scholarly journals ‘De vraag is deze: waarom is een akademisch neerlandicus zulk een heel ander mens dan een nederlands letterkundige?’

2014 ◽  
Vol 19 (2) ◽  
pp. 97-128 ◽  
Author(s):  
Marieke Winkler
Keyword(s):  
Literary Criticism ◽  
Public Discourse ◽  
Literary Studies ◽  
Philosophical Argument ◽  
Literary Field ◽  
The Public ◽  
Academic Position ◽  
History Of ◽  
The Way

Abstract The interrelation of public and academic literary criticism often leads to controversy within the literary field, especially when writers obtain an academic position. As Jo Tollebeek showed in Mannen van karakter (2011) and Nico Laan in Het belang van smaak (1996), the competition between the academic and public discourse on literature is inherent to the history of literary studies. What are the criteria for distinguishing public and academic criticism?This question is examined for the period 1925-1935 by taking the professorship of the poet and critic Albert Verwey (1865-1937) as a case study. Verwey legitimated his academic position by referring to Shelley and the concept of ‘imagination’ as a special source of knowledge. By doing so he presented an artistic and philosophical argument for appointing a poet as a professor of literature. Additionally, ten years later, Verwey revealed that he accepted the position in order to change the way literature was represented by traditional historiography. How did the activities of the poet, critic and academic relate to each other? How did Verwey position himself within, or in between, the academic and the public discourse on literature? And why does Verweys positioning problematize the relation between academic and non-academic literary criticism?

Institutional Forme

2020 ◽  
pp. 245-259
Author(s):  
Jeffrey Todd Knight
Keyword(s):  
Literary Criticism ◽  
Research Program ◽  
Book History ◽  
History Of The Book ◽  
Literary Studies ◽  
Social Discourse ◽  
Complex Structures ◽  
Aesthetic Sense ◽  
History Of

This chapter explores prospects for a reenergized history of the book amid the recent turn to a capacious formalism in literary studies that encompasses the sociopolitical reverberations of “form” in the traditional, aesthetic sense. The chapter argues that a key opening for book historians is the new formalists’ emphasis on the organizing power of institutions, something that book history implicitly engages in the course of its work but that literary criticism too often ignores or treats with hostility. Rereading D. F. McKenzie’s paradigm-setting proposals for a research program in the history of the book and using as a case-study that most literary of institutions, the library, I advocate a turn away from the field’s particularist mantra, “forms effect meaning,” toward McKenzie’s forgotten parallel claim that a sociology of texts “alerts us to the roles of institutions, and their own complex structures, in affecting the forms of social discourse, past and present.”

Haunted by ‘Lenore’: The Fragment as Gothic Form, Creative Practice and Textual Evolution

2021 ◽  
Vol 23 (2) ◽  
pp. 132-147
Author(s):  
Kirstin A. Mills
Keyword(s):  
Creative Practice ◽  
Critical Gap ◽  
Narrative Device ◽  
History Of ◽  
The Mind ◽  
The Way

This article examines the processes of fragmentation and haunting surrounding the explosion of competing translations, in 1796, of Gottfried August Bürger's German ballad ‘Lenore’. While the fragment has become known as a core narrative device of the Gothic, less attention has been paid to the ways that the fragment and fragmentation operate as dynamic, living phenomena within the Gothic's central processes of memory, inspiration, creation, dissemination and evolution. Taking ‘Lenore’ as a case study, this essay aims to redress this critical gap by illuminating the ways that fragmentation haunts the mind, the text, and the history of the Gothic as a process as much as a product. It demonstrates that fragmentation operates along lines of cannibalism, resurrection and haunting to establish a pattern of influence that paves the way for modern forms of gothic intertextuality and adaptation. Importantly, it thereby locates fragmentation as a process at the heart of the Gothic mode.

Mental Health Ontologies

2020 ◽  
Author(s):  
Janna Hastings
Keyword(s):  
Mental Health ◽  
Mental Illness ◽  
Public Discourse ◽  
Theoretical Frameworks ◽  
The Public ◽  
Holistic Understanding ◽  
Public Health Challenges ◽  
Health Related ◽  
The Media ◽  
The Way

