scholarly journals 图示社会:中国大陆纸质媒介的新功能 : 以《新周刊》为例 [Mapping Society: The New Function of Print Media in Mainland China—the Case of New Weekly]

Author(s):  
Xiaolu Wang

Based on New Weekly, one of the most influential illustrated Chinese magazines focusing on social issues and phenomena, this paper deals with the new characteristics and functions of the Chinese print media today. By describing its development and cover story themes, I argue that the Chinese print media represented by New Weekly doesn’t simply demonstrate how such media attempts to attract readers by taking advantage of its own changing appearance and format, including its design, printing quality, level of advertisements, classification of themes, and so on. Rather, this media is manifesting a changing concpetualization of intellectuals in China today. The Chinese print media, then, has new characteristics. It no longer serves simply as an ideological ‘microphone’ or ‘mouthpiece,’ but rather observes and comments on social issues and phenomena in mainland China. In this way it reflects the changing conception and perception of intellectuals in its own approaches and perspectives. By tracing this historical development, I attempt to indicate that new media like New Weekly actively promotes consciousness of social issues, while reflecting how such consciousness has an impact on everyday life. Such new cultural functions indicate that the print media is able to play a major role in influencing, if not determining, Chinese public opinion.

2020 ◽  
Vol 7 (1) ◽  
pp. 120-148
Author(s):  
Stefania Travagnin

The interaction between religion and the new media has affected the perception that society has of religion, changed cardinal structures in the relationship between religious practice and religious authorities, and also transformed features and functions of the media. If we look at mainland China today, religious individuals and groups have their own WeChat and Weibo accounts, and internet websites; some believers operate solely in cyberspace and perform rituals online; and commercials often adopt religious symbols to brand nonreligious products. In other words, we find religious people or organizations that use (and even own) different media platforms as channels of communication; we also see that religious imageries are more and more put to use in the secular domain for nonreligious purposes. This article will analyze how and why Buddhists have resorted to social and digital media and even robotics to preach the Dharma and attract potential new followers, but also to redefine their public image in the wider Chinese society. This study also will ask whether the state has directed or merely engaged with this new Dharma media-enterprise, and in what way. In addressing these questions, one section of this article will explore the creation of the robot-monk Xian’er (at the Longquan Monastery, Beijing). Xian’er’s creation will be considered in relation to similar androids, placed in dialogue with the current debate on the use of robotics in religion, and viewed from posthumanist perspectives.


2014 ◽  
Vol 8 (2) ◽  
pp. 158-175 ◽  
Author(s):  
Alexander Chow

AbstractChristianity in mainland China has often been characterized as a religion for the marginalized of society. However, since the 1990s, there has been a growing phenomenon within the country’s burgeoning urban metropolises with an increasing number of urban intellectuals converting to Protestantism. This article explores the theology of several representatives of these urban intellectual Christians who make use of the teachings of John Calvin and his followers. This article will show that there is a strong theological interest in engaging in the public sphere around subjects like the rule of law, constitutionalism and a civil society. Although the representatives cited in this article have been described as ‘Chinese New Calvinists’ or ‘Christian public intellectuals’, it is proposed here that a more appropriate understanding of this growing and significant group is as Chinese public theologians.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Eliada Pampoulou ◽  
Donald R. Fuller

PurposeWhen the augmentative and alternative communication (ACC) model (Lloyd et al., 1990) was proposed, these components of symbols were not considered, nor were they contemplated when superordinate (Lloyd and Fuller, 1986) and subordinate levels (Fuller et al., 1992) of AAC symbol taxonomy were developed. The purpose of this paper is to revisit the ACC model and propose a new symbol classification system called multidimensional quaternary symbol continuum (MQSC)Design/methodology/approachThe field of AAC is evolving at a rapid rate in terms of its clinical, social, research and theoretical underpinnings. Advances in assessment and intervention methods, technology and social issues are all responsible to some degree for the significant changes that have occurred in the field of AAC over the last 30 years. For example, the number of aided symbol collections has increased almost exponentially over the past couple of decades. The proliferation of such a large variety of symbol collections represents a wide range of design attributes, physical attributes and linguistic characteristics for aided symbols and design attributes and linguistic characteristics for unaided symbols.FindingsTherefore, it may be time to revisit the AAC model and more specifically, one of its transmission processes referred to as the means to represent.Originality/valueThe focus of this theoretical paper then, is on the current classification of symbols, issues with respect to the current classification of symbols in terms of ambiguity of terminology and the evolution of symbols, and a proposal for a new means of classifying the means to represent.Peer reviewThe peer review history for this article is available at: https://publons.com/publon10.1108/JET-04-2021-0024


