Stilte dirigeren. Michael Maierhofs gebruik van gedirigeerde en gemeten stiltes / Conducting Silence. Michael Maierhof’s use of conducted and measured silences

Forum+ ◽  
2019 ◽  
Vol 26 (3) ◽  
pp. 64-71
Author(s):  
Thomas R. Moore
Keyword(s):  
Performance Practice ◽  
The Other ◽  
And Performance

Stiltes zijn een essentieel onderdeel van muziek. Wanneer stilte nauwkeurig wordt gemeten, zoals in Michael Maierhofs Zonen 6 voor gitaarorkest, kan deze een hele compositie structureren en de luisteraar helpen om een stuk zin te geven. Het artistieke gebruik ervan heeft ook een dramatische invloed op de rol en de uitvoeringspraktijk van de dirigent. Precies 75% van Zonen 6 voor gitaarorkest van Michael Maierhof bestaat uit gecomponeerde en uitgemeten soundscapes, uitgevoerd door zeventien gitaristen. De andere 25% van het stuk bestaat uit afgemeten en gedirigeerde stilte. In dit artikel peilt Thomas Moore het artistieke gebruik van deze stiltes en onderzoekt hij de manier waarop zij de soundscapes omlijsten en helpen structureren. Ook het nut van de dirigent(e) tijdens deze stiltes wordt overwogen, net als de manieren waarop de dirigent(e) invloed uitoefent op de uitvoering door de gitaristen, en de perceptie van het stuk door het publiek.Silences are an essential part of music. When rigorously measured, like in Michael Maierhof's Zonen 6 for guitar orchestra, silences can structure an entire composition and help the listener make sense of a piece. Their artistic usage also has a dramatic affect on the conductor's role and performance practice. Exactly 75% of Michael Maierhof's Zonen 6 for guitar orchestra can be described as composed and metered soundscapes played and performed by seventeen guitar players. The other 25% of the piece is comprised of measured and conducted silence. In this article, Thomas Moore will delve in the artistic use of these silences and examine the manner in which they frame the soundscapes and help create structure. The use of the conductor throughout these silences will also be considered, as well as the possible ways in which this affects the guitarists' performance and the audience's perception of the piece.

Making the Archive and Archiving the Making: insights and outcomes from a major research project

2006 ◽  
Vol 11 (2) ◽  
pp. 143-147 ◽  
Author(s):  
SIMON WATERS
Keyword(s):  
Real Time ◽  
Performance Practice ◽  
Electroacoustic Music ◽  
The Other ◽  
Technical Level ◽  
Research Projects ◽  
Major Research ◽  
Research Project ◽  
Aesthetic Judgement ◽  
And Performance

This paper seeks to address some of the problems faced by those archiving an area of musical practice – electroacoustic music and the sonic arts – which is, by definition, involved with technologies which change and develop, and which unsurprisingly is itself in a state of flux and transformation. Drawing on the experience gained from two linked research projects – one looking at the development of the practice, the other seeking to archive it – it is suggested that the two apparently disparate areas of activity can be fruitfully regarded as overlapping in many respects. Both activities involve selection and aesthetic judgement, both strive for an elusive ‘completeness’ while acknowledging its impossibility, and at a technical level the strategies now emerging for searching and collating information from ‘separate’ archives look increasingly like the strategies used in some areas of ‘real-time’ composition and performance practice. It is argued that archivists of material from such a disparate and rapidly developing practice, rather than aiming for spurious ‘coverage’ of the field, should acknowledge and celebrate their difference from each other, while conforming to simple principles which will allow their archived content to be searched and collated dynamically by individual users, each querying and configuring the material optimally for their own purposes.

scholarly journals If not a shaman, then what?