Mental health presents one of the defining public health challenges of our time. Proponents of different conceptions of what mental illness is wage war for the hearts and minds of patients, practitioners, policy-makers, and the public. Debate and fragmentation around the nature of the entities that feature in the mental health domain divide resources and reduce progress. The way mental health is publicly discussed in the media has tangible effects, in terms of stigma, access to healthcare and resources, and private expectations of recovery. This book explores in detail the sorts of statements that are made about mental health in the media and public reporting of scientific research, grounding them in the wider context of the theoretical frameworks, assumptions and metaphors that they draw from. The author shows how a holistic understanding of the way that different aspects of mental illness are interrelated can be developed from evidence-based interpretation of the latest research findings. She offers some ideas about corrective, integrative approaches to discussing mental health-related matters publicly that may reduce the opposition between conceptualisations while still aiming to reduce stigma, shame and blame. In particular, she emphasises that discourse in the media needs to be anchored to an overview of all the research results across the field and argues that this could be achieved using new technological infrastructures. The author provides an integrative account of what mental health is, together with an improved understanding of the factors driving the persistence of oppositional accounts in the public discourse. The book will be of benefit to researchers, practitioners and students in the domain of mental health.

FROM THE HISTORY OF SCIENTIFIC-THEORETICAL RESEARCH OF ALISHER NAVOI’S HERITAGE(ON THE PAGES OF AZERBAIJANI LITERATURE AND LITERARY CRITICISM

2021 ◽  
Vol 1 (1) ◽  
pp. 146-152
Author(s):  
Almaz Ulvi Bi̇nnatova ◽  
Keyword(s):  
Literary Criticism ◽  
Research Work ◽  
Theoretical Research ◽  
Literary Studies ◽  
Systematic Research ◽  
History Of

The research work named “From the history of scientific-theoretical research of Alisher Navoi’s heritage (on the pages of Azerbaijani literature and literary criticism)” was grouped in several directions. In the systematic research within the sections named - 1. “The influence of Alisher Navoiy’s creativity on Azerbaijani literature”, 2. “The influence of Azerbaijani literature on the creativity of Alisher Navoiy”, 3. “Studying of Alisher Navoiy’s legacy in Azerbaijani literary studies

scholarly journals Art (and) Criticism: Hart Crane and David Siqueiros

Text Matters ◽  
2018 ◽  
pp. 229-243
Author(s):  
Alicja Piechucka
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Present Article ◽  
Art Criticism ◽  
Hart Crane ◽  
Historical Texts ◽  
Art And Literature ◽  
History Of ◽  
The Way

The article focuses on an analysis of Hart Crane’s essay “Note on the Paintings of David Siqueiros.” One of Crane’s few art-historical texts, the critical piece in question is first of all a tribute to the American poet’s friend, the Mexican painter David Siqueiros. The author of a portrait of Crane, Siqueiros is a major artist, one of the leading figures that marked the history of Mexican painting in the first half of the twentieth century. While it is interesting to delve into the way Crane approaches painting in general and Siqueiros’ oeuvre in particular, an analysis of the essay with which the present article is concerned is also worthwhile for another reason. Like many examples of art criticism—and literary criticism, for that matter—“Note on the Paintings of David Siqueiros” reveals a lot not only about the artist it revolves around, but also about its author, an artist in his own right. In a text written in the last year of his life, Hart Crane therefore voices concerns which have preoccupied him as a poet and which, more importantly, are central to modernist art and literature.

scholarly journals Does the apple fall far from the tree?: reviewing the communication of scientific information about GMOs

2021 ◽  
Author(s):  
Lauren Kirby
Keyword(s):  
Social Epistemology ◽  
Scientific Information ◽  
Public Understanding ◽  
Online Media ◽  
Online Content ◽  
The Public ◽  
Understanding Of Science ◽  
Textual Content ◽  
The Way

Online content is changing the way the public accesses and understands science. The staggering number of often conflicting online sources about science makes it difficult for the lay public to know where to turn in search of accurate scientific information. This project will examine how the nature of online content might be affecting how the public learns about science. Through textual content analyses, it will examine the chain of communication (scientists→online media→public) and document how scientific information evolves. Okanagan Specialty Fruits’ Arctic apple, a genetically modified organism (GMO) that has had the polyphenol oxidase (PPO) gene silenced, will be used as a case study. Three primary themes guide my research: the public understanding of science (PUS), the communication of risk and uncertainty, and social epistemology. The primacy of the PUS movement in public venues for science makes it an important theory for my project, while theories of risk/uncertainty and social epistemology will inform my analysis. My results suggest that: 1) stories about science often include over and understatements of uncertainties and risks; 2) online media stories apply rhetorical frames when reporting scientific information, but the way in which framing is used appears to be reflective of whether the author wishes to persuade their audience; and 3) the rhetorical frames used by online stories about science are not typically integrated into the public’s commentary in a meaningful way, supporting the notion that audiences are active rather than passive and that the public seeks out content that complements their pre-existing beliefs.

