the life and times of Julia Lombardo through the inventories of her possessions (Appendices I & II) enhances our understanding of the role of the courtesan in sixteenth-century Venetian society. Conserved in the archives of the Istituzioni di Rico vero e di Educazione, they are the only inventories of a Venetian courtesan from the Renaissance which have come to light. These documents afford an intimate glimpse into the interior of a prostitute's home in a city renowned for such services. Julia herself invites a closer look by what she reveals and conceals in her Condiccion(Appendix III). In composing this statement of her assets, written in her own hand, she puts to use the wiles needed for success in her mestiere. Other documents excluded from the appendices but utilized in the text aid in developing a picture of this woman. The comments of her contemporaries augment the image.

Sign in / Sign up

Export Citation Format

Share Document