VIAGENS ETNOGRÁFICAS ENTRE CACHOEIRA E SÃO FÉLIX

2019 ◽  
Vol 5 (1) ◽  
Author(s):  
Elder Pereira Ribeiro

SINOPSE:         Esse ensaio fotográfico traduz as minhas viagens etnográficas entre a cidade de Cachoeira e São Félix, no Recôncavo da Bahia. O que falar de Cachoeira e São Félix? Penso que são cidades históricas e culturais que me desperta o desejo pela riqueza bioancestrálica.A pesquisa etnográfica nos permite encontros, afetos, múltiplos conhecimentos, descobrimentos, e assim como já afirmou o antropólogo Marcio Goldman (2003), que defende a ideia de “catar folha”, obtendo resultados satisfatórios pouco a pouco, indo ali, indo cá, andando, e buscando as informações em campo. A partir daí entendo que todas as idas e vindas de viagens fez com que eu pudesse me reencontrar com a ancestralidade.Ao chegar em Cachoeira x São Félix conheci diversas pessoas que me acolheu de coração, como Ekedji Romilda de Sogbó da Roça do Ventura em Cachoeira, Babá Idelson de Ogum Megege do Terreiro Ogunjá em São Félix, Iyá Regina de Avimaje do Terreiro Huntologi, Professora Francisca Marques do (LEAA-Recôncavo), Udinaldo Neto e Letícia Catete do (PPGCS-UFRB) amigos ímpares, dentre outros. As fotos do ensaio em questão registra o meu percurso diário, festivo e turístico nas cidades já mencionadas acima.A diversidade religiosa dos terreiros é imensurável na cidade de Cachoeira x São Félix, porque pude conhecer Terreiros de Nação: Nagô, Nagô-Vodum, Ketu, Jeje Mahin e Angola. Participei da Lavagem de Cachoeira, em 2019, da Festa de Ogum, Oxum e Caboclos no Ogunjá em São Félix, em 2019, o Centenário do Terreiro Raíz de Ayrá, em 2019, e tantos outros espaços religiosos e não religiosos.Referência BibliográficaGOLDMAN, Marcio. 2003. “Os Tambores dos Mortos e os Tambores dos Vivos”. Etnografia, Antropologia e Política em Ilhéus, Bahia”. Revista de Antropológia, vol. 46, n. 2, São Paulo, USP. SINOPSIS:This photo essay reflects my ethnographic travels between the city of Cachoeira and São Félix, in the Recôncavo da Bahia. What about Cachoeira e São Félix? I think they are historical and cultural cities that arouse my desire for bio-estral richness.Ethnographic research allows us to find encounters, affections, multiple knowledge, discoveries, and as stated by anthropologist Marcio Goldman (2003), who defends the idea of “picking leaves”, getting satisfactory results little by little, going there, going here, walking, and seeking information in the field. From then on I understand that all the comings and goings of travels allowed me to rediscover my ancestry.Arriving in Cachoeira x São Félix I met several people who welcomed me from the heart, such as Ekedji Romilda from Sogbo da Roça do Ventura in Cachoeira, Babysitter Idelson from Ogum Megege from Terreiro Ogunjá in São Félix, Iyá Regina from Terreiro Huntologi Avimaje, Professor Francisca Marques do (LEAA-Recôncavo), Udinaldo Neto and Letícia Catete from (PPGCS-UFRB) odd friends, among others. The photos of the essay in question record my daily, festive and touristic journey in the cities already mentioned above.The religious diversity of the terreiros is immeasurable in the city of Cachoeira x São Félix, because I got to know Terreiros de Nação: Nagô, Nagô-Vodum, Ketu, Jeje Mahin and Angola. I participated in the Waterfall Wash in 2019, the Ogum, Oxum and Caboclos Festival in the Ogunjá in São Félix, in 2019, the Terreiro Raíz de Ayrá Centenary, in 2019, and many other religious and non-religious spaces.Bibliographic referenceGOLDMAN, Marcio. 2003. “The Drums of the Dead and the Drums of the Living”. Ethnography, Anthropology and Politics in Ilhéus, Bahia ”. Journal of Anthropology, vol. 46, no. 2, Sao Paulo, USP. Palavras-chave:Cachoeira; São Félix; Etnografia; Antropologia Visual. Keywords:Waterfall; Sao Felix; Ethnography; Visual anthropology. Ficha técnica:Autor: Elder Pereira RibeiroFotografias: Elder Pereira RibeiroDireção, Edição de Imagem e Texto: Elder Pereira Ribeiro Datasheet:Author: Elder Pereira RibeiroPhotographs: Elder Pereira RibeiroDirection, Image and Text Editing: Elder Pereira Ribeiro   