scholarly journals ISLAM, AGAMA TOLERANSI DAN CINTA DAMAI : (TELAAH ATAS NOVEL AYAT-AYAT CINTA KARYA HABIBURRAHMAN EL SHIRAZY)

2020 ◽  
Vol 1 (2) ◽  
pp. 70-89
Author(s):  
Ahmad Yasid ◽  
Moh Juhdi
Keyword(s):  
Public Space ◽  
Public Discourse ◽  
Legal Rule ◽  
The Public ◽  
Modern Times ◽  
Middle Way ◽  
History Of ◽  
Data Collection Technique ◽  
Role Of Religion

Abstract   Islam, religion of tolerance and love of peace is one of Habiburrahman El Shirazy’s, it is a study indicating the values ​​of love and tolerance of Islam in the modern public space area. This study used the underlying theory of the values ​​of love and tolerance as well as the role of Islam in modern times that has been developing in the public discourse that in the history of human civilization there are several things that must be understood that humans have the sense to differentiate between humans and other creatures. From this reason humans can do something to explore and explain things that are not known by others. The method that is used in data collection technique is documentation technique, because this study is descriptive qualitative. This study examines several things including the values of love and tolerance because accepting differences is a distinct pleasure for each particular societies in other words, not seeing other people as deviants or enemies but as partner to complement each other by having an equal position and equally valid and valuable as a way of managing life and living life both individually and collectively. Acceptance of differences demands changes in the legal rule in people's lives so that the role of religion in the modern public space area becomes a middle way to build diversity and a nature that must both appreciate and respect one another, this diversity is seen in the portrait of everyday life which then creates peace, and harmony in interacting with all elements of society.    

Europe's Path To Mars: The European Space Agency's Mars Express Mission

2011 ◽  
Vol 41 (2) ◽  
pp. 123-178 ◽  
Author(s):  
Arturo Russo
Keyword(s):  
Selection Process ◽  
European Space Agency ◽  
Management Approach ◽  
Mars Exploration ◽  
Mars Express ◽  
The Public ◽  
Science Programme ◽  
Space Agency ◽  
History Of

Mars Express is the first planetary mission accomplished by the European Space Agency (ESA). Launched in early June 2003, the spacecraft entered Mars's orbit on Christmas day of that year, demonstrating the new European commitment to planetary exploration. Following a failed attempt in the mid-1980s, two valid proposals for a European mission to Mars were submitted to ESA's decision-making bodies in the early 1990s, in step with renewed international interest in Mars exploration. Both were rejected, however, in the competitive selection process for the agency's Science Programme. Eventually, the Mars Express proposal emerged during a severe budgetary crisis in the mid-1990s as an exemplar of a “flexible mission” that could reduce project costs and development time. Its successful maneuvering through financial difficulties and conflicting scientific interests was due to the new management approach as well as to the public appeal of Mars exploration. In addition to providing a case study in the functioning of the ESA's Science Programme, the story of Mars Express discussed in this paper provides a case study in the functioning of the European Space Agency's Science Programme and suggests some general considerations on the peculiar position of space research in the general field of the history of science and technology.

Veronicas and Artists

2017 ◽  
Keyword(s):  
Contemporary Art ◽  
Religious Images ◽  
The Public ◽  
The Past ◽  
History Of Art ◽  
The Status ◽  
History Of ◽  
The Way ◽  
Contemporary Artists

Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.

The Intimate Life of the Nation

2020 ◽  
pp. 24-50
Author(s):  
Judith G. Coffin
Keyword(s):  
Social Science ◽  
Literary Criticism ◽  
Critical Reception ◽  
Philosophical Argument ◽  
Reading Public ◽  
Bodily Experience ◽  
The Public ◽  
Second Sex ◽  
Female Condition ◽  
Intimate Life

This chapter reconstructs how the public was introduced to The Second Sex, Simone de Beauvoir's most famous work, and considers its critical reception. It mentions reviewers and critics who saw themselves as custodians of literary standards and public taste, and held very firm and contrasting views on the broader reading public. It elaborates how the reviewers and critics' views provide new ways to understand Beauvoir's arguments and the expectations that took shape around her. The chapter describes The Second Sex as an eight-hundred-page manuscript that challenges philosophical argument, literary criticism, history, and social science, as well as provide a detailed description of sexual and bodily experience. It points out how The Second Sex was considered ahead-of-its time with its narrative of the philosophical reconsideration of the female condition or situation.

Sign in / Sign up

Export Citation Format

Share Document