2011 ◽  
Vol 140 (1) ◽  
pp. 97-106 ◽  
Author(s):  
Emma Sherry ◽  
Angela Osborne

In 2008, Melbourne became the first Australian city to host the Homeless World Cup (HWC), an annual international sporting event that aims to raise the profile of homelessness and social marginalisation. This article first examines relevant print media articles relating to the HWC by identifying key themes through thematic and content analysis. It then examines the polarised reporting of the HWC by two print media outlets, The Age and the Herald Sun, and argues that each outlet's coverage served to reinforce its own established position on the key political and social issues, in this instance homelessness, asylum seeking and immigration. The divergence in the discourses constructed in each paper provides a demonstrative example of the capacity of the media to use events of all sorts to consolidate their political and commercial positions.


Prologia ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 21
Author(s):  
Elias Benny Alricoh ◽  
Sinta Paramita ◽  
Nigar Pandrianto

Technology is developing rapidly, technology products are created to provide convenience to the community, which is new media. When through the development of technology, the spread of comics is also widely spread, comics that were originally using print media are now developing using digital media. To disseminate comic content, digital comic authors now using social media to promote their comics to a large extent. So digital comic authors need a strategy to disseminate digital comic content, attract readers, and get collaborative offers to raise their name. In this research the authors used a descriptive qualitative analysis method, to find out the strategies used by Ghosty's comic authors in spreading, and raising their names. The author collected data by interviewing the author of Ghosty's Comic, and his friends at once readers to get the data needed in this research. The results of this reserach illustrate that it is important to use strategies to create interesting digital comic content so that the Ghosty's comics can get collaborations such as Tokopedia, Orang Tua Group, Line Webtoon.Teknologi berkembang dengan pesat, banyak produk teknologi diciptakan untuk memberikan kemudahan pada masyarakat, salah satunya adalah media baru. Saat melalui perkembangan teknologi medium penyebaran komik juga meluas, komik yang semula menggunakan media cetak kini berkembang menggunakan media digital. Untuk menyebarkan konten komik, pengarang komik digital kini menggunakan media sosial untuk mempromosikan komiknya ke kalangan yang luas. Maka pengarang komik digital memerlukan sebuah strategi untuk melakukan penyebaran konten komik digital, menarik pembaca, dan mendapatkan tawaran kolaborasi untuk membesarkan namanya. Pada penelitian ini penulis menggunakan metode kualitatif deskriptif analisis,  untuk mengetahui strategi yang digunakan pengarang komik Ghosty’s dalam menyebarkan, dan membesarkan namanya. Penulis mengumpulkan data dengan melakukan wawancara dengan pengarang komik Ghosty’s, dan teman sekaligus pembacanya untuk mendapatkan data yang diperlukan dalam penelitian ini. Hasil dari penelitian ini menggambarkan bahwa pentingnya menggunakan strategi untuk membuat konten komik digital yang menarik sehingga dengan besarnya nama komik Ghosty’s bisa mendapatkan kolaborasi seperti Tokopedia, Orang Tua Group, Line Webtoon.


2020 ◽  
Vol 11 (6) ◽  
pp. 937
Author(s):  
Hui Liu

The goal of college English teaching is not only to convey language knowledge and improve students’ language skills, but also closely related to the current political, economic, social and cultural realities. Its textbooks are largely a manifestation of the country’s dominant ideology and also the way the ruling class realizes social control. This study, based on Professor Apple’s theory of critical pedagogy, attempts to provide an insight into the most commonly used college EFL textbooks in Mainland China and show what and how ideologies and values are presented on the pages. Literature and content analysis methods are employed. The results reveal that the two sets of textbooks are imbued with the ideological ideas which center on the theme of "harmony", highlighting the peaceful coexistence between the country, society and individuals. Dominant ideologies have been implemented as the core spirit of textbook compilation, and the themes such as multiplicity, equality, tolerance and so on frequently appear in explicit and implicit ways. The implicitness of political ideologies, the prominence of economic development, the dominance of social issues, the awakening of individual consciousness, etc. are expressed and transmitted through EFL textbooks.