Ethnologies ◽  
2008 ◽  
Vol 30 (1) ◽  
pp. 141-155
Author(s):  
Bridget Cauthery
Keyword(s):  
Indian Ocean ◽  
Human Activity ◽  
Performance Practice ◽  
Western Indian Ocean ◽  
Blind Spot ◽  
Entry Point ◽  
The Other ◽  
The West ◽  
And Performance

Abstract Reflecting on his fieldwork among the Malagasy speakers of Mayotte in the western Indian Ocean, Canadian anthropologist Michael Lambek questions why the West has such a “blind spot” when it comes to the human activity of trance. Querying the West’s blind spot has led me to argue that trance, as related in the ethnographic record, may be perceived as an attribute or characteristic of the Other. In this article, celebrated Canadian modern dancer Margie Gillis’ relationship with trance in her creative and performance practice is explored. Trance becomes an-Other entry point — one that has not been touched upon during Gillis’ lifetime — for interpreting both her role as a performer and her performing body.

ARTISTIC AND AESTHETIC EDUCATION AND MUSICAL PSYCHOTHERAPY OF A SPECIALIST’S TRAINING

2020 ◽  
Vol 384 (2) ◽  
pp. 222-232
Author(s):  
P. V. Menshikov ◽  
G. K. Kassymova ◽  
R. R. Gasanova ◽  
Y. V. Zaichikov ◽  
V. A. Berezovskaya ◽  
...  
Keyword(s):  
Performance Practice ◽  
Piano Music ◽  
Traumatic Experiences ◽  
Special Role ◽  
Native Culture ◽  
History Of ◽  
The Subject ◽  
And Performance ◽  
The Many ◽  
Special Meaning

A special role in the development of a pianist as a musician, composer and performer, as shown by the examples of the well-known, included in the history of art, and the most ordinary pianists, their listeners and admirers, lovers of piano music and music in general, are played by moments associated with psychotherapeutic abilities and music features. The purpose of the study is to comprehend the psychotherapeutic aspects of performing activities (using pianists as an example). The research method is a theoretical analysis of the psychotherapeutic aspects of performing activities: the study of the possibilities and functions of musical psychotherapy in the life of a musician as a “(self) psychotherapist” and “patient”. For almost any person, music acts as a way of self-understanding and understanding of the world, a way of self-realization, rethinking and overcoming life's difficulties - internal and external "blockages" of development, a way of saturating life with universal meanings, including a person in the richness of his native culture and universal culture as a whole. Art and, above all, its metaphorical nature help to bring out and realize internal experiences, provide an opportunity to look at one’s own experiences, problems and injuries from another perspective, to see a different meaning in them. In essence, we are talking about art therapy, including the art of writing and performing music - musical psychotherapy. However, for a musician, music has a special meaning, special significance. Musician - produces music, and, therefore, is not only an “object”, but also the subject of musical psychotherapy. The musician’s training includes preparing him as an individual and as a professional to perform functions that can be called psychotherapeutic: in the works of the most famous performers, as well as in the work of ordinary teachers, psychotherapeutic moments sometimes become key. Piano music and performance practice sets a certain “viewing angle” of life, and, in the case of traumatic experiences, a new way of understanding a difficult, traumatic and continuing to excite a person event, changing his attitude towards him. It helps to see something that was hidden in the hustle and bustle of everyday life or in the patterns of relationships familiar to a given culture. At the same time, while playing music or learning to play music, a person teaches to see the hidden and understand the many secrets of the human soul, the relationships of people.

Performance of two combine harvester header in soybean crops

2020 ◽  
Vol 13 (2) ◽  
pp. 1
Author(s):  
E. M. Samogim ◽  
T. C. Oliveira ◽  
Z. N. Figueiredo ◽  
J. M. B. Vanini
Keyword(s):  
Experimental Design ◽  
Crop Yield ◽  
Field Performance ◽  
Travel Speed ◽  
The Other ◽  
Combine Data ◽  
Mato Grosso ◽  
Tukey Test ◽  
Combine Harvester ◽  
And Performance