Crisis ◽  
2014 ◽  
Vol 35 (1) ◽  
pp. 5-9 ◽  
Author(s):  
Daniel Hideki Bando ◽  
Fernando Madalena Volpe

Background: In light of the few reports from intertropical latitudes and their conflicting results, we aimed to replicate and update the investigation of seasonal patterns of suicide occurrences in the city of São Paulo, Brazil. Methods: Data relating to male and female suicides were extracted from the Mortality Information Enhancement Program (PRO-AIM), the official health statistics of the municipality of São Paulo. Seasonality was assessed by studying distribution of suicides over time using cosinor analyses. Results: There were 6,916 registered suicides (76.7% men), with an average of 39.0 ± 7.0 observed suicides per month. For the total sample and for both sexes, cosinor analysis estimated a significant seasonal pattern. For the total sample and for males suicide peaked in November (late spring) with a trough in May–June (late autumn). For females, the estimated peak occurred in January, and the trough in June–July. Conclusions: A seasonal pattern of suicides was found for both males and females, peaking in spring/summer and dipping in fall/winter. The scarcity of reports from intertropical latitudes warrants promoting more studies in this area.


2001 ◽  
Vol 32 ◽  
pp. 407-408
Author(s):  
E. LANDULFO ◽  
A. PAPAYANNIS ◽  
A. ZANARDI DE FREITAS ◽  
M.P.P.. M. JORGE ◽  
N.D. VIEIRA JÚNIOR
Keyword(s):  

2021 ◽  
Vol 13 (11) ◽  
pp. 6185
Author(s):  
André Ruoppolo Biazoti ◽  
Angélica Campos Nakamura ◽  
Gustavo Nagib ◽  
Vitória Oliveira Pereira de Souza Leão ◽  
Giulia Giacchè ◽  
...  

During the initial months of the COVID-19 pandemic, farmers worldwide were greatly affected by disruptions in the food chain. In 2020, São Paulo city experienced most of the effects of the pandemic in Brazil, with 15,587 deaths through December 2020. Here, we describe the impacts of COVID-19 on urban agriculture (UA) in São Paulo from April to August 2020. We analyzed two governmental surveys of 2100 farmers from São Paulo state and 148 from São Paulo city and two qualitative surveys of volunteers from ten community gardens and seven urban farmers. Our data showed that 50% of the farmers were impacted by the pandemic with drops in sales, especially those that depended on intermediaries. Some farmers in the city adapted to novel sales channels, but 22% claimed that obtaining inputs became difficult. No municipal support was provided to UA in São Paulo, and pre-existing issues were exacerbated. Work on community gardens decreased, but no garden permanently closed. Post COVID-19, UA will have the challenge of maintaining local food chains established during the pandemic. Due to the increase in the price of inputs and the lack of technical assistance, governmental efforts should be implemented to support UA.


2005 ◽  
Vol 75 (1-2) ◽  
pp. 135-148 ◽  
Author(s):  
Regina Maura de Miranda ◽  
Maria de Fátima Andrade ◽  
Artemio Plana Fattori

2005 ◽  
Vol 16 (11) ◽  
pp. 1451-1460 ◽  
Author(s):  
Marilia Brasilio Rodrigues Camargo ◽  
Maysa Seabra Cendoroglo ◽  
Luiz Roberto Ramos ◽  
Maria do Rosario Dias de Oliveira Latorre ◽  
Gabriela Luporini Saraiva ◽  
...  

2014 ◽  
Vol 21 (1) ◽  
pp. 65-84 ◽  
Author(s):  
S. Silva-Sánchez ◽  
P.R. Jacobi
Keyword(s):  

2003 ◽  
Vol 89 (4) ◽  
pp. 870-871 ◽  
Author(s):  
L. E O. Yai ◽  
W. A. Cañon-Franco ◽  
V. C. Geraldi ◽  
M. E L. Summa ◽  
M. C G. O. Camargo ◽  
...  

2015 ◽  
Vol 31 (2) ◽  
pp. 172-176 ◽  
Author(s):  
Walter Ceretti-Júnior ◽  
Antônio Ralph Medeiros-Sousa ◽  
André Barretto Bruno Wilke ◽  
Regina Claudia Strobel ◽  
Lilian Dias Orico ◽  
...  

Author(s):  
Henrique Rochelle

Professional dancing in São Paulo, Brazil, developed from the 1950s on, with a constant and strong influence from modern dance. As modernism looked disapprovingly at ballet, seeing it as something from the past, prejudice grew in the city toward the form. Directors and choreographers of dance companies currently speak about ballet and contemporary ballet as something that is done, but always by others, never themselves. Even the word “ballet” is avoided, since it seems to diminish the works being discussed, as it became something strictly associated with dance training, and not professional dance. This chapter investigates the roots of ballet in São Paulo, discussing both its origins and the origins of its rejection, while pointing to the recent indications of its newfound public interest.


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