2014 ◽  
Vol 12 (1) ◽  
pp. 212-243 ◽  
Author(s):  
Eugenio Vega Pindado

Los medios digitales han sustituido progresivamente al papel como soporte de comunicación. Han hecho necesaria la existencia de dispositivos mecánicos para la lectura del los documentos que antes eran directamente manipulados por el lector. En el papel la disposición gráfica de textos e imágenes dependía de cada libro. La elección del tamaño, del formato y del color se hacía en función de la estructura de la obra. Sin embargo, en la era digital, la disposición gráfica depende del dispositivo que pone a disposición del lector los documentos. A pesar de sus ventajas evidentes para reordenar la información, han incorporado procedimientos interactivos de los medios impresos que guardaban relación con la habilidad del lector para mirar, leer y comprender la composición. Este trabajo analiza la pervivencia de los modelos gráficos de la interacción impresa en estos nuevos soportes.Digital media has gradually replaced paper as a medium of communication. These new media have need the existence of mechanical devices for reading documents that until now were directly manipulated by the reader. In printed paper graphical layout of text and images depended on each book. The choice of size, color and proportion was a consequence of the structure of the work. However, in digital age, graphic layout depends on the device that makes available documents to the reader. Despite its obvious advantages to reorder the information, have incorporated interactive procedures from print media that were relevant to the reader's ability to see, read and understand the whole layout. This paper analyzes the survival of graphical interaction models in these new media


2018 ◽  
Vol 11 (1) ◽  
pp. 71
Author(s):  
Mufti Nurlatifah

Aturan mengenai pers di Indonesia diatur oleh Undang-undang No.40 tahun 1999 tentang pers. Segala bentuk aktivitas jurnalisme, baik yang menggunakan media cetak, media penyiaran, dan media baru dilindungi dan dijamin oleh Undang-undang Pers. Pada perkembangannya, praktik jurnalistik pada media online tidak sesederhana formulasi pada undang-undang Pers. Ruang lingkup media baru yang menghadirkan sedemikian banyak kebaruan menghadirkan persoalan dilematis karena karakter media yang berbeda. Karakter media yang berbeda membuat aktivitas jurnalistik pada media baru juga mengalami pergeseran dan dinamika yang luar biasa. Hal ini pula yang kemudian menghadirkan persoalan dilematis di wilayah normatif dan etis. Berangkat dari asumsi tersebut, penelitian ini bermaksud ingin melihat bagaimana posisi Undang-undang Pers dalam ekosistem media baru. Penelitian ini berusaha menjawab posisi tersebut dalam dua aras. Pertama, penelitian ini hendak mengelaborasi bagaimana posisi Undang-undang Pers dalam konteks hukum media di Indonesia, baik dalam perspektif lex spesialis maupun perspektif lex generalis. Kedua, posisi Undang-undang Pers dalam penelitian ini dilihat dalam konteks empirik pada berbagai kasus jurnalisme media online di Indonesia. Konteks empirik ini lebih melihat pada bagaimana fakta yang terjadi di wilayah hukum dalam menanggapi berbagai persoalan terkait pers di media online.  Indonesian Law No. 40 in 1999 on Press regulate Indonesia press activity in print media, electronic media, and online media. This law not only regulate press activity in collecting and reporting information but also guarantee freedom of the press in all Indonesian platform media. However, online journalism practice not as simple as the law. New media ecosystem challenge journalism practice, ethics, and regulation to the new level. New media character change journalism in many aspect, such as commentary, accuracy, and media management. These changes brought new perspective to discuss about regulation for online journalism. This research want to answer, how Indonesian Press Law taking position in new media ecosystem. First, we can discuss this position by elaborate Indonesian Press Law in lex specialist or in lec generalis condition. Second, we can compare Indonesian online journalism case which use Indonesian Press Law to justice.


2012 ◽  
Vol 18 (2) ◽  
pp. 41 ◽  
Author(s):  
Denis Cryle

Commentary: The power of the print media lies not simply in its capacity to attack opponents, but in its unwillingness to grant timely or sufficient right of reply in its Op-Ed pages. Perhaps the greater regulation advocated by Finkelstein would begin to change this. Amid all the restructuring and the rivalry, the opportunity for a more comprehensive review of journalistic regulation, broached by Finkelstein, may well slip away in the cross currents of the Convergence Review, the prospect of new media mergers and acquisitions, precarious federal parliamentary politics, and the turmoil of the broadsheets themselves. Yet it is a debate that we have to have; like our protracted debt crisis, it cannot be postponed indefinitely.


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