The combine harvest for soybean crops market are currently available two types of combine with header or platform, one of conventional with revolving reel with metal or plastic teeth to cause the cut crop to fall into the auger header and the other called "draper" headers that use a fabric or rubber apron instead of a cross auger, there are few test about performance of this combine header for soybean in Mato Grosso State. The aim of this work was to evaluate the soybean harvesting quantitative losses and performance using two types combine header in four travel speed. The experiment was conducted during soybean crops season 2014/15, the farm Tamboril in the municipality of Pontes e Lacerda, State of Mato Grosso. The was used the experimental design of randomized blocks, evaluating four forward harvesting speeds (4 km h-1, 5 km h-1, 6 km h-1 and 7 km h-1), the natural crops losses were analyzed, loss caused by the combine harvester (combine header, internal mechanisms and total losses) and was also estimated the  field performance of each combine. Data were submitted to analysis of variance by F test and compared of the average by Tukey test at 5% probability. The results show the draper header presents a smaller amount of total loss and in most crop yield when compared with the conventional cross auger.

Growth and Performance of Agriculture Sector in India

2015 ◽  
Vol 3 (2) ◽  
Author(s):  
Naresh Singla ◽  
Mamandeep Kaur
Keyword(s):  
Growth Rate ◽  
Capital Formation ◽  
The Other ◽  
Agricultural Credit ◽  
Agricultural Growth ◽  
Indian Economy ◽  
Agriculture Sector ◽  
Food Grain ◽  
And Performance ◽  
Agricultural Labourers

The growth of agriculture and allied sectors is critical for the Indian economy as about 49 percent of the population is directly or indirectly dependent on agriculture. During the last decade and so, the agriculture sector has undergone profound changes resulting in sharp deceleration in its growth. The study has attempted to analyze growth and performance of the agriculture sector in India since 1980-81 and tries to comprehend some of the factors responsible for the deceleration in growth. The study has shown that agriculture sector has been able to show tremendous improvement in expansion of area and production of food grain and non-food grain crops. However, there are so many underlying factors responsible for slowdown of the agricultural growth. Some of the factors identified include: Increase in area under non-agriculture uses, excessive dependence on rain fed farming, increase in number of agricultural labourers, reducing size of the operation holdings, over use of agri-inputs, inequity in the distribution of agriculture credit along with sharp deceleration in public gross capital formation in agriculture etc. The study pointed in order to achieve higher growth rate, there is a need to enhance the gross capital formation in agriculture sector particularly on irrigation so that more area can be brought under assured irrigation. Bringing equity in distribution of agricultural credit coupled with judicious and need-based agricultural inputs are some of the other recommendations drawn based upon the study.

Musical training improves memory for instrumental music, but not vocal music or words

2018 ◽  
Vol 48 (1) ◽  
pp. 150-159
Author(s):  
Jonathan M. P. Wilbiks ◽  
Sean Hutchins
Keyword(s):  
Instrumental Music ◽  
Musical Training ◽  
Vocal Music ◽  
Verbal Material ◽  
The Other ◽  
Musical Experience ◽  
Facilitative Effect ◽  
Musical Excerpts ◽  
And Performance ◽  
The Brain

In previous research, there exists some debate about the effects of musical training on memory for verbal material. The current research examines this relationship, while also considering musical training effects on memory for musical excerpts. Twenty individuals with musical training were tested and their results were compared to 20 age-matched individuals with no musical experience. Musically trained individuals demonstrated a higher level of memory for classical musical excerpts, with no significant differences for popular musical excerpts or for words. These findings are in support of previous research showing that while music and words overlap in terms of their processing in the brain, there is not necessarily a facilitative effect between training in one domain and performance in the other.

One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740-1840

Notes ◽  
1999 ◽  
Vol 55 (4) ◽  
pp. 907
Author(s):  
Tilden A. Russell ◽  
Valerie Walden
Keyword(s):  
Performance Practice ◽  
History Of ◽  
And Performance

The Relation between Angle of Display and Performance in a Prolonged Visual Task

1950 ◽  
Vol 2 (4) ◽  
pp. 176-181 ◽  
Author(s):  
D. C. Fraser
Keyword(s):  
Present Experiment ◽  
Visual Task ◽  
The Other ◽  
Vertical Position ◽  
Display Surface ◽  
Visual Tasks ◽  
And Performance

An experiment is described to test the relation between angle of display and performance in prolonged visual tasks, using the Clock Test in three positions of display surface, vertical, at an angle of 45 degrees to the horizontal, and horizontal. In every case the line of regard was kept at right-angles to the display surface. The results indicate that significantly fewer stimuli are missed in the vertical position of the display surface than in the other two. The deterioration observed in the second half-hour of the original Clock Test experiments was not found in the present experiment, and two possible reasons for this are discussed briefly.

Cognitive Reflection Task and Stumpers

2021 ◽  
Author(s):  
Wendy Ross ◽  
Frédéric Vallée-Tourangeau
Keyword(s):  
Cognitive Processes ◽  
Mental Model ◽  
The Other ◽  
Cognitive Reflection ◽  
Other Hand ◽  
And Performance ◽  
Shed Light

There is a type of riddle that Bar-Hillel, Noah and Frederick (2018) call “stumpers”. A stumper is a riddle which is initially intractable because the mental model or representation of the situation described in the riddle does not contain the vital information which is required to solve it. The Cognitive Reflection Task (CRT; Frederick, 2005) on the other hand relies on seemingly completely different cognitive processes. However, exploratory work from Bar-Hillel et al. (2019) suggests that success on stumpers correlates with performance on the CRT. This finding may shed light on the cognitive processes underlying both the resolution of stumpers and the CRT. We replicated the work from Bar-Hillel et al. (2019) suggesting a relationship between performance on the CRT and performance on stumpers as well as extending this to show a relationship between performance on the CRT-v. This may point to the underexplored importance of suppression in solving stumpers and traditional riddles.

Peak Signal-to-Noise Ratio Evaluation of Server Display Monitors and Client Display Monitors in a Digital Subtraction Angiography Devices

2020 ◽  
Vol 3 (1) ◽  
pp. 33-41
Author(s):  
Hwunjae Lee ◽  
◽  
Junhaeng Lee ◽  
Keyword(s):  
Signal To Noise Ratio ◽  
Information Loss ◽  
The Other ◽  
Digital Subtraction ◽  
Signal Distortion ◽  
Signal To Noise ◽  
Image Storage ◽  
And Performance ◽  
Pacs Server ◽  
Display Monitor

This study evaluated PSNR of server display monitor and client display monitor of DSA system. The signal is acquired and imaged during the surgery and stored in the PACS server. After that, distortion of the original signal is an important problem in the process of observation on the client monitor. There are many problems such as noise generated during compression and image storage/transmission in PACS, information loss during image storage and transmission, and deterioration in image quality when outputting medical images from a monitor. The equipment used for the experiment in this study was P's DSA. We used two types of monitors in our experiment, one is P’s company resolution 1280×1024 pixel monitor, and the other is W’s company resolution 1536×2048 pixel monitor. The PACS Program used MARO-view, and for the experiment, a PSNR measurement program using Visual C++ was implemented and used for the experiment. As a result of the experiment, the PSNR value of the kidney angiography image was 26.958dB, the PSNR value of the lung angiography image was 28.9174 dB, the PSNR value of the heart angiography image was 22.8315dB, and the PSNR value of the neck angiography image was 37.0319 dB, and the knee blood vessels image showed a PSNR value of 43.2052 dB, respectively. In conclusion, it can be seen that there is almost no signal distortion in the process of acquiring, storing, and transmitting images in PACS. However, it suggests that the image signal may be distorted depending on the resolution and performance of each monitor. Therefore, it will be necessary to evaluate the performance of the monitor and to maintain the performance.

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